She Always Will Be

Tomi Olugbemi on Loss

Dying does not hurt the dead but I fear it is different for Mummy. I often worry that she may be grieving too, floating about in some existential plane and mourning the absence of her husband and children. I chew on the meaning of rest in peace. Is it mere banality or is death a form of rest? Perhaps it affirms the belief that eternal bliss follows dying.

I was angry that barely two weeks after the funeral; a guest minister at church preached on God’s healing power. I was angry that many people believed her death to be God’s will: that He knew best, and Mummy’s time had come. I scolded myself for not coming home months before she passed and for believing that she was on a path to recovery. When Faith Evans voice came on the radio, three days after Mummy died, singing: every single day, every time I pray, I’ll be missing you; I closed my eyes, tightened my jaw, and wept on the inside, instead of telling the taxi driver to change the channel.

In Mummy’s death, I lost the only person whose personality traits perfectly mirrored mine. I took after her in the way she swallowed her pain to soothe others and in how she folded into herself and feigned wellness even when sickness or depression ate from her vitality. We loved alike, silently but on full throttle, often walking the lines between worrying about a person and loving them intensely. We remained quiet in the midst of strangers but could be extremely goofy around familiar faces.

Grief is not as persistent as it used to be; my life continues and I have to concentrate on things besides carrying the weight of sadness. These days, grief visits in spurts, like a houseguest rather than a tenant, revealing itself as sudden re-realisations of loss when I place my mother before things: Mummy’s key. Mummy’s car. Mummy’s dresser. Mummy’s cancer foundation or while watching a mother die in a film and remembering that mine died too. Grief is the sadness in Daddy’s eyes masked with a smile when he abruptly interjects her name, Funke, while telling an anecdote about her. It showed on my brother, Dami’s, distraught countenance as we shot his graduation photos sans Mummy. And my other brother, Tofa’s wishful thinking on Twitter that heaven had visiting hours.

Like all the tragedies that have befallen me, I do not know that full recovery is sure. I do believe however, that in time, we adapt to regain normalcy by holding on to the love of, and for the departed; and conjuring their pith by drawing from past events. Thus, memories become more profound, more precious, like little vials of moonlight set aside for the days when the dark feels too present. Because even though they are dead, they breathe in reminiscence.

In losing Mummy, I am reminded of love’s eternal pursuit, its limitlessness, and how it travels beyond the boundaries of physical contact. That not even death can quell its power.  I have learned to still love what is no more. I have learned that loving another person is a life-long endeavour and that loss is not the end.

I hope that like Mary Elizabeth Frye, in her poem, Do Not Stand At My Grave And Weep, Mummy is wearing a glinting smile, saying: do not stand at my grave and cry; I am not there. I did not die. Although she no longer is, she always will be. Rest in peace, Mummy.

© Tomi Olugbemi 2017

Tomi Olugbemi is a poet. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo Credit: https://pixabay.com/en/tea-rose-corolla-caf%C3%A9-book-teapot-1871837/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

 

 

 

 

 

 

 

We Never Lose What We Value

Ife Nihinlola on Loss

It was the morning after a long night that I’d spent working on copy. I was sleep deprived and my mind was slow to react to things around me. So when my phone dropped to the floor, I reached for it sluggishly. The danfo that I rode in had body parts, which moved even after the bus stopped, held together by the ingenuity of welders and panel beaters. We were on Third Mainland Bridge at 6:30am and moving as fast as the dying engine could permit. I looked down, saw asphalt through a gaping hole, and knew I had just lost my phone.

Kathryn Schulz, in an essay titled, When Things Go Missing—a wonderful piece that stuck to my guts days after reading—quoted Abraham Arden Brill, who said, “We never lose what we highly value.” I have thought of the many ways in which this is false. We do lose things we value. They slip away from our hands, like my phone. One month without calling a friend becomes six months of not keeping in touch, and then a relationship is irreplaceably lost. The same goes for the loss of faith. It might be gradual, but the heart knows it is gone.

We groped the floor as the bus sped along the bridge. A woman with a little kid on her lap—bless her soul—kept dialling my cell phone as if calling it would make it reappear miraculously like a genie.  The bus conductor rearranged the jerry cans, wrenches, and other bric-a-brac stored on the floor beside the door. But as all this was going on, I knew my phone was forever lost. In my six months of using that little Samsung device, I’d grown to love its size, its understated beauty, and its hard metal shell that accommodates my clumsiness.

Phones have become a large part of my living, serving as everything: from library to notebook to entertainment system to life planner. Although I’m always in need of a good phone, my finances are set up in ways that replacing what is lost is a decision that has to be made with extra thought. Do I just buy a cheap phone whose loss, when it happens, won’t hurt at all, or do I buy a phone capable of meeting all my needs—which means it would have the capacity to store information that stands the risk of getting lost again?

Loss is an inevitable part of this world where everything, humans inclusive, comes with an expiry date. All kinds of loss can probably be read as a shadow of losing life in the end. “Regardless of what goes missing,” Kathryn writes, “loss puts us in our place; it confronts us with lack of order and loss of control and the fleeting nature of existence.”

Loss, of any kind, often works like a flood that cracks the dam of my mind. One minute I’m sad that I’ve lost my phone and the next I’m wondering about lost friends, lost time, and the brevity of life.

My reflex reaction to loss is to do everything I can to avoid pain. I spent most of my childhood learning how to avoid connecting with people to the point where I missed them in ways that make the heart break. But emotional insulation comes with its own kind of pain. One stands the risk of becoming stunted, incapable of fully expressing the range of feelings needed to make a healthy inner life, incapable of loving. One cannot afford, for fear of loss, to shut the heart to the joy relationships can bring.

Perhaps, the ultimate lesson in the loss of my phone is that after two decades and a half spent on this planet, I’m just learning how to live and love.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/man-mobile-phone-person-smartphone-1868730/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

February, in Retrospect

language

February some say is the month of love. Work that should have been finished in January dragged into February and filled February with editing and late-night reviews. It meant that I put new projects on hold, but who was keeping tabs when love was in the air?

“How old are you?” I asked the man who seemed smitten by me.

“Thirty-six.”

“And you’re not married?”

He started to explain the difficulties of finding the girl of his dreams, and I realized he had read my question wrong.

“I just wanted to know if you’re married,” I said softly when he paused for air.

“Oh?” he said, and then smiled, reminding me of the way he looked a few days earlier, when he had accosted me at the supermarket with, “Let me help you, you look tired.”

I had been dragging my feet behind my shopping cart as though the sum of the hardships of living in Lagos, sat in it. He charmed me into small talk and out of my phone number.

Later when he called, his many compliments and my thanksgiving done away with, there did not seem to be anything left to say. I was surprised that a man, who had used a shopping cart effectively, could not find his voice. He must have interpreted my silence as a semi-colon because he said, “Your driver seems nice,” referring to that night when my driver retrieved my shopping cart from him and loaded its content into my car.

My driver is not nice; my driver thinks he should be my boss, but I did not tell him that. I asked him about his line of work instead of putting a full stop at the end of his sentence.

I persevered to get to know him because I am curious about people, not because my friend had said, “You never know, why not give him a chance?”

But I knew. A woman knows. I knew that I did not always want to be the one to steer conversation to a place of interest for both of us. I knew that I could not continue receiving SMS messages like this:

Gud mrn pretty. hw waz ur nyt. u r sum1 worth reely lykng. deres just sumtin abt u. hapi Sunday.

I would not, and none of my friends, would abbreviate their text messages like that. It would take too much brainpower.

“I think he lied to me,” I said to my friend, “about being thirty-six.” 

I replayed several incidents for her to decide. They revolved around language, or rather the lack of it.

“Or maybe he is thirty-six, but his brain is nineteen.”

We laughed; it seemed altogether plausible.

When our laughter subsided, I accused her of being cruel. She quoted Chavez, “Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers.”

I was troubled by her inference. Wasn’t the shorthand way he fashioned text messages a positive measure of his ability to adapt to a mobile culture? Weren’t his text messages a genre of contemporary poetry; language is fluid, after all? Or, was it not more likely that the eight years between us equal a generation gap because as some have said, a different language is a different vision of life?

“Let’s keep it simple,” she replied. “It is either he’s nineteen or you are a grammar snob.”

In March, all my delusions will fall off.

 

© Timi Yeseibo 2017

 

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A Landscape of Friendship

friends-landscape

 

Sotonye and I were friends first. I forget now, how we met, that memory superseded by memories of our friendship: the innocence of it. We walked around town and hopped on buses to places too far to walk like the old amphitheatre at the university. One afternoon, we sat together on a leather beanbag, shoulders rubbing, while we fiddled with the controls of my parent’s Panasonic sound system. We took turns to put our cassettes into the tape deck and listen to each other’s mix tape.

“Sit apart!” my mother’s voice startled us. Before I could understand the implication of her words, Sotonye had sprung to the chair farthest from the beanbag, and from me, in the living room. That day heralded the beginning of the end of our friendship, I think.

After I met his best friends, Charles and Karibi, I saw Sotonye less and less. He caved under my persistent interrogation and admitted that he had kept a distance because Charles had warned him that girls like me could derail a guy’s destiny.

I should have told him that I was hurt, but I did not. I could have pointed out that in his stead, Charles was now spending more time with me, the destiny-stealer, and Karibi was a close second, borrowing books from the library to feed my love for books, but I did not. Universities were on strike and Sotonye was convinced that his future lay in the United Kingdom. His plans to relocate consumed his focus.

Ten years have passed since the alliance—three boys, then two boys and one girl— we formed crumbled because we grew up and went to discover ourselves on the map.

Presently, Charles and I are having lunch after a chance encounter earlier in the week, and I am reminding him of how we met. He is laughing so hard, he begins to cough.

“That’s not how it happened, didn’t I meet you first?”

“You wish,” I say, rolling my eyes.

“I can’t believe I did my guy like that!” He slaps his thigh, still amused.

“Better believe it; do you know where Sotonye is now?”

“Last I heard he’s still in the UK, directing theatre productions or something weird like that. That’s what Karibi said when I bumped into him, last year.”

“Karibi . . .” I say wistfully.

“You always liked him. That traitor who swooped in when I left for school—”

“No, it wasn’t like that at all. He was like a big brother to me.”

“Yeah, right!”

“Go away joor. He was the sweetest boy I’ve ever known.”

“That’s because he didn’t shave your head. Abeg, leave that thing!”

“We all were great friends . . .”

“Yes,” he agrees, “but you did not understand boys.”

We distill years past by exchanging phones and swiping photos, who’s this and where’s that, make our puzzle pieces fit faster. But photographs cannot capture all. Suddenly, Charles looks down at his drink and admits to being a closet alcoholic.

“It’s not so bad,” he says, looking up at me.

I nod. In the movement of my head and the steady gaze of my eyes, there is no judgement.

“Why don’t you tell someone who can hold you accountable on the road to recovery—”

“What! You haven’t changed! You’re still naïve . . . like back then . . .”

I trace the rim of my glass with my finger, uneasy and unsure of what he means.

“You still think everyone is like you, and everything is black and white,” he answers my unspoken question.

“No not really—”

“You trust easily. Haven’t people hurt you . . . enough?”

I sigh. Maybe I should not have let him look at all my photos.

“I am no longer afraid of getting hurt. But this isn’t about me. Isn’t your secret too heavy to bear alone?”

“I’ll survive. I haven’t told anyone . . . I don’t even know why I told you.”

I know why he told me. In just two hours, we have travelled back to the road leading to my parent’s house, where, unable to stop his voice trembling, he confided in me about his parent’s impending divorce.

The moment passes and we reminisce about happier times, about the place near the overhead bridge where we met in the evenings after Sotonye left. Charles would arrive with a packet of cigarettes and after he dragged on a cigarette a bit, he passed it round. I took tentative puffs while Karibi backed away as if it were a snake, reminding Charles of his asthma and me of the dangers of lung cancer.

“I gave up smoking,” Charles says. “Best thing I ever did.”

I nod again.

“You were the glue . . .” he begins.

“Nah,” I say, “Sotonye—”

“It’s true, everything was centred around you.”

He signals to the waiter for another drink. I shake my head, no.

“Do you think . . . answer me honestly, Charles . . . that boys and girls can just be friends?”

His answer is slow to come.

“I don’t know,” he says at last. “Even back then, Sotonye, Karibi, and I, wanted more.”

 

© Timi Yeseibo 2017

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

After Sorry, What Next?

sorry-construction

 

“Busyness is a myth. It’s a weapon that people who no longer love each other use against each other.”

“My schedule has been crazy—”

“Babes, I’m busy too, but I create time—”

“But I’ve been really busy you can ask—”

“Ok. Fine. The question is, ‘Do you still love me?’”

“Hmmm. That’s really not the point . . .”

“That’s not an answer.”

“It’s just that I cannot cross that line . . . Like when I was young and I had this dream . . . like I was going on an adventure. My friends and I would be running through a meadow. The grass was warm underneath my bare feet but the sun was never too hot . . .strange . . . but anyway, some kids would stop to pick wild flowers, others to rest, but I was always excited and focused on getting to . . . anyway, I would come to a stream that I could not cross because I could not swim. The other children would jump in and call out to me to follow suit, saying the stream was not deep. I woke up at the edge of the stream . . . every time!”

“You’ve never told me about that dream. It’s interesting.”

“I cannot just forget that you . . . that—”

“I’m not asking you to suddenly develop amnesia, but our memories should serve us not hinder us. Babes, haven’t you forgiven me?”

“Of course, I have. It’s just that—”

“Look, I don’t even think that we really really forget, but I think we can remember without the sting of pain . . . When my brother died—”

“Ah ah, are you trying to compare your brother’s death with—”

“No, I was just trying to illustrate . . . Never mind . . .”

“Well I don’t know. I’m not there yet.”

“Babes, it’s been nine months. Nine months with the sword of Damocles hanging of over my head—”

“You betrayed me!”

“I did. I am sorry.”

“I know and I just need time. I don’t think it’s fair for you to rush me. You hurt me deeply.”

“I’m so sorry, babes. I’ve done all you asked of me to make us work. I’ve done all I know to do.”

“Yes I know and now I’m asking you for time.”

“Do you still love me? Look at me . . . Do you?”

“You hurt me.”

“Babes, you don’t have to allow the picture of what I did blind you to all the good I did in the past and all the good I’m doing now—”

“That’s the problem you always prescribe how I should act! It’s not your prerogative, it’s mine!”

“I’m sorry. I just miss you so much.”

“Well, I hope you can understand. I just need time. Just give me time.”

“Can I hold you? Come here . . . sit . . . just relax . . . Babes, I’m not doing anything, I just want to hold you . . . that’s better . . . relax. I want to share a poem with you.”

“Sure. Whatever. You know I don’t do poetry.”

“It’s a short one, don’t worry.

And still, after all this time,
The sun never says to the earth, ‘You owe Me.’
Look what happens with
A love like that
It lights the Whole Sky
.

Well? . . . well . . . what do you think?”

“Hmmmm. The dream . . . hmmmm. I never made the connection. Maybe that’s the reason I never learnt how to swim.”

 

 

© Timi Yeseibo 2017

 

Photo credit: https://pixabay.com/en/site-website-under-construction-1561769/

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Love is a Beautiful Thing

love-beautiful

As I grew up, it sometimes seemed that my parents would throw invisible daggers at each other and the knives would miss, hit the wall, rebound, and lacerate my heart. I thought they might do better apart rather than together, but my mother was adamant that she stick things through, as if she were glue.

Close to thirty years have elapsed since those turbulent times. In war more than elsewhere things do not turn out as we expect. Nearby they do not appear as they did from a distance (Carl von Clausewitz, On War). Perhaps because my parents now speak of their departure like something imminent in the distance, they invite my sisters and me closer, and I see what I did not see then.

My parents tell us about their lives, the things we do not know that they think we should.

We ask my father how he met my mother. His story is like him, adorned with few words. He says that when he met my mother, she was suitably impressed with his house; he had a very nice house in Sapele. When he left Sapele for Lagos, my mother followed him there.

My mother protests and interrupts. She admits that although he had a fine house, she never ventured inside, did not even heed the catcalls of the boys in the area, who said, “Lady, notu you we dey call?”

We shush her gently and assure her that her turn will come. When it does, she counters his story. She says that on her way to school, my father and his friends would peep at her from their house. “I used to be very pretty,” she is matter-of-fact, “everybody struggled to talk to me, but I would just ignore them.”

When my father came to look for her, he was always well turned out in a suit and tie. Because she was afraid of her mother finding out, she met him at the corner and it was, “Hello, hello, by the window side.” A shy smile creeps at the corners of her mouth at this recollection. “But,” she says, “I did not give in for a moment.”

At this, my sisters and I laugh. We make jokes about standing at the corner. My mother laughs. My father laughs. It is a while before we collect ourselves to continue, lost as we are in our memories of teenage love and desire.

“I left for Lagos because I had a strong urge to succeed in life; Sapele was too small for my dreams. I did not leave because of your dad, but to find greener pastures,” my mother says.

“Okay,” my sister smiles knowingly and says, “he was your greener pastures.”

My father chuckles, “She pursued me to Lagos.”

My mother rolls her eyes in exasperation, “I said I went to find greener pastures!”

They bicker over the details of their romance, each wanting to come up tops, but it is playful, weighted by tenderness processed and matured over time. I do not point out that both their stories have holes they have not filled. Maybe they want to bring my sisters and me close enough and no further.

Young people often imagine, as I did, that the fires of romance in older people die out, their candles burnt and spent somewhere in their twenties. In my forties, I know this to be untrue. Watching my parents, I know that it will still be untrue in my sixties, seventies, and way beyond.

Love is a beautiful thing. 

©Timi Yeseibo 2017

 

Photo Credit: https://pixabay.com/en/tic-tac-toe-love-heart-play-1777859/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Music, Love, and the Occasional Heartbreak

music-headphones

1.
This is how I know I have fallen in love; I listen to Toxic over and over without grimacing, I croon …with the taste of your lips, I’m on a ride…, with feeling and his picture on my mind, then I flip my imaginary blonde locks the way Britney Spears does in the video. Sometimes, Rihanna reflects the true state of my jumbled emotions—those surges of oxytocin we call falling in love. I find myself hunting for, the only girl in the world, and singing along with the gusto of a drunken man. I know then that it is futile to deny that my feet are wet while the waves carry me from shore to pulsing sea.

 

2.
I was born to two Lionel Richie fans, although one was more passionate than the other was. My earliest memories are of my younger brother and me boogying on the sofa and table to Dancing On The Ceiling and of longing to be grown-up and independent as I listened to Easy. Now I wish I’d stayed a child for longer. Adulthood is not the easy ride it seemed to be in the days when I longed to do everything by myself, to be free to make decisions that affect my life, and to marry Lionel Richie or Daniel Wilson if I could not land Lionel. Daniel Wilson’s Raggamuffin made me think of swashbuckling adventures. I do not know why I thought that as a five-year old, I am just glad I did not develop a thing for bad boys.

 

3.
The first time I fell in love, I was eleven years old. It was at a Cowbell Maths Competition Gala and he was singing Careless Whisper. I could have followed him to Jupiter if he’d asked, however my father and his stern look would have frozen my legs and stopped me from following the summons of my achy-breaky heart. I have never forgotten him. Today when I listen to jazz, I wonder who he was and where the tides of life have tossed him. When I listen to either version of Careless Whisper (George Michael’s or Dave Koz’s), I can’t help wondering if his voice was as good as I remember.

 

4.
I broke up with my first boyfriend in a mostly deserted lecture hall at 4 a.m. after listening to James Blunt’s, Goodbye My Lover. I knew as I listened to the song for the first time that what we had was no longer viable. I do not for a minute regret ending that relationship and when I hear the song, I smile and think of him. I fell in love with my next boyfriend two years after we’d started dating. Bob Marley’s Is this love, blared from the speakers of the bus taking us to the park where I’d board a Lagos-bound bus. He sang along, his husky voice breaking and his eyes closed. He wasn’t singing to me but my foolish heart somersaulted as he sang and when my love meter clanged in warning, it was too late.

 

5.
Cher and Gloria Gaynor held me close and wiped my tears when he shattered my heart with spectacular precision. Believe and I will survive saved my sanity and even my life. When people say a song is just a mixture of words and rhythm, I want to punch them so bad. Music is spirit and pain and life and joy and all the things in between.

 

6.
Neither Josh Groban nor Aloe Blacc thought of me when they wrote Brave and Wake Me Up respectively. However, I wouldn’t have started a blog if I hadn’t listened to those songs as though they were water in the barren desert that was my soul. The lyrics inspired me to take this writing thing seriously and to trust the voices in my head and heart to lead me right across computer or phone screens and through life.

 

7.
I am the woman who goes to work with Phyno on both sides of my ears. His song, Oringo, transports me to a party for one, the rhythms from the east of the Niger River—my ancestral tom-toms—call the wild spirit I have restrained for too long. This is how I know I am free; I am on stage and the crowd is humming a cover of Bruce Springsteen’s Born To Be Wild. No, I am dancing to work and inviting interested stares although I have no blond locks to flick. My headphones trap the sound that come from Phyno’s heart. Maybe today, you will finally tap my shoulder and say, “Hello, it’s me.”

© Adaeze Ezenwa 2016

Adaeze Ezenwa lives in Lagos where she dodges traffic and fantasizes about becoming a billionaire before turning 35 and eating dodo daily without gaining weight. She rents a patch from WordPress at Emporium of Words, and her door is always open for conversation.

 

Photo credit: Spinheike/ https://pixabay.com/en/london-oxford-street-headphones-116018/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Seven Colours from My Life

colours

1.
Amber is the colour of HB pencils. One morning, in the year I was five, I returned from our neighbour’s house where we grind beans for akara and moi moi and sketched the grinding machine I saw there. My dad’s sister raved about the drawing and adjudged it an excellent reproduction. She rewarded me with two HB pencils and one eraser. These were not the last accolades I received for my art.

 

2.
Baby blue is the colour of my mom’s cooler. On a Visiting Day in junior secondary school, I took some of the jollof rice my mom brought for me to the hostel. My five friends flocked around and in-between jollification and smacking of lips, intoxicating praise for the jollof streamed into my ears. Three of these friends lived in Lagos. Zaria was too far-off from Lagos so their parents never honoured Visiting Day. The next term, my mom journeyed from Kaduna by bus with her big cooler of jollof rice for me and my crew. The image of my mom walking with the cooler on her head, and a Bagco Super sack of provisions clutched in her hand, stays with me.

 

3.
Brown is the small scar on my mom’s palm. Books, television, and the sound of music made me a wandering kid who always yearned to recreate something wonderful. Many evenings bloomed and withered as I combed garbage dumps for milk cans and precise colours of slippers, from which I fashioned wheels, Ludo seeds, and hockey balls. I ended my quests, each time, looking scruffy, and spankings by my mom’s palms remained the consistent punctuation to homecomings. In my mid-twenties, my mom revealed the real reason behind her anger. It wasn’t her supreme aversion to uncleanliness. Each time I strolled home looking like a pig, I reminded her of her days as a little village girl.

 

4.
Copper is the skin tone of my girlfriend. We were whatsapping one day and then:
*Ping* Why do you like me?
You pinch me. Sometimes. And it hurts until I laugh.
 I typed the last of nine answers to her question.
She replied with thirty reasons why she likes me. I have emailed them to myself for safekeeping.

 

5.
Yellow is the colour of egusi. The day we overcame our reservations and ate at Mama Favour’s spot, we sat in the open air, on an unstable bench, battling impolite flies and smoke from smoldering firewood. Her pounded yam and egusi was delicious. Incredibly cheap too. So cheap that we did the math three times to make sure we weren’t short-changing her. Two years on and Mama Favour has two roofed bukkas now. My best friend and I, and the other friends we have shared the gospel with, are still her customers.

 

6.
Porcelain white was the colour of Aunty Ramatu’s teeth. To the delight of my parents and we kids, her visits to our house were seldom without a jerrycan of kunu and sticks of sugarcane stuffed in a Bagco Super sack. In September, I visited Aunty Ramatu at the hospital. Her only surviving child laughed at a joke I cracked, revealing white teeth. I marveled, turned to her mother and discovered, as she too laughed, weakly, that her teeth were also white. Aunty Ramatu was discharged from the hospital two days later. In October, after contending with a terminal illness for more than fifteen years, she ascended from our realm. Your kindness and laughter will always be remembered, dear aunt. Rest in perfect peace.

 

7.
Red is TED. “Did you read Chimamanda’s 9K words essay?” read Mimi’s IM on WhatsApp. I hadn’t. She whatsapped the link. I read and found it articulate, inspiring, and instructional even if I didn’t agree with a number of Chimamanda’s admonitions. The waves of my doubts crashing against the shore of my convictions steered me towards Google. There, I discovered Chimamanda’s TED talk We Should All be Feminists. These days, I wonder if the women in my life will not live richer, fuller lives if we all became feminists. Maybe I am slowly becoming a feminist. Maybe not. Only when I marry, beget and rear a daughter will I really be certain.

© Samuel Okopi 2016

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

 

Photo credit: nbostanova/ https://pixabay.com/en/pencils-coulored-red-blue-yellow-1654051/

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Named For Love

name

1.
Dad idolised his grandfather, Olutade. He was going to name me after him but his mother thought against it. Dad then opted for the longest rendition of the name: Oluwatomilade. He also named me after himself: Adebayo. Grandmother did not object. And thus, I was called Junior till I turned seven and began to—in retrospect—cringe-worthily inform the adults in my life that I was a senior.

 

2.
Oluwatomilade translates to, God is my crown, or God is enough for me as a crown. As far as spiritual connotations go, it is a compelling name. To wear God or his identity on one’s head should be a marvellous thing and I suppose it is. But I am more enthralled that Dad named me Oluwatomilade because he loved his grandfather, that perhaps he saw him in me.

 

3.
The answer to the question, what does your name mean to you, is it means more to my father than it does to me. That my name means more to him is what my name means to me. That I was named in and for the sake of love.

 

4.
I inherited my great-grandfather and father’s names, mum’s temperament, and grandfather’s head. In my younger years, I was also called Ori as a not-so-subtle ode to the size of my head. My uncle, Sammy, used to sing a song, Ori nla, nla nla, Ori. Big head, big big, big head. At home, at school, at church, three names accompanied me—Tomi, Junior, Ori.

 

5.
My friend, Arike, is obsessed with names. We have spent many minutes of many conversations pondering about the beauty of names, their language forms, meanings, how they roll off the tongue, and so on. She has a substantial list of names locked in memory, to be withdrawn when she brings forth children to this mad world. I think about names too. I like long names. Studying in a foreign land, long names like mine tend to punish the tongues of lecturers. I usually interject with, “Tomi!” to put them out of their misery. They always apologise. I am never offended. In fact, I secretly look forward to it.

 

6.
My brothers call me Tomi but sometimes, Lade. The story of Lade is this. In my senior year at boarding school, one of my roommates farted (I swear it wasn’t me), and as usual, accusations diffused around the room with the rancid sulphur. Ever the introvert, I remained silent, causing a friend to say, “It was Lade.” Lade has stuck since. I like Lade. It reminds me of boarding school, of the times I loathed school and how I grew to love it in the end.

 

7.
When she was still here, mum called me Tomi. But when she wanted to hail me, like Yoruba mothers tend to do, she called me by one of my other names: Bolu, from Moboluwaji. It means I wake up with God. To wake up with God means that God is there in my sleep, shielding me from the terror of night. It means that God is always there when I open my eyes—bad breath, crusty eyes, and all. This is magnificent but Bolu carries the weight of mum’s love. And it is heavy. And yet, ever so light.

© Tomi Olugbemi 2016

Tomi Olugbemi is a poet and student of International Politics. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo credit: condesign/ https://pixabay.com/en/board-slate-blackboard-chalk-1614646/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Panic Cord

panic-cord

1.
We stood in line for ballroom dancing and from my calculations; I would be waltzing with my crush. Just as the procession started, a girl jumped the line and squeezed herself in front of me. I ended up dancing with the largest boy in class who stepped on my foot on every third beat. I hated him then; but later asked myself if my feet didn’t get such a beating because I was staring longingly across the room at what my seven-year-old self thought was magic.

 

2.
I was one of those kids who got picked up really late from school almost always. So was the boy who asked my friend to be his girlfriend because I said no to him. When my ride showed up, I started to walk to the car when he ran out of the class and yelled, “Pemi, I love you!” It was dramatic, it was special. I paused but didn’t look back; I entered the car. My friend had said yes.

 

3.
Another boy walked up to my seat during a free period. He leaned forward and pressed both my hands to the table then said: “I like you.” He stared into my eyes without blinking. I closed my eyes and shook my head and my heart went faster. How did he know to hold me down? After a struggle, I ran out to the corridor, away from his words and into a possible punishment for being out without a pass.

 

4.
It was my first year in university and we were walking back from Studio. Our shadows converged under the streetlights and as his words strayed from funny to pensive, he deepened his voice and confessed to feelings. The distance between us and my hostel suddenly felt like a trap made of length. My insides played a game of Twister. He wanted to know what I thought, what I felt. A hot choking terror closed my throat and I searched for a panic cord to pull. I clutched my bag to my chest and didn’t stop running till I was in my hostel where men were denied entry.

 

5.
We sat in his car in front of my house. He had been waiting for me at the estate gate to give me a lift home, again. I was trying to understand how it wasn’t stalking. “Marry me, Pemi.” Just like that. I sat still, confused, wondering about the distance between strangers and life partners and how many steps should cover it. I muttered something, yanked the door open, and blocked his phone number. I started passing the long way home.

 

6.
I pulled away from the kiss and smiled at the smile on his face. His hands were light on my waist, feathery. I watched the emotions on his face morph from surprise to contentment. He leaned in again. “No, you have to go,” I said. I walked him to the front door, allowing a few feet between us so my hands wouldn’t betray me and reach out for him.
Cold air rushed in when he opened the door. “Have I done something wrong?”
I shook my head, no. He tried to approach me again, but slowly—as if I could fly away at any sudden movement.
“You have to go,” I repeated. Because if he stayed, he would stay and I didn’t know what happened after that.

 

7.
His head lay heavy on my stomach that quiet Saturday morning. My hands played with his hair. “Stop freaking out. You’re being irrational,” someone had told me. “Love is not a trap; a relationship is not a cage.” But what does it mean when someone builds a castle in the sky and urges you to enter it? How do you relay the asphyxiating fear of entering in with concrete shoes? My hands froze in his hair and his head became heavier and heavier and heavier on my belly, pressing me into the bed.

© ‘Pemi Aguda 2016

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Any Seven Stories From My Life [1]

dog-1123026_1920

Puppy Love

1.
“It was sweet of you to contact me while you were gone. Sending me jokes everyday on Whatsapp . . .” Because he smiled and did not say anything, I asked, “Did you not want me to forget you?” He shied away from his opportunity to laugh, to make our transition to serious matters easy. So, I said, “Now you’re back, you must stop sending me jokes.”
Anxiety replaced his smile. “Why?” he asked.

 

2.
Newly hired for the three-month project, he was a junior team member, also in age and in experience. It was irritating at first, his eagerness to please, distributing steaming coffee mugs then gathering them, please and thank you, leaking like diarrhoea from his mouth. Then it was cute. Then it was normal. He earned the name, Puppy, from my colleagues; they mouthed it and whispered it. They laughed when he wagged his tail and left the room.

 

3.
Nancy floats from office to office. I do not remember where she belongs. Nancy reads gossip blogs. She gets things done that nobody else can, which is why we listen to her without interrupting, each pair of eyes straddling two monitors rising from the wooden table in front of them. She said that when you work long hours and in the same space, even ugly men start to look attractive.

 

4.
One fourteen-hour day, as the sun dipped its chin in the horizon, I noticed Puppy was clean-shaven. I did not know I had spoken aloud until he said thank you. He read my face and parroted my thoughts, his eyes twinkling, “Clean shave looks good on you.” The next day, he challenged my ideas at the team meeting and presented his. After I acknowledged that his idea was better than mine, team members began breathing again and the central air conditioner came on, humming a tune as cold air escaped its vents. I could not decide if About Last Night, was the name of a movie, a book, or a hashtag on Twitter.

 

5.
When Puppy had mentioned drinks, I thought the question-suggestion was the usual Thursday one, which a member of the team brings up and to which nearly all say yes, and then carpool to the venue. Reports and emails had taken their toll and my car sat forlornly in the basement car park when I emerged from the elevator, the click of my heels ringing in my ears. My headlights sliced through the darkness to the restaurant.
“Where are the others?” I asked as he greeted me at the bar and led me to the far end of the room. Candles flickered in small green vases on wrought iron stands, bathing our table, burrowed in the wall, in soft light.
“What others?” he held out my chair.
I sat, unfolded my napkin, and placed it on my laps. Then I stood and said, “Good night,” walking past the waiter who was bringing our drinks.

 

6.
“Are you naïve?” I scolded him at the copy machine near the fire escape, after peering left and right, and seeing no one coming. I knew he would follow when I stood from my desk. “Sending me personal messages on the company’s server!”
“Oh,” he said.
Two members of the team protested when I signed Puppy up for the trip, “He’s too green.” I shook my head, “He’s picked up a lot since he got here.”
The Whatsapp jokes started when he landed in Kuala Lumpur.

 

7.
So now after another long pause—I did not answer his question—he said, “Well I just wanted to make sure we’re good. Nancy and I are together.” He tucked in the last sentence softly I almost missed it.
I wore my best game face, “That’s nice. I hope you’re both happy.”
“We are. No hard feelings, we’re still friends right?”
“What are you apologizing for?” I asked.
“I don’t know. I want to stay on after the project.”
“If you stay . . . you will always be Puppy.”

 

©Timi Yeseibo 2016

 

Watch out for the new series: Any Seven Stories From My Life.

 

Photo Credit: https://pixabay.com/en/dog-maltese-white-young-dog-puppy-1123026/

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To Close A Series [2]

love-is

A friend called me after reading one of the episodes of the Fly series to say that the dialogue reminded him of the way we were, making me want to sing only this line from Adele’s Hello, hello from the other side! Instead tongue-in-cheek, I quoted William Faulkner in no particular order.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

Are you writing about yourself, is the question I was often asked while the series continued. I have mostly reconciled myself to the downside of writing a personal blog, which is that readers assume consciously or subconsciously that the stories on your blog are about you. No longer so uptight about being vulnerable, I took this question and its variants cloaked in concern, to mean that the dialogues were relatable and believable. Their questions were in fact a roundabout compliment.

I have never previously dragged out a story on my blog as I did this series. What began as a one-off fun post, a bull’s eye response to a dear friend’s endless matchmaking, grew to ten articles spread over two-and-half months because you asked for more.

I told Ife Nihinlola, my partner in the Fly series and a talented writer whose essays I enjoy reading, that the best stories are woven around love and relationships; throw in a moral dilemma to achieve transcendence. After the badass protagonist has destroyed the villains and saved the planet, we will him to kiss the beautiful woman he fought for as they walk into the sunset. Nothing touches our core like what we are wired for, love.

As the series continued, we had to be deliberate about the twists we would introduce and the manner in which they would be resolved. Ife and I resorted to using readers’ feedback as a guide because we realized we had sparked something in our readers, we had connected. I was humbled and tickled when I read something to this effect: Timi, please don’t spoil it now that they are happy.

We tossed ideas about what felt natural and what felt as though we were trying too hard and all the while, the plot was challenging my own ideas about love and relationships too. The decision to conclude the series was bittersweet.

“What if in the next episode, I make the happy couple, twenty-nine-year-old Junior and thirty-five-year-old Old Woman, bump into one of Junior’s flirtatious younger female friends at the mall?”

I agreed with Ife when he said that he wasn’t so sure. I had thoroughly enjoyed my stint as a Shonda Rhimes scriptwriter wannabe.

In the end, this is what I aimed to do all along; make you rethink your ideas about love, sex, romance, relationships, and friendships while entertaining you. You tell us if we succeeded.

On Facebook, I noticed that a friend shared one of my posts on her Timeline. Underneath the article was a comment from one of her friends asking her to share my post on their WhatsApp group for further discussion. My brain thought about copyright issues, my heart saw so clearly, why I write.

On this blog, I don’t write for myself although I write for people like me. Big difference. Small difference. If you stopped reading, I would stop writing—what would be the point? I cannot thank you enough for believing in Livelytwist.

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

To Close A Series [1]

shakespeare-quote

As someone who steers clear of romantic love, I seldom write love stories to avoid sounding like a fraud. Writing this series has therefore been a learning experience, both in the art of collaborations and writing love stories. The process was easy because Timi called the shots, setting the premise and plot points, while I simply reacted to the elements of the story she threw up from the conversations. This also freed me to focus more on the personality of the characters than the plot points, because if left to my whims, all love stories would end as tragedies.

In writing the series, I tried to pose questions to myself and find answers in the conversations of the characters. What hope does a guy who isn’t assertive have in a relationship? How do men talk about the things they are accused of avoiding in conversation? Readers’ responses to the characters’ conversations were illuminating, showing how we gauge romantic relationships we observe close-up. No question was as instructive for me as this: at what point, and because of what traits, do we declare someone unworthy of another’s love?

Love, like a drug high, pushes people to act in ways that appear insane to outside observers, but carry a fierce internal logic to the people in love—the ones shooting up. So, when we proclaim that an observed trait in someone renders them unlovable, it sometimes turns out that that very trait is the reason their lover has chosen them. The more we criticize their lover, the less sense we make, and the more they are disposed to ignoring us.

In spite of the insulation by romance that the above suggests, couples rarely escape the influence of the times they live in, including their cultures and upbringing. We are products of our interaction with other humans, whether we acknowledge their influence or not.

Without discounting personal responsibility, you and I are more culpable in the actions of people we berate than we think. In the series, a twenty-nine-year-old man contemplates dating a thirty-five-year-old woman and confides in his friend, his worries about her fertility. What would have happened if his friend responded by telling the story of his aunt who married at forty and now agonizes over not having a child or having a baby with down syndrome, which made her husband marry a second wife?

In the past year, I’ve fielded more questions from friends and family about my romantic life than the two decades before it. Why are you not in a relationship? Is something wrong? Ife, are you keeping her way from us? I often tell people I don’t have time to think about these questions, but whom am I kidding? I cannibalized some of my experiences from answering questions like these in drafting the dialogues.

We should stop blaming fairy tales and Hollywood for love fantasies being absent of reason, or people doing stupid things in the name of love. That is how all lovers look to people like me who are too scared to be enchanted by it. It is not reasonable for the Beauty to love the Beast, but she does, and we root for them. Jack should have stayed away from Rose, but he didn’t and the Titanic sank.

A character from the movie Hellboy said, “You like people for their qualities, but love them for their defects.” And while I think this is the loophole that serial killers exploit to find lovers, it’s also the premise of our greatest love stories: Tristan and Isolde, Romeo and Juliet, Ifemelu and Obinze, and so on.

Stories, when done right, should make us more empathetic, more open to possibilities in the human experience that are outside our imagination. So, perhaps we should reassess the conditions we set for finding people desirable and worthy of love. Not just when the potential lovers are ours, but when they are of people close to us, too. This isn’t a call to remove all relationship standards, but only that these standards—be they age, class, or temperament—be filtered through lenses coloured with kindness. After all, a wise man once said, the law was made for man, and not man for the law.

I still believe fairy-tale endings are an exception in this fly-catching business, but I’m all for lives suffused with kindness that give way to love.

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

To Commit To A Fly

to-commit

 

Does the saga continue or does it end? Can these two find love and make it work? It all started with To Catch A Fly.

To Commit To A Fly

“Junior, the fish tastes really good, mmmm.”

“You like? Fresh from the Atlantic—”

“Fish pepper soup, just the way I like it.”

“I’m glad. Nothing pretentious about this place; it’s clean, decent, and very affordable in this Buhari economy.”

“I like trying out new places. Thanks for bringing me here. So, what’s on your mind?”

“What’s on yours?”

“I asked first—”

“I know . . . ladies first . . . please.”

“I don’t know, we seem to take one step forward and then two steps back . . .”

“Yeah?”

“I’m not a virgin like you, I have been with other men, deal with it!”

“I’m coming to terms with it. It’s not as big a deal anymore.”

“I like how they serve the pepper soup on wooden fish trays instead of on a rectangular mat . . . do you come here often?”

“What? Yes, yes. May I please hold your hand? Thanks. Your hands are dainty and so soft . . . right now, it’s as if I put my heart in your hands and you have the power to squeeze life out. I haven’t been here before. I didn’t think I would be here . . .”

“Hmmm.”

“You look really beautiful tonight.”

“Thank you.”

“I’ve missed your smile, the way your face comes alive when you talk about something that matters to you . . .”

“Don’t look at me like that—”

“Like how?”

“Like that . . . that . . . you’re doing it again—”

“Isn’t it a good thing?”

“It’s too good. That’s the problem!”

“Ha ha ha!”

“But seriously, being with you has made me rethink what I thought I wanted in a man. I wonder about patterns of attraction and this thing we call ‘my spec’, like how I could be drawn to someone not-so-my-spec, you know? Like if we look beyond the externals—”

“You are my spec.”

“Now you’re making me blush.”

“Girl, I don’t think we should give up. We share the same fundamental values, although our expressions may differ . . . we have the right building blocks—”

“There’s so much to navigate, though . . .”

“If two people are committed—”

“Still love does not conquer all . . .”

I’ve often thought the general definition of love faulty. Like the love songs today, they focus on ephemeral things like desire and feelings. I worry when I see my niece listening to Tekno’s Pana on repeat—”

“♫ Love is a wonderful tender feeling, you dey give me ginger . . . baby pana . . . you like cassava, I get big cassava ♫. Hahaha! Ah ah, but there’s nothing wrong with feelings and desire—”

“Love endures, desire ebbs and flows . . . that’s why I was talking about commitment. You know my parents would be married sixty years this November. My father says an irrevocable commitment to one another is the secret of their longevity. I want that.”

“As do I. My parents divorced when I was nine. I didn’t want to get married for a long time . . .”

“I’m sorry to hear that. That must have been tough.”

“Yeah, thanks . . . but I’ve healed.”

“Old woman, since you persist in calling me Junior, would you like to have more fish?”

“Hahaha! . . . No o, is it because I deboned this one?”

“Deboned? Deboned is an understatement; there is nothing left! Here, have some of mine . . .”

“Are you sure?”

“Sure. So where are we?”

“We’re navigating this ship.”

“That’s not enough for me.”

“What—”

“What I mean is that I’m not doing trial and error. This is it, baby.”

“Neither am I. Sometimes I feel bad about . . . like, I should have waited, kept myself as you have . . .”

“What’s done is done. What matters is how we go from here. I think, and I may be wrong, that you also have to come to terms with it. We’ve all got a lot to learn—”

“True. True. Speaking of learning, how well do you take instructions?”

“Meaning?”

“To the left, to the left; to the right . . .”

“Silly woman. I’m good at football. How hard can it be? Oya give me back my fish!”

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

Riposte: To Call A Fly

riposte-to-call-a-fly

Should a person’s past sexual history matter in their current relationship?Last week and the week before, it would seem that shame made our main character defensive. This week, Ife Nihinlola delves into the mind of her boyfriend.

 

Riposte: To Call A Fly

 

“Dude, somehow, we’ve not had lunch together this week. Is this office making us slave that much or you’ve been avoiding me?”

“Avoiding you? When you’re not my landlady who wants to hook me up with her niece?”

“Look at you. Hot cake! Mr. Loverman! Anyway sha, how is the madam?”

“What madam?”

“You want to start playing word games again? You know who I’m talking about. How is she?”

“She dey.”

Wetin? Trouble in paradise?”

“You must think life is a Mexican telenovela, with these your corny lines.”

“Just answer my question. Or are you guys fighting already?”

“Not really. We are probably just not compatible after all.”

“That is what men say when they find out the woman they like already has a daughter approaching puberty. Suddenly, compatibility becomes an issue like Windows 97.”

“You must think this is a joke.”

“No, really. Tell me—”

“Tell you what?”

“Or is it her body count?”

“Why do you have to mention that now?”

“So it is body count. You children of nowadays.”

“I didn’t mention body count.”

“But you’re not saying I’m wrong.”

“You can’t understand.”

“Can’t understand what? See, what a woman did before she met you, all the lives she lived, all the people she’s been with, only matters as much as you allow it.”

“Okay. It’s not about body count. Are you happy now? It’s about other things in our lives… you know… ermm… experience and all that jazz.”

“All that jazz? Now who has the corny lines? See, the past doesn’t matter. It’s all gone, and nothing can be done about it. That’s why we call it the past.”

“Wow! All you need is a shiny suit, oxford shoes, a haircut shaped by a calligrapher, and you’ll be a perfect motivational speaker!”

“You think this is funny abi? It’s your love life you’re joking with. Not mine. And see, it’s about to evaporate in your very before. You’ll grow old and little girls will end up using pictures of your unmarried big head with grey hair for bae goals on Instagram.”

“I already told you. You can’t understand.”

“Can’t understand what now?”

“Okay. Let’s put it this way. How… how much upper hand did you allow your wife have when you guys were courting?”

“Upper hand? What is this? Table tennis? Hehehehe! See, someone is always going to have to be the mumu in a relationship. Too bad you’re the one in this case.”

“That’s not what I asked you?”

“So? What is my own? Better come to terms with how you feel about this lady and be a man.”

“Be a man, seriously?”

“Nah. Not in the way you’re about to think. I’m saying you should stop worrying about things you can’t change, and take charge of your emotions. Show this woman you love her if you do, not all this past nonsense you’re talking about.”

“I don’t know. I already said you wouldn’t understand.”

“Can’t understand what exactly? This woman doesn’t deserve this indecisive nonsense you’re doing. Either commit or commot, but please, don’t waste her time.”

“I hear you. I’ll call her.”

“I’m not asking you to call her. But if you want to, better make up your mind. See lunch is almost over. Are you eating or not?”

______________

Hey
23.20

Hey
23.50

Asleep yet?
23.55

What do you think?
23.56

I don’t know. That’s why I’m asking.
23.57

I have some work to do before sleeping.
00.00

I actually thought you’d dumped the old lady and gone after a good virgin.
00.05

Smh. You know we have to talk, right?
00.05

Really? You think so?
00.06

Yeah.
00.08

So is this going to be like a confession where you’re the priest and I’m the sinner?
00.14

Smh. Who said anything about sins?
00.15

Okay. I don’t know o. Can we do it now?
00.18

Not really. We’ll have to fix a date or something.
I’m already feeling sleepy
00.19

Okay.
00.21

Can I call you tomorrow?
00.21

Sure
00.22

I’ll also be the one to choose the place,
somewhere I don’t have to lose my
teeth trying to read the menu.
00.23

Whatever makes you happy… Junior 🙂
00.24

Really?!!!
00.25

*lips sealed*
00.26

Hope you’re good sha?
00.27

Yes I am. Thank you for asking.
00.27

You’re welcome. I’ll call tomorrow
afternoon, old lady.
00.28

Don’t call me that! 😦
00.28

 

Call you what? 😉
00.29

You there?
00.35

Good night.
00.40

Good night. Till tomorrow.
00.45

 


Mumu in vernacular means, a fool.
Commot: to move away
Wetin: what

 

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Riposte: To Date A Fly

riposte to date a fly

They went on a date. Ife Nihinlola tells us what happens while the guy is taking her home …

Riposte: To Date A Fly

“So, madam how did you find that restaurant? Is that the place where big babes like you go on the reg, or you’ve just always gone there for birthdays? Like, your twenty-first with the ladies eating plantain and coconut fritters, hashtag living?”

“Very funny Mister. Just face the road and drive. You almost hit that keke.”

“No I didn’t . . . I know what I’m doing.”

“If you say so—”

“I really want to know. Their food was good, so I want to know if you found the place after sampling other exotic restaurants or, you know . . . just tell me.”

“One of my boyfriends actually took me there for our first date . . . hmmm and now that I think about it, he probably knew the best spots for everything in this city. From night clubs to restaurants to the asun guy that can give you a peppery mouthgasm.”

“Cool. So, what happened? What happened with this guy?”

“Now you’re asking too many questions, and we’re not going to talk about my exes today.”

“But I want to know. I really do. I want to know how a beautiful woman like you made it to your thirties without a man putting a ring on your finger.”

“You do realize that’s not a nice question to ask me, right?”

“Why? What’s wrong with it?”

“It’s not exactly fair to ask me that particular question in that manner.”

“How is it not fair?”

“How is it not fair? Well, let me see. What if I asked you about all the exciting twenty-something-year-olds you’ve been seeing and why one of them isn’t sitting next to you in this car, right now? Why run after a thirty-six-year-old woman when you have the money and charm to get any young sexy babe fresh out of uni? Are you open to discussing that with me? Is it that you have a dark side? Is it the sex? Are you that bad in bed?”

“What?”

“Exactly my thought!”

“No, no. Not that. How did this become about sex? What sex?”

“Aha! Don’t even start the church-boy act. We both know none of us is exactly celibate so we might as well add that to the conversation we’re having, right along with age and money and—”

“But I am—”

“You’re what?”

“Celibate.”

“Like temporarily? Hmmm. That’s cute. How many months now?”

“No. Not months. I’ve actually never, you know . . .”

“Oh. Oh! Oh my god! You mean you’re a virgin?”

“Well . . . Y . . . ye . . . ahem, yes—”

“Wait. For real, if we’re actually going to start going out, you mean sex is off the table?”

“Don’t even laugh. How about we don’t make this about that? How about—”

“Hahahaha! What else can we make this about? This is unbelievable! Junior, are you joking right? You’re celibate at twenty-nine and you had the guts to talk about my eggs? Do you even have any idea what that does to your prostrate glands? Are you actually sure those things can swim?”

“W . . . what are you even saying?”

“Am I going to have to give you sex education . . . along with everything else?”

“I . . . I  . . . I don’t even know what you’re going on about.”

“Wow! This is a little too much for me. You know what? Let’s just forget about this whole ride.”

“F . . . forget what?”

“See, it’s a good thing we’re finally at my place. Thank you for the ride and the evening.”

“Thank you too . . . f . . . for the food. We’ll see on Sunday?”

“Sunday? Really? Is that how it is?”

“Well, yeah. Sunday. Or I’ll call you . . .”

“Hmmm. Do whatever you want Junior. It’s been great getting to know you. Bye.”

 

————————————————————————————

Keke (keke napep) – a covered tricycle used as taxis in some major cities.
Asun – spicy smoked goat meat

 

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

To Date A Fly

to date a fly

Follow the story, read: To Not Catch A Fly

 

To Date A Fly

“Is there something wrong?”

“No, eh nothing.”

“You’ve been frowning . . .”

“I’m just looking at the menu that’s all.”

“Oh? I think you’ll like the plantain and coconut fritters served with peppered ginger sauce and sautéed prawns with herbs and seasonal vegetables. You could do a side order of—”

“Well I don’t see why they have to decorate fried plantain and stew and call it by a fancy name. Dodo is just fine.”

“It’s fine dining cuisine. It’s not just about frying plantain, it’s about the textures and flavours—”

“Are those codes for the food? Those numbers on the side of the menu?”

“Ha ha ha! You’re joking right? Duh, that’s the Naira code, the price.”

“Whew! Wow that’s one expensive plantain. Did they import it from the Amazon rain forest?”

“What’s the problem? This is my treat. They should have given you the menu without—”

“I’m taking you out. There’s no way I’ll let you pay—”

“Point of correction. I am the one who asked you out—”

“Okay, it doesn’t really matter who invited who. We’re here now and I’ll be handling the bill—”

“Then stop moaning please . . .”

“Sorry about that.”

“Shall we order? Are you ready to order drinks now?”

“Y . . . yes.”

“The wine selection is excellent. This special occasion calls for a—”

“Th . . .Tho . . . Those begin from N13,500 for a bottle?”

“Actually that’s like. . . what’s today’s exchange rate . . . $13 for a glass, if we just go for two glasses, which is why . . . anyway, what do you fancy?”

“I think I’ll have water. Whew! Em . . . this water, is it from a mountain in Israel?”

“You’re joking right? You’ve started again . . .”

“It’s it’s—”

“What is the matter now?”

“Look let me just be honest. I don’t spent this kind of money on meals. It can feed many starving kids in Ethiopia!”

“Your car . . . You have a car, right?”

“Of course!”

“Why haven’t you sold it and used the money to buy bicycles for the suffering in India?”

“B . . . But—”

“And for your information, don’t buy into that poverty porn narrative. What Africa needs is solid capital inflow to the real sectors—”

“Okay. Okay already! I’m just not used to places like this . . .”

“Well I don’t come here everyday either. Since it’s the first time we’re going somewhere other than a seminar, I just thought . . .”

“I’m not blaming you or anything. But I don’t want to disappoint you because what if I can’t keep up . . .?”

“Can I ask a personal question? Don’t you work in oil and gas? How much do you earn?”

“Em, that’s a bit invasive don’t you think? On a first date?”

“After eight seminars, no I don’t think so. In fact let’s even address the elephant in the room.”

“Sigh! The age thing is tricky—”

“That’s like the second elephant—”

“Oh?”

“What are we doing? I mean where’s this thing headed?”

“Well we are getting to know each other better—”

“Is that it? Is that all?”

“I . . .I . . .I  have an undeniable need to stare at your DP on WhatsApp ever so often and I lie awake wondering if midnight is too late to chat with you. I want to call you first thing in the morning because I wonder how you are but also because I like the way you sound and the memory of what you sounded like the day before is no longer enough. I want to lace my fingers with yours and watch you add color to my world as you laugh at something silly I said . . . When I’m with you, I feel ten feet tall—”

“Oh . . .”

“Say something. Have you fallen for me like I’ve fallen for you?”

“I’m six years older! By the time I started developing breasts you were learning that one plus one equals two!”

“And I grew up to be excellent at maths—”

“Be serious!”

“I’m serious. I’ve thought of nothing else . . . I even watched a programme on Al Jazeera about the viability of eggs in older women—”

“Excuse me? What did u say? Thirty-six is not menopause!”

“I didn’t mean it like that—”

“We don’t even know if your sperm can swim!”

“Ah-ah is this how it’s going to be?”

“How can you say something like that?”

“Do you want me to be lying to you?”

“At least you could have been diplomatic . . .”

“I’m sorry that my honesty is unbecoming. I promise to lie through my teeth to satisfy your vanity, so help me God!”

“Ha ha ha!”

“I worry that I need to make more money to satisfy your taste for this exotic plantain—”

“Ha ha ha! That’s it! I’m paying for dinner!”

“Give me your hand—”

“Why?”

“Woman stop fighting me at every turn! Give . . .  yeah, that’s better. Listen, six can be the number that conquers us or it can be our special number. I don’t have all the answers, but neither do you. I’m willing to work with you to check all the boxes. And when we come to a difficult one we’ll work on it together. Deal?”

“Hmmm. Okay.”

***

“The food wasn’t bad was it?”

“Plantain from the Amazon rain forest, prawns from Gambia, virgin cocktails from Mars . . . no, no, it could not be bad at all. It had to be good!”

“Ha ha ha! Please pass the dessert menu.”

“You … You’re having dessert?”

“Geez! Junior you look like you’re going to faint.”

“I am!”

“Ha ha ha! There are going to be many boxes to check under finances—”

“I can see that already . . .”

“Okay let’s skip dessert. I know this great ice cream place—”

“Ice cream from Jupiter?”

“Ha ha ha! From Earth, so pretty affordable—”

“What are you doing? Pass the bill—”

“No, it’s okay, I’m the one that brought you to Venus—”

“Stop! What are you doing? Stop! Waiter! Don’t do this—”

“Done. Paid with my card. That’s settled then. Ready?”

“You shouldn’t have—”

“Let’s not make a big deal out of this please?”

“Babes, two of us can’t wear the pants in this relationship—”

“Meaning?”

“Let me be the man.”

________________________________________

Dodo: Deep-fried ripe plantain

 

©Timi Yeseibo 2016

 

 

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

To Not Catch A Fly

To not catch a fly

You’re interested in a serious relationship that ends in marriage, would you date a man six years younger than you are or a woman six years older than you are?

Read the backstories: To Catch A Fly & The Riposte;
To Catch A Fly . . . Again & The Riposte

 

To Not Catch A Fly

“It’s not the way I pictured it . . . you know, I always saw myself with someone older. . . I don’t know if I want to catch this fly.”

“I know—”

“I mean, my dad is older than my mum . . . my sister’s husband is older than her . . . the man is always older . . .”

“Well there was Demi Moore and Ashton Kutcher—”

Puhleeze! Let’s talk about real peopl—”

“Gabriel Union and Dwayne—”

“I so love Gabriel Union! She’s so cool! Bad choice though . . . Anyway, I can wrap my mind around one or two years, but six!”

“Eva Mendes and Ryan Gosling are six years apart—”

“Can you blame her? If Ryan Gosling was knocking on my door—”

“Keeping it real please! I can’t think of any real couples right now, but I’m sure many people must have done it successfully—”

“I need a man not a baby to look after for crying out loud!”

“Funny, eh, stop being dramatic. Before you knew his age, he was okay. He didn’t seem immature. He has a good job, rents his own place, car . . . you never said he behaved like a baby—”

“But maybe that explains his slow coach. Don’t you see? He’s young, maybe he’s not ready for marriage . . . you know, he’s just checking out the field—”

“So he didn’t react when he found out your age?”

“I don’t know o! I was busy having tantrum like a drama queen while he was cracking jokes.”

“Hmmm . . . you guys sound right for each other—”

“I watched this movie once . . . em, I’ve forgotten the name. Older woman, younger guy. So, they’re like lying in bed. She’s reading something serious like The Economist, he’s playing Nintendo—”

“Hmmm Hisssss! In your case more like he’s reviewing seminar materials and you’re eating shawarma!”

“Ha ha ha! Your head is not correct! But what will people say? What will my family say? Abeg joor, I can’t.”

“People will always say, it’s your family that counts. To convince your family, you must first convince yourself. Last time I checked, he met your specs—”

“No, no, no. Oh no, last time you checked he was a seminar-inviting slow coach!”

“But you like him?”

“Yeah, I do. I like talking to him and I enjoy his company. . . a couple of his shirts need to be donated to Red Cross, but he’s not bad . . . there’s good chemistry in the works . . .”

“You see . . .”

“Yeah, I mean I was going to just ask him point blank where all this is headed you know, and then bam! The age thing. Maybe it’s a sign?”

“Sign of what?”

“That it isn’t meant to be . . .”

“Nonsense. I’ve learnt that love can come when we least expect it from unexpected people and from unexpected places. Don’t blow your chance at love. Give him a chance—”

“And can you imagine I’ll start greying first. Oh dear, I’ll grey down there first and look like his mother!”

“Nonsense! A brazillian can fix that. Did you hear anything I said?”

“Is this dude paying you to do PR for him?”

“I just want you to not let conventions limit your chances. This guy may be younger but he has potential and he is solid.”

“Let me just call him—”

“W . . . What are you going to say?”

“Listen, I’ll put it on speaker.”

 

***

“Hello? Hello? Junior, it’s me.”

“Ah Senior, how are you? I ate my vegetables and brushed my teeth before going to bed.”

“Ha ha ha! Seriously, I’d like to ask you out—”

“A date?”

“Yes, like dinner and a movie . . . no seminar . . .”

“Of course I know what a date is. I wanted to ask you out—”

“That’s okay, I’m asking you. So shall we do dinner this Friday say around seven-thirty-ish?”

“Yes, that’s well before my curfew, I can swing that—”

“Ha ha ha. This boy, you’ve started o.”

“No o, you started it.”

“I’ll whatsapp you details ok?”

“Ok.”

“Bye now.”

“Wait!”

“What?”

“You have a lovely smile and rich laughter.”

“Thanks. Did your English teacher teach you that at school today?”

“No, actually it was my literature teacher . . . today we did poetry . . .”

“Touché! See you Friday.”

“Can’t wait.”

“Bye bye.”

“Bye.”

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.