When You Can’t Remember Loss

James Bekenawei on Loss

The only thing that hurts more than a bad picture is a lost picture.

Most times, to cement the details of an event in my mind, I take pictures. A picture is a frozen moment from a string of moments. Behind every photo, there is a story; behind every story, there is a past. The emotions that the images evoke give photos meaning.

“James, all our efforts today were wasted. We lost all the pictures,” Tunde said. I had just finished dinner and wanted to settle for a movie marathon when he called. “A virus attack or something. It affected the camera’s memory card also, so we can’t get the raw pictures.”

Hours spent selecting, sorting, and editing wasted. An entire day’s shoot, gone with the wind. The story behind each photo forgotten before it is told.

I delved into photography by accident. I have always loved pictures and have an archive of exotic photos. One day I took a photo with a friend’s phone and he loved it. It dawned on me then that I could create photographs not just collect them; that I could freeze time for the future because memory dims and forgetting happens. A blunt pencil is better than the sharpest memory, a blurred camera lens than the clearest mind.

Women who lose their babies carry the pain forever. My mom has five of us, but she still talks about the one that didn’t make it. That loss hurts her even though it’s been more than thirty years. Losing photos is the closest I have come to how my mom feels. I hold on to the carcasses of damaged hard drives because letting them go means accepting that the memories stored in them are forever lost. Sometimes, I survey the hard drives and wonder, why. Why didn’t I back everything up? Why didn’t I upgrade my cloud storage when I could? But the hard drives do not answer, they stare back and dare me to cherish memories I no longer remember.

One of my greatest fears is losing my memory—of waking up and discovering I can’t remember anything—and that even my writings and photographs, which I employed to freeze moments, can’t help jumpstart my memory, because they are lost. I fear losing an extension of myself via lost memories and photos.

In my desire to freeze moments for Throwback Thursday, I often let things go unnoticed and become unmindful of the emotions the camera cannot capture. Behind every photo, there is a story. But of what use is a story if it does not evoke the emotions that bind us to it? The remedy I’ve found is in the poem, If, by Rudyard Kipling: [to] fill the unforgiving minute with sixty seconds’ worth of distance run. To enjoy the moment, rather than merely freezing it.

© James Bekenawei 2017

Bekenawei James Robert loves to tell pictures, snap stories, and to question answers. He can be found on Instagram and Twitter as @bekexjj. He blogs at 4unansweredprayers.

Photo credit: https://pixabay.com/en/sony-slt-a58-camera-sony-2033999/

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

The Appointment

Samuel Okopi on Loss

As a child, I longed to be baptised. I cannot remember a time while growing up as a Pentecostal Christian, that the opportunity to be baptised presented itself to me. Baptism felt like a watershed moment from which I would rise a complete Christian.

My secondary school didn’t provide for Pentecostal services so I attended Anglican services instead. One Sunday, our reverend father announced that students who desired to be baptised were to register and attend baptismal classes. These classes would run throughout the term.

I was elated. My golden opportunity had come.

Classes started soon enough. As a junior student in boarding school, time is an archenemy, and the threat of senior students commandeering your time for their selfish purposes always looms. Still, I managed to attend virtually all the classes and committed to memory, the cryptic questions and answers contained in the catechism we were given.

The long awaited day of baptism finally came. We were to assemble at the chapel by 4 p.m. for onward procession to the river bank. I was writing Junior WAEC exams and luckily, the only paper I had that day ended by 2 p.m.

Halfway into the exams, our fine art teacher came into the hall and announced that students must obtain poster colour sets from her, that afternoon, for the fine arts exam holding the next day. Art is my great passion and doing well at it mattered to me. I submitted my answer sheet long before others and dashed to the studio to get my colour set.

I met the studio door locked. The fine art teacher came an hour and thirty minutes later. By that time, the area around the studio was swarming with students. I spent the next two hours hustling to get my set.

The battle finally ended. As I walked back to the hostel with my colour set, all I could think of was having a bath.

4 p.m. Chapel. Baptism. My appointment with spiritual death and resurrection!

The time was already 5.30 p.m. I jumped into my white trouser and white shirt and raced to the chapel.

There was no one in white-and-white when I arrived and I didn’t know the location of the river. An old man I recognised as one of the cleaners, walked by and I asked him what direction the students in white-and-white had taken. He pointed at the way I had come. I didn’t wait to hear him begin his statement.

I kept running even though I wasn’t sure where I was headed. Soon, I spotted an array of white-and-white marching towards my direction. Before long, I had caught up with them.

I saw my close friend—with whom I had memorised the catechism over the last twelve weeks—and anxiously asked him about the baptism. There were tears in his eyes. At that moment, I received a divine revelation that abiding in his eyes were not tears but the holy water of rebirth.

I lost myself to deep reflection over what had just happened as I turned back and walked a lonely footpath leading to my hostel. I had lost an opportunity that had eluded me for seven years. At some point, I met with the ground, wishing I could go under. The dirt, the weeds, and their budding relationship with my white-and-white deepened as I thrashed about, seeking the kind of catharsis that can come from shedding the waters of sorrow.

A wise man, who may remain unknown, once said: “Hell is the knowledge of opportunity lost; the place where the man I am comes face to face with the man I might have been.”

Two years later, I got another chance to meet the man I looked forward to becoming. And this time, the pain of memory ensued I kept my appointment for the meeting by the river.

© Samuel Okopi 2017

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

Photo Credit: https://pixabay.com/en/time-watch-clock-number-minute-1842099/

 

© Timi Yeseibo, 2017

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

She Always Will Be

Tomi Olugbemi on Loss

Dying does not hurt the dead but I fear it is different for Mummy. I often worry that she may be grieving too, floating about in some existential plane and mourning the absence of her husband and children. I chew on the meaning of rest in peace. Is it mere banality or is death a form of rest? Perhaps it affirms the belief that eternal bliss follows dying.

I was angry that barely two weeks after the funeral; a guest minister at church preached on God’s healing power. I was angry that many people believed her death to be God’s will: that He knew best, and Mummy’s time had come. I scolded myself for not coming home months before she passed and for believing that she was on a path to recovery. When Faith Evans voice came on the radio, three days after Mummy died, singing: every single day, every time I pray, I’ll be missing you; I closed my eyes, tightened my jaw, and wept on the inside, instead of telling the taxi driver to change the channel.

In Mummy’s death, I lost the only person whose personality traits perfectly mirrored mine. I took after her in the way she swallowed her pain to soothe others and in how she folded into herself and feigned wellness even when sickness or depression ate from her vitality. We loved alike, silently but on full throttle, often walking the lines between worrying about a person and loving them intensely. We remained quiet in the midst of strangers but could be extremely goofy around familiar faces.

Grief is not as persistent as it used to be; my life continues and I have to concentrate on things besides carrying the weight of sadness. These days, grief visits in spurts, like a houseguest rather than a tenant, revealing itself as sudden re-realisations of loss when I place my mother before things: Mummy’s key. Mummy’s car. Mummy’s dresser. Mummy’s cancer foundation or while watching a mother die in a film and remembering that mine died too. Grief is the sadness in Daddy’s eyes masked with a smile when he abruptly interjects her name, Funke, while telling an anecdote about her. It showed on my brother, Dami’s, distraught countenance as we shot his graduation photos sans Mummy. And my other brother, Tofa’s wishful thinking on Twitter that heaven had visiting hours.

Like all the tragedies that have befallen me, I do not know that full recovery is sure. I do believe however, that in time, we adapt to regain normalcy by holding on to the love of, and for the departed; and conjuring their pith by drawing from past events. Thus, memories become more profound, more precious, like little vials of moonlight set aside for the days when the dark feels too present. Because even though they are dead, they breathe in reminiscence.

In losing Mummy, I am reminded of love’s eternal pursuit, its limitlessness, and how it travels beyond the boundaries of physical contact. That not even death can quell its power.  I have learned to still love what is no more. I have learned that loving another person is a life-long endeavour and that loss is not the end.

I hope that like Mary Elizabeth Frye, in her poem, Do Not Stand At My Grave And Weep, Mummy is wearing a glinting smile, saying: do not stand at my grave and cry; I am not there. I did not die. Although she no longer is, she always will be. Rest in peace, Mummy.

© Tomi Olugbemi 2017

Tomi Olugbemi is a poet. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo Credit: https://pixabay.com/en/tea-rose-corolla-caf%C3%A9-book-teapot-1871837/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

 

 

 

 

 

 

 

Loss is Present Continuous

‘Pemi Aguda on Loss

My story of loss is a story of losing. It is a story of the futility of will, and the limitations of drugs against the stubbornness of genetics, of body.

I start to write this story in my head while staring at myself in the mirror, combing Cantu-covered fingers through wet hair. As yet more strands of hair with white bulbs at their roots, which confirm closed follicles, leave my scalp, I know that I want to write about losing hair, the continuous loss of it.

Balding is a word I’ve come to love. Okay, like. It is not a kind word. Like the cold probing instrument in the hands of my trichologist, it zooms in so my scalp resembles a desert on the monitor, and it leaves no place to hide. Balding lacks the soft landing of hair loss, which is gentle in its s-es. As the tongue leaves the upper palate on the second syllable in bal-ding, friends flinch, and you might find yourself recoiling from the widening patches of gleaming smooth scalp.

In losing hair, you will meet your insecurities on the street. You will come nose-to-nose with the monster of your vanity. Your fears will move into the apartment next door with ashy bald heads, ears pressed to the thinning wall, waiting for your next sigh. You might even find yourself shifting to the second-person point of view mid-paragraph. Anything to distance yourself.

I have met the indignities of fighting hair loss. Rubbing onion juice and foul-smelling concoctions on a situation that my mother’s head, my grandmother’s head, and the trichologist’s report tell me won’t change. And yet the irony is that I reacted to expensive Rogaine with a face full of hair so that for the first time in my life I was worried about too much of that furry substance—multiplying on my legs, darkening my arms, lowering my hairline . . .  it grew everywhere but where I wanted it.

I want to say that I’ve found freedom in this losing. Like the woman who empties her savings and travels the world on hearing she has a month left to live, it would be nice to say I’ve gained some irreverence in styling my hair. That I now dye it in a range of colours that would make my mother clutch her heart. But no. Within this stubborn body is still a wishful soul.

In a way, every story of loss is a story of losing; it never ends. Scalp where hair used to be; pillow where a head used to be. But in the roots of the stubbornness of body is also the resilience of body. You will maybe hurt less every day and my hand will rise less and less to my scalp, searching.

I’m losing, but I’m adapting. What I see is that despite the futility of will and the limitation of drugs, adapting is a way for my stubborn body, not yet thirty, to forgive itself for its own shortcomings.

  1. Cantu – Brand of hair care product; conditioner.
  2. Rogaine – Minoxidil; slows hair loss and promotes hair regrowth.

© ‘Pemi Aguda 2017

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

We Never Lose What We Value

Ife Nihinlola on Loss

It was the morning after a long night that I’d spent working on copy. I was sleep deprived and my mind was slow to react to things around me. So when my phone dropped to the floor, I reached for it sluggishly. The danfo that I rode in had body parts, which moved even after the bus stopped, held together by the ingenuity of welders and panel beaters. We were on Third Mainland Bridge at 6:30am and moving as fast as the dying engine could permit. I looked down, saw asphalt through a gaping hole, and knew I had just lost my phone.

Kathryn Schulz, in an essay titled, When Things Go Missing—a wonderful piece that stuck to my guts days after reading—quoted Abraham Arden Brill, who said, “We never lose what we highly value.” I have thought of the many ways in which this is false. We do lose things we value. They slip away from our hands, like my phone. One month without calling a friend becomes six months of not keeping in touch, and then a relationship is irreplaceably lost. The same goes for the loss of faith. It might be gradual, but the heart knows it is gone.

We groped the floor as the bus sped along the bridge. A woman with a little kid on her lap—bless her soul—kept dialling my cell phone as if calling it would make it reappear miraculously like a genie.  The bus conductor rearranged the jerry cans, wrenches, and other bric-a-brac stored on the floor beside the door. But as all this was going on, I knew my phone was forever lost. In my six months of using that little Samsung device, I’d grown to love its size, its understated beauty, and its hard metal shell that accommodates my clumsiness.

Phones have become a large part of my living, serving as everything: from library to notebook to entertainment system to life planner. Although I’m always in need of a good phone, my finances are set up in ways that replacing what is lost is a decision that has to be made with extra thought. Do I just buy a cheap phone whose loss, when it happens, won’t hurt at all, or do I buy a phone capable of meeting all my needs—which means it would have the capacity to store information that stands the risk of getting lost again?

Loss is an inevitable part of this world where everything, humans inclusive, comes with an expiry date. All kinds of loss can probably be read as a shadow of losing life in the end. “Regardless of what goes missing,” Kathryn writes, “loss puts us in our place; it confronts us with lack of order and loss of control and the fleeting nature of existence.”

Loss, of any kind, often works like a flood that cracks the dam of my mind. One minute I’m sad that I’ve lost my phone and the next I’m wondering about lost friends, lost time, and the brevity of life.

My reflex reaction to loss is to do everything I can to avoid pain. I spent most of my childhood learning how to avoid connecting with people to the point where I missed them in ways that make the heart break. But emotional insulation comes with its own kind of pain. One stands the risk of becoming stunted, incapable of fully expressing the range of feelings needed to make a healthy inner life, incapable of loving. One cannot afford, for fear of loss, to shut the heart to the joy relationships can bring.

Perhaps, the ultimate lesson in the loss of my phone is that after two decades and a half spent on this planet, I’m just learning how to live and love.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/man-mobile-phone-person-smartphone-1868730/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hope, Our Common Denominator

hope

Our realities are splintered in Nigeria—along class, religious, ethnic, and other lines.

On the way to my hometown from Lagos for the Christmas break, I slept through most of the trip, but a few kilometers into the town, I opened my eyes and saw fog over the trees by the road. The chilly winds had not yet blown over Lagos in the days preceding Christmas, and Lagosians wondered if the harmattan had become another casualty of 2016. The faces at home, however, were already ashen, dry from the harshness of the harmattan. The economic recession that plagued the country seemed to have moved in the same direction as the dusty winds, enveloping small towns on its journey to the big city.

I only know of how hard things have become because I dwell in between the exuberant hope of Lagos’ upwardly mobile circles and the despair in the rest of the country. Twice, over the festive season, in Lagos, I heard people say that things aren’t as bad in the country as they seem and wanted to transport the speakers from the bubble of this vibrant city to my sleepy hometown. A part of me wanted to criticize them for being myopic, for thinking their experience was typical of the rest of Nigerians.

But the mind knows only what the eyes see. Yes, it’s necessary to imagine the lives of people different from us so we can be good, empathic humans, but there’s also harm in thinking people who can’t yet see others as others are, are evil. This almost always widens those splintering gaps between us to the point where they become gullies. But we are closer to one another than we think.

Despair can cripple the imagination and blind us, limiting our vision to the fears of the present. That unflappable belief that what lies ahead is better than what is behind is difficult to preach in the face of a crumbling economy and rising political tensions around the world, but hope is the thing we cannot let go of.

Many at the start of the year usually display this hope, this higher level of optimism. Ends and beginnings are like points on a Mobius strip. There’s really no difference in the way the days run, but somehow, by placing a marker in time, we are able to generate optimism, to look up for instructions or guide ourselves into better living.

“Radical hope is not so much something you have but something you practice;” the writer Junot Diaz said in the New Yorker, “it demands flexibility, openness, and what Lear describes as ‘imaginative excellence.’  Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible.”

Even I, usually skeptical of the feel-good-nature of the start of the New Year, have set aside goals, lists of things I’d like to get done by the end of the year. This time last year, I had no plans beyond seeing the next day. Now I’ve added more material dreams to the basic necessities, but the desire remains the same: to live better. And I know I’m not the only one doing this. Both the millionaire in the mansion in Ikoyi and the starving civil servant in Osun state look forward to a better 2017.

We can expend energies arguing about the different degrees of better, but we all share the need to look in the future and see ourselves in better conditions than that which we’re in today. To lose that ability is to lose all verve to live. The least we can do, in the face of difficulty, is hope.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/candle-light-dark-hope-flame-group-813005/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hands That Bind

hands-that-bind

1.
The girls in my dorm sang Shakira’s Whenever Wherever, as someone drummed on a wooden surface. I stood in the middle of the room twisting my waist, when from the window, we heard, “Will you keep kwayet!” We paused but did not keep quiet. We whispered, “Will you keep kwayet,” to each other, mimicking the voice of the matron on night patrol, and stifling laughs. After she walked away, we resumed business. It was still my turn to dance. In that moment, I overcame my self-consciousness and danced with all eyes on me. I rarely dance in public because I still feel self-conscious. But when I do, I remember that night in secondary school and I feel light and free.

 

2.
In this photograph, we rest our heads against each other’s, you in a blue swimsuit; me in black, at Tarkwa Bay Beach, where the waves roll and froth like white foam. We roomed in the same dorm in junior secondary school; bunk beds joined so we lay side by side, the ceiling nearer us from our top bunks. While others slept, we traded stories, gossip, and laughter. You are in my earliest memories of holding hands. Sometimes, while others went to the dining hall for dinner, we took long walks, hands laced together at fingers and talked the way teenagers do: in earnest and in jest. You are the reason holding hands has become a lifelong habit. I peer at the picture once more. Even in the water, my right hand is on your elbow.

 

3.
One night in our first year in the university, we dressed up and headed to a room full of teenage bodies pumping hormones and loud music coaxing hands into the air. I was dancing with a guy when another guy stood behind me. In seconds, I was sandwiched between two sweaty, gyrating bodies. My eyes searched for her across the room. There. Also sandwiched between two guys. Our eyes met. We slipped away from the crowd. Side by side, we sat outside, silence wedged between us. Cool breeze brushed against our skin as trees swooshed around us, and above us, the big moon watched.

 

4.
I used to tell my friends, “If you’re going to sleep on my bed, your legs have to be clean,” and they could not understand why dirty feet irritated me so much. One night, in my room off campus, three of us sprawled out on my small bed and talked about the future, how our hard work would translate to wealth and travel. We promised to make time to hang out no matter how busy our lives became. Someone was supposed to sleep on the other bed across the room, but when I woke up, it remained neatly laid. Perhaps our tangled limbs heralded the future we had planned hours before, the connections we would always share. For once, I didn’t mind seeing dirty feet on my bed. Maybe I even smiled.

 

5.
Back then, physics and chemistry tried to make school frustrating for her. I didn’t know what it felt like to pour effort into something and not get the desired result. When she cried, I held her, wishing I could share my good grades with her. After secondary school, we proceeded to different universities. When we met again, she asked me about school.
“I haven’t been doing very well,” I replied.
She looked at me for an infinitely revolving second, “What happened?”
I shrugged, “I don’t know.”
She held my hand, “Kemi, you have to do well.”
I didn’t know what to say, but I knew she understood this kind of struggle and heard my unvoiced frustration.

 

6.
For weeks after we broke up, I didn’t tell my friends. All I wanted was to heal from this thing I mistook for love. Then I told them.

What? Is he out of his mind?
How could he have done that?
Kemi, you have to let go, that guy never even deserved you in the first place
.

Two years later, she still says, “He’s such an asshole.” I want to reply, “Babe, relax. I’m long over it,” but I smile instead.

 

7.
On one of our evening walks in senior secondary school, I asked you about your biggest fear. “Old age,” you said, “wrinkles, shaky knees, and dementia, that’s scary.” I imagined myself, grey and waddling to my favourite chair in the living room, but I was not afraid. My biggest fear is getting old and looking back at empty years of tedious inaction, never having achieved what I was created to do, and wondering if memories of Shakira’s Whenever Wherever, are phantasms sent to tease me.

© Kemi Falodun 2016

Kemi Falodun loves words and fine sentences. She writes short stories, essays, and occasionally, book reviews. She blogs at KemiFalodun.

 

Photo Credit: AdinaVoicu/ https://pixabay.com/en/hands-friendship-unit-together-1445244/

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Out on These Limbs

limbs

1.
I came to like football as a careful choice unlike many of my friends for whom the sport was a natural favorite. Growing up, the sport that came to me naturally was basketball. Of course, there was wrestling from TV that I tried out with my younger sibling, which earned me a chipped tooth and sprained wrist, but B-Ball was the sport I played in my sleep. I bought illustrated books on basketball and stayed up late during NBA Nights on TV. I watched movies like Blubber, Love and Basketball, and Like Mike endlessly. I became friends with Akin, the tall but otherwise uninteresting guy and later, Babs, the lanky Hausa boy who opened his mouth to reveal brown teeth and bad English, because of B-Ball.

 

2.
Akin brought the first basketball to school and made those interested practice in the school hall during mid-day breaks. In three weeks, our number dwindled to five. B-Ball proved difficult, particularly avoiding traveling, the game rule violation everyone but Akin and Babs committed repeatedly. Still, I stayed after school to practice throws, which I was good at, especially throwing from the left side of the hoop.

 

3.
“Maybe we should play with Loyola College sometime,” Akin said one day after break-time. He talked in an offhanded manner, leaving a listener to decide what was serious, and what wasn’t. I stopped coming to practice after that day. Babs cornered me to find out why.
“I don’t like how I have been sweating and having to wash my uniform all the time,” I told him, stealing glances at his legs.
He had spindly legs like mine, only fairer and straighter. I didn’t want to tell him the thought of stepping into another school in shorts—my legs exposed and defenseless—was enough to give me a migraine. It was not going to happen.

 

4.
I found I could play football with a pair of jogging pants if I wanted to. Then, I found I couldn’t play real matches with jogging pants, except as a goalkeeper. So, I became a goalkeeper.

 

5.
When I was called up to stand in front of my secondary school assembly and announced as the male senior prefect, I imagined that the sea of eyes staring at my bony legs, sticking out underneath my blue shorts, zoomed in on every hair follicle. The next week, I had two pairs of shorts made. The new pairs were a couple of inches longer than my former knee-length pairs. Everyone called me three-quarters head boy. Standing in front of a mirror, my legs, sticking out from mid-calf to ankle, did not look so thin.

 

6.
At NYSC camp, I always looked forward to evenings and weekends when I could wear my long, oversized, khaki pants. On weekdays, I pulled down my small shorts until they grazed the edge of decency. I sat in the middle row during boring lectures from NGOs and prospective employers and stayed away from crowded places like the mammy market, where a drunk corps member could spew remarks about my broomsticks legs.

 

7.
Earlier this year, a female friend saw my lower legs because I was reclining and stretching my feet.
“You should wear shorts, Akintunde, you have really fine legs,” she remarked.
That day, I ordered a wine pair of combat shorts in size 30. I drove to work wearing a gray T-shirt over the combat shorts and a pair of brown ankle boots the day after the shorts arrived. I strutted into every office and later in the afternoon, strolled down the busy road in front of the office, saying hello to a couple of people. I stared back at the faces whose eyes lingered on my form, their approval or disapproval notwithstanding, and smiled consciously. I couldn’t drive after work so I took a total of four cabs en route home, transiting at busy terminals. The fascinating glances I received from homebound commuters made me wonder if I hadn’t been saved by my car in the morning, if my comfortable denim pants wouldn’t have been the better choice. That evening, my youngest brother came home from school and threw me a mock salute when he saw my outfit. When he was leaving three days later, I gave the combat shorts to him, packed in the plastic bag in which it had come.

 

© Akintunde Aiki 2016

Akintunde Aiki is an engineering apostate who currently finds joy in beautiful writings. He thinks Friday is the best day and November the best month. He loves all shades of the color blue. If he can get off the internet more, he’ll probably write a book. He blogs at Koroba.

 

Photo credit: Unsplash/ https://pixabay.com/en/feet-boots-filling-cabinet-legs-1246673/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Music, Love, and the Occasional Heartbreak

music-headphones

1.
This is how I know I have fallen in love; I listen to Toxic over and over without grimacing, I croon …with the taste of your lips, I’m on a ride…, with feeling and his picture on my mind, then I flip my imaginary blonde locks the way Britney Spears does in the video. Sometimes, Rihanna reflects the true state of my jumbled emotions—those surges of oxytocin we call falling in love. I find myself hunting for, the only girl in the world, and singing along with the gusto of a drunken man. I know then that it is futile to deny that my feet are wet while the waves carry me from shore to pulsing sea.

 

2.
I was born to two Lionel Richie fans, although one was more passionate than the other was. My earliest memories are of my younger brother and me boogying on the sofa and table to Dancing On The Ceiling and of longing to be grown-up and independent as I listened to Easy. Now I wish I’d stayed a child for longer. Adulthood is not the easy ride it seemed to be in the days when I longed to do everything by myself, to be free to make decisions that affect my life, and to marry Lionel Richie or Daniel Wilson if I could not land Lionel. Daniel Wilson’s Raggamuffin made me think of swashbuckling adventures. I do not know why I thought that as a five-year old, I am just glad I did not develop a thing for bad boys.

 

3.
The first time I fell in love, I was eleven years old. It was at a Cowbell Maths Competition Gala and he was singing Careless Whisper. I could have followed him to Jupiter if he’d asked, however my father and his stern look would have frozen my legs and stopped me from following the summons of my achy-breaky heart. I have never forgotten him. Today when I listen to jazz, I wonder who he was and where the tides of life have tossed him. When I listen to either version of Careless Whisper (George Michael’s or Dave Koz’s), I can’t help wondering if his voice was as good as I remember.

 

4.
I broke up with my first boyfriend in a mostly deserted lecture hall at 4 a.m. after listening to James Blunt’s, Goodbye My Lover. I knew as I listened to the song for the first time that what we had was no longer viable. I do not for a minute regret ending that relationship and when I hear the song, I smile and think of him. I fell in love with my next boyfriend two years after we’d started dating. Bob Marley’s Is this love, blared from the speakers of the bus taking us to the park where I’d board a Lagos-bound bus. He sang along, his husky voice breaking and his eyes closed. He wasn’t singing to me but my foolish heart somersaulted as he sang and when my love meter clanged in warning, it was too late.

 

5.
Cher and Gloria Gaynor held me close and wiped my tears when he shattered my heart with spectacular precision. Believe and I will survive saved my sanity and even my life. When people say a song is just a mixture of words and rhythm, I want to punch them so bad. Music is spirit and pain and life and joy and all the things in between.

 

6.
Neither Josh Groban nor Aloe Blacc thought of me when they wrote Brave and Wake Me Up respectively. However, I wouldn’t have started a blog if I hadn’t listened to those songs as though they were water in the barren desert that was my soul. The lyrics inspired me to take this writing thing seriously and to trust the voices in my head and heart to lead me right across computer or phone screens and through life.

 

7.
I am the woman who goes to work with Phyno on both sides of my ears. His song, Oringo, transports me to a party for one, the rhythms from the east of the Niger River—my ancestral tom-toms—call the wild spirit I have restrained for too long. This is how I know I am free; I am on stage and the crowd is humming a cover of Bruce Springsteen’s Born To Be Wild. No, I am dancing to work and inviting interested stares although I have no blond locks to flick. My headphones trap the sound that come from Phyno’s heart. Maybe today, you will finally tap my shoulder and say, “Hello, it’s me.”

© Adaeze Ezenwa 2016

Adaeze Ezenwa lives in Lagos where she dodges traffic and fantasizes about becoming a billionaire before turning 35 and eating dodo daily without gaining weight. She rents a patch from WordPress at Emporium of Words, and her door is always open for conversation.

 

Photo credit: Spinheike/ https://pixabay.com/en/london-oxford-street-headphones-116018/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Seven Colours from My Life

colours

1.
Amber is the colour of HB pencils. One morning, in the year I was five, I returned from our neighbour’s house where we grind beans for akara and moi moi and sketched the grinding machine I saw there. My dad’s sister raved about the drawing and adjudged it an excellent reproduction. She rewarded me with two HB pencils and one eraser. These were not the last accolades I received for my art.

 

2.
Baby blue is the colour of my mom’s cooler. On a Visiting Day in junior secondary school, I took some of the jollof rice my mom brought for me to the hostel. My five friends flocked around and in-between jollification and smacking of lips, intoxicating praise for the jollof streamed into my ears. Three of these friends lived in Lagos. Zaria was too far-off from Lagos so their parents never honoured Visiting Day. The next term, my mom journeyed from Kaduna by bus with her big cooler of jollof rice for me and my crew. The image of my mom walking with the cooler on her head, and a Bagco Super sack of provisions clutched in her hand, stays with me.

 

3.
Brown is the small scar on my mom’s palm. Books, television, and the sound of music made me a wandering kid who always yearned to recreate something wonderful. Many evenings bloomed and withered as I combed garbage dumps for milk cans and precise colours of slippers, from which I fashioned wheels, Ludo seeds, and hockey balls. I ended my quests, each time, looking scruffy, and spankings by my mom’s palms remained the consistent punctuation to homecomings. In my mid-twenties, my mom revealed the real reason behind her anger. It wasn’t her supreme aversion to uncleanliness. Each time I strolled home looking like a pig, I reminded her of her days as a little village girl.

 

4.
Copper is the skin tone of my girlfriend. We were whatsapping one day and then:
*Ping* Why do you like me?
You pinch me. Sometimes. And it hurts until I laugh.
 I typed the last of nine answers to her question.
She replied with thirty reasons why she likes me. I have emailed them to myself for safekeeping.

 

5.
Yellow is the colour of egusi. The day we overcame our reservations and ate at Mama Favour’s spot, we sat in the open air, on an unstable bench, battling impolite flies and smoke from smoldering firewood. Her pounded yam and egusi was delicious. Incredibly cheap too. So cheap that we did the math three times to make sure we weren’t short-changing her. Two years on and Mama Favour has two roofed bukkas now. My best friend and I, and the other friends we have shared the gospel with, are still her customers.

 

6.
Porcelain white was the colour of Aunty Ramatu’s teeth. To the delight of my parents and we kids, her visits to our house were seldom without a jerrycan of kunu and sticks of sugarcane stuffed in a Bagco Super sack. In September, I visited Aunty Ramatu at the hospital. Her only surviving child laughed at a joke I cracked, revealing white teeth. I marveled, turned to her mother and discovered, as she too laughed, weakly, that her teeth were also white. Aunty Ramatu was discharged from the hospital two days later. In October, after contending with a terminal illness for more than fifteen years, she ascended from our realm. Your kindness and laughter will always be remembered, dear aunt. Rest in perfect peace.

 

7.
Red is TED. “Did you read Chimamanda’s 9K words essay?” read Mimi’s IM on WhatsApp. I hadn’t. She whatsapped the link. I read and found it articulate, inspiring, and instructional even if I didn’t agree with a number of Chimamanda’s admonitions. The waves of my doubts crashing against the shore of my convictions steered me towards Google. There, I discovered Chimamanda’s TED talk We Should All be Feminists. These days, I wonder if the women in my life will not live richer, fuller lives if we all became feminists. Maybe I am slowly becoming a feminist. Maybe not. Only when I marry, beget and rear a daughter will I really be certain.

© Samuel Okopi 2016

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

 

Photo credit: nbostanova/ https://pixabay.com/en/pencils-coulored-red-blue-yellow-1654051/

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Named For Love

name

1.
Dad idolised his grandfather, Olutade. He was going to name me after him but his mother thought against it. Dad then opted for the longest rendition of the name: Oluwatomilade. He also named me after himself: Adebayo. Grandmother did not object. And thus, I was called Junior till I turned seven and began to—in retrospect—cringe-worthily inform the adults in my life that I was a senior.

 

2.
Oluwatomilade translates to, God is my crown, or God is enough for me as a crown. As far as spiritual connotations go, it is a compelling name. To wear God or his identity on one’s head should be a marvellous thing and I suppose it is. But I am more enthralled that Dad named me Oluwatomilade because he loved his grandfather, that perhaps he saw him in me.

 

3.
The answer to the question, what does your name mean to you, is it means more to my father than it does to me. That my name means more to him is what my name means to me. That I was named in and for the sake of love.

 

4.
I inherited my great-grandfather and father’s names, mum’s temperament, and grandfather’s head. In my younger years, I was also called Ori as a not-so-subtle ode to the size of my head. My uncle, Sammy, used to sing a song, Ori nla, nla nla, Ori. Big head, big big, big head. At home, at school, at church, three names accompanied me—Tomi, Junior, Ori.

 

5.
My friend, Arike, is obsessed with names. We have spent many minutes of many conversations pondering about the beauty of names, their language forms, meanings, how they roll off the tongue, and so on. She has a substantial list of names locked in memory, to be withdrawn when she brings forth children to this mad world. I think about names too. I like long names. Studying in a foreign land, long names like mine tend to punish the tongues of lecturers. I usually interject with, “Tomi!” to put them out of their misery. They always apologise. I am never offended. In fact, I secretly look forward to it.

 

6.
My brothers call me Tomi but sometimes, Lade. The story of Lade is this. In my senior year at boarding school, one of my roommates farted (I swear it wasn’t me), and as usual, accusations diffused around the room with the rancid sulphur. Ever the introvert, I remained silent, causing a friend to say, “It was Lade.” Lade has stuck since. I like Lade. It reminds me of boarding school, of the times I loathed school and how I grew to love it in the end.

 

7.
When she was still here, mum called me Tomi. But when she wanted to hail me, like Yoruba mothers tend to do, she called me by one of my other names: Bolu, from Moboluwaji. It means I wake up with God. To wake up with God means that God is there in my sleep, shielding me from the terror of night. It means that God is always there when I open my eyes—bad breath, crusty eyes, and all. This is magnificent but Bolu carries the weight of mum’s love. And it is heavy. And yet, ever so light.

© Tomi Olugbemi 2016

Tomi Olugbemi is a poet and student of International Politics. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo credit: condesign/ https://pixabay.com/en/board-slate-blackboard-chalk-1614646/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Panic Cord

panic-cord

1.
We stood in line for ballroom dancing and from my calculations; I would be waltzing with my crush. Just as the procession started, a girl jumped the line and squeezed herself in front of me. I ended up dancing with the largest boy in class who stepped on my foot on every third beat. I hated him then; but later asked myself if my feet didn’t get such a beating because I was staring longingly across the room at what my seven-year-old self thought was magic.

 

2.
I was one of those kids who got picked up really late from school almost always. So was the boy who asked my friend to be his girlfriend because I said no to him. When my ride showed up, I started to walk to the car when he ran out of the class and yelled, “Pemi, I love you!” It was dramatic, it was special. I paused but didn’t look back; I entered the car. My friend had said yes.

 

3.
Another boy walked up to my seat during a free period. He leaned forward and pressed both my hands to the table then said: “I like you.” He stared into my eyes without blinking. I closed my eyes and shook my head and my heart went faster. How did he know to hold me down? After a struggle, I ran out to the corridor, away from his words and into a possible punishment for being out without a pass.

 

4.
It was my first year in university and we were walking back from Studio. Our shadows converged under the streetlights and as his words strayed from funny to pensive, he deepened his voice and confessed to feelings. The distance between us and my hostel suddenly felt like a trap made of length. My insides played a game of Twister. He wanted to know what I thought, what I felt. A hot choking terror closed my throat and I searched for a panic cord to pull. I clutched my bag to my chest and didn’t stop running till I was in my hostel where men were denied entry.

 

5.
We sat in his car in front of my house. He had been waiting for me at the estate gate to give me a lift home, again. I was trying to understand how it wasn’t stalking. “Marry me, Pemi.” Just like that. I sat still, confused, wondering about the distance between strangers and life partners and how many steps should cover it. I muttered something, yanked the door open, and blocked his phone number. I started passing the long way home.

 

6.
I pulled away from the kiss and smiled at the smile on his face. His hands were light on my waist, feathery. I watched the emotions on his face morph from surprise to contentment. He leaned in again. “No, you have to go,” I said. I walked him to the front door, allowing a few feet between us so my hands wouldn’t betray me and reach out for him.
Cold air rushed in when he opened the door. “Have I done something wrong?”
I shook my head, no. He tried to approach me again, but slowly—as if I could fly away at any sudden movement.
“You have to go,” I repeated. Because if he stayed, he would stay and I didn’t know what happened after that.

 

7.
His head lay heavy on my stomach that quiet Saturday morning. My hands played with his hair. “Stop freaking out. You’re being irrational,” someone had told me. “Love is not a trap; a relationship is not a cage.” But what does it mean when someone builds a castle in the sky and urges you to enter it? How do you relay the asphyxiating fear of entering in with concrete shoes? My hands froze in his hair and his head became heavier and heavier and heavier on my belly, pressing me into the bed.

© ‘Pemi Aguda 2016

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Any Seven Stories From My Life [2]

masculinity

An Oblique Commentary on Masculinity

1.
The first fight I won wasn’t even a fight. A boy my age but many times my size made fun of my oversized head. I was hurt, so I swung my fist, connected with his jaw, and two teeth flew out. That December night was dry and we were at a Christian camp for kids, sitting under a tree on a carpet of brittle leaves. If his teeth hadn’t flown out after that punch, it would have been my whole set of milk teeth diving into the leaves.

 

2.
The first time I watched Mowgli in Jungle Book, I felt so bad for him I ran to my room to stem the tears that threatened to fall. How I went from that boy to one who would search for tears in moments of pain baffled me for years, because although I gained an understanding of the value of crying I just couldn’t do it. I’d convinced myself for years that it was a weak thing to do. It was a thing of pride in secondary school to withstand beating from the teachers without a hint of tears.

 

3.
In the first of the years I spent at home between finishing secondary school and going to the university, I obsessed over becoming physically fit. I did push ups, headstands, and even found a heavy iron bar in the old garage behind the house that I used to work my biceps. That was the same period when my siblings and I would, after a day playing soccer, lie on the floor of our room, and listen to Don Moen or Jim Reeves sing out of mother’s old cassette player. Of course the fitness fad didn’t last. I soon returned to my routine of playing soccer in the afternoons, watching movies in the evenings, and reading books and listening to music at night.

 

4.
I can’t ride a bike, swim, or lick my elbow.
I used to play table tennis, soccer, and lift buckets of water every morning up the hill in Nkwelle.
I now walk through Mushin on my way home, climb the stairs, and dream about driving everywhere but Lagos.

 

5.
While serving in Anambra, I had migraine episodes that would often last for a week or more. One evening, in the middle of one of such attacks, some students—boys—were shouting in front of the lodge. A corps member asked them to leave, but they refused. Their noise intensified, each sound amplified to pain in the sound chamber: my throbbing head. I went outside and shouted at them, but they just scattered and regrouped like marching ants in contact with a small pool of water. I saw a cutlass beside the door and flung it at one of them. They did not return.

 

6.
Going to the Gym is described in a New Yorker piece about Max Grief’s Against Everything, as buying into a “soul-destroying managerialism that has disguised itself as a means of enhancing “life.”” This, not laziness or apathy towards my body, will now become my reason for refusing to enter a gym. But my back hurts too much.

 

7.
After a month of trying to get a medical report that should have taken three days, the man in charge of reports at the university clinic finally brought out the two-paragraph letter I needed. When I pointed out a mistake in the letter, he shrugged and asked that I return the following week to pick it up.

“Are you sure I’ll get this then?” I asked.
“You know what,” he replied, “I can’t say. You just have to keep coming back.”
I wanted to knock him out. I needed the report to prevent losing a year of school. “What do you mean by that? Isn’t this your fault?”
He was elderly. His face looked like I really did strike him by questioning him.
“Don’t shout at me young man.”

Then I started to shout. The nurses tried to calm me down, and one of the doctors joined them too. They asked me to explain what was happening. I sat down and started to shake, for I knew to explain would be to start crying. I’d lost a lot in the preceding months, and the man was part of a series of human and non-human circumstances I couldn’t control. I eventually narrated the story, and got a corrected letter in fifteen minutes. And although tears did not come out of my eyes, I’m sure I cried that afternoon.

© IfeOluwa Nihinlola 2016

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/shoe-sit-costume-tailored-suit-512133/

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

To Close A Series [2]

love-is

A friend called me after reading one of the episodes of the Fly series to say that the dialogue reminded him of the way we were, making me want to sing only this line from Adele’s Hello, hello from the other side! Instead tongue-in-cheek, I quoted William Faulkner in no particular order.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

Are you writing about yourself, is the question I was often asked while the series continued. I have mostly reconciled myself to the downside of writing a personal blog, which is that readers assume consciously or subconsciously that the stories on your blog are about you. No longer so uptight about being vulnerable, I took this question and its variants cloaked in concern, to mean that the dialogues were relatable and believable. Their questions were in fact a roundabout compliment.

I have never previously dragged out a story on my blog as I did this series. What began as a one-off fun post, a bull’s eye response to a dear friend’s endless matchmaking, grew to ten articles spread over two-and-half months because you asked for more.

I told Ife Nihinlola, my partner in the Fly series and a talented writer whose essays I enjoy reading, that the best stories are woven around love and relationships; throw in a moral dilemma to achieve transcendence. After the badass protagonist has destroyed the villains and saved the planet, we will him to kiss the beautiful woman he fought for as they walk into the sunset. Nothing touches our core like what we are wired for, love.

As the series continued, we had to be deliberate about the twists we would introduce and the manner in which they would be resolved. Ife and I resorted to using readers’ feedback as a guide because we realized we had sparked something in our readers, we had connected. I was humbled and tickled when I read something to this effect: Timi, please don’t spoil it now that they are happy.

We tossed ideas about what felt natural and what felt as though we were trying too hard and all the while, the plot was challenging my own ideas about love and relationships too. The decision to conclude the series was bittersweet.

“What if in the next episode, I make the happy couple, twenty-nine-year-old Junior and thirty-five-year-old Old Woman, bump into one of Junior’s flirtatious younger female friends at the mall?”

I agreed with Ife when he said that he wasn’t so sure. I had thoroughly enjoyed my stint as a Shonda Rhimes scriptwriter wannabe.

In the end, this is what I aimed to do all along; make you rethink your ideas about love, sex, romance, relationships, and friendships while entertaining you. You tell us if we succeeded.

On Facebook, I noticed that a friend shared one of my posts on her Timeline. Underneath the article was a comment from one of her friends asking her to share my post on their WhatsApp group for further discussion. My brain thought about copyright issues, my heart saw so clearly, why I write.

On this blog, I don’t write for myself although I write for people like me. Big difference. Small difference. If you stopped reading, I would stop writing—what would be the point? I cannot thank you enough for believing in Livelytwist.

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

To Close A Series [1]

shakespeare-quote

As someone who steers clear of romantic love, I seldom write love stories to avoid sounding like a fraud. Writing this series has therefore been a learning experience, both in the art of collaborations and writing love stories. The process was easy because Timi called the shots, setting the premise and plot points, while I simply reacted to the elements of the story she threw up from the conversations. This also freed me to focus more on the personality of the characters than the plot points, because if left to my whims, all love stories would end as tragedies.

In writing the series, I tried to pose questions to myself and find answers in the conversations of the characters. What hope does a guy who isn’t assertive have in a relationship? How do men talk about the things they are accused of avoiding in conversation? Readers’ responses to the characters’ conversations were illuminating, showing how we gauge romantic relationships we observe close-up. No question was as instructive for me as this: at what point, and because of what traits, do we declare someone unworthy of another’s love?

Love, like a drug high, pushes people to act in ways that appear insane to outside observers, but carry a fierce internal logic to the people in love—the ones shooting up. So, when we proclaim that an observed trait in someone renders them unlovable, it sometimes turns out that that very trait is the reason their lover has chosen them. The more we criticize their lover, the less sense we make, and the more they are disposed to ignoring us.

In spite of the insulation by romance that the above suggests, couples rarely escape the influence of the times they live in, including their cultures and upbringing. We are products of our interaction with other humans, whether we acknowledge their influence or not.

Without discounting personal responsibility, you and I are more culpable in the actions of people we berate than we think. In the series, a twenty-nine-year-old man contemplates dating a thirty-five-year-old woman and confides in his friend, his worries about her fertility. What would have happened if his friend responded by telling the story of his aunt who married at forty and now agonizes over not having a child or having a baby with down syndrome, which made her husband marry a second wife?

In the past year, I’ve fielded more questions from friends and family about my romantic life than the two decades before it. Why are you not in a relationship? Is something wrong? Ife, are you keeping her way from us? I often tell people I don’t have time to think about these questions, but whom am I kidding? I cannibalized some of my experiences from answering questions like these in drafting the dialogues.

We should stop blaming fairy tales and Hollywood for love fantasies being absent of reason, or people doing stupid things in the name of love. That is how all lovers look to people like me who are too scared to be enchanted by it. It is not reasonable for the Beauty to love the Beast, but she does, and we root for them. Jack should have stayed away from Rose, but he didn’t and the Titanic sank.

A character from the movie Hellboy said, “You like people for their qualities, but love them for their defects.” And while I think this is the loophole that serial killers exploit to find lovers, it’s also the premise of our greatest love stories: Tristan and Isolde, Romeo and Juliet, Ifemelu and Obinze, and so on.

Stories, when done right, should make us more empathetic, more open to possibilities in the human experience that are outside our imagination. So, perhaps we should reassess the conditions we set for finding people desirable and worthy of love. Not just when the potential lovers are ours, but when they are of people close to us, too. This isn’t a call to remove all relationship standards, but only that these standards—be they age, class, or temperament—be filtered through lenses coloured with kindness. After all, a wise man once said, the law was made for man, and not man for the law.

I still believe fairy-tale endings are an exception in this fly-catching business, but I’m all for lives suffused with kindness that give way to love.

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Riposte: To Call A Fly

riposte-to-call-a-fly

Should a person’s past sexual history matter in their current relationship?Last week and the week before, it would seem that shame made our main character defensive. This week, Ife Nihinlola delves into the mind of her boyfriend.

 

Riposte: To Call A Fly

 

“Dude, somehow, we’ve not had lunch together this week. Is this office making us slave that much or you’ve been avoiding me?”

“Avoiding you? When you’re not my landlady who wants to hook me up with her niece?”

“Look at you. Hot cake! Mr. Loverman! Anyway sha, how is the madam?”

“What madam?”

“You want to start playing word games again? You know who I’m talking about. How is she?”

“She dey.”

Wetin? Trouble in paradise?”

“You must think life is a Mexican telenovela, with these your corny lines.”

“Just answer my question. Or are you guys fighting already?”

“Not really. We are probably just not compatible after all.”

“That is what men say when they find out the woman they like already has a daughter approaching puberty. Suddenly, compatibility becomes an issue like Windows 97.”

“You must think this is a joke.”

“No, really. Tell me—”

“Tell you what?”

“Or is it her body count?”

“Why do you have to mention that now?”

“So it is body count. You children of nowadays.”

“I didn’t mention body count.”

“But you’re not saying I’m wrong.”

“You can’t understand.”

“Can’t understand what? See, what a woman did before she met you, all the lives she lived, all the people she’s been with, only matters as much as you allow it.”

“Okay. It’s not about body count. Are you happy now? It’s about other things in our lives… you know… ermm… experience and all that jazz.”

“All that jazz? Now who has the corny lines? See, the past doesn’t matter. It’s all gone, and nothing can be done about it. That’s why we call it the past.”

“Wow! All you need is a shiny suit, oxford shoes, a haircut shaped by a calligrapher, and you’ll be a perfect motivational speaker!”

“You think this is funny abi? It’s your love life you’re joking with. Not mine. And see, it’s about to evaporate in your very before. You’ll grow old and little girls will end up using pictures of your unmarried big head with grey hair for bae goals on Instagram.”

“I already told you. You can’t understand.”

“Can’t understand what now?”

“Okay. Let’s put it this way. How… how much upper hand did you allow your wife have when you guys were courting?”

“Upper hand? What is this? Table tennis? Hehehehe! See, someone is always going to have to be the mumu in a relationship. Too bad you’re the one in this case.”

“That’s not what I asked you?”

“So? What is my own? Better come to terms with how you feel about this lady and be a man.”

“Be a man, seriously?”

“Nah. Not in the way you’re about to think. I’m saying you should stop worrying about things you can’t change, and take charge of your emotions. Show this woman you love her if you do, not all this past nonsense you’re talking about.”

“I don’t know. I already said you wouldn’t understand.”

“Can’t understand what exactly? This woman doesn’t deserve this indecisive nonsense you’re doing. Either commit or commot, but please, don’t waste her time.”

“I hear you. I’ll call her.”

“I’m not asking you to call her. But if you want to, better make up your mind. See lunch is almost over. Are you eating or not?”

______________

Hey
23.20

Hey
23.50

Asleep yet?
23.55

What do you think?
23.56

I don’t know. That’s why I’m asking.
23.57

I have some work to do before sleeping.
00.00

I actually thought you’d dumped the old lady and gone after a good virgin.
00.05

Smh. You know we have to talk, right?
00.05

Really? You think so?
00.06

Yeah.
00.08

So is this going to be like a confession where you’re the priest and I’m the sinner?
00.14

Smh. Who said anything about sins?
00.15

Okay. I don’t know o. Can we do it now?
00.18

Not really. We’ll have to fix a date or something.
I’m already feeling sleepy
00.19

Okay.
00.21

Can I call you tomorrow?
00.21

Sure
00.22

I’ll also be the one to choose the place,
somewhere I don’t have to lose my
teeth trying to read the menu.
00.23

Whatever makes you happy… Junior 🙂
00.24

Really?!!!
00.25

*lips sealed*
00.26

Hope you’re good sha?
00.27

Yes I am. Thank you for asking.
00.27

You’re welcome. I’ll call tomorrow
afternoon, old lady.
00.28

Don’t call me that! 😦
00.28

 

Call you what? 😉
00.29

You there?
00.35

Good night.
00.40

Good night. Till tomorrow.
00.45

 


Mumu in vernacular means, a fool.
Commot: to move away
Wetin: what

 

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Riposte: To Date A Fly

riposte to date a fly

They went on a date. Ife Nihinlola tells us what happens while the guy is taking her home …

Riposte: To Date A Fly

“So, madam how did you find that restaurant? Is that the place where big babes like you go on the reg, or you’ve just always gone there for birthdays? Like, your twenty-first with the ladies eating plantain and coconut fritters, hashtag living?”

“Very funny Mister. Just face the road and drive. You almost hit that keke.”

“No I didn’t . . . I know what I’m doing.”

“If you say so—”

“I really want to know. Their food was good, so I want to know if you found the place after sampling other exotic restaurants or, you know . . . just tell me.”

“One of my boyfriends actually took me there for our first date . . . hmmm and now that I think about it, he probably knew the best spots for everything in this city. From night clubs to restaurants to the asun guy that can give you a peppery mouthgasm.”

“Cool. So, what happened? What happened with this guy?”

“Now you’re asking too many questions, and we’re not going to talk about my exes today.”

“But I want to know. I really do. I want to know how a beautiful woman like you made it to your thirties without a man putting a ring on your finger.”

“You do realize that’s not a nice question to ask me, right?”

“Why? What’s wrong with it?”

“It’s not exactly fair to ask me that particular question in that manner.”

“How is it not fair?”

“How is it not fair? Well, let me see. What if I asked you about all the exciting twenty-something-year-olds you’ve been seeing and why one of them isn’t sitting next to you in this car, right now? Why run after a thirty-six-year-old woman when you have the money and charm to get any young sexy babe fresh out of uni? Are you open to discussing that with me? Is it that you have a dark side? Is it the sex? Are you that bad in bed?”

“What?”

“Exactly my thought!”

“No, no. Not that. How did this become about sex? What sex?”

“Aha! Don’t even start the church-boy act. We both know none of us is exactly celibate so we might as well add that to the conversation we’re having, right along with age and money and—”

“But I am—”

“You’re what?”

“Celibate.”

“Like temporarily? Hmmm. That’s cute. How many months now?”

“No. Not months. I’ve actually never, you know . . .”

“Oh. Oh! Oh my god! You mean you’re a virgin?”

“Well . . . Y . . . ye . . . ahem, yes—”

“Wait. For real, if we’re actually going to start going out, you mean sex is off the table?”

“Don’t even laugh. How about we don’t make this about that? How about—”

“Hahahaha! What else can we make this about? This is unbelievable! Junior, are you joking right? You’re celibate at twenty-nine and you had the guts to talk about my eggs? Do you even have any idea what that does to your prostrate glands? Are you actually sure those things can swim?”

“W . . . what are you even saying?”

“Am I going to have to give you sex education . . . along with everything else?”

“I . . . I  . . . I don’t even know what you’re going on about.”

“Wow! This is a little too much for me. You know what? Let’s just forget about this whole ride.”

“F . . . forget what?”

“See, it’s a good thing we’re finally at my place. Thank you for the ride and the evening.”

“Thank you too . . . f . . . for the food. We’ll see on Sunday?”

“Sunday? Really? Is that how it is?”

“Well, yeah. Sunday. Or I’ll call you . . .”

“Hmmm. Do whatever you want Junior. It’s been great getting to know you. Bye.”

 

————————————————————————————

Keke (keke napep) – a covered tricycle used as taxis in some major cities.
Asun – spicy smoked goat meat

 

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Riposte: To Catch A Fly . . . Again

aging

 

Ife Nihinlola’s article follows from last week’s dialogue. The question is: when it comes to romance, does age really matter?

 

Riposte: To Catch A Fly . . . Again

“Hey, someone did not sleep well today. So are we celebrating?”

“Celebrating what? See, we have work to do this morning, let’s just focus on that.”

“Wow. Did she curve you that badly?”

“No one curved anyone, okay? I’ve not even asked her anything yet.”

“Okay. This is becoming a problem. Talk to me. Is this psychological?”

“How do you feel about marrying someone older than you?”

“I see what is happening here. How old is she?”

“Answer my question first. Would you have married your wife if she was older than you?”

“Of course I would. She’s a great woman. Age is just a number, you know?”

“What if that number is thirty-five?”

“Ermmm, are we talking about the same person you showed me her picture on your phone?”

“Yes. And this universe is a cruel one. Just last week, I watched this thing on Al Jazeera about women who tried to get pregnant later in life . . .”

“Slow down, slow down. Now you’re thinking of kids.”

“My friend, focus. I’m talking about something I watched and how that was all I could think of when I heard her age. Do you know women are often advised to freeze their eggs when they’re young so they can have better chances of conception later in life?”

“What are you talking about? Who wants to freeze eggs in Nigeria? All I want to know is what went down between you two yesterday.”

“There’s actually nothing to know. All that happened is that I heard her age and my brain hasn’t stopped doing calculations ever since. Do you know she actually thought I was thirty-eight?”

“You’ll soon be thirty-eight and single at this rate. So what did you guys do when you found out your ages? This is actually good you know—knowing this early so you can get the awkwardness out-of-the-way?”

“How is this a good thing? I’m actually trying to move on right now. That’s the goal of the next two weeks.”

“But she has great genes sha o. That is how I want my wife to look at thirty-five. You know, one of my aunties gave birth to her first son at forty last year, and he’s a very healthy boy. Very healthy.”

“What are you saying, this man? You think I should go ahead?”

“I’m not saying anything, but at least take her out on a date, just one date to make up for all the seminars you’ve made her endure.”

“Isn’t that stringing her along? Because I don’t see how she is even interested in me anymore. You should have seen her face when she realized I was twenty-nine. It was like she wanted to faint.”

“Doesn’t mean she still won’t appreciate you making an effort. Let me tell you something about women: no matter how old they get, they still appreciate a guy treating them decently.”

“So you get married now and suddenly become a girl whisperer?”

“Trust me on this one. I know it because I read my wife’s WhatsApp. You should see how much they rate young men who know how old they are and still pay them attention like they’re twenty-one year olds.”

“It won’t be bad to take her out on a date sha. You know she likes Sade too.”

“What is my own with whether she likes Sade or Emile Sande. All I know is that you should call her now and ask her out on the way you should have done yesterday.”

“Okay Sensei.”

“And put it on speaker; there’s no one in this office yet.”

“Yes Sensei.”

***

 “Hello. Hello? Hello?”

“Hello, can you hear me? It’s me.”

“Of course Junior, I know it’s you. Ha ha ha! I hope you made it home before your curfew last ni—”

 ***

 “Why did you cut the call?”

“I . . .I—”

“Never mind, Did she just call you junior? My God. Wife this woman abeg.”

“I can’t do this.”

“Of course you can, and you will. You’re going to call her again and ask her out properly and live happily ever after. That’s a fact. I’m going to my cubicle.”

 

©Ife Nihinlola 2016 @ IfeOluwa’s Rambles

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.