The Magic of Readers

There are no awards for readers, at least, none that I know of, but there are awards for writers. Readers buy the book that wins the writer a prize, and yet without readers, there would be no writers.

Maybe this is why we read, and why in moments of darkness we return to books: to find words for what we already know. ― Alberto Manguel

I am indebted in no small measure to you because if you did not read, I would not write. Yes, I would scribble in my journal, but without the focus, discipline, excellence, and tenacity of the past four years. I would neither research nor stretch myself beyond the world I know. You inspire me to look for the gem in the mundane and tell it as creatively as I know how.

What Lee Hall wrote about the play, I find to be true about writing. “Whether you are a writer or an actor or a stage manager, you are trying to express the complications of life through a shared enterprise . . .  And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.”

I view with suspicion, every writer—by writer, I refer to anyone who crafts words intentionally on a platform that another can access—who claims, “I don’t care if anyone reads what I wrote.” The search for significance is a universal pandemic and writing is one way we ask, “Is anyone out there? Can you hear me?”

Sometimes, I have wondered about this business of writing and questioned my destination, but you were there to assuage my vulnerabilities and validate my journey through your comments or private messages. I learnt to count on your consistency as much as you did mine, and I am a better writer because of you.

When I conceive an idea, the meaning is clear to me, but the challenge is to get you to see it. You complement me by filtering my words through your experiences and adding depth to them that I did not recognize. Like the time I wrote a silly story, about two lovers and you showed me that it was about immigration and integration. And you were kind to me. If you thought stories like, Six Is Just A Number, echoed my life, you did not judge me but kept your perspective to yourself.

When members of the London Poetry Society asked Browning to interpret a particularly difficult passage of Sordello, he read it twice, frowned, then admitted, “When I wrote that, God and I knew what I meant, but now God alone knows. ― Ralph Keyes

Vladimir Nabokov wrote, “Readers are not sheep, and not every pen tempts them.” That my words have drawn a few is humbling and empowering, a weight of responsibility I have been proud to own.

The best part of writing at Livelytwist these past few years, was knowing that you were going to read what I wrote and not being disappointed, Sunday after Sunday. I cannot thank you enough for your uncanny generosity.

Thank you.

 

 

 

P.s. I stop blogging on this platform today.

©Timi Yeseibo 2017

Photo Credit: https://pixabay.com/en/cup-book-breakfast-read-plan-2123710/

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

An Anatomy of a Farewell

 

How lucky I am to have something that makes saying goodbye so hard.

There was no perfect time to begin Livelytwist. Four years ago, I did not have all the answers I needed to start a weekly blog. Chief among them being whether I could sustain the tempo—whether I could produce writing that would entertain, inform, inspire, or provoke thought, week after week. In Six Degrees of Separation and Other Stories, I bare my soul.

I started this blog with grit, a little knowledge, some research, plenty goodwill, confidence, trepidation, and a two-month content calendar.

The question that I am frequently asked after I introduce myself as a blogger, after, what do you blog about, is: do you monetize your blog? The question is not always direct. Sometimes, it is cloaked as queries about ad revenue or sponsored content.

In his book Outliers, The Story of Success, Malcolm Gladwell says that hard work is a prison sentence only if it does not have meaning. Monetizing Livelytwist was never my primary focus. I just did what I love with dedication and excellence, which are hallmarks of everything I set to do.

The result is a resume I can present anywhere.

  • Produced over 200 articles with quality content.
  • Displayed my range with a rich landscape of varied writing: creative non-fiction, short fiction, op-eds, reportage, memoirs, and personal essays.
  • Highlighted my range by tackling topics from the mundane and comical to the serious, made relevant because of the underlying message(s).
  • Synthesized and delivered local content to international audiences. 
  • Facilitated and sustained online engagement with heterogeneous crowds via the comment section.
  • Identified, managed, and promoted (new) writing talent.
  • Discovered and negotiated new business through engagement on other platforms.
  • Harnessed marketing opportunities by collaborating with others and leveraging their social networks to reach new audiences.
  • Developed and managed diverse teams by initiating several writing collaborations.
  • Received 100,000* blog hits on livelytwist.com through organic growth. 

However, the emails and conversations that attest to the fact that I lit other candles remain my greatest treasures. All because I dared to ignore the butterflies in my stomach and move in the direction that my heart was tugging me to go.

. . . this gift that chose me, feels like a solemn trust, like a platform to do my life’s work. When you read something and say it inspires you to do life better, I let my tears fall where they will. –Timi Yeseibo

Someone said that it is not that life is too short but that we take too long to begin. I concur. People now ask me, “So you’re gonna stop blogging, what next?”

Four years ago, I could at least define what I was beginning, a blog. Now, it isn’t easy to articulate my next steps. This is what I know for sure. Whatever follows will involve me writing in some form. I now know that when you identify your gift, develop it, and use it to serve others, you will inspire others to do the same.

I once read that sometimes when it seems as though things are falling apart, they are actually coming together. In hindsight, it was true four years ago when my life took a difficult turn. I believe it to be true now.

©Timi Yeseibo 2017

P.s. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. It is now time for new adventures and to stop blogging. I first wrote about it here. I’ll write some more in the coming weeks and then I’ll stop.

  1. Gladwell, Malcom, Outliers, The Story of Success, (London: Penguin Books, 2009), 175
  2. Not quite 100,000 hits . . . yet.

Photo credit: https://pixabay.com/en/child-beautiful-model-little-cute-920131/
Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Licking Dry River Beds and Flying Trapeze

“What are you afraid of?” He asked.

“Nothing,” I replied, shaking my head as if that would make it true.

I did not think I was afraid. I tried to explain the sense I had, which had nagged me for months, that I was on the threshold of something new. I bolstered my explanation by rambling about the diminishing passion I had for my blog; yes, yes, yes, disciplined focus had kept me going, bla, bla, bla, but . . .  Was it the move or the upheavals or the new responsibilities? What had sucked zest from me, as when the bath plug is lifted, soapsuds disappear suddenly, vooom, down the drain?

If you are like me, you ramble about events—a pause here, a recollection there, an unrelated trivia woven in the mix—walking through the maze that is your life, to make sense of your journey and to ensure you are not speeding away from the, as yet, unspecified destination.

My friends are patient listeners, facilitating my journey with subtle signals from the control tower, never attempting to pilot my plane. My conclusions can only be authentically mine, if I arrive at them by myself.

“Hmmm, so are you licking dry river beds then?”

We laughed at his allusion to the story of a prophet called Elijah. I had heard him tell it more than once.

Elijah was a prophet who once called down fire down from heaven. During a famine, ravens brought him food, and he drank water from a brook. Then one day, the brook dried up because it hadn’t rained in ages. The way my friend tells it, Elijah had a few choices. He could remain at the brook, licking up every last molecule of water from the riverbed because he had been divinely sent there. He could even attempt to command water to gush, geyser-style from the riverbed; after all, he wielded power. Or, he could open his heart to embrace something new.

My friend was asking me if I had become stuck in my comfort and safety zone.

“You know that when Elijah left the brook, he went on to provide food for not only himself but also a widow and her son. That’s greater relevance and impact,” he continued.

I nodded. “Yeah, yeah . . .”

“So what are you afraid of?”

“Em . . . Elijah knew exactly where to go next. I’m not so sure. I stop my blog, then what? Twiddle my thumbs?”

“You can never be idle, Timi.”

“True, but you see what I’m saying . . . right?”

“Have you ever watched trapeze artists?”

“Acrobats? At a circus? Sure. They’re graceful, beautiful to watch.”

“They have to leave one bar then swing in the air to catch another. So imagine this . . . a trapeze artist . . . he’s holding this bar,” my friend clenched his fist. “As long as he’s holding it, he can’t swing and catch the new one—”

“I see it!”

Now, it was his turn to nod.

I was like a trapeze artist holding one bar with one hand while reaching for another with the other hand. I looked ungainly. My balance was suspect. I was likely to fall. Trapeze artists have more faith that they will catch the new bar than faith that they will fall.

“Wait wait wait. But don’t they have a mattress or spring board underneath? Aren’t they legally required to have some security? Hmmm, let me google it . . .”

He smiled; perhaps at the way my mind works.

“But you have security Timi. You’ve always had security.”

If you fall, I’ll be there. – Floor  🙂

P.s. 1. This is what I googled instead:

P.s. 2. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. Now it’s time for new adventures and to stop  blogging. I’ll be writing about this in the weeks to come.

©Timi Yeseibo 2017

Photo Credit: https://web.facebook.com/bizzarreart/photos/a.262015740857231.1073741828.262003347525137/439234606468676/?type=3&theater

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Two Hundred and Counting

200

 

I received a WordPress notification about my 200th blog post about six weeks ago. What does this mean to me?

1.
Because Nigerian musicians frequently fuse their local dialects and English to produce hits that resonate beyond their shores, I thought the word colabo, and I spelt it like that, in the song collabo by PSquare featuring Don Jazzy is a Pidgin derivative. However, collabo is a word in the dictionary, which means something produced by two or more people working together, especially a piece of music.  I did not get to two hundred on my own. Many collaborations with different writers brought me here.

2.
Every year I check boxes and add scores on tests designed to show me an aspect of myself. I am always trying to answer the questions, who is Timi and what does she want? Perhaps I am more curator of stories and editor than I am writer. The collaborations I inspire and drive bring me double joy. Flipping through one of my old journals, I smiled as I read my handwriting, cursive, strong, sure. I had written: I want to tell other peoples’ stories. Self: A person’s essential being that distinguishes them from others, especially considered as the object of introspection or reflexive action.

3.
For years, my answer to the question, “So what do you do?” was fluid because I was like a natural hair enthusiast growing out a perm, one leg here and one leg there. To define my ‘do’ by my day job seemed limiting. Then I stumbled on Adam Leipzig’s Tedx Talk and discovered a way to answer the question with ease. Recently, I answered the question like this: I write a blog, dismissing Leipzig’s recommendation. The man to whom I was speaking probed further, “What do you write about and are you any good?” I answered his second question before the top of his lips settled on his bottom lip, “I am very good.” Gone was his disinterest. Confidence: A feeling of self-assurance arising from an appreciation of one’s own abilities or qualities.

4.
Sometimes people leave me comments and messages that they wish they could write like me. I take it as a huge compliment and nothing more. I have stopped wishing I could play the piano like the musician who is a wiz at the keyboard. I have no desire to put in the work and disciplined focus required to reach that level of proficiency. I do not have another 10,000 hours. In making the point that excellence requires a critical minimum level of practice, Malcom Gladwell says ten thousand hours is the magic number that researchers have agreed on for true expertise. Two hundred blog posts is not yet 10,000 hours. Practice: Repeated exercise in or performance of an activity or skill so as to acquire or maintain proficiency in it.

5.
The line between just asking and a free consultation is smeared with politeness. Doctors and other professionals know this. I know this now; 200 blog posts means I have a feel for what makes a piece of writing work. A party is not the place to read me a sentence then ask if it is grammatically correct or whip out your phone to show me something you wrote. That is what emails are for. I do not carry a red pen in my clutch bag; I carry red lipstick and blue mascara. People ask me to be brutally honest in my feedback, but the only place to be brutal—savagely violent or unpleasant and harsh, is the gladiator’s ring. The only adjective that should go with honesty when it comes to feedback on a piece of writing is kind. I have made and kept more friends this way.

6.
Space is not a continuous area or expanse, which is free, available, or unoccupied. It is a place stamped with evidence of my presence, neatly littered with comforting memorabilia—a weathered collection of poems, old photos of my children, journals, books about writing, ideas on yellow post-its, and greeting cards that affirm who I can be. Space is freedom to live, think, and develop my writing in a way that suits me. It is saying no to play and living like a hermit Friday night and all day Saturday. Space is showing up for lunch or dinner with my laptop, typing away while conversation wafts around my head. Two hundred blog posts later, space is the greatest gift my family and friends have given me. Extroverted Introvert: Also called social introvert. Sociable and friendly but needs to recharge in solitude often.

7.
When I decided to start a blog, I had three options: WordPress, Blogger, or Tumblr. I am yet to regret my choice. Often I struggle to leave a comment on other platforms but I have scarcely heard that anyone struggled to leave a comment on my blog. It is true that I do not want be bothered with technical things like code, wanting only to upload and publish, but more than that I have found a community of generous people who are curious about the world beyond them. Two hundred blog posts ago, I published my first post to a warm welcome from several bloggers who I did not court. Welcome on WordPress is like a revolving door. A good number of bloggers with whom I engaged in those early days have exited the blog stage and in their place, other bloggers have taken my hand. Welcome: Greet (someone arriving) in a polite or friendly way; React with pleasure or approval to (an event or development).

 

To all my readers: I owe you a debt of gratitude. You have pushed me to become better than I was.

 

©Timi Yeseibo 2016

 

  1. All dictionary definitions from English Oxford Living Dictionaries
  2. Gladwell, Malcom, Outliers, The Story of Success, (London: Penguin Books, 2009), 43 -44

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

To Close A Series [2]

love-is

A friend called me after reading one of the episodes of the Fly series to say that the dialogue reminded him of the way we were, making me want to sing only this line from Adele’s Hello, hello from the other side! Instead tongue-in-cheek, I quoted William Faulkner in no particular order.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

Are you writing about yourself, is the question I was often asked while the series continued. I have mostly reconciled myself to the downside of writing a personal blog, which is that readers assume consciously or subconsciously that the stories on your blog are about you. No longer so uptight about being vulnerable, I took this question and its variants cloaked in concern, to mean that the dialogues were relatable and believable. Their questions were in fact a roundabout compliment.

I have never previously dragged out a story on my blog as I did this series. What began as a one-off fun post, a bull’s eye response to a dear friend’s endless matchmaking, grew to ten articles spread over two-and-half months because you asked for more.

I told Ife Nihinlola, my partner in the Fly series and a talented writer whose essays I enjoy reading, that the best stories are woven around love and relationships; throw in a moral dilemma to achieve transcendence. After the badass protagonist has destroyed the villains and saved the planet, we will him to kiss the beautiful woman he fought for as they walk into the sunset. Nothing touches our core like what we are wired for, love.

As the series continued, we had to be deliberate about the twists we would introduce and the manner in which they would be resolved. Ife and I resorted to using readers’ feedback as a guide because we realized we had sparked something in our readers, we had connected. I was humbled and tickled when I read something to this effect: Timi, please don’t spoil it now that they are happy.

We tossed ideas about what felt natural and what felt as though we were trying too hard and all the while, the plot was challenging my own ideas about love and relationships too. The decision to conclude the series was bittersweet.

“What if in the next episode, I make the happy couple, twenty-nine-year-old Junior and thirty-five-year-old Old Woman, bump into one of Junior’s flirtatious younger female friends at the mall?”

I agreed with Ife when he said that he wasn’t so sure. I had thoroughly enjoyed my stint as a Shonda Rhimes scriptwriter wannabe.

In the end, this is what I aimed to do all along; make you rethink your ideas about love, sex, romance, relationships, and friendships while entertaining you. You tell us if we succeeded.

On Facebook, I noticed that a friend shared one of my posts on her Timeline. Underneath the article was a comment from one of her friends asking her to share my post on their WhatsApp group for further discussion. My brain thought about copyright issues, my heart saw so clearly, why I write.

On this blog, I don’t write for myself although I write for people like me. Big difference. Small difference. If you stopped reading, I would stop writing—what would be the point? I cannot thank you enough for believing in Livelytwist.

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Stats, Guest Posts, and Audiences

stats, guest post & audiences

 

The quickest way to go where you have never been is to find someone who has gone where you want to go.

 

If what they say is true, that your potential audience reach spans people ten years younger and older than you are, most people who read Livelytwist are in their thirties, forties, and fifties. I do not know for sure. The implication for reaching broader audiences including people in their teens, twenties, sixties, seventies and beyond, may be a change in style.

An acquaintance signs off her emails with these words, star differs from star in splendor. I have thought often about what they mean. If our lives are our message to the world, then our vocation is our platform. I believe that our experiences, location, age, race, gender, talents, and so on, position us to reach certain audiences. That only some are able to cross the barriers that separate us, innately or through learning, and have, more mass appeal than others do.

This past blogging year, Livelytwist’s total number of blog views was lower than the previous year, but I witnessed a shift in the type of blog articles that received the highest number of views. In the past, articles, which I wrote received the most views. Last year, the top five articles viewed, apart from the ubiquitous Open Letter to Akpos—search engine terms must bring Akpos seekers to my blog—were articles that others wrote for my blog. In order of most views:

Hardwired For Sorry [3]
Think Like a Man, End up Without One [1]
Hardwired For Sorry [5]
Think Like a Man, End up Without One [2]
Shifting Gears [6]

Storytelling is an effective means of communicating with a diverse audience. As much as I enjoy writing, I do not possess the authority or authenticity to tell all the stories I want to and therefore reach as many people as I would like. As William Faulkner noted, “A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.”

By sharing my blog stage with others, Livelytwist gained more universal appeal. At least one teenager and one writer in his seventies contributed an article to a blog series last year, as well as writers in every other age category in between. At least one person in every continent, in 125 countries, viewed Livelytwist in 2015, up from 115 countries in 2014. Guest writers shared the stories they wrote for Livelytwist on their social networks, engaging audiences I may never have reached.

world stats 2015

 

country stats 2015

After I ran a series on my blog that featured other writers, a reader scolded me for not writing my own stories. I understood her loyalty, the queasiness, which occurs when vision expands and threatens the status quo; as if I would abandon my blog. I explained that I conceptualized the series, handpicked the writers, and in some cases edited their stories. Then I sent her the links to a couple of stories I had written as part of the series.

What do my stats tell me? Numbers sometimes mean little. Perhaps they confirm something I wrote in my notebook years ago—I want to tell other people’s stories. I am getting closer to that dream, am I not? And it is because you said yes to sharing your story on my blog.

Thank you!

 

© Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Three Years On

three

The first time I met Lanre, I told him about my blog. He says it must be my passion, the subject of my blog snakes into every conversation. He wonders, as others do, why I do not monetize my blog. I sigh. As if money is everything; as if money isn’t everything.

I asked a friend to write an article for my blog. His article although well-written lacked that something I look for before I publish a post, but he did not think so, he being an accomplished writer. We reasoned back and forth, threatening our friendship, as when friends mistakenly become lovers, solid lines become indistinct; the ease of communication replaced by silent awkwardness.

It should have been easy to reject a submission that did not meet my criteria except that doing so felt like losing a friend. In the end, I chose my blog and after weeks of reaching out won a version of my friend back. The subject of writing for my blog is taboo. We do not speak of it. Maybe one day we will.

If I did not monetize my blog, I at least learnt what it means to be human. This is what it means to write a blog every Sunday for three years—you become aware of your strengths and limitations; how far you will go for what you believe in.

Three years ago, Maurice, Mayura, and I waited at Holendrecht Station for the metro, cold air whipping through our hair and slapping our coats while trains sped by. I recited a list of possible blog names. When Mayura said Livelytwist reminded her of lemons, my sign-off was born: Take lemons, make life! I can recount incidents like this for every stage of the life of my blog; the people whose input helped me along the way.

Friends sometimes ask about the number of stories I’ve written ostensibly to check if I have a collection large enough for a book. Some days I want to write a book. Some days I do not. Three years on, the relationships, I have forged because of my writing matter more. Each article I’ve published has a behind-the-scenes story—where I was, my state of mind at the time, and who helped make it happen.

I have evolved since my tentative beginning in April 2013. The stories I did not write the way I had wanted to tell me so. You see, when you keep friends up until 1 a.m., seeking their opinions, it seems unfair to discard their recommendations at 2 a.m., when you realize your story no longer resembles you.

I’ve been tempted to revisit the stories, you know, to remove this, and to add that, to make them fully my own. But I leave them as they are, wincing every time I read through, as reminders of a time when although I knew what I wanted I did not have sufficient courage to articulate and execute. I leave the stories on my blog to remind me how people-pleasing distorts what I sound like.

Writing consistently for three years has made me a better writer; I am more skillful with my pen. But skills do not keep you warm, people do. At the heart of every story on this blog is a person or group of people who believed in me. None more so than you who read this blog Sunday after Sunday; you who I fight for with my pen, jeopardizing friendships. If I make it to a fourth year, it will be because of you.

Thank you!

© Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

Blogging 109 … Word Travel: combating prejudice 

travel

Mark Twain’s quote from his book, The Innocents Abroad, rings true.

Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.

My travels overseas have shown me how little people know about Nigeria and the African continent and revealed my prejudice and penchant for stereotypes. If you never travel and watch only one TV channel, you may conclude that Europe is awash with refugees, America with gun violence, the Middle East with terrorism, and Africa with war, poverty, and disease.

But hopping on a plane, train, or bus and going miles and miles away from home can be expensive. However, we’re not limited by budget if we can read. Literacy and internet access provide cheaper alternatives to confront narrow-mindedness.

Like most of my friends, I remember travelling to faraway places as a girl through the books I read. The writers stimulated our senses as we journeyed with them, so we were familiar not only with the sights, sounds, and smells of places, but also with their peoples and culture. We lived in Mallory Towers and were Famous Five detectives.

What we enjoyed was a kind of unilateral intimacy. But now, the internet has not only made content readily available, but also fostered greater connection. In his book, Platform, Get Noticed in a Noisy World, Michael Hyatt says that social media has taken connection to a whole new level. It makes possible bilateral intimacy—engagement. This means our virtual travel experiences are richer since we can confront a writer’s bias as well as ours in conversation. We can also give feedback and receive more insight from the contributions of others.

To me, one of the coolest things about blogging is the opportunity to travel—to journey along with readers to their worlds in the comments they leave behind. Every time I write, even on a subject I’m an authority on, I learn from the myriad perspectives readers bring. Sometimes I pour my jumbled thoughts down just waiting for readers’ comments to make sense of my thoughts.

It’s difficult to approach most topics with an ‘empty’ mind because our minds are usually already ‘full’. But if we’re willing to engage, we’ll see that we don’t have to agree with another viewpoint, sometimes all that’s needed is, “Oh, I see where you’re coming from; I’ve never walked that road before.”

Blogging has made travel—broad, wholesome, charitable (and uncharitable), views of men and things, possible for me.

 

©Timi Yeseibo 2016

 

Photo credit: https://pixabay.com/en/sign-places-travel-information-429419/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

No New Stories

no new stories

I attended a creative writing seminar where our lecturer was an award-winning writer, who felt it was his duty to knock fantasy out of our minds and help us rearrange our aspirations.

“Don’t think you’re going to be the next Shakespeare and write a never-written-before novel. There are no new stories,” he said.

His forehead was wide and shiny and his hairline indicated that baldness waited in his future. He swept through the class with his big eyes letting his words sink in.

Did he imagine that we could not even match his own mild success? I completed my writing exercises on time using the formula he gave us: a story has a beginning, a middle, and an ending. I didn’t care for original ideas. I was involved in a steamy romance with creative non-fiction, the only genre I thought I would ever write. I wrote about my real experiences or that of others, injecting lively words into sentences to transport readers to my world.

When I delved into the world of fiction, I looked for original ideas. Once I found them, I scribbled and scribbled until I perfected my story. After I shared my story with friends, one of them said, “Oh, your story is based on that Nollywood movie . . .” Another said, “You copied so-and-so famous writer’s story.”

But, I hadn’t watched that Nollywood movie and I hadn’t read the famous writer’s book. I had just thought about a story and written my thoughts down! It was then that the lecturer’s words came back to bite me and I bought into the idea that I don’t have any new story to tell.

My imagination is a collection of all I’ve seen, heard, touched, smelt, and tasted, synthesized and served as a ‘new’ dish. So, the more I engage my senses the more my brain has to synthesize and serve as imagination. Then it takes skill to arrange my imagination in a format that others can and want to understand.  Enter language or words.

I began to understand why aspiring writers are advised to read and write a lot—to broaden imagination and acquire skill.

When I get good ideas for a story, I don’t google key words to see who else has written about it. I just know for sure that someone else has done so already. However, unless their name is Timi Yeseibo, they have not written it in my voice or through the nuance of my experiences, which help me filter life.

This difference makes me unafraid to write about Romeo and Juliet because in the century in which I live, they would meet via Tinder and their death would be featured on Instagram. The themes of love, faithfulness, betrayal, and death remain timeless and universal. My children after me will also write the same story flavoured by the sights, smells, sounds, tastes, and feelings of their time.

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

A Writer at Last?

writer

We arrive at my parent’s house to meet a party in full swing. I am surprised. We hug uncles and aunts we have not seen in ages, while the girls who assist my parents with running the house cart the food and drinks my sister, with foresight, had insisted we bring along.

“I’ve been waiting for you people,” my mother beams, “some people haven’t eaten.”

How did she know we would show up with food and drinks on her birthday? Had she not said, “No, I don’t want a party; I just want my family around me and my pastors to pray for me”?

I should have known. Family for my mum means at least 100 people.

“Are you the daughter from America? UK?”

“Yes,” I reply, discounting the value of correcting them, these people who comment on how I have grown and how when I was small like this—they gesture with their hands close to the ground—they had changed my nappy or carried me or brought me presents.

And so I let myself be passed from bosom to bosom and chest to chest, squeezing back lightly sometimes, pulling back determinedly sometimes. I lose myself in the maze of people whose stories intersect with mine on account of my mother.

When people cannot eat and drink anymore and chatter dithers like a misplaced comma, my aunt says to my sister, “You need to give the vote of thanks.” A Nigerian party without a speech is an anomaly. My sister replies, “Please meet Timi, she’s the writer in the family; she knows how to speak grammar.”

My aunt approaches me and I protest, “I am not a writer,” so, my sister gives the vote of thanks instead.

I have pondered this exchange for some years now. Why did I refuse to be called a writer?

I think I felt as though I had not earned the title. Because writing comes relatively easy to me and I had a real job, writing felt like a serious hobby. However, the more I wrote, the more I saw how much like my mother I was, insisting I did not want something when in fact, I did.

I had confused being an author with being a writer. Since I had not yet authored a book, how could I introduce myself as a writer and answer the question that inevitably follows; so what books have you written? Or maybe I was afraid; if I did not succeed at writing, no one could accuse me of failing at being something I never claimed I was.

A while back, I found a definition for writer that arrests my reluctance to accept the title: a writer is someone who writes. This description frees me to allow those like my sister who want to call out and celebrate my gift, to do so.

If I have come closer to embracing the title writer, it is in no small measure because of you; you, who read, comment, like, and share my words. Our Sunday-Sunday interdependence has grounded me.

Thank you.

timi

 

 

The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true. – John Steinbeck

 

Pretending to be a writer is easy… but genuinely being a writer is difficult, because you have to write something that will convince both yourself and readers. – Kim Young-ha

 

Shifting Gears [7]

Making Good Art

eyelash
After I shared the picture above with a friend, she asked, “How much does your mascara cost?”

I replied, “17.50.”

Then she said, “In that case, you can cry as long as you want.”

We both laughed because I needed to laugh.

I cried this year, silent tears and loud tears, in the privacy of my bedroom.

And I nearly gave up, although I had begun the year high on momentum.

In his 2012 keynote address at Philadelphia’s University of the Arts, author, Neil Gaiman, dispensed advice on a career in the arts. His advice transcends art and spills into life.

 

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do.

Make good art.

I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art . . . Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

 

I cried in January, February, and March. My tears fell from April through September, like the rainy season in Nigeria, a deluge that began without warning. I determined to have an early dry season beginning in October. To ease my weariness, I planned to write short stories, flights of fantasy about love and technology. It worked. October looked promising until the mid-way point.

One Thursday, after a wailing session, I stopped deriving childlike pleasure from tasting the saltiness of tears and runny snot and reminded myself, I had a story to write. I shot an earnest plea to Heaven and brought out the notes I made as a friend recounted her experience on the train. Then I zoned out everything and entered the place where stories come to me.

Before I published Bluetooth Lottery, I gave it to a friend to read. I watched him chuckle while he read and stopped holding my breath. This story, I thought, might resonate with readers. My blog posts that create the most emotional resonance, going by likes and comments, are posts I wrote from places of desperate despair or posts about the tattoos in my soul.

 

The moment that you feel that, just possibly, you’re walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That’s the moment you may be starting to get it right.

 

Are Gaiman’s words about making your art to be taken literally?

I heard someone say that when you speak from your head, you talk to people’s heads, but when you speak from your heart, you talk to people’s hearts. After a writer shared a heartbreaking ordeal with me, I asked her if she was going to write about it.

“No,” she shrugged, “but you know how these things work, right? Our experiences seep into our writing and wet the page.”

I nodded.

Tears became my friend this year and I did not resent her intrusion into small spaces. I realized firstly that the demons that troubled me were not new. They were conquered foes, old fears in shiny wrapping paper. Secondly, to borrow from the title of Binyavanga Wainaina’s memoir, one day I will write about this place, this field of tears. I will gather my tears and then I will sit and make good art.

 

As they pass through the Valley of Baca, they make it a spring; the early rain also covers it with pools.
– Psalm 84:6

 

©Timi Yeseibo 2015
Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Your Part of the Story

comprehension

In secondary school, my English teacher gave us a block of text to read followed by a series of questions to test our understanding. This exercise was called comprehension. Correct answers were based on the text. To extrapolate from our life experiences and make connections beyond the confines of the text, in order to interpret it, meant certain failure. This standardization of meaning complemented the marking scheme, I suppose, but we don’t approach life this way.

When we listen, we not only hear the words spoken, but also the manner in which they are spoken and all that it encompasses. How these elements affect our emotions, also influences our understanding.

At work, while implementing a strategy that we’d been briefed about, my colleague and I came to a gridlock because we interpreted the briefing differently. When we sought clarification, it turned out neither of us were right. So much for clear communication, which is why at the end of a talk, a speaker says, “Let me recap . . .” or an avid listener practices reflective listening, “If I’ve understood you correctly, you said . . .”

Someone said, “Write it to eliminate ambiguity,” as if inanimate words on a screen do not awaken and grow wings in the minds of those who read. Perhaps in business writing where clarity and conciseness are pivotal, this is true, except when the writing is convoluted to deceive.

But, in October, I wrote fiction. In fiction, we abandon some of the rules of comprehension I learnt in school. I think that a good writer invites us to create our own stories within the bigger narrative that he or she is telling. Writers do this by leaving a trail of white pebbles that readers instinctively follow to figure out what the story is about, when and where it is taking place, and why the characters act the way they do.

Somewhere along the journey, readers abandon the trail for a meandering path to interpretation. The writer takes a secondary seat, having provided the framework for readers to build by making associations based on their experience, belief, imagination, or needs even.

When I began publishing fiction here, I was fussy about readers’ interpretation. Did they get what I was trying to say? The comments showed me that readers don’t always perceive the story the way I do. And now I’m okay with that. For one thing, no one is writing a comprehension exam. Moreover, to see the story through a reader’s eyes is to see the story again.

I will agonize over words for days on end—do my words lead to logical inferences, are they coherent? But once I hit publish, I understand that the piece of writing, the baby I carried, has been delivered to the world. It is no longer mine. Comprehension is the reader’s part of the story.

 

©Timi Yeseibo 2015

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Time to Read

Blog articles on my WordPress Reader started appearing with an estimated reading time (ERT) tucked at the bottom left-hand corner, about two weeks ago. So, for example, my blog posts looked like this.

 

ERT 1

 


ERT 2

 

Many writers I know, including myself, lean towards verbosity. We are in love with our words. When you are in love, words are harder to kill. A blog post may therefore take hours to complete. As Samuel Jackson notes, “What is written without effort is in general read without pleasure.” At first, it was jarring to see work that took me seventy-two hours to produce reduced to a three-minute read, word count notwithstanding. But this is the reality of life online; writers have much to share, readers have little attention to spare. Erik Qualman caps the average person’s attention span at seven seconds, one second less than a goldfish’s eight seconds.

If the first three sentences of an article is followed by: read 1827 more words, only several things make me continue reading—familiarity with the author, curiosity occasioned by a superb opening line, the title, prior knowledge or interest in the subject, or a referral.

Time is like a loaf of bread, there are only so many slices I can cut. My life is characterized by acute time rationing—ever heard that time waits for no man? It is as if the world is spinning faster and faster on its axis and I am getting dizzier and dizzier from information pollution. How long, thus becomes a valid question.

I mean, if completion is my goal, then time is often the decider between a three-course meal and a sandwich-to-go at lunch break or between a 500-page novel and a collection of short stories on a one-hour flight. Would you watch a YouTube video without checking its length?

I find myself liking ERT appended to blog articles. ERT on platforms like Longreads and Medium helps me narrow my plethora of reading options. ERT even trumps word count in my view because it makes mathematics unnecessary i.e. dividing total number of words by average reading speed.

Similarly, in making a case for why we find listicles appealing, Maria Konnikova notes that an article written as a numbered list, “. . . promises a story that’s finite, whose length has been quantified upfront. Together, these create an easy reading experience, in which the mental heavy lifting of conceptualization, categorization, and analysis is completed well in advance of actual consumption—. . . And there’s little that our brains crave more than effortlessly acquired data.”

 

listicles

 

She writes, “The more we know about something—including precisely how much time it will consume—the greater the chance we will commit to it. The process is self-reinforcing: we recall with pleasure that we were able to complete the task (of reading the article) instead of leaving it undone and that satisfaction, in turn, makes us more likely to click on lists again—even ones we hate-read. The social psychologist Robert Zajonc, who made his name studying the connection between emotion and cognition, argued that the positive feeling of completion in and of itself is enough to inform future decisions. Preferences, goes his famous coinage, need no inferences.”

I cannot help but draw parallels, unscientific they may be, between these observations about listicles and the value of knowing ERT upfront. Hampered by time, ERT helps me choose what to read now and what to save for later.

When Slate introduced ERT, this 3.5-minute video mocked Millennials’ propensity to want to know everything now.

http://thecolbertreport.cc.com/videos/ppx1hm/slate-s–minu tes-to-read–feature 

Two years on, and I think Slate was on to something. Do you think blog articles should display estimated reading time?

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Forging Connections through the Internet

connection

A friend shares a story about a CSI-style drug bust sans gunfire in her apartment building. When the police question her about her neighbours who are involved in the crime, they are surprised that she knows so little about them. I am not. Once, I saw a man fitting a key into the lock of a front door two houses from mine. He waved as I walked past and I nodded in response. I hadn’t seen him before. Maybe he is a neighbour. Maybe he is a thief. This is city life.

It is against this backdrop that I wonder if the internet and social media and the technology behind them are responsible for the distance and disconnect among people living in the same physical space. Before cell phones, Facebook, and Twitter, we insulated ourselves from each other with newspapers and earplugs on the bus or train. Maybe technology is neutral; it just amplifies who we already are.

In his 2011 TEDx Talk, Simon Sinek argues that nothing replaces human contact. He says, “. . . technology is absolutely fantastic for the exchange of information and the exchange of ideas. Technology is absolutely wonderful for speeding transactions. It’s wonderful for resourcing and finding people, but it is terrible for creating human connections. You cannot form trust through the internet.”

Since that talk, human interaction via the internet has been steadily rising as evidenced by increase in social media use. When I emailed people whom I had only ‘met’ on the internet and asked them to each write a 300-word piece on some aspect of motherhood for my blog, I was asking them to trust me with their stories. How could they be sure I would treat their stories with integrity? How could I be sure that they would deliver the stories they said they would?

For me, transactional trust began by examining their digital footprint—Facebook, Twitter, LinkedIn, or blog profiles, and the writing on their blogs. I suspect the converse is true for them too and that having mutual digital friends played a part. Working together to polish stories necessitated questions about word choice and sentence structure, which fostered meaningful connection. It was humbling to hear their backstories.

In the end, you read the finished story, and all our worlds became smaller because story mirrors life and life mirrors story. Every story on your phone or tablet or laptop was an invitation to trust and an opportunity to forge connection.

Writing can create empathy and establish credibility. If trust is a function of the part of the brain that has no capacity for language, causing people to look at empirical evidence and still say, “Something doesn’t feel right,” then some kind of digital intuition is vital to navigate the future because we are using technology to form human connection after all.

I agree that nothing replaces human contact; nothing should. However, until I meet you in person, I hope technology continues to connect us through words.

I cannot thank you enough for knitting your heart with ours as we shared what motherhood has meant to us this past six weeks.

 

©Timi Yeseibo 2015

 

p.s. Thank you Ozoz, Afi, Eileen, Elaine, Taye, Yvonne, Joxy, Brina, Unathi, and Tamkara!

 

Photo Credit: Kaboompics/ http://pixabay.com/en/technology-laptop-keyboard-computer-791029/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

Two Years On

Two

My blog is one way by which I measure time. April marks two years since I began blogging. The earth spins on its axis as it revolves round the sun. The moon pulls the oceans and lets them go. If I did not write, the earth, sun, and moon, would not have stopped for me and I cannot imagine what else could have filled my days so.

Self-discipline is the hallmark of my journey. It is the ability to make yourself do what must be done.

When I’m in the zone, I could write forever. Ideas ooze from me and words tumble out faster than I can type them—I abandon current thought and scroll down the page to type perfect sentences and beautiful dialogue, falling from heaven like gold dust.

Many times, I’m out of sorts. Experiences burn me and disappointment visits nearly every day. My head hurts and my emotions are pink like cut salmon. I sing, tired oh so tired, and I’m too tired to compose a new song. I question which direction to take my blog or if I should quit. And most of all, I don’t feel like writing. Not writer’s block, but an insidious lethargy, which is akin to living with a low-grade fever.

I’m not unique in this regard. This is how we sometimes feel about our jobs and responsibilities. When did the things we love become a prison that we long to escape? But we show up at our jobs and dance on the stage of our lives anyway.

 

One Friday evening I’m moaning about how I don’t feel like writing.

My friend nods in understanding, “No, you don’t have to, it’s your blog. Not like anyone is paying you to. I’m sure people would understand.”

She is right. However, I can’t miss a Sunday post. Maybe it’s because growing up, my mum pushed me to outdo myself. Or it’s the result of my school principal repeating at assembly, “What is worth doing is worth doing well.”

“Yeah, but I have to,” I say.

 

So, that night, I discipline myself to write about an incident involving a friend and then launch into a broader conversation about what we value as a society. Disciplining myself to write means that I turn down many invitations, adjust my sleeping habits, watch less soaps, and read more stuff.

I muster all my skills and still feel as though the article could be better. Bloodshot eyes and new streaks of grey; five hours later, I know I have nothing more to give.

Eventually the article resonates with readers as reflected in the comments and shares.  In a sense, this is the reward of diligence—pushing past inner and outer turmoil and insisting on excellence from myself. The discipline of writing weekly provides momentum for those times when I’m flat. Still, I shake my head. I know this, and in fact all I’ve achieved, isn’t my doing. A wise man said:

The race is not to the swift or the battle to the strong,
nor does food come to the wise or wealth to the brilliant
or favour to the learned;
but time and chance happen to them all.

If this is my time, then my blog has been my chance. And self-discipline would mean nothing if I didn’t have readers like you encouraging me week after week.

Thank you!

 

 

© Timi Yeseibo 2015

 

Photo credit: http://pixabay.com/en/digits-pay-123-1-2-3-series-705666/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

WordPress 108: Liking, Following or Not

following

So here’s the deal. I upload my 600-word article on my WordPress dashboard, use the proofreader to make last-minute corrections, and then publish. Fifty seconds later, my phone beeps; so-and-so liked your post. I’m a slow reader, but even if you’re a pro at speed-reading, you could not have read my blog post that fast. Haba!

The ‘numbers’ game, no longer holds the same fascination for me as it did two years ago when I started blogging, and yet, I’m in awe of the numbers. The number of people who engage my posts by liking, commenting, sharing, or leaving a message via my contact form is one way I measure the effectiveness of what I do—entertain, inform, inspire, or provoke thought.

I cannot ignore the numbers. When someone stumbles on my blog, he may not know what to read. If the Top Posts & Pages widget on the sidebar does not woo him, the number of likes and comments may resolve his indecision. In that sense then, a fake like is better than no like.

One evening between 8:42 and 8:44, my phone throbbed with the force of too many notifications. After the climax, so-and-so had liked nearly fifty of my blog posts. I was not flattered. It is like a man telling me how intelligent I am while staring at my chest; it just doesn’t add up.

Okay, I understand that sometimes a like on WordPress is like a poke on Facebook. It’s another way to say hello or get your attention—oh boy; that was one long poke! It is an invitation to come out and play, which I honour by visiting the Liker’s blog, as time permits. It is not an indication that so-and-so has read and digested your writing. Hmmm, very well then.

In the digital space attention is a

But there’s a nagging ring of deceit to this thing, this game of like tag. So far, I have been unwilling to like a blog post that I did not read or appreciate, as if my like has a price tag, as if anyone would know. If quality feedback is important to a blogger, then this promiscuous liking distorts perception; it certainly feeds ego.

In a way, social media is about numbers, number of likes, comments, follows, and shares, because no one wants to have a conversation by himself.  The problem with the like button on some social media sites is that the conversation with others may be illusory.

This post would have been unnecessary but for an encounter on WordPress, involving likes and follows. After reading a blog post I enjoyed, I liked it. In response, the blogger who only recently followed me informed me that a like without a corresponding follow was an insult. See me see wahala. Are we now back to high school?

Following a blogger on WordPress means that new posts from the blogger will appear in my Reader or I will receive an email notification when they publish a post. It seems dishonest to have my Reader flooded with hundreds of posts, which I will not read, but like. To me, a follow is a commitment to read your posts.

I am commitment shy. In a world awash with information, but limited time, you and I cannot read every blog post. If yours is a niche blog about DIY, for example, it would be spurious for me to follow your blog because I don’t like DIY and don’t want to get better at it.

Perhaps I will throw this textbook idealism out the window to monetize my blog or market any book I may write in future. Time will tell.  First-world problems, heh?

Be relevant

Still, the highest compliment I could pay you isn’t necessarily to follow you, but to read and engage your writing. It is the highest compliment you could pay me too.

 

©Timi Yeseibo 2015

 

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Setting Forth at Dawn

L I G H T H O U S E

 

The first appearance of light in the sky before sunrise is called dawn. The forecast says sunny day; the clouds are undecided. One passenger is standing in the middle of the bus that rides past me and the rows of empty seats around him make alone seem like loneliness. The air is crisp and breathing is bliss, interrupted occasionally by the draft from the black garbage bags left on the pavement the night before. It will be at least two hours before the garbage trucks arrive. The thumpthump of my footfalls and swishswish of my sports jacket provide comfort and company. Although every joint protests and reminds me of how old I am, I jog because spring is here.

Like writing, jogging requires discipline and perseverance for results to show. If I work hard now, my dresses will flatter me in summer. After reading one of my blog posts, someone commented that writers lead very interesting lives. Hmmm, if they are anything like me, they do not, not by a long shot, not by most people’s standards anyway. Wise writers know: I am not, in and of myself, interesting to a reader. If I want to seem interesting, work has to be done in order to make myself interesting.

Four hundred metres into my jog, my body submits to my will and my mind takes over. I dissect my life, paring flesh from bone, rolling things over this way and that. Then, I tell myself the truth, crying, laughing, hoping, praying. I run through an article in my head, dotting the i’s and crossing the t’s. Satisfied, I think about what to write today, tomorrow, next week, next year and with whom I may write it. In the newness of day, untainted by doubt, every idea seems plausible, even past mistakes, redeemable.

Ideas are running over me thick and fast. I don’t jog with pen and paper, phone, or voice recorder because the temptation to stop and write would be unbearable. I have learnt to park beautiful sentences in my brain and trust that memory would reward my fidelity. Moreover, to pause would force me to rationalize and logic would provoke miscarriage or stillbirth. It’s been said that all readers come to fiction as willing accomplices to your lies.  It is easy for me to tell lies before the sun comes out.

As I turn around the corner, a new Indian restaurant reminds me of curries and naan bread, and my stomach rumbles. “Too early,” I mumble. Further down boats dot the harbour like swans. In summer, sailors will wave from boat decks and people lounging on rattan chairs in waterfront restaurants will raise beer glasses in return. Ahead a dozen men with buckets, rods, lines, and hooks, queue to board a boat sporting the signs sport vissen and rond vaarten. Such is the allure of the sea at dawn.

In the end, I quit two kilometres short of my goal, but it doesn’t matter. I jog to not only make the numbers on the scale decrease, but also for these moments of lucidity where I dethrone my giants before I face them.

Before the sun rouses
Ideas play hopscotch in my head
Flushing sleep from my eyes

What do you do or where do you go to find clarity? Are you a morning person or an owl?

 

 

©Timi Yeseibo 2015

 

Photo credit: Unsplash/ http://pixabay.com/en/pier-dock-quay-ocean-sea-calm-336717/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

Collaboration: You and Me

collaboration

Collaboration. Holistic Wayfarer showed me how it’s done by inviting me to write a blog post alongside her and Nida S., another writer. An African proverb says if you want to go quickly, go alone, if you want to go far, go together. I went farther this year, because you journeyed with me.

I overcame fear of rejection and what-ifs to approach you, virtual stranger, virtual friend. I told you that I admire your writing and I would be honoured if you shared your perspective on a series I’m doing. And when that didn’t work, I pursued you—busy you, you that hadn’t written in a while, you that was between jobs, cities, homes. Determined not to say your no for you, I ‘harassed’ you until you said, “Yes, Timi!”

From each writer, I collected kernels of truth, after you wooed and wowed me with your words. Someone noted that humility is the common thread that runs through the Learning Series. Indeed, to learn, you must first admit that you don’t know.

The Learning Series was not the only collaboration I did this year. We wrote about age, the love languages of Nigerians, and love for country. The writers took my ideas and ran as far as Australia, danced above and below the Equator, and soared to Canada; yes farther than I could go. The result? A clash of hues softened by the spaces where we glimpsed your heart.

I opine that to write an effective personal piece, vulnerability must become like meat and potatoes. The writers delivered that quality, the ability to be open and yet closed, to be known and yet not known, to lie next to someone and yet not touch. Perhaps I reread your pieces and the comments that followed, to decipher your face in the dark that I might recognize you by light. These collaborations were shared over 150 times on social media, the power of your network not mine. You took me further.

In putting your stories and mine together, my joy at editing surpassed my joy at writing. I questioned if my writing was not merely a platform to pull other writers together to present the world with an anthology, all the stories of humanity in one place. I played with this notion until I met a ‘secret’ reader at an event. The usual pleasantries segued to the question of what I do.

“What do you blog about?”

I sized him up. Nigerian. Early thirties. “Let me show you.” I navigated to, Running in the Airport. “See,” I said, letting him read from my phone, “This kind of stuff.”

“Oh, I’ve read that before, hilarious! Someone sent it to me. So you’re the one who wrote that, he asked, looking at me. “You look . . .”

“Different,” I offered, aware that the photo on my blog was taken about three years ago.

“More beautiful in person.”

The charmer. If I were doing a sweepstake on my blog, I would skew the results so he would win.

“And you sound so . . .  so . . .”

“Ordinary?” I offered again.

“Yes,” he replied, shaking his head. “After reading all that big grammar you write . . .”

Right there, his laughter clambering over mine, I began to write a blog post in my head.

Our laughter reminded me that my collaboration with readers either through the comments or in real life has also taken me further than I dreamed possible. Writing gives me visibility. It is wonderful to meet and know people beyond the page.

Happiness is transient for me, until I celebrate every phase of my journey. It is true what they say; the grass is greener on the side where it is watered. In 2014, my blog was a beautiful place to be because of you.

 

If I have seen further it is by standing on the shoulders of giants.
 Isaac Newton

 

©Timi Yeseibo 2014

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.