The Appointment

Samuel Okopi on Loss

As a child, I longed to be baptised. I cannot remember a time while growing up as a Pentecostal Christian, that the opportunity to be baptised presented itself to me. Baptism felt like a watershed moment from which I would rise a complete Christian.

My secondary school didn’t provide for Pentecostal services so I attended Anglican services instead. One Sunday, our reverend father announced that students who desired to be baptised were to register and attend baptismal classes. These classes would run throughout the term.

I was elated. My golden opportunity had come.

Classes started soon enough. As a junior student in boarding school, time is an archenemy, and the threat of senior students commandeering your time for their selfish purposes always looms. Still, I managed to attend virtually all the classes and committed to memory, the cryptic questions and answers contained in the catechism we were given.

The long awaited day of baptism finally came. We were to assemble at the chapel by 4 p.m. for onward procession to the river bank. I was writing Junior WAEC exams and luckily, the only paper I had that day ended by 2 p.m.

Halfway into the exams, our fine art teacher came into the hall and announced that students must obtain poster colour sets from her, that afternoon, for the fine arts exam holding the next day. Art is my great passion and doing well at it mattered to me. I submitted my answer sheet long before others and dashed to the studio to get my colour set.

I met the studio door locked. The fine art teacher came an hour and thirty minutes later. By that time, the area around the studio was swarming with students. I spent the next two hours hustling to get my set.

The battle finally ended. As I walked back to the hostel with my colour set, all I could think of was having a bath.

4 p.m. Chapel. Baptism. My appointment with spiritual death and resurrection!

The time was already 5.30 p.m. I jumped into my white trouser and white shirt and raced to the chapel.

There was no one in white-and-white when I arrived and I didn’t know the location of the river. An old man I recognised as one of the cleaners, walked by and I asked him what direction the students in white-and-white had taken. He pointed at the way I had come. I didn’t wait to hear him begin his statement.

I kept running even though I wasn’t sure where I was headed. Soon, I spotted an array of white-and-white marching towards my direction. Before long, I had caught up with them.

I saw my close friend—with whom I had memorised the catechism over the last twelve weeks—and anxiously asked him about the baptism. There were tears in his eyes. At that moment, I received a divine revelation that abiding in his eyes were not tears but the holy water of rebirth.

I lost myself to deep reflection over what had just happened as I turned back and walked a lonely footpath leading to my hostel. I had lost an opportunity that had eluded me for seven years. At some point, I met with the ground, wishing I could go under. The dirt, the weeds, and their budding relationship with my white-and-white deepened as I thrashed about, seeking the kind of catharsis that can come from shedding the waters of sorrow.

A wise man, who may remain unknown, once said: “Hell is the knowledge of opportunity lost; the place where the man I am comes face to face with the man I might have been.”

Two years later, I got another chance to meet the man I looked forward to becoming. And this time, the pain of memory ensued I kept my appointment for the meeting by the river.

© Samuel Okopi 2017

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

Photo Credit: https://pixabay.com/en/time-watch-clock-number-minute-1842099/

 

© Timi Yeseibo, 2017

 

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My Father’s Laughter

Christiana Udoh on Loss

It is too early for me to write about my father’s death, a loss that has forced me to grow forward and backwards in two months. These tears, inevitable as they might be, have come too soon.

Growing up, Father’s ill heath constituted our family’s reality. I knew his drugs the way that I know my siblings’ names. His vulnerability was the familiar foe that wreaked havoc on our emotions and finances, and yet bound us together, compelling compassion, sacrifice, and devotion. My siblings and I learned long ago that like love, family is a cherished rose with undesired thorns. You can’t enjoy the former without embracing the latter.

In November 2016, I went home after Father had surgery. I don’t know what I expected but it wasn’t what I found in the hospital ward. My father resembled an old, manhandled corpse that was still breathing. He’d turned fearful and violent because of a complication that had robbed him of his senses and memory. On most nights that I spent at the hospital, I felt like the helpless creature in a horror movie. But there was nothing unreal about the pain and fear that squeezed my heart and kept me awake.

Each time I gave him a bath or fed him or did any of the things he could no longer do for himself, I hoped that he understood and remembered what he meant to me.

As dusk fell on New Year’s Day, I sat by his side, his frail hands in mine, whispering his favourite Psalms and willing his breathing to normalize. He fell asleep as we waited for the nurse. So when she checked him and said he was dead, I said she was wrong. She had to be wrong because he could not be dead. Not after how hard we’d fought. Not at fifty-eight. Not before my siblings and I and our mother were ready to let him go.

In the weeks that followed Father’s passing, I went about life feeling nothing, wanting nothing. It seemed as though I had already exceeded my quota of emotion, even grief. Everyone thought I was in denial. How could I be? The man I loved most, the first one I ever loved, had died in my arms.

My sister, Joy, often asked, “Have you cried?” Each time the answer was the same. Father was dead and I felt nothing.

The casket saved me. The beautiful white wooden box that held Father’s body caused my benumbed heart to thaw. At his funeral, I watched, helpless and horrified, as it was lowered into a dark, lonely pit. Then it vanished under a heap of earth, and my father was forever out of my reach.

I screamed. And screamed. Because life is unfair. Once the dam broke, the tears would not stop flowing. I mourn Father’s dreams and my plans for him that will never see light. The fear of losing my father that’s haunted me for two decades has been replaced by angry disbelief. How can the world move on without him? Night and day remain constants, and the sun still holds everything in place, except my heart.

Charles Caleb Colton wrote that death is the liberator of him whom freedom cannot release, the physician of him whom medicine cannot cure, and the comforter of him whom time cannot console.

I do not ponder Colton’s words, lest I find them to be true. I fear that I might be seduced by the universe to betray Father and move on. Sometimes I am alarmed by guilt because I want to move on too.

Some nights when I sleep, I hear Father laughing. He loved to laugh, a deep low rumble, which made us feel that all was well. I don’t know what amuses him. Is he happier now? I find it comforting that Father is laughing again. It fills me with hope that he is in a better place, not out of my reach. What he meant to me—the way he loved me, the lessons I learned from his life, and even his death, the privilege of being with him in the end—no one, not even death, can take from me.

I welcome sleep each night, eager for Father’s laughter. His soothing chuckle cascades into my days like a music loop, reminding me that one day, it will be his turn to hear me laugh.

© Christiana Udoh 2017

 Christiana Udoh loves to capture life in creative scribbles. She is a budding media management professional, freelance writer and editor, and happy family girl who relishes her roles as beloved daughter, trusted sister, and adored aunt. She won’t trade her Lee Child/Lisa Kleypas moments for anything, except maybe a bowl of coconut flavoured ice cream. She hangs out on Facebook @ https://www.facebook.com/christiana.udoh

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

No New Stories

no new stories

I attended a creative writing seminar where our lecturer was an award-winning writer, who felt it was his duty to knock fantasy out of our minds and help us rearrange our aspirations.

“Don’t think you’re going to be the next Shakespeare and write a never-written-before novel. There are no new stories,” he said.

His forehead was wide and shiny and his hairline indicated that baldness waited in his future. He swept through the class with his big eyes letting his words sink in.

Did he imagine that we could not even match his own mild success? I completed my writing exercises on time using the formula he gave us: a story has a beginning, a middle, and an ending. I didn’t care for original ideas. I was involved in a steamy romance with creative non-fiction, the only genre I thought I would ever write. I wrote about my real experiences or that of others, injecting lively words into sentences to transport readers to my world.

When I delved into the world of fiction, I looked for original ideas. Once I found them, I scribbled and scribbled until I perfected my story. After I shared my story with friends, one of them said, “Oh, your story is based on that Nollywood movie . . .” Another said, “You copied so-and-so famous writer’s story.”

But, I hadn’t watched that Nollywood movie and I hadn’t read the famous writer’s book. I had just thought about a story and written my thoughts down! It was then that the lecturer’s words came back to bite me and I bought into the idea that I don’t have any new story to tell.

My imagination is a collection of all I’ve seen, heard, touched, smelt, and tasted, synthesized and served as a ‘new’ dish. So, the more I engage my senses the more my brain has to synthesize and serve as imagination. Then it takes skill to arrange my imagination in a format that others can and want to understand.  Enter language or words.

I began to understand why aspiring writers are advised to read and write a lot—to broaden imagination and acquire skill.

When I get good ideas for a story, I don’t google key words to see who else has written about it. I just know for sure that someone else has done so already. However, unless their name is Timi Yeseibo, they have not written it in my voice or through the nuance of my experiences, which help me filter life.

This difference makes me unafraid to write about Romeo and Juliet because in the century in which I live, they would meet via Tinder and their death would be featured on Instagram. The themes of love, faithfulness, betrayal, and death remain timeless and universal. My children after me will also write the same story flavoured by the sights, smells, sounds, tastes, and feelings of their time.

 

©Timi Yeseibo 2016

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Shifting Gears [3]

gear shift

Not The Comic Book Hero

As a young man, I had no understanding of stiffness after exercise. I had no idea of the pain that came with the arthritic joints of unsteady elderly folk.  This would never happen to me.

In the 1940s, I happily skinned my knees in South London streets devoid of motor cars. During the ‘50s, I was introduced to cricket and rugby, two sports I continued regularly to play until, aged forty-five, I moved to Newark on Trent and considered it a little late to join new clubs.

From thirty-five to forty-five, I undertook weight-training three times a week. Throughout my forties, I ran 25,000 miles on roads, including participating in eighteen marathons. Having covered nine miles to work with a knapsack on my back, I showered in my workplace, and then breakfasted in a nearby cafe. On the day I ran fifteen miles before completing a rugby training session, I felt smugly comfortable with the epithet ‘Superman’, bestowed somewhat facetiously, I’m sure, by a group of Social Work students.

I shrugged off sporting injuries, notably tying a broken finger to its neighbour with a bootlace before completing a match. That joint has never bent since, rendering picking up coins rather difficult.

As I entered my sixth decade, a recalcitrant calf muscle forced me to concede that my daily mileage would need to be walked, not run.

During a game of touch rugby at the end of Sam’s December 2007 stag day in the Margaret River wineries, a seventeen-stone friend of the prospective groom, forgetting the rules, tackled me to the ground. I leaped to my feet and tackled him back at the first opportunity. The father of the bride halted the game soon afterwards, saying that ‘someone’ would get hurt.

The best way to overcome the wall—the point in a marathon at which your body tells you that it cannot go on—is said to be to run through the pain until it subsides. When, towards the end of 2008, my left hip developed severe discomfort, I applied that belief. Sometimes I couldn’t sit down afterwards.

About three months after receiving a prosthetic joint in October 2009, I was back to an average of two hours a day of undulating perambulation.

When we began reclaiming our neglected garden in April last year, both Jackie and I spent about six hours a day throughout the summer engaged in heavy tree work, removing stumps, and shifting substantial rocks and concrete.

Abruptly, this March, I shuddered to a halt. My right knee was in such pain that when I visited the GP, I was offered a wheelchair, which I declined.  After some improvement, I can walk an occasional two miles and my gardening is somewhat restricted.  Were I to be tackled today, I would need helping to my feet.

Exercise is now required to reduce stiffness. It has happened to me.  I am not the comic book hero.

That is what I have learned in 2015.

© Derrick Knight, 2015.

Derrick blogs at derrickjknight.com

 

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