The Magic of Readers

There are no awards for readers, at least, none that I know of, but there are awards for writers. Readers buy the book that wins the writer a prize, and yet without readers, there would be no writers.

Maybe this is why we read, and why in moments of darkness we return to books: to find words for what we already know. ― Alberto Manguel

I am indebted in no small measure to you because if you did not read, I would not write. Yes, I would scribble in my journal, but without the focus, discipline, excellence, and tenacity of the past four years. I would neither research nor stretch myself beyond the world I know. You inspire me to look for the gem in the mundane and tell it as creatively as I know how.

What Lee Hall wrote about the play, I find to be true about writing. “Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise . . .  And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.”

I view with suspicion, every writer—by writer, I refer to anyone who crafts words intentionally on a platform that another can access—who claims, “I don’t care if anyone reads what I wrote.” The search for significance is a universal pandemic and writing is one way we ask, “Is anyone out there? Can you hear me?”

Sometimes, I have wondered about this business of writing and questioned my destination, but you were there to assuage my vulnerabilities and validate my journey through your comments or private messages. I learnt to count on your consistency as much as you did mine, and I am a better writer because of you.

When I conceive an idea, the meaning is clear to me, but the challenge is to get you to see it. You complement me by filtering my words through your experiences and adding depth to them that I did not recognize. Like the time I wrote a silly story, about two lovers and you showed me that it was about immigration and integration. And you were kind to me. If you thought stories like, Six Is Just A Number, echoed my life, you did not judge me but kept your perspective to yourself.

When members of the London Poetry Society asked Browning to interpret a particularly difficult passage of Sordello, he read it twice, frowned, then admitted, “When I wrote that, God and I knew what I meant, but now God alone knows. ― Ralph Keyes

Vladimir Nabokov wrote, “Readers are not sheep, and not every pen tempts them.” That my words have drawn a few is humbling and empowering, a weight of responsibility I have been proud to own.

The best part of writing at Livelytwist these past few years, was knowing that you were going to read what I wrote and not being disappointed, Sunday after Sunday. I cannot thank you enough for your uncanny generosity.

Thank you.

 

 

 

P.s. I stop blogging on this platform today.

©Timi Yeseibo 2017

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An Anatomy of a Farewell

 

How lucky I am to have something that makes saying goodbye so hard.

There was no perfect time to begin Livelytwist. Four years ago, I did not have all the answers I needed to start a weekly blog. Chief among them being whether I could sustain the tempo—whether I could produce writing that would entertain, inform, inspire, or provoke thought, week after week. In Six Degrees of Separation and Other Stories, I bare my soul.

I started this blog with grit, a little knowledge, some research, plenty goodwill, confidence, trepidation, and a two-month content calendar.

The question that I am frequently asked after I introduce myself as a blogger, after, what do you blog about, is: do you monetize your blog? The question is not always direct. Sometimes, it is cloaked as queries about ad revenue or sponsored content.

In his book Outliers, The Story of Success, Malcolm Gladwell says that hard work is a prison sentence only if it does not have meaning. Monetizing Livelytwist was never my primary focus. I just did what I love with dedication and excellence, which are hallmarks of everything I set to do.

The result is a resume I can present anywhere.

  • Produced over 200 articles with quality content.
  • Displayed my range with a rich landscape of varied writing: creative non-fiction, short fiction, op-eds, reportage, memoirs, and personal essays.
  • Highlighted my range by tackling topics from the mundane and comical to the serious, made relevant because of the underlying message(s).
  • Synthesized and delivered local content to international audiences. 
  • Facilitated and sustained online engagement with heterogeneous crowds via the comment section.
  • Identified, managed, and promoted (new) writing talent.
  • Discovered and negotiated new business through engagement on other platforms.
  • Harnessed marketing opportunities by collaborating with others and leveraging their social networks to reach new audiences.
  • Developed and managed diverse teams by initiating several writing collaborations.
  • Received 100,000* blog hits on livelytwist.com through organic growth. 

However, the emails and conversations that attest to the fact that I lit other candles remain my greatest treasures. All because I dared to ignore the butterflies in my stomach and move in the direction that my heart was tugging me to go.

. . . this gift that chose me, feels like a solemn trust, like a platform to do my life’s work. When you read something and say it inspires you to do life better, I let my tears fall where they will. –Timi Yeseibo

Someone said that it is not that life is too short but that we take too long to begin. I concur. People now ask me, “So you’re gonna stop blogging, what next?”

Four years ago, I could at least define what I was beginning, a blog. Now, it isn’t easy to articulate my next steps. This is what I know for sure. Whatever follows will involve me writing in some form. I now know that when you identify your gift, develop it, and use it to serve others, you will inspire others to do the same.

I once read that sometimes when it seems as though things are falling apart, they are actually coming together. In hindsight, it was true four years ago when my life took a difficult turn. I believe it to be true now.

©Timi Yeseibo 2017

P.s. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. It is now time for new adventures and to stop blogging. I first wrote about it here. I’ll write some more in the coming weeks and then I’ll stop.

  1. Gladwell, Malcom, Outliers, The Story of Success, (London: Penguin Books, 2009), 175
  2. Not quite 100,000 hits . . . yet.

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Licking Dry River Beds and Flying Trapeze

“What are you afraid of?” He asked.

“Nothing,” I replied, shaking my head as if that would make it true.

I did not think I was afraid. I tried to explain the sense I had, which had nagged me for months, that I was on the threshold of something new. I bolstered my explanation by rambling about the diminishing passion I had for my blog; yes, yes, yes, disciplined focus had kept me going, bla, bla, bla, but . . .  Was it the move or the upheavals or the new responsibilities? What had sucked zest from me, as when the bath plug is lifted, soapsuds disappear suddenly, vooom, down the drain?

If you are like me, you ramble about events—a pause here, a recollection there, an unrelated trivia woven in the mix—walking through the maze that is your life, to make sense of your journey and to ensure you are not speeding away from the, as yet, unspecified destination.

My friends are patient listeners, facilitating my journey with subtle signals from the control tower, never attempting to pilot my plane. My conclusions can only be authentically mine, if I arrive at them by myself.

“Hmmm, so are you licking dry river beds then?”

We laughed at his allusion to the story of a prophet called Elijah. I had heard him tell it more than once.

Elijah was a prophet who once called down fire down from heaven. During a famine, ravens brought him food, and he drank water from a brook. Then one day, the brook dried up because it hadn’t rained in ages. The way my friend tells it, Elijah had a few choices. He could remain at the brook, licking up every last molecule of water from the riverbed because he had been divinely sent there. He could even attempt to command water to gush, geyser-style from the riverbed; after all, he wielded power. Or, he could open his heart to embrace something new.

My friend was asking me if I had become stuck in my comfort and safety zone.

“You know that when Elijah left the brook, he went on to provide food for not only himself but also a widow and her son. That’s greater relevance and impact,” he continued.

I nodded. “Yeah, yeah . . .”

“So what are you afraid of?”

“Em . . . Elijah knew exactly where to go next. I’m not so sure. I stop my blog, then what? Twiddle my thumbs?”

“You can never be idle, Timi.”

“True, but you see what I’m saying . . . right?”

“Have you ever watched trapeze artists?”

“Acrobats? At a circus? Sure. They’re graceful, beautiful to watch.”

“They have to leave one bar then swing in the air to catch another. So imagine this . . . a trapeze artist . . . he’s holding this bar,” my friend clenched his fist. “As long as he’s holding it, he can’t swing and catch the new one—”

“I see it!”

Now, it was his turn to nod.

I was like a trapeze artist holding one bar with one hand while reaching for another with the other hand. I looked ungainly. My balance was suspect. I was likely to fall. Trapeze artists have more faith that they will catch the new bar than faith that they will fall.

“Wait wait wait. But don’t they have a mattress or spring board underneath? Aren’t they legally required to have some security? Hmmm, let me google it . . .”

He smiled; perhaps at the way my mind works.

“But you have security Timi. You’ve always had security.”

If you fall, I’ll be there. – Floor  🙂

P.s. 1. This is what I googled instead:

P.s. 2. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. Now it’s time for new adventures and to stop  blogging. I’ll be writing about this in the weeks to come.

©Timi Yeseibo 2017

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The Appointment

Samuel Okopi on Loss

As a child, I longed to be baptised. I cannot remember a time while growing up as a Pentecostal Christian, that the opportunity to be baptised presented itself to me. Baptism felt like a watershed moment from which I would rise a complete Christian.

My secondary school didn’t provide for Pentecostal services so I attended Anglican services instead. One Sunday, our reverend father announced that students who desired to be baptised were to register and attend baptismal classes. These classes would run throughout the term.

I was elated. My golden opportunity had come.

Classes started soon enough. As a junior student in boarding school, time is an archenemy, and the threat of senior students commandeering your time for their selfish purposes always looms. Still, I managed to attend virtually all the classes and committed to memory, the cryptic questions and answers contained in the catechism we were given.

The long awaited day of baptism finally came. We were to assemble at the chapel by 4 p.m. for onward procession to the river bank. I was writing Junior WAEC exams and luckily, the only paper I had that day ended by 2 p.m.

Halfway into the exams, our fine art teacher came into the hall and announced that students must obtain poster colour sets from her, that afternoon, for the fine arts exam holding the next day. Art is my great passion and doing well at it mattered to me. I submitted my answer sheet long before others and dashed to the studio to get my colour set.

I met the studio door locked. The fine art teacher came an hour and thirty minutes later. By that time, the area around the studio was swarming with students. I spent the next two hours hustling to get my set.

The battle finally ended. As I walked back to the hostel with my colour set, all I could think of was having a bath.

4 p.m. Chapel. Baptism. My appointment with spiritual death and resurrection!

The time was already 5.30 p.m. I jumped into my white trouser and white shirt and raced to the chapel.

There was no one in white-and-white when I arrived and I didn’t know the location of the river. An old man I recognised as one of the cleaners, walked by and I asked him what direction the students in white-and-white had taken. He pointed at the way I had come. I didn’t wait to hear him begin his statement.

I kept running even though I wasn’t sure where I was headed. Soon, I spotted an array of white-and-white marching towards my direction. Before long, I had caught up with them.

I saw my close friend—with whom I had memorised the catechism over the last twelve weeks—and anxiously asked him about the baptism. There were tears in his eyes. At that moment, I received a divine revelation that abiding in his eyes were not tears but the holy water of rebirth.

I lost myself to deep reflection over what had just happened as I turned back and walked a lonely footpath leading to my hostel. I had lost an opportunity that had eluded me for seven years. At some point, I met with the ground, wishing I could go under. The dirt, the weeds, and their budding relationship with my white-and-white deepened as I thrashed about, seeking the kind of catharsis that can come from shedding the waters of sorrow.

A wise man, who may remain unknown, once said: “Hell is the knowledge of opportunity lost; the place where the man I am comes face to face with the man I might have been.”

Two years later, I got another chance to meet the man I looked forward to becoming. And this time, the pain of memory ensued I kept my appointment for the meeting by the river.

© Samuel Okopi 2017

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

Photo Credit: https://pixabay.com/en/time-watch-clock-number-minute-1842099/

 

© Timi Yeseibo, 2017

 

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Falling From Lofty Heights

Timi Yeseibo on Loss

We are all dust passing through the air, the difference is, some are flying high in the sky, while others are flying low. But eventually, we all settle on the same ground. ― Anthony Liccione

To reinvent yourself in your late-thirties, you work with a job coach. She will turn the years you spent chauffeuring your children to and fro school and swimming, and ballet, and football, the months you spent volunteering to cut out hearts and read poetry to classes of fidgety children, and the days you spent  hosting meetings for a diverse group of women, into credible examples of leadership and teamwork. On paper. A resume that she has to work on you to believe.

You believe. And you can tell every interviewer about yourself, stitching the holes in the years between your first degree and the present in a perfect line.

Still I did not get the first job I applied for. Or the second or the third. Each time I finished strong as a close second, I vowed to eliminate the words consolation prize, if I were God for a day. The ability to go from failure to failure without losing enthusiasm is what Winston Churchill described as success. I did not feel like a success, but I tweaked my resume and wrote more cover letters.

With bills mounting, I prayed, “God, anything. I will do anything, even hospice care.”

Then one day while waiting at the bus stop, I saw a woman I used to know in orange overalls with the insignia of the town on her chest and back, using a pick-up tool to clear rubbish—empty cans, funnel-shaped cardboards with remains of mayonnaise and patat, and a lone pink mitten—from the road, trash bag in tow.

It was not the harshness of the sun that kept her head down, spring was just emerging from winter; the sun had not yet roused itself properly. It was shame. She had lost her former status just as I had. She could not and would not raise her head to say hello, even though I no longer had a car. Had she not seen that my coat, fraying at the cuffs and hem, was one from a few seasons back? I looked at my bus pass as though there was information on it that I had not yet read, and I let her name die on my lips.

I was no longer so sure about my prayer. “Okay God,” I prayed, “not just anything.”

I landed a clerical job, which I would have rejected when I graduated with honours fifteen years earlier, a mindless job that did not even require the kind of critical thinking I used when I played Mahjong Titans.

One evening, I took a file full of reports to my boss, a woman in her mid-twenties, whose jawline was just discernible from her neck. Colleagues whispered that she was a casualty of one of those expensive diet plans. She barely glanced at the reports before signing. She had come to trust my work, and she commented on my level of accuracy.

“You’re better than this,” she said, looking at me, searching for my story as if I had written it behind my eyes. “You should find another job.”

“I know,” I whispered, as if it was our secret, “it’s just a matter of time.”

I no longer worry about bills and I use my brain to do the things I love. I saw a man in his fifties begging for alms. His pale blue shirt tucked neatly in navy trousers, set him apart. Although his eyes were weary, he stood as though he had steel in his spine.

I am seldom asked, who are you, but I am always asked, what do you do? It is easy to confuse the two.

 

©Timi Yeseibo 2017

 

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Much Ado About Something

lagos-airport-night

The man seating across the aisle from me is what Nigerians call Kora, which loosely means that he hails from somewhere in the Middle East—Lebanon, Syria, Israel.

“Excuse me, excuse me,” he calls to the flight attendant. “Can I use the toilet over there?”

He gestures to the business class section, which will be cordoned off with curtains after the airplane takes off and reaches cruising altitude.

The flight attendant says, “There is a toilet over there,” and points down the aisle.

The man and I are seating on adjacent sides of row 11, immediately behind the curtains that define our class; those seats with a little more leg room and no trays.

“But that means I have to go to the back.”

He speaks with a Nigerian Pidgin accent. I place him as Lebanese. Many Lebanese families have been in Nigeria for generations.

The flight attendant is quiet, his expression stoic like a doctor.

“What’s the difference? Is it not the same toilet?” the Lebanese man turns his hands so his palms facing upward, are asking the questions too.

“It’s for the business class passengers sir.”

My view is limited, but the business class section looks empty and passengers have stopped entering the airplane.

“Yes, but what’s the difference? Is it not the same toilet?”

“Sir, you can use the toilet at the back.”

“That means I have to walk all the way to the back. This one is closer.”

The Lebanese man places emphasis on the word all, in a way that reminds me of how petulant teenagers roll their eyes. I peg him at between 47 and 52 years old. His stomach strains against the buttons of his white shirt and his hair is mostly grey with silver highlights.

He looks at me, maybe because I have been following the conversation, but I look away. Although I am fully Nigerian, I have no desire to moderate the debate.

The flight attendant adjusts a bag in the overhead luggage compartment. It seems like a passive way to deal with a belligerent child.

“The toilets in the back are cleaner than those in business class, sef,” the man tacks this sentence to the conversation, like an insult.

It should provoke a reaction, but it does not. The overhead luggage compartments demand so much of the flight attendant’s attention.

He continues, “I have been waiting since 9 in the morning for my flight. You people are just useless.”

My 13:30 flight was also grounded. All Lagos-bound passengers finally boarded this 18:30 flight. I commiserate with him.

Communication is like dance and grouse takes many forms. If a man asks a woman, what’s wrong, and she answers, “Nothing,” he knows that something is wrong. The toilet, business class or economy, is not the problem here.

“I’m very sorry about that sir.” The flight attendant’s voice has a professional inflection, sympathetic but detached.

“Sorry, sorry. Take your sorry. I don’t need it!”

Minutes later the flight attendant demonstrates the safety instructions coming from the airplane’s public address system. Twenty minutes into the flight, the man ambles down the aisle, all the way to the back, to the toilet. The flight attendant serves refreshments. The man gists with his travelling companions in Lebanese.

I am still rolling their conversation over in my mind, intrigued by it because of something I once read: two monologues do not make a dialogue.

What if the man had started out by stating his displeasure over the delayed flight and the inconvenience it caused, explaining his tiredness because of waiting all day in the airport, before requesting to breach protocol, would the outcome have been different? 

But in Nigeria, to be polite is to be weak and to be aggressive is to be right.

 

©Timi Yeseibo 2017

 

Photo credit: Photo credit: artforeye via Foter.com / CC BY-SA

 

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More Than the Sum of All That

compass

My aunt is wearing a striped tube dress with spaghetti straps. When she sits, love handles circle her tummy like three rubber tires. “Timi, where have you been?” she asks, but does not expect an answer. I am there and it is enough. She sucks me in a tight embrace, her warmth spreading over me, her smile wide. 

The years apart are too many to fit into an evening. We make small talk highlighting the events that count. Did I hear what happened to her son? Only God could have saved him. And what about me and my hopes for tomorrow? I do not burden her with sad news; there is no need to slow down the tempo of the music we are making. Soon we are silent, each of us locked in our world, making sense of words.

When my sister says, “Aunty you look as young as ever,” she returns to the present.

“No o. I am old.”

My sister counters, “You’re looking young. No one would believe if you tell them your age.”

“Please don’t deceive me, don’t give me false hope,” she says like a woman who has been lied to and preyed upon. She pats her Halle Berry wig and looks at me with a small smile.

She is seeking corroboration from me. I cannot just give it, mouthing empty words. I do not know how old she is. I have no compass with which to navigate true north, therefore I cannot tell if she is indeed looking young. Having not seen her for years, in which I harboured memories of her younger fashionable self, she is in fact looking old to me.

My sister and my aunt continue the cycle of compliments and weak rebuttals. I fight within myself. Where is true north?

“Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place,” Cormac McCarthy wrote. 

My aunt’s husband is long gone; one son is far away, the other closer by, and her only daughter died too early. She has forged a whole life for herself apart from them. Her carefully made up face—thin black-pencilled brows, two large dots of muted raspberry rouge, and red lips that complement her hazel skin—is like a photo from another era. She has weathered storms and raised many children that are not hers, including me. I sense her hunger to be seen and admired as I too have on occasion hungered to be seen and admired.

I stop fighting because I have conquered myself.

“Aunty,” I say, “You look young and beautiful.”

It is not false hope; it is true. I remember learning that a (magnetic) compass almost never shows true north. True north is different from magnetic north, which changes depending on local magnetic variation. About a million years ago, the position of magnetic north even wandered closer to the geographic South Pole.

I had planned to ask my sister how old my aunt is. But when we leave, I let the question die in my throat. What does it matter? I am in charge of my compass. Moreover, she is more than the sum of all that.

 

©Timi Yeseibo 2017

 

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Hope, Our Common Denominator

hope

Our realities are splintered in Nigeria—along class, religious, ethnic, and other lines.

On the way to my hometown from Lagos for the Christmas break, I slept through most of the trip, but a few kilometers into the town, I opened my eyes and saw fog over the trees by the road. The chilly winds had not yet blown over Lagos in the days preceding Christmas, and Lagosians wondered if the harmattan had become another casualty of 2016. The faces at home, however, were already ashen, dry from the harshness of the harmattan. The economic recession that plagued the country seemed to have moved in the same direction as the dusty winds, enveloping small towns on its journey to the big city.

I only know of how hard things have become because I dwell in between the exuberant hope of Lagos’ upwardly mobile circles and the despair in the rest of the country. Twice, over the festive season, in Lagos, I heard people say that things aren’t as bad in the country as they seem and wanted to transport the speakers from the bubble of this vibrant city to my sleepy hometown. A part of me wanted to criticize them for being myopic, for thinking their experience was typical of the rest of Nigerians.

But the mind knows only what the eyes see. Yes, it’s necessary to imagine the lives of people different from us so we can be good, empathic humans, but there’s also harm in thinking people who can’t yet see others as others are, are evil. This almost always widens those splintering gaps between us to the point where they become gullies. But we are closer to one another than we think.

Despair can cripple the imagination and blind us, limiting our vision to the fears of the present. That unflappable belief that what lies ahead is better than what is behind is difficult to preach in the face of a crumbling economy and rising political tensions around the world, but hope is the thing we cannot let go of.

Many at the start of the year usually display this hope, this higher level of optimism. Ends and beginnings are like points on a Mobius strip. There’s really no difference in the way the days run, but somehow, by placing a marker in time, we are able to generate optimism, to look up for instructions or guide ourselves into better living.

“Radical hope is not so much something you have but something you practice;” the writer Junot Diaz said in the New Yorker, “it demands flexibility, openness, and what Lear describes as ‘imaginative excellence.’  Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible.”

Even I, usually skeptical of the feel-good-nature of the start of the New Year, have set aside goals, lists of things I’d like to get done by the end of the year. This time last year, I had no plans beyond seeing the next day. Now I’ve added more material dreams to the basic necessities, but the desire remains the same: to live better. And I know I’m not the only one doing this. Both the millionaire in the mansion in Ikoyi and the starving civil servant in Osun state look forward to a better 2017.

We can expend energies arguing about the different degrees of better, but we all share the need to look in the future and see ourselves in better conditions than that which we’re in today. To lose that ability is to lose all verve to live. The least we can do, in the face of difficulty, is hope.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/candle-light-dark-hope-flame-group-813005/

 

©Timi Yeseibo 2017

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Any Seven Stories From My Life: The End

the-end

 

1.
Reading What You Are by Katelyn Hemmeke inspired me to start the series, Any 7 Stories From My Life. The brevity of her stories, the economy of language used to tell a long long tale, impressed me. In justifying his 2500-word story, which he published on his blog, a friend told me he needed that many words to tell his story, to build tempo and descend to a satisfying finish. Maybe he is right. I saw as I read that he could have used fewer words to tell his story. But what do I know? I have a bias for the short short story.

 

2.
I do not say other people’s no for them. This means I am bold, unapologetic, and convincing when inviting others to contribute to a series on my blog. However, I kept talking myself out of approaching a particular writer because I thought the writer would decline. An anticipated no was bruising my ego and plummeting my confidence. Finally, I contacted the writer, who as it turned out, was delighted to contribute to the series. Two letters could have kept me small. When you don’t ask, the answer is always no.

 

3.
The task before the writers for the series was deceptively simple. Fashion a beginning, a middle, and an ending using about hundred words per story.  Regardless of whether all seven stories have a theme or are sequential, each one must be able to stand alone as a complete story. For all of us, it required practice. Good writing isn’t a science. It’s an art, and the horizon is infinite. You can always get better.

 

4.
Aspiring writers should know this: I am not in and of myself interesting to readers. If I want to seem interesting, work must be done to make myself interesting. I agree. It means I must dig deeper within my experiences to find that kernel of truth that transcends race, sex, religion, and geography. Writing one hundred words about my life may be easy. But do readers want to read it?

 

5.
My friend tells stories that everyone wants to hear. Although the stories are interesting and often times meaningful, they are not extraordinary. The way he tells them is beyond ordinary, a meaningful inflection, a pause, a suspense-filled crescendo, a slow denouement peppered with reflections. Writing is more than a good story. Like theatre, writers should keep the audience glued to their seat until the final curtain call.

 

6.
While the series lasted, I received several unsolicited contributions. I could not honour them all. Although external validation has its limits, it spoke volumes to me that others beyond my circle wanted to participate in what I was doing, that seven short stories could have meaning and impact.

 

7.
To write about your life in a way that touches others is to be vulnerable. The edits and rewrites were not merely about grammar and sentence structure. I pushed every writer to take off their mask so we could see the fear, angst, joy, love, written there. Brene Brown says that what makes you vulnerable, makes you beautiful. I believe that in good writing, this is true.

Thank you Ife, Pemi, Tomi, Samuel, Adaeze, Kemi for sharing seven stories from your lives with us.

 

©Timi Yeseibo 2016

 

Photo Credit: https://pixabay.com/en/tee-cup-drink-tableware-hot-663095/

 

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Two Hundred and Counting

200

 

I received a WordPress notification about my 200th blog post about six weeks ago. What does this mean to me?

1.
Because Nigerian musicians frequently fuse their local dialects and English to produce hits that resonate beyond their shores, I thought the word colabo, and I spelt it like that, in the song collabo by PSquare featuring Don Jazzy is a Pidgin derivative. However, collabo is a word in the dictionary, which means something produced by two or more people working together, especially a piece of music.  I did not get to two hundred on my own. Many collaborations with different writers brought me here.

2.
Every year I check boxes and add scores on tests designed to show me an aspect of myself. I am always trying to answer the questions, who is Timi and what does she want? Perhaps I am more curator of stories and editor than I am writer. The collaborations I inspire and drive bring me double joy. Flipping through one of my old journals, I smiled as I read my handwriting, cursive, strong, sure. I had written: I want to tell other peoples’ stories. Self: A person’s essential being that distinguishes them from others, especially considered as the object of introspection or reflexive action.

3.
For years, my answer to the question, “So what do you do?” was fluid because I was like a natural hair enthusiast growing out a perm, one leg here and one leg there. To define my ‘do’ by my day job seemed limiting. Then I stumbled on Adam Leipzig’s Tedx Talk and discovered a way to answer the question with ease. Recently, I answered the question like this: I write a blog, dismissing Leipzig’s recommendation. The man to whom I was speaking probed further, “What do you write about and are you any good?” I answered his second question before the top of his lips settled on his bottom lip, “I am very good.” Gone was his disinterest. Confidence: A feeling of self-assurance arising from an appreciation of one’s own abilities or qualities.

4.
Sometimes people leave me comments and messages that they wish they could write like me. I take it as a huge compliment and nothing more. I have stopped wishing I could play the piano like the musician who is a wiz at the keyboard. I have no desire to put in the work and disciplined focus required to reach that level of proficiency. I do not have another 10,000 hours. In making the point that excellence requires a critical minimum level of practice, Malcom Gladwell says ten thousand hours is the magic number that researchers have agreed on for true expertise. Two hundred blog posts is not yet 10,000 hours. Practice: Repeated exercise in or performance of an activity or skill so as to acquire or maintain proficiency in it.

5.
The line between just asking and a free consultation is smeared with politeness. Doctors and other professionals know this. I know this now; 200 blog posts means I have a feel for what makes a piece of writing work. A party is not the place to read me a sentence then ask if it is grammatically correct or whip out your phone to show me something you wrote. That is what emails are for. I do not carry a red pen in my clutch bag; I carry red lipstick and blue mascara. People ask me to be brutally honest in my feedback, but the only place to be brutal—savagely violent or unpleasant and harsh, is the gladiator’s ring. The only adjective that should go with honesty when it comes to feedback on a piece of writing is kind. I have made and kept more friends this way.

6.
Space is not a continuous area or expanse, which is free, available, or unoccupied. It is a place stamped with evidence of my presence, neatly littered with comforting memorabilia—a weathered collection of poems, old photos of my children, journals, books about writing, ideas on yellow post-its, and greeting cards that affirm who I can be. Space is freedom to live, think, and develop my writing in a way that suits me. It is saying no to play and living like a hermit Friday night and all day Saturday. Space is showing up for lunch or dinner with my laptop, typing away while conversation wafts around my head. Two hundred blog posts later, space is the greatest gift my family and friends have given me. Extroverted Introvert: Also called social introvert. Sociable and friendly but needs to recharge in solitude often.

7.
When I decided to start a blog, I had three options: WordPress, Blogger, or Tumblr. I am yet to regret my choice. Often I struggle to leave a comment on other platforms but I have scarcely heard that anyone struggled to leave a comment on my blog. It is true that I do not want be bothered with technical things like code, wanting only to upload and publish, but more than that I have found a community of generous people who are curious about the world beyond them. Two hundred blog posts ago, I published my first post to a warm welcome from several bloggers who I did not court. Welcome on WordPress is like a revolving door. A good number of bloggers with whom I engaged in those early days have exited the blog stage and in their place, other bloggers have taken my hand. Welcome: Greet (someone arriving) in a polite or friendly way; React with pleasure or approval to (an event or development).

 

To all my readers: I owe you a debt of gratitude. You have pushed me to become better than I was.

 

©Timi Yeseibo 2016

 

  1. All dictionary definitions from English Oxford Living Dictionaries
  2. Gladwell, Malcom, Outliers, The Story of Success, (London: Penguin Books, 2009), 43 -44

 

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A Space Too Little Explored [4] Broken

broken

Every man is trying to either live up to his father’s expectations or make up for his father’s mistakes.

Broken

When I look back on my childhood, one word sums the hours spent playing football, riding my bicycle up and down our street, studying for exams, wincing as iodine was dabbed on a grazed knee, wrestling with friends, and fighting with my two brothers and only sister; carefree. My childhood was carefree because my parents, my father in particular, were careful to make it so.

Although he travelled a lot, my father always spent time with us whenever he was home. He was fun, rolling on the carpet with us, not a disciplinarian like my mother. I am the last-born. Deemed my father’s favourite by my siblings, I was the emissary who always obtained from him the favours they made me present to him as my idea. I wanted to be just like him when I grew up.

When I was sixteen, I returned from school to find my mother sitting atop a trunk box, as we called those silver rectangular chests with black trimmings, not attempting to hide her tears as she welcomed me home. A couple of my aunts cooed encouragement to her like mourners. My heart raced. Had someone died?

At my prodding, in a moment of weakness I suppose, my mother spilled the details of my father’s affairs. Nearly every family in our neighbourhood lived with the evidence of polygamy or infidelity: half-brothers, half-sisters, second and third wives, and aunties, who were really girlfriends. Although these educated and wealthy families had a veneer of sophistication and cohesiveness, their children, my friends, let me know that the glue that held their blended families together gave often.

I took pride in my family of six, one father and one mother and four children. The glue that held us together did not give way, until that day, that day when my dad stopped being my hero.

My childhood was no longer carefree.

My mother’s belongings were in the trunk box. She had been waiting to say goodbye to my older brother and me, the only children who still lived at home, before she left.

“Who will look after you?” She asked when I insisted that I, her last son, could take care of myself so she should pursue her happiness.

In the end, my mother decided to stay. Life at home was routine again with one change, I stopped talking to my father. I could barely look at him talk less of greeting him. The ball of anger in my heart grew larger and larger. To keep from hitting him, I avoided him altogether.

I felt betrayed by my mother. As she served my father’s food and they laughed at the dining table, I could not understand how she forgave him. But I could not hold a grudge against her for she reached out to me and asked me to forgive her for involving me in something that was not my business. Still I could not do the one thing she wanted from me: forgive my father and reconcile with him.

My father stopped paying my tuition or giving me pocket money because he said that he would not support any child who disrespected him. I still lived at home, and my mum and older siblings picked up where he left off so I was never in need. I grew to resent my father even more.

At nineteen, I met a youth counselor who took an interest in me and we grew close as we talked about various subjects including my father. He nudged me to forgive my father. I said that I could not forgive my dad, the hypocrite. To the charge of hypocrisy, he gently insisted that I was no better, pointing to the evidence in my hostel room of days and nights spent with different girls. I was in the university, changing girlfriends the way I changed my clothes.

“But,” I protested my innocence, “I’m not married to any of them!”

Yet, his words haunted me. Was I no better than my dad? Had I become what I despised?

It took three years of encouragement from the counselor, three years in which I left university and moved out of my parent’s home, for me to forgive my dad and accept that I would have to be the one to reach for reconciliation.

“Yes,” my dad answered, the first time I called him, “who is this?”

Had he forgotten my voice or was he pretending? I told him I just called to say hello and then he said okay. I listened to his breathing, heavy as though he was waiting for something more. Or was it my own breathing? My heart, beating rapidly, obscured my hearing. I hung up, exhaling euphoria like a deflating balloon.

But, the next phone call was easier as was the next one after that. Eventually we settled into a routine without awkwardness, conversing about the present and the future. We do not talk about the past, that five-year window when we became strangers. When you bury something and pack dirt on it, then stamp it with your feet, sometimes plants grow above and you cannot tell where you buried it.

The only reference we have made, if I may call it that, to the past, was when my wife and I needed a babysitter to fill in for our nanny’s three-month absence. My dad, who was visiting at the time, mentioned that his friend’s daughter, just out of secondary school and waiting to gain admission into the university, could help. We welcomed the offer.

My dad said, “Please she’s my friend’s daughter. I don’t want any stories . . .,” his voice trailed off but his eyes did not waver from mine.

I was tempted to share some wisecrack about his philandering days. Instead, I said, “Dad, you don’t have to worry.”

There were no stories three months later.

Discovering that underneath my father’s superman cape lived an ordinary human broke me. Forgiveness mended me.

 

Broken pieces actin’ like we ain’t cracked
But we all messed up and can’t no one escape that
… Broken hearts inside of a broken soul
… And we all need grace in the face of each other

– Broken, LeCrae feat. Kari Jobe

 

Broken, is an amalgamation of conversations I had with people who were willing to tell me their stories but reluctant to write for this series.
©Timi Yeseibo 2016

 

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A Space Too Little Explored [3] P.S. I Love You

p.s. i love you

Every man is trying to either live up to his father’s expectations or make up for his father’s mistakes.

P.S. I Love You

I do not visit my dad often enough. I blame it on the terrible state of the road from Lagos to Ibadan. My dad and mum are sympathetic. “I know, it’s okay,” my dad usually says whenever I call on a public holiday to explain why I did not visit. Sometimes, I can tell from his tone that he is disappointed. When the reconstruction work on the Lagos-Ibadan express road is completed, I will no longer have an excuse. I hope I will not need one.

Last weekend, I made the 140km trip to Ibadan because my dad turned seventy. We had thanksgiving mass at church and a get-together at home afterwards for close friends and family. My dad had insisted he didn’t want a party. He has never been one for extravagance, and he deliberately avoids the spotlight. I watched with disbelieving eyes, his resplendent agbada[1] swaying in the gentle breeze as his deft footwork kept pace with the music. His smiles swallowed the years written on his face. I thought he would stop when my mum tired and left. He didn’t. I realised, at that moment, that we should have ignored him and thrown a big bash anyway.

Like his birthday party, my relationship with my dad has been full of contradictions. Growing up, I didn’t understand why he was so conservative, eschewing little luxuries and why his work was all that seemed to matter to him. We grew apart in my teenage years. I withdrew into my world and shut my dad out of it. He didn’t understand why I was insistent on doing everything my way, why I never shared my dreams with him.

I don’t have any fond childhood memories in which my dad features. He didn’t teach me how to ride a bike. We didn’t spend evenings playing video games together. If he gave me piggyback rides, I must have been too young to remember. My two-year old son often protests when I smother him with hugs and kisses. My wife says I overdo it. I have no intention of tempering it. Am I only clowning about or is the effusive physical affection I display for my son the antidote to the intimacy I have never had with my dad? It is easier to tell my son I love him than to say those same three words to my dad.

Even today, I am unable to reconcile how my dad and I can be so different. But my wife often reminds me that I overstate our differences and that there are more ways in which I am similar to him than I am willing to acknowledge. My dad is a medical doctor. I admire his work ethic and dedication to his patients. His love for God and compassion for others impress me. In these areas, I aspire to do better; I would be proud to equal his accomplishments.

Long after the last guests had left, I sat in the living room with my dad, our conversation laced with restraint. I realised, during the intermittent quiet spells, that I do not need him to be like me or to be the kind of dad I imagine perfect fathers are like, to appreciate that he has been a good dad. There and then, I cherished the opportunity to visit my dad.

The greatest distance between two people is misunderstanding. My dad and I are talking more than we have ever done. We cannot make up for the lost years, but we are finding our peace in the present.

Dad, I am proud to be your son, in other words, I love you.

 

Olutola Bella is a lawyer. He blogs @ bellanchi.wordpress.com

_____________________

[1] Agbada: A long, wide-sleeved flowing gown, often embroidered, worn by men in parts of West Africa, especially Nigeria. [Credit: Oxford dictionary]

 

 

©Timi Yeseibo 2016

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A Space Too Little Explored [1] When I’m Gone

When I'm gone

Every man is trying to either live up to his father’s expectations or make up for his father’s mistakes.

When I’m Gone

My father was not what my kids refer to as the African dad. By that, I mean he knocked before entering the room I shared with my older brother when we were growing up and he never opened any letters addressed to my siblings or me. He took us out to play football regularly. My father said please before he sent us on errands and thank you when we returned. He called me, young man and all of this made me feel respected.

He was a disciplinarian who stuck to his words. While playing football in the living room one day, I broke a glass frame. He calmly said, “You will not be going with us on the trip tomorrow,” referring to the family trip to Yankari Game Reserve, Bagauda Lake, and Tiga Dam, which I had looked forward to for weeks. Because of his summary judgements, which we could not appeal, we jokingly called him commander-in-chief-with-immediate-effect.

The memories of his many when I’m gone sayings eclipse all others. One time, my mother said, “You keep going on about, when I’m gone, when I’m gone, are you very keen to die?” But so focused was he that he did not relent. He replied, “You all will remember everything I said when I’m gone.” There it was again, another when I’m gone saying! He was right. As I prepared to leave my previous job, a colleague told me, “I will miss you, but I will miss the stories about your dad even more.” I was surprised, as I could not recall saying that much about my dad.

I realize now that my father was not obsessed with death; he cared deeply about his legacy. Like a good leader, he was raising successors to advance what he believed in. At every opportunity, he passed on the baton of leadership.

I do not recall my dad ever calling in sick; he worked hard all the time. I am the same way. Although I have always had jobs I enjoy and never experience Monday morning blues, I wonder if I am just being me or if I inherited his work ethic. Is work my way of saying watch me daddy, I’m being just like you?

I am running my section of the relay race. Sometimes doubts crowd my lane. My father always seemed to know what to do or say in a situation. Am I being a well of wisdom my children can drink from? Am I still holding the baton or have I let it slip as I race through life? I hope my children see me the way I saw my dad. I desire to pass the baton to them too.

Reacting to my pragmatism about life especially material things, my wife once said, “You are just like your dad.” She compared me to a father-in-law she had never met. Like my colleague, she had seen him come alive in the stories I had unconsciously woven into the fabric of my life. It remains the best (unintended) compliment I have ever received.

William Shakespeare said, “All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.” My father has never left my stage. He has been there all along.

Before he passed on, dad gave us the words he wanted inscribed on his headstone: Here lies M O O, who in his own life, tried to serve humanity and make a part of the world a better place. I pray my family says the same about me, when I’m gone.

Ayo Ogunsanlu makes his home in Essex, UK with his wife and three kids. He enjoys microbiology, running, and housework. On Facebook, he describes himself as a faithful and loyal friend.

 

©Timi Yeseibo 2016

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Stats, Guest Posts, and Audiences

stats, guest post & audiences

 

The quickest way to go where you have never been is to find someone who has gone where you want to go.

 

If what they say is true, that your potential audience reach spans people ten years younger and older than you are, most people who read Livelytwist are in their thirties, forties, and fifties. I do not know for sure. The implication for reaching broader audiences including people in their teens, twenties, sixties, seventies and beyond, may be a change in style.

An acquaintance signs off her emails with these words, star differs from star in splendor. I have thought often about what they mean. If our lives are our message to the world, then our vocation is our platform. I believe that our experiences, location, age, race, gender, talents, and so on, position us to reach certain audiences. That only some are able to cross the barriers that separate us, innately or through learning, and have, more mass appeal than others do.

This past blogging year, Livelytwist’s total number of blog views was lower than the previous year, but I witnessed a shift in the type of blog articles that received the highest number of views. In the past, articles, which I wrote received the most views. Last year, the top five articles viewed, apart from the ubiquitous Open Letter to Akpos—search engine terms must bring Akpos seekers to my blog—were articles that others wrote for my blog. In order of most views:

Hardwired For Sorry [3]
Think Like a Man, End up Without One [1]
Hardwired For Sorry [5]
Think Like a Man, End up Without One [2]
Shifting Gears [6]

Storytelling is an effective means of communicating with a diverse audience. As much as I enjoy writing, I do not possess the authority or authenticity to tell all the stories I want to and therefore reach as many people as I would like. As William Faulkner noted, “A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.”

By sharing my blog stage with others, Livelytwist gained more universal appeal. At least one teenager and one writer in his seventies contributed an article to a blog series last year, as well as writers in every other age category in between. At least one person in every continent, in 125 countries, viewed Livelytwist in 2015, up from 115 countries in 2014. Guest writers shared the stories they wrote for Livelytwist on their social networks, engaging audiences I may never have reached.

world stats 2015

 

country stats 2015

After I ran a series on my blog that featured other writers, a reader scolded me for not writing my own stories. I understood her loyalty, the queasiness, which occurs when vision expands and threatens the status quo; as if I would abandon my blog. I explained that I conceptualized the series, handpicked the writers, and in some cases edited their stories. Then I sent her the links to a couple of stories I had written as part of the series.

What do my stats tell me? Numbers sometimes mean little. Perhaps they confirm something I wrote in my notebook years ago—I want to tell other people’s stories. I am getting closer to that dream, am I not? And it is because you said yes to sharing your story on my blog.

Thank you!

 

© Timi Yeseibo 2016

 

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Three Years On

three

The first time I met Lanre, I told him about my blog. He says it must be my passion, the subject of my blog snakes into every conversation. He wonders, as others do, why I do not monetize my blog. I sigh. As if money is everything; as if money isn’t everything.

I asked a friend to write an article for my blog. His article although well-written lacked that something I look for before I publish a post, but he did not think so, he being an accomplished writer. We reasoned back and forth, threatening our friendship, as when friends mistakenly become lovers, solid lines become indistinct; the ease of communication replaced by silent awkwardness.

It should have been easy to reject a submission that did not meet my criteria except that doing so felt like losing a friend. In the end, I chose my blog and after weeks of reaching out won a version of my friend back. The subject of writing for my blog is taboo. We do not speak of it. Maybe one day we will.

If I did not monetize my blog, I at least learnt what it means to be human. This is what it means to write a blog every Sunday for three years—you become aware of your strengths and limitations; how far you will go for what you believe in.

Three years ago, Maurice, Mayura, and I waited at Holendrecht Station for the metro, cold air whipping through our hair and slapping our coats while trains sped by. I recited a list of possible blog names. When Mayura said Livelytwist reminded her of lemons, my sign-off was born: Take lemons, make life! I can recount incidents like this for every stage of the life of my blog; the people whose input helped me along the way.

Friends sometimes ask about the number of stories I’ve written ostensibly to check if I have a collection large enough for a book. Some days I want to write a book. Some days I do not. Three years on, the relationships, I have forged because of my writing matter more. Each article I’ve published has a behind-the-scenes story—where I was, my state of mind at the time, and who helped make it happen.

I have evolved since my tentative beginning in April 2013. The stories I did not write the way I had wanted to tell me so. You see, when you keep friends up until 1 a.m., seeking their opinions, it seems unfair to discard their recommendations at 2 a.m., when you realize your story no longer resembles you.

I’ve been tempted to revisit the stories, you know, to remove this, and to add that, to make them fully my own. But I leave them as they are, wincing every time I read through, as reminders of a time when although I knew what I wanted I did not have sufficient courage to articulate and execute. I leave the stories on my blog to remind me how people-pleasing distorts what I sound like.

Writing consistently for three years has made me a better writer; I am more skillful with my pen. But skills do not keep you warm, people do. At the heart of every story on this blog is a person or group of people who believed in me. None more so than you who read this blog Sunday after Sunday; you who I fight for with my pen, jeopardizing friendships. If I make it to a fourth year, it will be because of you.

Thank you!

© Timi Yeseibo 2016

 

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The Rise and Rise of Artificial Intelligence

artificial intelligence

John Eldrege said Men want a battle to fight, an adventure to live, and a beauty to rescue. A woman wants to be romanced. She wants to be an essential part of a great adventure. Combine these elements in a dramatic arc on a big screen and you have a blockbuster. Add alien invasion or imminent destruction of planet earth to the mix to gross millions.

I enjoy movies because of their entertainment value and their ability to bring storytelling alive with sound and cinematography. Beyond these, movies unveil trends or make them more mainstream by relaxing our sensibilities. Since I don’t follow technology news, I first saw a touchscreen computer in a movie. Cool, but far-fetched, I thought. Years later, when touchscreens became the rave, I thought, aha!

The super-natural fascinates us. By this, I mean the union of man and something otherworldly think batman, superman, or vampires; as if we are tired of the limitations our human bodies impose on us. Movies have also explored the outcome of our creations like robots, in everyday life. These robots increasingly simulate human behavior (make rational decisions from data and have emotional intelligence), including natural language and voice recognition.

This week, Microsoft introduced Tay, an Artificial Intelligence (AI), chat robot to Twitter. Tay was designed to speak like a teenage girl. Only a day after she went live, Microsoft took Tay offline because she transformed to an evil Hitler-loving, incestual sex-promoting, ‘Bush did 9/11’-proclaiming robot. This was a case of garbage in, garbage out. Tay’s responses are learned by the conversations she has with real humans online – and real humans like to say weird stuff online and enjoy hijacking corporate attempts at PR.

The saga reminded me of a movie Benn recommended last year, Ex Machina, a sci-fi thriller. Ex Machina examines the relationship between Caleb, a programmer and Ava, a female humanoid robot. Nathan, Caleb’s boss, wants Caleb to test Ava’s superior AI; her ability to persuade him she is human. The adventure thrills Caleb; he falls for the beautiful and vulnerable Ava and battles to rescue her from slavery to Nathan.

The movie and its ending made for good conversation. Friends and I discussed robotics in general and ethical considerations in the development and use of AI, especially sex robots.

When someone mentioned the resistance to the Industrial Revolution, I shared how a multinational firm in Nigeria faced resistance from its staff when it decided to automate its operations years ago. The staff went berserk. They eyed members of the IT team and labelled them, ‘the people who are coming for our jobs.’

Referring to the sex scene between Nathan and another female humanoid in Ex Machina, a girl in the group said, “I hope they’re not coming for our jobs.”

We laughed. Then were quiet.

Robots are an invention subject to the whims of their human creators. How far is too far? Movies seem to ask: can we fall in love with robots? We want machines to make life easy for us not replace us. We want to be an essential part of a great adventure, not excluded from it.

Finally, I found my voice and said, “I hope not.”

 

©Timi Yeseibo 2016

 

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Mass Media in the Internet Age

social-media-550767_640

People who “proudly” state that they aren’t on Facebook, Twitter, LinkedIn, Instagram, Snapchat, or any social media platform, baffle me. I told someone statistics show that one in five couples meet online and she retorted that Facebook was the leading cause of divorce today, so she and her husband had deleted their accounts. I explained that people have been unfaithful since time began and the marketplace had simply changed. If Facebook were a country, it would be the largest country in the world by population, but she shook her head.

When it comes to social media, I maintain that the rules of engagement are still being written and should continue to be written. A gun in the hands of a soldier inspires confidence that our country is being protected. The same gun in the hands of a teenager walking down the street, inspires fear. I was social media shy once, then I started blogging. I now embrace social media and by extension the internet.

In the fifteenth century, Johannes Gutenberg invented a printing press system that aided the rapid mechanization of bookmaking and led to mass production of books. The implications for mass media were astounding.

According to Wikipedia, “the relatively unrestricted circulation of information and (revolutionary) ideas transcended borders, captured the masses in the Reformation and threatened the power of political and religious authorities; the sharp increase in literacy broke the monopoly of the literate elite on education and learning and bolstered the emerging middle class. Across Europe, the increasing cultural self-awareness of its peoples led to the rise of proto-nationalism …”

Sound familiar? Yes! The Arab Spring, various hashtag advocacies e.g. #bringbackourgirls, viral videos, the Occupy movement, etc.

Some say the advent of the internet and prevalence of social media is similar to Gutenberg’s work, which democratized knowledge and laid the material basis for the modern knowledge-based economy. The internet is rightly called the information super highway.

We’re living in exciting times for anyone, yes, anyone who has something to say. Social media provides an accessible platform to disseminate information and make possible bilateral intimacy, where audiences can engage with producers of content.

Not everyone is delighted with this development or taking advantage of it. A video producer grudgingly pointed out that the cutthroat business of producing videos has been made harder by social media because people and companies can upload videos made with their cell phones on YouTube. The same could be said for writers who compete with free content online. However, when trends shift, smart people look for new opportunities or create them.

I’m increasingly convinced that someday in the distant future, paper books, CDs, and DVDs will become antiques, displayed in museums and purchased in vintage stores, with articles in Wikipedia written about the history of them. These articles will be read, listened to, or watched on devices that support online content, think tablets and the Apple watch. Don’t believe me? Maybe it won’t happen in my life time, but history is on my side.

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

No New Stories

no new stories

I attended a creative writing seminar where our lecturer was an award-winning writer, who felt it was his duty to knock fantasy out of our minds and help us rearrange our aspirations.

“Don’t think you’re going to be the next Shakespeare and write a never-written-before novel. There are no new stories,” he said.

His forehead was wide and shiny and his hairline indicated that baldness waited in his future. He swept through the class with his big eyes letting his words sink in.

Did he imagine that we could not even match his own mild success? I completed my writing exercises on time using the formula he gave us: a story has a beginning, a middle, and an ending. I didn’t care for original ideas. I was involved in a steamy romance with creative non-fiction, the only genre I thought I would ever write. I wrote about my real experiences or that of others, injecting lively words into sentences to transport readers to my world.

When I delved into the world of fiction, I looked for original ideas. Once I found them, I scribbled and scribbled until I perfected my story. After I shared my story with friends, one of them said, “Oh, your story is based on that Nollywood movie . . .” Another said, “You copied so-and-so famous writer’s story.”

But, I hadn’t watched that Nollywood movie and I hadn’t read the famous writer’s book. I had just thought about a story and written my thoughts down! It was then that the lecturer’s words came back to bite me and I bought into the idea that I don’t have any new story to tell.

My imagination is a collection of all I’ve seen, heard, touched, smelt, and tasted, synthesized and served as a ‘new’ dish. So, the more I engage my senses the more my brain has to synthesize and serve as imagination. Then it takes skill to arrange my imagination in a format that others can and want to understand.  Enter language or words.

I began to understand why aspiring writers are advised to read and write a lot—to broaden imagination and acquire skill.

When I get good ideas for a story, I don’t google key words to see who else has written about it. I just know for sure that someone else has done so already. However, unless their name is Timi Yeseibo, they have not written it in my voice or through the nuance of my experiences, which help me filter life.

This difference makes me unafraid to write about Romeo and Juliet because in the century in which I live, they would meet via Tinder and their death would be featured on Instagram. The themes of love, faithfulness, betrayal, and death remain timeless and universal. My children after me will also write the same story flavoured by the sights, smells, sounds, tastes, and feelings of their time.

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.