Licking Dry River Beds and Flying Trapeze

“What are you afraid of?” He asked.

“Nothing,” I replied, shaking my head as if that would make it true.

I did not think I was afraid. I tried to explain the sense I had, which had nagged me for months, that I was on the threshold of something new. I bolstered my explanation by rambling about the diminishing passion I had for my blog; yes, yes, yes, disciplined focus had kept me going, bla, bla, bla, but . . .  Was it the move or the upheavals or the new responsibilities? What had sucked zest from me, as when the bath plug is lifted, soapsuds disappear suddenly, vooom, down the drain?

If you are like me, you ramble about events—a pause here, a recollection there, an unrelated trivia woven in the mix—walking through the maze that is your life, to make sense of your journey and to ensure you are not speeding away from the, as yet, unspecified destination.

My friends are patient listeners, facilitating my journey with subtle signals from the control tower, never attempting to pilot my plane. My conclusions can only be authentically mine, if I arrive at them by myself.

“Hmmm, so are you licking dry river beds then?”

We laughed at his allusion to the story of a prophet called Elijah. I had heard him tell it more than once.

Elijah was a prophet who once called down fire down from heaven. During a famine, ravens brought him food, and he drank water from a brook. Then one day, the brook dried up because it hadn’t rained in ages. The way my friend tells it, Elijah had a few choices. He could remain at the brook, licking up every last molecule of water from the riverbed because he had been divinely sent there. He could even attempt to command water to gush, geyser-style from the riverbed; after all, he wielded power. Or, he could open his heart to embrace something new.

My friend was asking me if I had become stuck in my comfort and safety zone.

“You know that when Elijah left the brook, he went on to provide food for not only himself but also a widow and her son. That’s greater relevance and impact,” he continued.

I nodded. “Yeah, yeah . . .”

“So what are you afraid of?”

“Em . . . Elijah knew exactly where to go next. I’m not so sure. I stop my blog, then what? Twiddle my thumbs?”

“You can never be idle, Timi.”

“True, but you see what I’m saying . . . right?”

“Have you ever watched trapeze artists?”

“Acrobats? At a circus? Sure. They’re graceful, beautiful to watch.”

“They have to leave one bar then swing in the air to catch another. So imagine this . . . a trapeze artist . . . he’s holding this bar,” my friend clenched his fist. “As long as he’s holding it, he can’t swing and catch the new one—”

“I see it!”

Now, it was his turn to nod.

I was like a trapeze artist holding one bar with one hand while reaching for another with the other hand. I looked ungainly. My balance was suspect. I was likely to fall. Trapeze artists have more faith that they will catch the new bar than faith that they will fall.

“Wait wait wait. But don’t they have a mattress or spring board underneath? Aren’t they legally required to have some security? Hmmm, let me google it . . .”

He smiled; perhaps at the way my mind works.

“But you have security Timi. You’ve always had security.”

If you fall, I’ll be there. – Floor  🙂

P.s. 1. This is what I googled instead:

P.s. 2. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. Now it’s time for new adventures and to stop  blogging. I’ll be writing about this in the weeks to come.

©Timi Yeseibo 2017

Photo Credit: https://web.facebook.com/bizzarreart/photos/a.262015740857231.1073741828.262003347525137/439234606468676/?type=3&theater

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When You Can’t Remember Loss

James Bekenawei on Loss

The only thing that hurts more than a bad picture is a lost picture.

Most times, to cement the details of an event in my mind, I take pictures. A picture is a frozen moment from a string of moments. Behind every photo, there is a story; behind every story, there is a past. The emotions that the images evoke give photos meaning.

“James, all our efforts today were wasted. We lost all the pictures,” Tunde said. I had just finished dinner and wanted to settle for a movie marathon when he called. “A virus attack or something. It affected the camera’s memory card also, so we can’t get the raw pictures.”

Hours spent selecting, sorting, and editing wasted. An entire day’s shoot, gone with the wind. The story behind each photo forgotten before it is told.

I delved into photography by accident. I have always loved pictures and have an archive of exotic photos. One day I took a photo with a friend’s phone and he loved it. It dawned on me then that I could create photographs not just collect them; that I could freeze time for the future because memory dims and forgetting happens. A blunt pencil is better than the sharpest memory, a blurred camera lens than the clearest mind.

Women who lose their babies carry the pain forever. My mom has five of us, but she still talks about the one that didn’t make it. That loss hurts her even though it’s been more than thirty years. Losing photos is the closest I have come to how my mom feels. I hold on to the carcasses of damaged hard drives because letting them go means accepting that the memories stored in them are forever lost. Sometimes, I survey the hard drives and wonder, why. Why didn’t I back everything up? Why didn’t I upgrade my cloud storage when I could? But the hard drives do not answer, they stare back and dare me to cherish memories I no longer remember.

One of my greatest fears is losing my memory—of waking up and discovering I can’t remember anything—and that even my writings and photographs, which I employed to freeze moments, can’t help jumpstart my memory, because they are lost. I fear losing an extension of myself via lost memories and photos.

In my desire to freeze moments for Throwback Thursday, I often let things go unnoticed and become unmindful of the emotions the camera cannot capture. Behind every photo, there is a story. But of what use is a story if it does not evoke the emotions that bind us to it? The remedy I’ve found is in the poem, If, by Rudyard Kipling: [to] fill the unforgiving minute with sixty seconds’ worth of distance run. To enjoy the moment, rather than merely freezing it.

© James Bekenawei 2017

Bekenawei James Robert loves to tell pictures, snap stories, and to question answers. He can be found on Instagram and Twitter as @bekexjj. He blogs at 4unansweredprayers.

Photo credit: https://pixabay.com/en/sony-slt-a58-camera-sony-2033999/

©Timi Yeseibo 2017

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The Appointment

Samuel Okopi on Loss

As a child, I longed to be baptised. I cannot remember a time while growing up as a Pentecostal Christian, that the opportunity to be baptised presented itself to me. Baptism felt like a watershed moment from which I would rise a complete Christian.

My secondary school didn’t provide for Pentecostal services so I attended Anglican services instead. One Sunday, our reverend father announced that students who desired to be baptised were to register and attend baptismal classes. These classes would run throughout the term.

I was elated. My golden opportunity had come.

Classes started soon enough. As a junior student in boarding school, time is an archenemy, and the threat of senior students commandeering your time for their selfish purposes always looms. Still, I managed to attend virtually all the classes and committed to memory, the cryptic questions and answers contained in the catechism we were given.

The long awaited day of baptism finally came. We were to assemble at the chapel by 4 p.m. for onward procession to the river bank. I was writing Junior WAEC exams and luckily, the only paper I had that day ended by 2 p.m.

Halfway into the exams, our fine art teacher came into the hall and announced that students must obtain poster colour sets from her, that afternoon, for the fine arts exam holding the next day. Art is my great passion and doing well at it mattered to me. I submitted my answer sheet long before others and dashed to the studio to get my colour set.

I met the studio door locked. The fine art teacher came an hour and thirty minutes later. By that time, the area around the studio was swarming with students. I spent the next two hours hustling to get my set.

The battle finally ended. As I walked back to the hostel with my colour set, all I could think of was having a bath.

4 p.m. Chapel. Baptism. My appointment with spiritual death and resurrection!

The time was already 5.30 p.m. I jumped into my white trouser and white shirt and raced to the chapel.

There was no one in white-and-white when I arrived and I didn’t know the location of the river. An old man I recognised as one of the cleaners, walked by and I asked him what direction the students in white-and-white had taken. He pointed at the way I had come. I didn’t wait to hear him begin his statement.

I kept running even though I wasn’t sure where I was headed. Soon, I spotted an array of white-and-white marching towards my direction. Before long, I had caught up with them.

I saw my close friend—with whom I had memorised the catechism over the last twelve weeks—and anxiously asked him about the baptism. There were tears in his eyes. At that moment, I received a divine revelation that abiding in his eyes were not tears but the holy water of rebirth.

I lost myself to deep reflection over what had just happened as I turned back and walked a lonely footpath leading to my hostel. I had lost an opportunity that had eluded me for seven years. At some point, I met with the ground, wishing I could go under. The dirt, the weeds, and their budding relationship with my white-and-white deepened as I thrashed about, seeking the kind of catharsis that can come from shedding the waters of sorrow.

A wise man, who may remain unknown, once said: “Hell is the knowledge of opportunity lost; the place where the man I am comes face to face with the man I might have been.”

Two years later, I got another chance to meet the man I looked forward to becoming. And this time, the pain of memory ensued I kept my appointment for the meeting by the river.

© Samuel Okopi 2017

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

Photo Credit: https://pixabay.com/en/time-watch-clock-number-minute-1842099/

 

© Timi Yeseibo, 2017

 

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Falling From Lofty Heights

Timi Yeseibo on Loss

We are all dust passing through the air, the difference is, some are flying high in the sky, while others are flying low. But eventually, we all settle on the same ground. ― Anthony Liccione

To reinvent yourself in your late-thirties, you work with a job coach. She will turn the years you spent chauffeuring your children to and fro school and swimming, and ballet, and football, the months you spent volunteering to cut out hearts and read poetry to classes of fidgety children, and the days you spent  hosting meetings for a diverse group of women, into credible examples of leadership and teamwork. On paper. A resume that she has to work on you to believe.

You believe. And you can tell every interviewer about yourself, stitching the holes in the years between your first degree and the present in a perfect line.

Still I did not get the first job I applied for. Or the second or the third. Each time I finished strong as a close second, I vowed to eliminate the words consolation prize, if I were God for a day. The ability to go from failure to failure without losing enthusiasm is what Winston Churchill described as success. I did not feel like a success, but I tweaked my resume and wrote more cover letters.

With bills mounting, I prayed, “God, anything. I will do anything, even hospice care.”

Then one day while waiting at the bus stop, I saw a woman I used to know in orange overalls with the insignia of the town on her chest and back, using a pick-up tool to clear rubbish—empty cans, funnel-shaped cardboards with remains of mayonnaise and patat, and a lone pink mitten—from the road, trash bag in tow.

It was not the harshness of the sun that kept her head down, spring was just emerging from winter; the sun had not yet roused itself properly. It was shame. She had lost her former status just as I had. She could not and would not raise her head to say hello, even though I no longer had a car. Had she not seen that my coat, fraying at the cuffs and hem, was one from a few seasons back? I looked at my bus pass as though there was information on it that I had not yet read, and I let her name die on my lips.

I was no longer so sure about my prayer. “Okay God,” I prayed, “not just anything.”

I landed a clerical job, which I would have rejected when I graduated with honours fifteen years earlier, a mindless job that did not even require the kind of critical thinking I used when I played Mahjong Titans.

One evening, I took a file full of reports to my boss, a woman in her mid-twenties, whose jawline was just discernible from her neck. Colleagues whispered that she was a casualty of one of those expensive diet plans. She barely glanced at the reports before signing. She had come to trust my work, and she commented on my level of accuracy.

“You’re better than this,” she said, looking at me, searching for my story as if I had written it behind my eyes. “You should find another job.”

“I know,” I whispered, as if it was our secret, “it’s just a matter of time.”

I no longer worry about bills and I use my brain to do the things I love. I saw a man in his fifties begging for alms. His pale blue shirt tucked neatly in navy trousers, set him apart. Although his eyes were weary, he stood as though he had steel in his spine.

I am seldom asked, who are you, but I am always asked, what do you do? It is easy to confuse the two.

 

©Timi Yeseibo 2017

 

Photo Credit: https://pixabay.com/en/levitation-young-woman-in-the-air-1884366/

 

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Loss is Present Continuous

‘Pemi Aguda on Loss

My story of loss is a story of losing. It is a story of the futility of will, and the limitations of drugs against the stubbornness of genetics, of body.

I start to write this story in my head while staring at myself in the mirror, combing Cantu-covered fingers through wet hair. As yet more strands of hair with white bulbs at their roots, which confirm closed follicles, leave my scalp, I know that I want to write about losing hair, the continuous loss of it.

Balding is a word I’ve come to love. Okay, like. It is not a kind word. Like the cold probing instrument in the hands of my trichologist, it zooms in so my scalp resembles a desert on the monitor, and it leaves no place to hide. Balding lacks the soft landing of hair loss, which is gentle in its s-es. As the tongue leaves the upper palate on the second syllable in bal-ding, friends flinch, and you might find yourself recoiling from the widening patches of gleaming smooth scalp.

In losing hair, you will meet your insecurities on the street. You will come nose-to-nose with the monster of your vanity. Your fears will move into the apartment next door with ashy bald heads, ears pressed to the thinning wall, waiting for your next sigh. You might even find yourself shifting to the second-person point of view mid-paragraph. Anything to distance yourself.

I have met the indignities of fighting hair loss. Rubbing onion juice and foul-smelling concoctions on a situation that my mother’s head, my grandmother’s head, and the trichologist’s report tell me won’t change. And yet the irony is that I reacted to expensive Rogaine with a face full of hair so that for the first time in my life I was worried about too much of that furry substance—multiplying on my legs, darkening my arms, lowering my hairline . . .  it grew everywhere but where I wanted it.

I want to say that I’ve found freedom in this losing. Like the woman who empties her savings and travels the world on hearing she has a month left to live, it would be nice to say I’ve gained some irreverence in styling my hair. That I now dye it in a range of colours that would make my mother clutch her heart. But no. Within this stubborn body is still a wishful soul.

In a way, every story of loss is a story of losing; it never ends. Scalp where hair used to be; pillow where a head used to be. But in the roots of the stubbornness of body is also the resilience of body. You will maybe hurt less every day and my hand will rise less and less to my scalp, searching.

I’m losing, but I’m adapting. What I see is that despite the futility of will and the limitation of drugs, adapting is a way for my stubborn body, not yet thirty, to forgive itself for its own shortcomings.

  1. Cantu – Brand of hair care product; conditioner.
  2. Rogaine – Minoxidil; slows hair loss and promotes hair regrowth.

© ‘Pemi Aguda 2017

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2017

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We Never Lose What We Value

Ife Nihinlola on Loss

It was the morning after a long night that I’d spent working on copy. I was sleep deprived and my mind was slow to react to things around me. So when my phone dropped to the floor, I reached for it sluggishly. The danfo that I rode in had body parts, which moved even after the bus stopped, held together by the ingenuity of welders and panel beaters. We were on Third Mainland Bridge at 6:30am and moving as fast as the dying engine could permit. I looked down, saw asphalt through a gaping hole, and knew I had just lost my phone.

Kathryn Schulz, in an essay titled, When Things Go Missing—a wonderful piece that stuck to my guts days after reading—quoted Abraham Arden Brill, who said, “We never lose what we highly value.” I have thought of the many ways in which this is false. We do lose things we value. They slip away from our hands, like my phone. One month without calling a friend becomes six months of not keeping in touch, and then a relationship is irreplaceably lost. The same goes for the loss of faith. It might be gradual, but the heart knows it is gone.

We groped the floor as the bus sped along the bridge. A woman with a little kid on her lap—bless her soul—kept dialling my cell phone as if calling it would make it reappear miraculously like a genie.  The bus conductor rearranged the jerry cans, wrenches, and other bric-a-brac stored on the floor beside the door. But as all this was going on, I knew my phone was forever lost. In my six months of using that little Samsung device, I’d grown to love its size, its understated beauty, and its hard metal shell that accommodates my clumsiness.

Phones have become a large part of my living, serving as everything: from library to notebook to entertainment system to life planner. Although I’m always in need of a good phone, my finances are set up in ways that replacing what is lost is a decision that has to be made with extra thought. Do I just buy a cheap phone whose loss, when it happens, won’t hurt at all, or do I buy a phone capable of meeting all my needs—which means it would have the capacity to store information that stands the risk of getting lost again?

Loss is an inevitable part of this world where everything, humans inclusive, comes with an expiry date. All kinds of loss can probably be read as a shadow of losing life in the end. “Regardless of what goes missing,” Kathryn writes, “loss puts us in our place; it confronts us with lack of order and loss of control and the fleeting nature of existence.”

Loss, of any kind, often works like a flood that cracks the dam of my mind. One minute I’m sad that I’ve lost my phone and the next I’m wondering about lost friends, lost time, and the brevity of life.

My reflex reaction to loss is to do everything I can to avoid pain. I spent most of my childhood learning how to avoid connecting with people to the point where I missed them in ways that make the heart break. But emotional insulation comes with its own kind of pain. One stands the risk of becoming stunted, incapable of fully expressing the range of feelings needed to make a healthy inner life, incapable of loving. One cannot afford, for fear of loss, to shut the heart to the joy relationships can bring.

Perhaps, the ultimate lesson in the loss of my phone is that after two decades and a half spent on this planet, I’m just learning how to live and love.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/man-mobile-phone-person-smartphone-1868730/

 

©Timi Yeseibo 2017

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After Sorry, What Next?

sorry-construction

 

“Busyness is a myth. It’s a weapon that people who no longer love each other use against each other.”

“My schedule has been crazy—”

“Babes, I’m busy too, but I create time—”

“But I’ve been really busy you can ask—”

“Ok. Fine. The question is, ‘Do you still love me?’”

“Hmmm. That’s really not the point . . .”

“That’s not an answer.”

“It’s just that I cannot cross that line . . . Like when I was young and I had this dream . . . like I was going on an adventure. My friends and I would be running through a meadow. The grass was warm underneath my bare feet but the sun was never too hot . . .strange . . . but anyway, some kids would stop to pick wild flowers, others to rest, but I was always excited and focused on getting to . . . anyway, I would come to a stream that I could not cross because I could not swim. The other children would jump in and call out to me to follow suit, saying the stream was not deep. I woke up at the edge of the stream . . . every time!”

“You’ve never told me about that dream. It’s interesting.”

“I cannot just forget that you . . . that—”

“I’m not asking you to suddenly develop amnesia, but our memories should serve us not hinder us. Babes, haven’t you forgiven me?”

“Of course, I have. It’s just that—”

“Look, I don’t even think that we really really forget, but I think we can remember without the sting of pain . . . When my brother died—”

“Ah ah, are you trying to compare your brother’s death with—”

“No, I was just trying to illustrate . . . Never mind . . .”

“Well I don’t know. I’m not there yet.”

“Babes, it’s been nine months. Nine months with the sword of Damocles hanging of over my head—”

“You betrayed me!”

“I did. I am sorry.”

“I know and I just need time. I don’t think it’s fair for you to rush me. You hurt me deeply.”

“I’m so sorry, babes. I’ve done all you asked of me to make us work. I’ve done all I know to do.”

“Yes I know and now I’m asking you for time.”

“Do you still love me? Look at me . . . Do you?”

“You hurt me.”

“Babes, you don’t have to allow the picture of what I did blind you to all the good I did in the past and all the good I’m doing now—”

“That’s the problem you always prescribe how I should act! It’s not your prerogative, it’s mine!”

“I’m sorry. I just miss you so much.”

“Well, I hope you can understand. I just need time. Just give me time.”

“Can I hold you? Come here . . . sit . . . just relax . . . Babes, I’m not doing anything, I just want to hold you . . . that’s better . . . relax. I want to share a poem with you.”

“Sure. Whatever. You know I don’t do poetry.”

“It’s a short one, don’t worry.

And still, after all this time,
The sun never says to the earth, ‘You owe Me.’
Look what happens with
A love like that
It lights the Whole Sky
.

Well? . . . well . . . what do you think?”

“Hmmmm. The dream . . . hmmmm. I never made the connection. Maybe that’s the reason I never learnt how to swim.”

 

 

© Timi Yeseibo 2017

 

Photo credit: https://pixabay.com/en/site-website-under-construction-1561769/

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Soul Food For The Hair

hair-soul-food

My hairdresser arrives my home at 10 a.m., two hours later than I would have preferred.

“My brother, ma,” she begins by way of explanation.

“Happy New Year,” I say, waving her apology aside, my mind on my missing WiFi dongle. 

She arranges her wares on the sofa—combs, hair extensions, conditioner—priority and proximity guiding her placement. I plop my iPad, phones, and a folder on the other sofa, where a full-length mirror sits. Then I sit on a rattan dining chair, facing the sofa so my reflection is visible to me.

“This is how I want my hair to look.” I lift up my iPad for her to see the photo of a model, and then lower it, using my fingers to slide the screen and zoom in on her hair.

“But, she used a different kind of hair extension—”

“Are you sure?” It looks as if they just layered the extensions to get the look—”

“No, the extensions are different.” She points at the photo and then pulls out my hair extensions from the pack to show me.

I sigh, spilling my disappointment around the room. I am not convinced, but she is a hairdresser not a magician. Although I know the photo has been airbrushed to perfection, still, I want the look.

Her hands are gentle as she parts sections of my hair and weaves them into cornrows. She knows all the secrets my full head of hair holds and an easy camaraderie exists between us.

“How have you been?”

She talks about her dream of studying film in Australia, and then tells me about her recent work on the set of a film, how an actress accused her of cutting her hair around the temples.

“Ma,” she says, “can you imagine? Me that my fingers are so light, I’m even afraid of holding hair tight!”

I nod. “So what did you tell her?”

“I was so angry! Hmmm. I didn’t say anything!”

I laugh and she laughs too. It is not odd that she swallows injustice and later regurgitates it to a listening ear. The customer has might and is always right. My validation is the closest thing to fairness that she will get.

“Don’t mind her. Your hand is feather light. I hope she didn’t get you in trouble.”

“No, the director knows I never touch her hairline while styling.”

After she completes the cornrows and starts crocheting extensions on them, I get lost in reading.

“It’s too much,” I remark when I look up to examine her work.

“It’s not too many. You will like it. Just wait and let me finish.”

A good hairdresser deciphers the subconscious desires of her clients. My hairdresser represents the part of me that bucks against conformity with random strands of blond extensions that she calls highlights. I squirm at my reflection because I want conservative hair and I do not want conservative hair. Zig Ziglar says that if people like you, they’ll listen to you, but if they trust you, they’ll do business with you. 

When she is done, I turn my head from side to side and smile at the result.

“How much do I owe you?”

We should have set the price before she began and I can insist on the amount I last paid. She looks at the ground before reluctantly meeting my eyes in the mirror.

“Ma, the price has increased because of the recession.”

We both laugh at our intangible exchange. I am proud of her because she has crossed a hurdle. She found the muscle to put her business before the indistinct blend of sisterhood and friendship that we share. I pay the new price without haggling.

She is young and her dreams are tall. I hope she does not one day respond to the vagaries of life with cold cynicism. Her combination of innocence and honesty is increasingly rare.

 

© Timi Yeseibo 2017

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Much Ado About Something

lagos-airport-night

The man seating across the aisle from me is what Nigerians call Kora, which loosely means that he hails from somewhere in the Middle East—Lebanon, Syria, Israel.

“Excuse me, excuse me,” he calls to the flight attendant. “Can I use the toilet over there?”

He gestures to the business class section, which will be cordoned off with curtains after the airplane takes off and reaches cruising altitude.

The flight attendant says, “There is a toilet over there,” and points down the aisle.

The man and I are seating on adjacent sides of row 11, immediately behind the curtains that define our class; those seats with a little more leg room and no trays.

“But that means I have to go to the back.”

He speaks with a Nigerian Pidgin accent. I place him as Lebanese. Many Lebanese families have been in Nigeria for generations.

The flight attendant is quiet, his expression stoic like a doctor.

“What’s the difference? Is it not the same toilet?” the Lebanese man turns his hands so his palms facing upward, are asking the questions too.

“It’s for the business class passengers sir.”

My view is limited, but the business class section looks empty and passengers have stopped entering the airplane.

“Yes, but what’s the difference? Is it not the same toilet?”

“Sir, you can use the toilet at the back.”

“That means I have to walk all the way to the back. This one is closer.”

The Lebanese man places emphasis on the word all, in a way that reminds me of how petulant teenagers roll their eyes. I peg him at between 47 and 52 years old. His stomach strains against the buttons of his white shirt and his hair is mostly grey with silver highlights.

He looks at me, maybe because I have been following the conversation, but I look away. Although I am fully Nigerian, I have no desire to moderate the debate.

The flight attendant adjusts a bag in the overhead luggage compartment. It seems like a passive way to deal with a belligerent child.

“The toilets in the back are cleaner than those in business class, sef,” the man tacks this sentence to the conversation, like an insult.

It should provoke a reaction, but it does not. The overhead luggage compartments demand so much of the flight attendant’s attention.

He continues, “I have been waiting since 9 in the morning for my flight. You people are just useless.”

My 13:30 flight was also grounded. All Lagos-bound passengers finally boarded this 18:30 flight. I commiserate with him.

Communication is like dance and grouse takes many forms. If a man asks a woman, what’s wrong, and she answers, “Nothing,” he knows that something is wrong. The toilet, business class or economy, is not the problem here.

“I’m very sorry about that sir.” The flight attendant’s voice has a professional inflection, sympathetic but detached.

“Sorry, sorry. Take your sorry. I don’t need it!”

Minutes later the flight attendant demonstrates the safety instructions coming from the airplane’s public address system. Twenty minutes into the flight, the man ambles down the aisle, all the way to the back, to the toilet. The flight attendant serves refreshments. The man gists with his travelling companions in Lebanese.

I am still rolling their conversation over in my mind, intrigued by it because of something I once read: two monologues do not make a dialogue.

What if the man had started out by stating his displeasure over the delayed flight and the inconvenience it caused, explaining his tiredness because of waiting all day in the airport, before requesting to breach protocol, would the outcome have been different? 

But in Nigeria, to be polite is to be weak and to be aggressive is to be right.

 

©Timi Yeseibo 2017

 

Photo credit: Photo credit: artforeye via Foter.com / CC BY-SA

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

More Than the Sum of All That

compass

My aunt is wearing a striped tube dress with spaghetti straps. When she sits, love handles circle her tummy like three rubber tires. “Timi, where have you been?” she asks, but does not expect an answer. I am there and it is enough. She sucks me in a tight embrace, her warmth spreading over me, her smile wide. 

The years apart are too many to fit into an evening. We make small talk highlighting the events that count. Did I hear what happened to her son? Only God could have saved him. And what about me and my hopes for tomorrow? I do not burden her with sad news; there is no need to slow down the tempo of the music we are making. Soon we are silent, each of us locked in our world, making sense of words.

When my sister says, “Aunty you look as young as ever,” she returns to the present.

“No o. I am old.”

My sister counters, “You’re looking young. No one would believe if you tell them your age.”

“Please don’t deceive me, don’t give me false hope,” she says like a woman who has been lied to and preyed upon. She pats her Halle Berry wig and looks at me with a small smile.

She is seeking corroboration from me. I cannot just give it, mouthing empty words. I do not know how old she is. I have no compass with which to navigate true north, therefore I cannot tell if she is indeed looking young. Having not seen her for years, in which I harboured memories of her younger fashionable self, she is in fact looking old to me.

My sister and my aunt continue the cycle of compliments and weak rebuttals. I fight within myself. Where is true north?

“Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place,” Cormac McCarthy wrote. 

My aunt’s husband is long gone; one son is far away, the other closer by, and her only daughter died too early. She has forged a whole life for herself apart from them. Her carefully made up face—thin black-pencilled brows, two large dots of muted raspberry rouge, and red lips that complement her hazel skin—is like a photo from another era. She has weathered storms and raised many children that are not hers, including me. I sense her hunger to be seen and admired as I too have on occasion hungered to be seen and admired.

I stop fighting because I have conquered myself.

“Aunty,” I say, “You look young and beautiful.”

It is not false hope; it is true. I remember learning that a (magnetic) compass almost never shows true north. True north is different from magnetic north, which changes depending on local magnetic variation. About a million years ago, the position of magnetic north even wandered closer to the geographic South Pole.

I had planned to ask my sister how old my aunt is. But when we leave, I let the question die in my throat. What does it matter? I am in charge of my compass. Moreover, she is more than the sum of all that.

 

©Timi Yeseibo 2017

 

Photo Credit: https://pixabay.com/en/compass-magnetic-orientation-801763/

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Hope, Our Common Denominator

hope

Our realities are splintered in Nigeria—along class, religious, ethnic, and other lines.

On the way to my hometown from Lagos for the Christmas break, I slept through most of the trip, but a few kilometers into the town, I opened my eyes and saw fog over the trees by the road. The chilly winds had not yet blown over Lagos in the days preceding Christmas, and Lagosians wondered if the harmattan had become another casualty of 2016. The faces at home, however, were already ashen, dry from the harshness of the harmattan. The economic recession that plagued the country seemed to have moved in the same direction as the dusty winds, enveloping small towns on its journey to the big city.

I only know of how hard things have become because I dwell in between the exuberant hope of Lagos’ upwardly mobile circles and the despair in the rest of the country. Twice, over the festive season, in Lagos, I heard people say that things aren’t as bad in the country as they seem and wanted to transport the speakers from the bubble of this vibrant city to my sleepy hometown. A part of me wanted to criticize them for being myopic, for thinking their experience was typical of the rest of Nigerians.

But the mind knows only what the eyes see. Yes, it’s necessary to imagine the lives of people different from us so we can be good, empathic humans, but there’s also harm in thinking people who can’t yet see others as others are, are evil. This almost always widens those splintering gaps between us to the point where they become gullies. But we are closer to one another than we think.

Despair can cripple the imagination and blind us, limiting our vision to the fears of the present. That unflappable belief that what lies ahead is better than what is behind is difficult to preach in the face of a crumbling economy and rising political tensions around the world, but hope is the thing we cannot let go of.

Many at the start of the year usually display this hope, this higher level of optimism. Ends and beginnings are like points on a Mobius strip. There’s really no difference in the way the days run, but somehow, by placing a marker in time, we are able to generate optimism, to look up for instructions or guide ourselves into better living.

“Radical hope is not so much something you have but something you practice;” the writer Junot Diaz said in the New Yorker, “it demands flexibility, openness, and what Lear describes as ‘imaginative excellence.’  Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible.”

Even I, usually skeptical of the feel-good-nature of the start of the New Year, have set aside goals, lists of things I’d like to get done by the end of the year. This time last year, I had no plans beyond seeing the next day. Now I’ve added more material dreams to the basic necessities, but the desire remains the same: to live better. And I know I’m not the only one doing this. Both the millionaire in the mansion in Ikoyi and the starving civil servant in Osun state look forward to a better 2017.

We can expend energies arguing about the different degrees of better, but we all share the need to look in the future and see ourselves in better conditions than that which we’re in today. To lose that ability is to lose all verve to live. The least we can do, in the face of difficulty, is hope.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/candle-light-dark-hope-flame-group-813005/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Out on These Limbs

limbs

1.
I came to like football as a careful choice unlike many of my friends for whom the sport was a natural favorite. Growing up, the sport that came to me naturally was basketball. Of course, there was wrestling from TV that I tried out with my younger sibling, which earned me a chipped tooth and sprained wrist, but B-Ball was the sport I played in my sleep. I bought illustrated books on basketball and stayed up late during NBA Nights on TV. I watched movies like Blubber, Love and Basketball, and Like Mike endlessly. I became friends with Akin, the tall but otherwise uninteresting guy and later, Babs, the lanky Hausa boy who opened his mouth to reveal brown teeth and bad English, because of B-Ball.

 

2.
Akin brought the first basketball to school and made those interested practice in the school hall during mid-day breaks. In three weeks, our number dwindled to five. B-Ball proved difficult, particularly avoiding traveling, the game rule violation everyone but Akin and Babs committed repeatedly. Still, I stayed after school to practice throws, which I was good at, especially throwing from the left side of the hoop.

 

3.
“Maybe we should play with Loyola College sometime,” Akin said one day after break-time. He talked in an offhanded manner, leaving a listener to decide what was serious, and what wasn’t. I stopped coming to practice after that day. Babs cornered me to find out why.
“I don’t like how I have been sweating and having to wash my uniform all the time,” I told him, stealing glances at his legs.
He had spindly legs like mine, only fairer and straighter. I didn’t want to tell him the thought of stepping into another school in shorts—my legs exposed and defenseless—was enough to give me a migraine. It was not going to happen.

 

4.
I found I could play football with a pair of jogging pants if I wanted to. Then, I found I couldn’t play real matches with jogging pants, except as a goalkeeper. So, I became a goalkeeper.

 

5.
When I was called up to stand in front of my secondary school assembly and announced as the male senior prefect, I imagined that the sea of eyes staring at my bony legs, sticking out underneath my blue shorts, zoomed in on every hair follicle. The next week, I had two pairs of shorts made. The new pairs were a couple of inches longer than my former knee-length pairs. Everyone called me three-quarters head boy. Standing in front of a mirror, my legs, sticking out from mid-calf to ankle, did not look so thin.

 

6.
At NYSC camp, I always looked forward to evenings and weekends when I could wear my long, oversized, khaki pants. On weekdays, I pulled down my small shorts until they grazed the edge of decency. I sat in the middle row during boring lectures from NGOs and prospective employers and stayed away from crowded places like the mammy market, where a drunk corps member could spew remarks about my broomsticks legs.

 

7.
Earlier this year, a female friend saw my lower legs because I was reclining and stretching my feet.
“You should wear shorts, Akintunde, you have really fine legs,” she remarked.
That day, I ordered a wine pair of combat shorts in size 30. I drove to work wearing a gray T-shirt over the combat shorts and a pair of brown ankle boots the day after the shorts arrived. I strutted into every office and later in the afternoon, strolled down the busy road in front of the office, saying hello to a couple of people. I stared back at the faces whose eyes lingered on my form, their approval or disapproval notwithstanding, and smiled consciously. I couldn’t drive after work so I took a total of four cabs en route home, transiting at busy terminals. The fascinating glances I received from homebound commuters made me wonder if I hadn’t been saved by my car in the morning, if my comfortable denim pants wouldn’t have been the better choice. That evening, my youngest brother came home from school and threw me a mock salute when he saw my outfit. When he was leaving three days later, I gave the combat shorts to him, packed in the plastic bag in which it had come.

 

© Akintunde Aiki 2016

Akintunde Aiki is an engineering apostate who currently finds joy in beautiful writings. He thinks Friday is the best day and November the best month. He loves all shades of the color blue. If he can get off the internet more, he’ll probably write a book. He blogs at Koroba.

 

Photo credit: Unsplash/ https://pixabay.com/en/feet-boots-filling-cabinet-legs-1246673/

©Timi Yeseibo 2016

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Music, Love, and the Occasional Heartbreak

music-headphones

1.
This is how I know I have fallen in love; I listen to Toxic over and over without grimacing, I croon …with the taste of your lips, I’m on a ride…, with feeling and his picture on my mind, then I flip my imaginary blonde locks the way Britney Spears does in the video. Sometimes, Rihanna reflects the true state of my jumbled emotions—those surges of oxytocin we call falling in love. I find myself hunting for, the only girl in the world, and singing along with the gusto of a drunken man. I know then that it is futile to deny that my feet are wet while the waves carry me from shore to pulsing sea.

 

2.
I was born to two Lionel Richie fans, although one was more passionate than the other was. My earliest memories are of my younger brother and me boogying on the sofa and table to Dancing On The Ceiling and of longing to be grown-up and independent as I listened to Easy. Now I wish I’d stayed a child for longer. Adulthood is not the easy ride it seemed to be in the days when I longed to do everything by myself, to be free to make decisions that affect my life, and to marry Lionel Richie or Daniel Wilson if I could not land Lionel. Daniel Wilson’s Raggamuffin made me think of swashbuckling adventures. I do not know why I thought that as a five-year old, I am just glad I did not develop a thing for bad boys.

 

3.
The first time I fell in love, I was eleven years old. It was at a Cowbell Maths Competition Gala and he was singing Careless Whisper. I could have followed him to Jupiter if he’d asked, however my father and his stern look would have frozen my legs and stopped me from following the summons of my achy-breaky heart. I have never forgotten him. Today when I listen to jazz, I wonder who he was and where the tides of life have tossed him. When I listen to either version of Careless Whisper (George Michael’s or Dave Koz’s), I can’t help wondering if his voice was as good as I remember.

 

4.
I broke up with my first boyfriend in a mostly deserted lecture hall at 4 a.m. after listening to James Blunt’s, Goodbye My Lover. I knew as I listened to the song for the first time that what we had was no longer viable. I do not for a minute regret ending that relationship and when I hear the song, I smile and think of him. I fell in love with my next boyfriend two years after we’d started dating. Bob Marley’s Is this love, blared from the speakers of the bus taking us to the park where I’d board a Lagos-bound bus. He sang along, his husky voice breaking and his eyes closed. He wasn’t singing to me but my foolish heart somersaulted as he sang and when my love meter clanged in warning, it was too late.

 

5.
Cher and Gloria Gaynor held me close and wiped my tears when he shattered my heart with spectacular precision. Believe and I will survive saved my sanity and even my life. When people say a song is just a mixture of words and rhythm, I want to punch them so bad. Music is spirit and pain and life and joy and all the things in between.

 

6.
Neither Josh Groban nor Aloe Blacc thought of me when they wrote Brave and Wake Me Up respectively. However, I wouldn’t have started a blog if I hadn’t listened to those songs as though they were water in the barren desert that was my soul. The lyrics inspired me to take this writing thing seriously and to trust the voices in my head and heart to lead me right across computer or phone screens and through life.

 

7.
I am the woman who goes to work with Phyno on both sides of my ears. His song, Oringo, transports me to a party for one, the rhythms from the east of the Niger River—my ancestral tom-toms—call the wild spirit I have restrained for too long. This is how I know I am free; I am on stage and the crowd is humming a cover of Bruce Springsteen’s Born To Be Wild. No, I am dancing to work and inviting interested stares although I have no blond locks to flick. My headphones trap the sound that come from Phyno’s heart. Maybe today, you will finally tap my shoulder and say, “Hello, it’s me.”

© Adaeze Ezenwa 2016

Adaeze Ezenwa lives in Lagos where she dodges traffic and fantasizes about becoming a billionaire before turning 35 and eating dodo daily without gaining weight. She rents a patch from WordPress at Emporium of Words, and her door is always open for conversation.

 

Photo credit: Spinheike/ https://pixabay.com/en/london-oxford-street-headphones-116018/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Seven Colours from My Life

colours

1.
Amber is the colour of HB pencils. One morning, in the year I was five, I returned from our neighbour’s house where we grind beans for akara and moi moi and sketched the grinding machine I saw there. My dad’s sister raved about the drawing and adjudged it an excellent reproduction. She rewarded me with two HB pencils and one eraser. These were not the last accolades I received for my art.

 

2.
Baby blue is the colour of my mom’s cooler. On a Visiting Day in junior secondary school, I took some of the jollof rice my mom brought for me to the hostel. My five friends flocked around and in-between jollification and smacking of lips, intoxicating praise for the jollof streamed into my ears. Three of these friends lived in Lagos. Zaria was too far-off from Lagos so their parents never honoured Visiting Day. The next term, my mom journeyed from Kaduna by bus with her big cooler of jollof rice for me and my crew. The image of my mom walking with the cooler on her head, and a Bagco Super sack of provisions clutched in her hand, stays with me.

 

3.
Brown is the small scar on my mom’s palm. Books, television, and the sound of music made me a wandering kid who always yearned to recreate something wonderful. Many evenings bloomed and withered as I combed garbage dumps for milk cans and precise colours of slippers, from which I fashioned wheels, Ludo seeds, and hockey balls. I ended my quests, each time, looking scruffy, and spankings by my mom’s palms remained the consistent punctuation to homecomings. In my mid-twenties, my mom revealed the real reason behind her anger. It wasn’t her supreme aversion to uncleanliness. Each time I strolled home looking like a pig, I reminded her of her days as a little village girl.

 

4.
Copper is the skin tone of my girlfriend. We were whatsapping one day and then:
*Ping* Why do you like me?
You pinch me. Sometimes. And it hurts until I laugh.
 I typed the last of nine answers to her question.
She replied with thirty reasons why she likes me. I have emailed them to myself for safekeeping.

 

5.
Yellow is the colour of egusi. The day we overcame our reservations and ate at Mama Favour’s spot, we sat in the open air, on an unstable bench, battling impolite flies and smoke from smoldering firewood. Her pounded yam and egusi was delicious. Incredibly cheap too. So cheap that we did the math three times to make sure we weren’t short-changing her. Two years on and Mama Favour has two roofed bukkas now. My best friend and I, and the other friends we have shared the gospel with, are still her customers.

 

6.
Porcelain white was the colour of Aunty Ramatu’s teeth. To the delight of my parents and we kids, her visits to our house were seldom without a jerrycan of kunu and sticks of sugarcane stuffed in a Bagco Super sack. In September, I visited Aunty Ramatu at the hospital. Her only surviving child laughed at a joke I cracked, revealing white teeth. I marveled, turned to her mother and discovered, as she too laughed, weakly, that her teeth were also white. Aunty Ramatu was discharged from the hospital two days later. In October, after contending with a terminal illness for more than fifteen years, she ascended from our realm. Your kindness and laughter will always be remembered, dear aunt. Rest in perfect peace.

 

7.
Red is TED. “Did you read Chimamanda’s 9K words essay?” read Mimi’s IM on WhatsApp. I hadn’t. She whatsapped the link. I read and found it articulate, inspiring, and instructional even if I didn’t agree with a number of Chimamanda’s admonitions. The waves of my doubts crashing against the shore of my convictions steered me towards Google. There, I discovered Chimamanda’s TED talk We Should All be Feminists. These days, I wonder if the women in my life will not live richer, fuller lives if we all became feminists. Maybe I am slowly becoming a feminist. Maybe not. Only when I marry, beget and rear a daughter will I really be certain.

© Samuel Okopi 2016

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

 

Photo credit: nbostanova/ https://pixabay.com/en/pencils-coulored-red-blue-yellow-1654051/

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Two Hundred and Counting

200

 

I received a WordPress notification about my 200th blog post about six weeks ago. What does this mean to me?

1.
Because Nigerian musicians frequently fuse their local dialects and English to produce hits that resonate beyond their shores, I thought the word colabo, and I spelt it like that, in the song collabo by PSquare featuring Don Jazzy is a Pidgin derivative. However, collabo is a word in the dictionary, which means something produced by two or more people working together, especially a piece of music.  I did not get to two hundred on my own. Many collaborations with different writers brought me here.

2.
Every year I check boxes and add scores on tests designed to show me an aspect of myself. I am always trying to answer the questions, who is Timi and what does she want? Perhaps I am more curator of stories and editor than I am writer. The collaborations I inspire and drive bring me double joy. Flipping through one of my old journals, I smiled as I read my handwriting, cursive, strong, sure. I had written: I want to tell other peoples’ stories. Self: A person’s essential being that distinguishes them from others, especially considered as the object of introspection or reflexive action.

3.
For years, my answer to the question, “So what do you do?” was fluid because I was like a natural hair enthusiast growing out a perm, one leg here and one leg there. To define my ‘do’ by my day job seemed limiting. Then I stumbled on Adam Leipzig’s Tedx Talk and discovered a way to answer the question with ease. Recently, I answered the question like this: I write a blog, dismissing Leipzig’s recommendation. The man to whom I was speaking probed further, “What do you write about and are you any good?” I answered his second question before the top of his lips settled on his bottom lip, “I am very good.” Gone was his disinterest. Confidence: A feeling of self-assurance arising from an appreciation of one’s own abilities or qualities.

4.
Sometimes people leave me comments and messages that they wish they could write like me. I take it as a huge compliment and nothing more. I have stopped wishing I could play the piano like the musician who is a wiz at the keyboard. I have no desire to put in the work and disciplined focus required to reach that level of proficiency. I do not have another 10,000 hours. In making the point that excellence requires a critical minimum level of practice, Malcom Gladwell says ten thousand hours is the magic number that researchers have agreed on for true expertise. Two hundred blog posts is not yet 10,000 hours. Practice: Repeated exercise in or performance of an activity or skill so as to acquire or maintain proficiency in it.

5.
The line between just asking and a free consultation is smeared with politeness. Doctors and other professionals know this. I know this now; 200 blog posts means I have a feel for what makes a piece of writing work. A party is not the place to read me a sentence then ask if it is grammatically correct or whip out your phone to show me something you wrote. That is what emails are for. I do not carry a red pen in my clutch bag; I carry red lipstick and blue mascara. People ask me to be brutally honest in my feedback, but the only place to be brutal—savagely violent or unpleasant and harsh, is the gladiator’s ring. The only adjective that should go with honesty when it comes to feedback on a piece of writing is kind. I have made and kept more friends this way.

6.
Space is not a continuous area or expanse, which is free, available, or unoccupied. It is a place stamped with evidence of my presence, neatly littered with comforting memorabilia—a weathered collection of poems, old photos of my children, journals, books about writing, ideas on yellow post-its, and greeting cards that affirm who I can be. Space is freedom to live, think, and develop my writing in a way that suits me. It is saying no to play and living like a hermit Friday night and all day Saturday. Space is showing up for lunch or dinner with my laptop, typing away while conversation wafts around my head. Two hundred blog posts later, space is the greatest gift my family and friends have given me. Extroverted Introvert: Also called social introvert. Sociable and friendly but needs to recharge in solitude often.

7.
When I decided to start a blog, I had three options: WordPress, Blogger, or Tumblr. I am yet to regret my choice. Often I struggle to leave a comment on other platforms but I have scarcely heard that anyone struggled to leave a comment on my blog. It is true that I do not want be bothered with technical things like code, wanting only to upload and publish, but more than that I have found a community of generous people who are curious about the world beyond them. Two hundred blog posts ago, I published my first post to a warm welcome from several bloggers who I did not court. Welcome on WordPress is like a revolving door. A good number of bloggers with whom I engaged in those early days have exited the blog stage and in their place, other bloggers have taken my hand. Welcome: Greet (someone arriving) in a polite or friendly way; React with pleasure or approval to (an event or development).

 

To all my readers: I owe you a debt of gratitude. You have pushed me to become better than I was.

 

©Timi Yeseibo 2016

 

  1. All dictionary definitions from English Oxford Living Dictionaries
  2. Gladwell, Malcom, Outliers, The Story of Success, (London: Penguin Books, 2009), 43 -44

 

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To Not Catch A Fly

To not catch a fly

You’re interested in a serious relationship that ends in marriage, would you date a man six years younger than you are or a woman six years older than you are?

Read the backstories: To Catch A Fly & The Riposte;
To Catch A Fly . . . Again & The Riposte

 

To Not Catch A Fly

“It’s not the way I pictured it . . . you know, I always saw myself with someone older. . . I don’t know if I want to catch this fly.”

“I know—”

“I mean, my dad is older than my mum . . . my sister’s husband is older than her . . . the man is always older . . .”

“Well there was Demi Moore and Ashton Kutcher—”

Puhleeze! Let’s talk about real peopl—”

“Gabriel Union and Dwayne—”

“I so love Gabriel Union! She’s so cool! Bad choice though . . . Anyway, I can wrap my mind around one or two years, but six!”

“Eva Mendes and Ryan Gosling are six years apart—”

“Can you blame her? If Ryan Gosling was knocking on my door—”

“Keeping it real please! I can’t think of any real couples right now, but I’m sure many people must have done it successfully—”

“I need a man not a baby to look after for crying out loud!”

“Funny, eh, stop being dramatic. Before you knew his age, he was okay. He didn’t seem immature. He has a good job, rents his own place, car . . . you never said he behaved like a baby—”

“But maybe that explains his slow coach. Don’t you see? He’s young, maybe he’s not ready for marriage . . . you know, he’s just checking out the field—”

“So he didn’t react when he found out your age?”

“I don’t know o! I was busy having tantrum like a drama queen while he was cracking jokes.”

“Hmmm . . . you guys sound right for each other—”

“I watched this movie once . . . em, I’ve forgotten the name. Older woman, younger guy. So, they’re like lying in bed. She’s reading something serious like The Economist, he’s playing Nintendo—”

“Hmmm Hisssss! In your case more like he’s reviewing seminar materials and you’re eating shawarma!”

“Ha ha ha! Your head is not correct! But what will people say? What will my family say? Abeg joor, I can’t.”

“People will always say, it’s your family that counts. To convince your family, you must first convince yourself. Last time I checked, he met your specs—”

“No, no, no. Oh no, last time you checked he was a seminar-inviting slow coach!”

“But you like him?”

“Yeah, I do. I like talking to him and I enjoy his company. . . a couple of his shirts need to be donated to Red Cross, but he’s not bad . . . there’s good chemistry in the works . . .”

“You see . . .”

“Yeah, I mean I was going to just ask him point blank where all this is headed you know, and then bam! The age thing. Maybe it’s a sign?”

“Sign of what?”

“That it isn’t meant to be . . .”

“Nonsense. I’ve learnt that love can come when we least expect it from unexpected people and from unexpected places. Don’t blow your chance at love. Give him a chance—”

“And can you imagine I’ll start greying first. Oh dear, I’ll grey down there first and look like his mother!”

“Nonsense! A brazillian can fix that. Did you hear anything I said?”

“Is this dude paying you to do PR for him?”

“I just want you to not let conventions limit your chances. This guy may be younger but he has potential and he is solid.”

“Let me just call him—”

“W . . . What are you going to say?”

“Listen, I’ll put it on speaker.”

 

***

“Hello? Hello? Junior, it’s me.”

“Ah Senior, how are you? I ate my vegetables and brushed my teeth before going to bed.”

“Ha ha ha! Seriously, I’d like to ask you out—”

“A date?”

“Yes, like dinner and a movie . . . no seminar . . .”

“Of course I know what a date is. I wanted to ask you out—”

“That’s okay, I’m asking you. So shall we do dinner this Friday say around seven-thirty-ish?”

“Yes, that’s well before my curfew, I can swing that—”

“Ha ha ha. This boy, you’ve started o.”

“No o, you started it.”

“I’ll whatsapp you details ok?”

“Ok.”

“Bye now.”

“Wait!”

“What?”

“You have a lovely smile and rich laughter.”

“Thanks. Did your English teacher teach you that at school today?”

“No, actually it was my literature teacher . . . today we did poetry . . .”

“Touché! See you Friday.”

“Can’t wait.”

“Bye bye.”

“Bye.”

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Riposte: To Catch A Fly . . . Again

aging

 

Ife Nihinlola’s article follows from last week’s dialogue. The question is: when it comes to romance, does age really matter?

 

Riposte: To Catch A Fly . . . Again

“Hey, someone did not sleep well today. So are we celebrating?”

“Celebrating what? See, we have work to do this morning, let’s just focus on that.”

“Wow. Did she curve you that badly?”

“No one curved anyone, okay? I’ve not even asked her anything yet.”

“Okay. This is becoming a problem. Talk to me. Is this psychological?”

“How do you feel about marrying someone older than you?”

“I see what is happening here. How old is she?”

“Answer my question first. Would you have married your wife if she was older than you?”

“Of course I would. She’s a great woman. Age is just a number, you know?”

“What if that number is thirty-five?”

“Ermmm, are we talking about the same person you showed me her picture on your phone?”

“Yes. And this universe is a cruel one. Just last week, I watched this thing on Al Jazeera about women who tried to get pregnant later in life . . .”

“Slow down, slow down. Now you’re thinking of kids.”

“My friend, focus. I’m talking about something I watched and how that was all I could think of when I heard her age. Do you know women are often advised to freeze their eggs when they’re young so they can have better chances of conception later in life?”

“What are you talking about? Who wants to freeze eggs in Nigeria? All I want to know is what went down between you two yesterday.”

“There’s actually nothing to know. All that happened is that I heard her age and my brain hasn’t stopped doing calculations ever since. Do you know she actually thought I was thirty-eight?”

“You’ll soon be thirty-eight and single at this rate. So what did you guys do when you found out your ages? This is actually good you know—knowing this early so you can get the awkwardness out-of-the-way?”

“How is this a good thing? I’m actually trying to move on right now. That’s the goal of the next two weeks.”

“But she has great genes sha o. That is how I want my wife to look at thirty-five. You know, one of my aunties gave birth to her first son at forty last year, and he’s a very healthy boy. Very healthy.”

“What are you saying, this man? You think I should go ahead?”

“I’m not saying anything, but at least take her out on a date, just one date to make up for all the seminars you’ve made her endure.”

“Isn’t that stringing her along? Because I don’t see how she is even interested in me anymore. You should have seen her face when she realized I was twenty-nine. It was like she wanted to faint.”

“Doesn’t mean she still won’t appreciate you making an effort. Let me tell you something about women: no matter how old they get, they still appreciate a guy treating them decently.”

“So you get married now and suddenly become a girl whisperer?”

“Trust me on this one. I know it because I read my wife’s WhatsApp. You should see how much they rate young men who know how old they are and still pay them attention like they’re twenty-one year olds.”

“It won’t be bad to take her out on a date sha. You know she likes Sade too.”

“What is my own with whether she likes Sade or Emile Sande. All I know is that you should call her now and ask her out on the way you should have done yesterday.”

“Okay Sensei.”

“And put it on speaker; there’s no one in this office yet.”

“Yes Sensei.”

***

 “Hello. Hello? Hello?”

“Hello, can you hear me? It’s me.”

“Of course Junior, I know it’s you. Ha ha ha! I hope you made it home before your curfew last ni—”

 ***

 “Why did you cut the call?”

“I . . .I—”

“Never mind, Did she just call you junior? My God. Wife this woman abeg.”

“I can’t do this.”

“Of course you can, and you will. You’re going to call her again and ask her out properly and live happily ever after. That’s a fact. I’m going to my cubicle.”

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

To Catch A Fly . . . Again

To catch a fly again

 

Part 1: boy meets girl; two girlfriends dissect the relationship – To Catch A Fly
Part 2: the male perspective; boy and his mate dissect the meeting – Riposte: To Catch A Fly

 

To Catch A Fly . . . Again

“I—”

“Can—”

“Sorry, please, you were saying?”

“I interrupted you, please go ahead.”

“Ladies first—”

“I insist. I know you’re trying to be a gentleman, but I insist . . . please go ahead.”

“Ahem! Excuse me.”

“Bless you dear. Oh sorry, that’s not the right thing to say, is it?”

“Than— ahem!”

“Are you okay?”

“Ahem! Yes, yes. Er, I wanted to ask you if—”

“Sorry. I have to take this call . . . it’s important . . . Hello? Hello?”

“No worries.”

****

“Hi, I’m back. Really sorry—”

“That’s okay . . .”

“You wanted to ask . . .”

“Oh, yes, that . . .  what did you think of the seminar?”

“Well, this is the best one so far. I thoroughly subscribe to the professor’s argument about the lack of succession planning. How many Nigerian businesses have outlived their founders abi owners?”

“True, true. And the proliferation of techpreneurs . . . that one caught my attention. Guys just learn how to code and next thing want to launch out  . . . no experience—”

“Yes o. Don’t you just hate it when people use Mark Zuckerberg as an example? I mean since when does an outlier experience become mainstream?”

“Yeah yeah, if the model cannot be replicated, it isn’t applicable. But the problem with Nigeria, no feasibility studies, no business plan . . . one person starts Pure Water business, next thing all the neighbours are digging their own boreholes! Copy, copy!”

Ha ha ha! I had a good time tonight. Thanks for inviting me.”

“My pleasure. Me too!”

“I’ve been meaning to ask—”

“Ahem . . . Ahem! Ahem! I—”

“Are you okay?”

“Yes. I—”

“Hold that thought, I have to take this please. It’s an important call. Hello? Hello? You can’t see my date of birth? What—”

***

“So sorry, I needed to sort that out—”

“That’s okay . . . but I couldn’t help overhearing your conversation—”

“No biggie, my medical forms should have been submitted yesterday—”

“D . . . di . . . did you say you were born in 1981?”

Ah ah, a lady doesn’t reveal her age, but since the cat is out of the bag—”

“Yo . . . you’re thirty-five?”

“Technically, thirty-four years and seven months. My birthday is in a few—”

“Thirty-five?”

“Well, I guess you’re one of those people who always round up num—”

“Thirty-five? How?”

“Ha ha, my mum and dad did it in ’80. I don’t look it right? People always think I’m like twenty-five, twenty-six-ish.”

“You certainly had me fooled . . . with that face and body!”

“I hope that’s a good thing . . . you look sick . . . is everything—”

“I . . . I’m . . . I’m fine. Do you mind if we go sit in the car?”

“No not at all. Lead the way . . . so how old are you?”

“Er . . . old. I mean old enough.”

“Let me guess . . . come to think of it, you went to school with Lola’s brother right?

“Yes . . .”

“Andy is three years older than us. Mehn, you wear thirty-eight well! I’ve always thought we were age mates—”

“I . . . I—”

Ah ah you’re so sweet and thoughtful . . . you don’t have to open the car door for me all the time jare.”

“I aim to please.”

“Is that Sade? Do you mind increasing the volume? I looove Sade! Hmm . . . this is no ordinary love, no ordinary love, baby . . .”

“I . . . I . . . I was saying I went to school with Bobby.”

“Bobby? Which Bobby? How can? Bobby! Wait . . . wait . . .”

“Yes—”

“Bobby? Lola their last born?”

“Yeah, that Bobby—”

“Please lower the music. Lower the music!

“Is this okay?”

Haba! Just turn it off abeg!”

“Sorry. Okay.”

“I can’t breathe! Wind down—”

“But the AC is on—”

“I said, ‘Wind down!’ Wind down now!”

“Okay, okay . . . cooli temper!”

“Hisssss!”

“Is this better? Please say something . . .”

“Hmmmm!”

“Look, this is awkward for me too . . .”

“Hmmmm!”

“Okay, em . . . em . . . the next track is . . . drum roll . . . Age ain’t nothing but a number—”

“Hisssss! Ye ye boy! And my name is R. Kelly! Ha ha ha!”

“Ha ha ha! At least I made you laugh abi?”

“Juvenile delinquent! Please take me home before it’s time for your curfew!”

 

©Timi Yeseibo 2016


For Afi, Ayo, Busola, and everyone who wanted a sequel to To Catch A Fly & Riposte: To Catch A Fly. Thank you for helping me improve my dialogue writing skills.

 

 

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.