The Appointment

Samuel Okopi on Loss

As a child, I longed to be baptised. I cannot remember a time while growing up as a Pentecostal Christian, that the opportunity to be baptised presented itself to me. Baptism felt like a watershed moment from which I would rise a complete Christian.

My secondary school didn’t provide for Pentecostal services so I attended Anglican services instead. One Sunday, our reverend father announced that students who desired to be baptised were to register and attend baptismal classes. These classes would run throughout the term.

I was elated. My golden opportunity had come.

Classes started soon enough. As a junior student in boarding school, time is an archenemy, and the threat of senior students commandeering your time for their selfish purposes always looms. Still, I managed to attend virtually all the classes and committed to memory, the cryptic questions and answers contained in the catechism we were given.

The long awaited day of baptism finally came. We were to assemble at the chapel by 4 p.m. for onward procession to the river bank. I was writing Junior WAEC exams and luckily, the only paper I had that day ended by 2 p.m.

Halfway into the exams, our fine art teacher came into the hall and announced that students must obtain poster colour sets from her, that afternoon, for the fine arts exam holding the next day. Art is my great passion and doing well at it mattered to me. I submitted my answer sheet long before others and dashed to the studio to get my colour set.

I met the studio door locked. The fine art teacher came an hour and thirty minutes later. By that time, the area around the studio was swarming with students. I spent the next two hours hustling to get my set.

The battle finally ended. As I walked back to the hostel with my colour set, all I could think of was having a bath.

4 p.m. Chapel. Baptism. My appointment with spiritual death and resurrection!

The time was already 5.30 p.m. I jumped into my white trouser and white shirt and raced to the chapel.

There was no one in white-and-white when I arrived and I didn’t know the location of the river. An old man I recognised as one of the cleaners, walked by and I asked him what direction the students in white-and-white had taken. He pointed at the way I had come. I didn’t wait to hear him begin his statement.

I kept running even though I wasn’t sure where I was headed. Soon, I spotted an array of white-and-white marching towards my direction. Before long, I had caught up with them.

I saw my close friend—with whom I had memorised the catechism over the last twelve weeks—and anxiously asked him about the baptism. There were tears in his eyes. At that moment, I received a divine revelation that abiding in his eyes were not tears but the holy water of rebirth.

I lost myself to deep reflection over what had just happened as I turned back and walked a lonely footpath leading to my hostel. I had lost an opportunity that had eluded me for seven years. At some point, I met with the ground, wishing I could go under. The dirt, the weeds, and their budding relationship with my white-and-white deepened as I thrashed about, seeking the kind of catharsis that can come from shedding the waters of sorrow.

A wise man, who may remain unknown, once said: “Hell is the knowledge of opportunity lost; the place where the man I am comes face to face with the man I might have been.”

Two years later, I got another chance to meet the man I looked forward to becoming. And this time, the pain of memory ensued I kept my appointment for the meeting by the river.

© Samuel Okopi 2017

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

Photo Credit: https://pixabay.com/en/time-watch-clock-number-minute-1842099/

 

© Timi Yeseibo, 2017

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

She Always Will Be

Tomi Olugbemi on Loss

Dying does not hurt the dead but I fear it is different for Mummy. I often worry that she may be grieving too, floating about in some existential plane and mourning the absence of her husband and children. I chew on the meaning of rest in peace. Is it mere banality or is death a form of rest? Perhaps it affirms the belief that eternal bliss follows dying.

I was angry that barely two weeks after the funeral; a guest minister at church preached on God’s healing power. I was angry that many people believed her death to be God’s will: that He knew best, and Mummy’s time had come. I scolded myself for not coming home months before she passed and for believing that she was on a path to recovery. When Faith Evans voice came on the radio, three days after Mummy died, singing: every single day, every time I pray, I’ll be missing you; I closed my eyes, tightened my jaw, and wept on the inside, instead of telling the taxi driver to change the channel.

In Mummy’s death, I lost the only person whose personality traits perfectly mirrored mine. I took after her in the way she swallowed her pain to soothe others and in how she folded into herself and feigned wellness even when sickness or depression ate from her vitality. We loved alike, silently but on full throttle, often walking the lines between worrying about a person and loving them intensely. We remained quiet in the midst of strangers but could be extremely goofy around familiar faces.

Grief is not as persistent as it used to be; my life continues and I have to concentrate on things besides carrying the weight of sadness. These days, grief visits in spurts, like a houseguest rather than a tenant, revealing itself as sudden re-realisations of loss when I place my mother before things: Mummy’s key. Mummy’s car. Mummy’s dresser. Mummy’s cancer foundation or while watching a mother die in a film and remembering that mine died too. Grief is the sadness in Daddy’s eyes masked with a smile when he abruptly interjects her name, Funke, while telling an anecdote about her. It showed on my brother, Dami’s, distraught countenance as we shot his graduation photos sans Mummy. And my other brother, Tofa’s wishful thinking on Twitter that heaven had visiting hours.

Like all the tragedies that have befallen me, I do not know that full recovery is sure. I do believe however, that in time, we adapt to regain normalcy by holding on to the love of, and for the departed; and conjuring their pith by drawing from past events. Thus, memories become more profound, more precious, like little vials of moonlight set aside for the days when the dark feels too present. Because even though they are dead, they breathe in reminiscence.

In losing Mummy, I am reminded of love’s eternal pursuit, its limitlessness, and how it travels beyond the boundaries of physical contact. That not even death can quell its power.  I have learned to still love what is no more. I have learned that loving another person is a life-long endeavour and that loss is not the end.

I hope that like Mary Elizabeth Frye, in her poem, Do Not Stand At My Grave And Weep, Mummy is wearing a glinting smile, saying: do not stand at my grave and cry; I am not there. I did not die. Although she no longer is, she always will be. Rest in peace, Mummy.

© Tomi Olugbemi 2017

Tomi Olugbemi is a poet. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo Credit: https://pixabay.com/en/tea-rose-corolla-caf%C3%A9-book-teapot-1871837/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

 

 

 

 

 

 

 

Loss is Present Continuous

‘Pemi Aguda on Loss

My story of loss is a story of losing. It is a story of the futility of will, and the limitations of drugs against the stubbornness of genetics, of body.

I start to write this story in my head while staring at myself in the mirror, combing Cantu-covered fingers through wet hair. As yet more strands of hair with white bulbs at their roots, which confirm closed follicles, leave my scalp, I know that I want to write about losing hair, the continuous loss of it.

Balding is a word I’ve come to love. Okay, like. It is not a kind word. Like the cold probing instrument in the hands of my trichologist, it zooms in so my scalp resembles a desert on the monitor, and it leaves no place to hide. Balding lacks the soft landing of hair loss, which is gentle in its s-es. As the tongue leaves the upper palate on the second syllable in bal-ding, friends flinch, and you might find yourself recoiling from the widening patches of gleaming smooth scalp.

In losing hair, you will meet your insecurities on the street. You will come nose-to-nose with the monster of your vanity. Your fears will move into the apartment next door with ashy bald heads, ears pressed to the thinning wall, waiting for your next sigh. You might even find yourself shifting to the second-person point of view mid-paragraph. Anything to distance yourself.

I have met the indignities of fighting hair loss. Rubbing onion juice and foul-smelling concoctions on a situation that my mother’s head, my grandmother’s head, and the trichologist’s report tell me won’t change. And yet the irony is that I reacted to expensive Rogaine with a face full of hair so that for the first time in my life I was worried about too much of that furry substance—multiplying on my legs, darkening my arms, lowering my hairline . . .  it grew everywhere but where I wanted it.

I want to say that I’ve found freedom in this losing. Like the woman who empties her savings and travels the world on hearing she has a month left to live, it would be nice to say I’ve gained some irreverence in styling my hair. That I now dye it in a range of colours that would make my mother clutch her heart. But no. Within this stubborn body is still a wishful soul.

In a way, every story of loss is a story of losing; it never ends. Scalp where hair used to be; pillow where a head used to be. But in the roots of the stubbornness of body is also the resilience of body. You will maybe hurt less every day and my hand will rise less and less to my scalp, searching.

I’m losing, but I’m adapting. What I see is that despite the futility of will and the limitation of drugs, adapting is a way for my stubborn body, not yet thirty, to forgive itself for its own shortcomings.

  1. Cantu – Brand of hair care product; conditioner.
  2. Rogaine – Minoxidil; slows hair loss and promotes hair regrowth.

© ‘Pemi Aguda 2017

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

More Than the Sum of All That

compass

My aunt is wearing a striped tube dress with spaghetti straps. When she sits, love handles circle her tummy like three rubber tires. “Timi, where have you been?” she asks, but does not expect an answer. I am there and it is enough. She sucks me in a tight embrace, her warmth spreading over me, her smile wide. 

The years apart are too many to fit into an evening. We make small talk highlighting the events that count. Did I hear what happened to her son? Only God could have saved him. And what about me and my hopes for tomorrow? I do not burden her with sad news; there is no need to slow down the tempo of the music we are making. Soon we are silent, each of us locked in our world, making sense of words.

When my sister says, “Aunty you look as young as ever,” she returns to the present.

“No o. I am old.”

My sister counters, “You’re looking young. No one would believe if you tell them your age.”

“Please don’t deceive me, don’t give me false hope,” she says like a woman who has been lied to and preyed upon. She pats her Halle Berry wig and looks at me with a small smile.

She is seeking corroboration from me. I cannot just give it, mouthing empty words. I do not know how old she is. I have no compass with which to navigate true north, therefore I cannot tell if she is indeed looking young. Having not seen her for years, in which I harboured memories of her younger fashionable self, she is in fact looking old to me.

My sister and my aunt continue the cycle of compliments and weak rebuttals. I fight within myself. Where is true north?

“Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place,” Cormac McCarthy wrote. 

My aunt’s husband is long gone; one son is far away, the other closer by, and her only daughter died too early. She has forged a whole life for herself apart from them. Her carefully made up face—thin black-pencilled brows, two large dots of muted raspberry rouge, and red lips that complement her hazel skin—is like a photo from another era. She has weathered storms and raised many children that are not hers, including me. I sense her hunger to be seen and admired as I too have on occasion hungered to be seen and admired.

I stop fighting because I have conquered myself.

“Aunty,” I say, “You look young and beautiful.”

It is not false hope; it is true. I remember learning that a (magnetic) compass almost never shows true north. True north is different from magnetic north, which changes depending on local magnetic variation. About a million years ago, the position of magnetic north even wandered closer to the geographic South Pole.

I had planned to ask my sister how old my aunt is. But when we leave, I let the question die in my throat. What does it matter? I am in charge of my compass. Moreover, she is more than the sum of all that.

 

©Timi Yeseibo 2017

 

Photo Credit: https://pixabay.com/en/compass-magnetic-orientation-801763/

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hope, Our Common Denominator

hope

Our realities are splintered in Nigeria—along class, religious, ethnic, and other lines.

On the way to my hometown from Lagos for the Christmas break, I slept through most of the trip, but a few kilometers into the town, I opened my eyes and saw fog over the trees by the road. The chilly winds had not yet blown over Lagos in the days preceding Christmas, and Lagosians wondered if the harmattan had become another casualty of 2016. The faces at home, however, were already ashen, dry from the harshness of the harmattan. The economic recession that plagued the country seemed to have moved in the same direction as the dusty winds, enveloping small towns on its journey to the big city.

I only know of how hard things have become because I dwell in between the exuberant hope of Lagos’ upwardly mobile circles and the despair in the rest of the country. Twice, over the festive season, in Lagos, I heard people say that things aren’t as bad in the country as they seem and wanted to transport the speakers from the bubble of this vibrant city to my sleepy hometown. A part of me wanted to criticize them for being myopic, for thinking their experience was typical of the rest of Nigerians.

But the mind knows only what the eyes see. Yes, it’s necessary to imagine the lives of people different from us so we can be good, empathic humans, but there’s also harm in thinking people who can’t yet see others as others are, are evil. This almost always widens those splintering gaps between us to the point where they become gullies. But we are closer to one another than we think.

Despair can cripple the imagination and blind us, limiting our vision to the fears of the present. That unflappable belief that what lies ahead is better than what is behind is difficult to preach in the face of a crumbling economy and rising political tensions around the world, but hope is the thing we cannot let go of.

Many at the start of the year usually display this hope, this higher level of optimism. Ends and beginnings are like points on a Mobius strip. There’s really no difference in the way the days run, but somehow, by placing a marker in time, we are able to generate optimism, to look up for instructions or guide ourselves into better living.

“Radical hope is not so much something you have but something you practice;” the writer Junot Diaz said in the New Yorker, “it demands flexibility, openness, and what Lear describes as ‘imaginative excellence.’  Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible.”

Even I, usually skeptical of the feel-good-nature of the start of the New Year, have set aside goals, lists of things I’d like to get done by the end of the year. This time last year, I had no plans beyond seeing the next day. Now I’ve added more material dreams to the basic necessities, but the desire remains the same: to live better. And I know I’m not the only one doing this. Both the millionaire in the mansion in Ikoyi and the starving civil servant in Osun state look forward to a better 2017.

We can expend energies arguing about the different degrees of better, but we all share the need to look in the future and see ourselves in better conditions than that which we’re in today. To lose that ability is to lose all verve to live. The least we can do, in the face of difficulty, is hope.

© IfeOluwa Nihinlola 2017

IfeOluwa Nihinlola writes essays and short stories and has been featured in online magazines such as Afreada, Omenana, Klorofyl, and Litro. He works as an editor and is an inaugural fellow of aKoma’s Amplify fellowship. He is a fan of Zadie Smith, is looking for a replacement for Pringles as muse, and blogs at ifenihinlola

 

Photo Credit: https://pixabay.com/en/candle-light-dark-hope-flame-group-813005/

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

A Space Too Little Explored [5] The End

coffee end

Every man is trying to either live up to his father’s expectations or make up for his father’s mistakes.

The End

Wetin make you cry?” I asked the six foot two gruff security man.

A mattress leaned on its side against one wall and a spare blue uniform hung from a nail on the opposite wall. A small desk and chair on which he sat and lay his head completed the furnishing in the gatehouse.

After prompting him for a while, he replied, “My papa  . . . e die before I fit show am wetin I be.”

When im die?” I asked.

E don tay.”

A tender moment that never repeated itself. It was the second time I had seen a man cry. The second time was like the first. Both men were crying over loss of something that they had never shared with their fathers because death came too soon.

I have wanted to explore the relationship between sons and fathers for a long time. Finding men who were willing to tell their stories was difficult then as it is now although this time, I offered anonymity.

Two years ago when I approached a friend to contribute to a series on fatherhood, he said, “Do you know I live down the street from my parents and I hardly drop by? When I do, it’s because of my mother. My father, too much stuff going on there.” 

When I pressed, he said, “I’m just not ready to go there.” 

He is in his thirties now.

A writer I admire said, “We just discovered we have another brother who is twenty-eight! Don’t ask me about my father right now,” before going AWOL on me.

A recent conversation I had contained elements of estrangement I have come to know.

“I didn’t talk to my father for nine years. Well I wanted to, but he wouldn’t speak to me because I disappointed him.”

“How?”

“All my siblings followed the path he carved out for them based on what he perceived as their strengths. He read me wrong. I tried. I really tried not to waste the money he’d spent on tuition, but flunked the first year of school and then quit to do my thing.”

“Let me tell your story,” I urged. It will help someone.

“Dad and I just started talking again, it’s still too fresh.”

I understood and respected that.

When fathers don’t speak their sons’ love language, internal bleeding occurs on both sides. I am suspect of sons who proclaim that they don’t need their father’s affirmation. Sons, who admit that they need and would love to have their father’s affirmation, but have come to terms with not having it and the man they call father, feel real to me.

However, not all stories are punctuated with grief or trauma. There are many stories of afternoons playing ball at the park, evening conversations about what it means to be a man, and long-distance phone calls seeking advice on pressing matters.

Is every man trying to either live up to his father’s expectations or make up for his father’s mistakes? I think so. The dots were obvious to me as I read or listened to stories, even when the narrators were oblivious of the sub-plot of their lives.

Maybe one day I will author a coffee-table book with elegant photos of sons and fathers on one page and the story of their relationship on the other. I hope to paint an accurate picture, editorialized through the soft lens of a son who has received grace for his own mistakes and so better understands the shortcomings of his father.

To me, it remains a space too little explored.

 

Forget Batman: when I really thought about what I wanted to be when I grew up, I wanted to be my dad. -Paul Asay

P.s. Special thanks to Ayo, Tola, and A.C. for sharing their stories. I thank everyone who also shared their story by commenting on the series.

 

©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

A Space Too Little Explored [4] Broken

broken

Every man is trying to either live up to his father’s expectations or make up for his father’s mistakes.

Broken

When I look back on my childhood, one word sums the hours spent playing football, riding my bicycle up and down our street, studying for exams, wincing as iodine was dabbed on a grazed knee, wrestling with friends, and fighting with my two brothers and only sister; carefree. My childhood was carefree because my parents, my father in particular, were careful to make it so.

Although he travelled a lot, my father always spent time with us whenever he was home. He was fun, rolling on the carpet with us, not a disciplinarian like my mother. I am the last-born. Deemed my father’s favourite by my siblings, I was the emissary who always obtained from him the favours they made me present to him as my idea. I wanted to be just like him when I grew up.

When I was sixteen, I returned from school to find my mother sitting atop a trunk box, as we called those silver rectangular chests with black trimmings, not attempting to hide her tears as she welcomed me home. A couple of my aunts cooed encouragement to her like mourners. My heart raced. Had someone died?

At my prodding, in a moment of weakness I suppose, my mother spilled the details of my father’s affairs. Nearly every family in our neighbourhood lived with the evidence of polygamy or infidelity: half-brothers, half-sisters, second and third wives, and aunties, who were really girlfriends. Although these educated and wealthy families had a veneer of sophistication and cohesiveness, their children, my friends, let me know that the glue that held their blended families together gave often.

I took pride in my family of six, one father and one mother and four children. The glue that held us together did not give way, until that day, that day when my dad stopped being my hero.

My childhood was no longer carefree.

My mother’s belongings were in the trunk box. She had been waiting to say goodbye to my older brother and me, the only children who still lived at home, before she left.

“Who will look after you?” She asked when I insisted that I, her last son, could take care of myself so she should pursue her happiness.

In the end, my mother decided to stay. Life at home was routine again with one change, I stopped talking to my father. I could barely look at him talk less of greeting him. The ball of anger in my heart grew larger and larger. To keep from hitting him, I avoided him altogether.

I felt betrayed by my mother. As she served my father’s food and they laughed at the dining table, I could not understand how she forgave him. But I could not hold a grudge against her for she reached out to me and asked me to forgive her for involving me in something that was not my business. Still I could not do the one thing she wanted from me: forgive my father and reconcile with him.

My father stopped paying my tuition or giving me pocket money because he said that he would not support any child who disrespected him. I still lived at home, and my mum and older siblings picked up where he left off so I was never in need. I grew to resent my father even more.

At nineteen, I met a youth counselor who took an interest in me and we grew close as we talked about various subjects including my father. He nudged me to forgive my father. I said that I could not forgive my dad, the hypocrite. To the charge of hypocrisy, he gently insisted that I was no better, pointing to the evidence in my hostel room of days and nights spent with different girls. I was in the university, changing girlfriends the way I changed my clothes.

“But,” I protested my innocence, “I’m not married to any of them!”

Yet, his words haunted me. Was I no better than my dad? Had I become what I despised?

It took three years of encouragement from the counselor, three years in which I left university and moved out of my parent’s home, for me to forgive my dad and accept that I would have to be the one to reach for reconciliation.

“Yes,” my dad answered, the first time I called him, “who is this?”

Had he forgotten my voice or was he pretending? I told him I just called to say hello and then he said okay. I listened to his breathing, heavy as though he was waiting for something more. Or was it my own breathing? My heart, beating rapidly, obscured my hearing. I hung up, exhaling euphoria like a deflating balloon.

But, the next phone call was easier as was the next one after that. Eventually we settled into a routine without awkwardness, conversing about the present and the future. We do not talk about the past, that five-year window when we became strangers. When you bury something and pack dirt on it, then stamp it with your feet, sometimes plants grow above and you cannot tell where you buried it.

The only reference we have made, if I may call it that, to the past, was when my wife and I needed a babysitter to fill in for our nanny’s three-month absence. My dad, who was visiting at the time, mentioned that his friend’s daughter, just out of secondary school and waiting to gain admission into the university, could help. We welcomed the offer.

My dad said, “Please she’s my friend’s daughter. I don’t want any stories . . .,” his voice trailed off but his eyes did not waver from mine.

I was tempted to share some wisecrack about his philandering days. Instead, I said, “Dad, you don’t have to worry.”

There were no stories three months later.

Discovering that underneath my father’s superman cape lived an ordinary human broke me. Forgiveness mended me.

 

Broken pieces actin’ like we ain’t cracked
But we all messed up and can’t no one escape that
… Broken hearts inside of a broken soul
… And we all need grace in the face of each other

– Broken, LeCrae feat. Kari Jobe

 

Broken, is an amalgamation of conversations I had with people who were willing to tell me their stories but reluctant to write for this series.
©Timi Yeseibo 2016

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Choosing Motherhood [1] Learning to Dance

Dance

Learning to Dance

I got married at twenty-one. Our first son was born a year later when I was in my second year at the University of Nigeria, studying radiological science. My Parents tried to make me see reasons to wait before starting a family, but the day I stopped breastfeeding my son, I became pregnant with my second son. My husband, Ben, at twenty-nine had lost his job before our first son was born and was still unemployed by the time our second son was born.

My Parents harboured us, providing emotional and financial assistance. Ben was studying for an MBA, while I combined schooling with business, selling anything to support my growing family.

One day on campus, I cried in frustration from exhaustion. I practised exclusive breast-feeding so I breastfed all night while studying. Then I slept for less than five hours and drove to the university every morning. A lecturer tried to talk me into moving to campus and leaving my boys in the care of my parents and their nannies. I declined. I told him being a mother came first. Motherhood had chosen me because every family planning method I tried had failed.

I had few friends because I was the only married girl among my peers. They left me alone to work out my new challenges. I was not socially aware. I never partied and didn’t have fashion sense. Ben and I couldn’t afford to go out like other unmarried couples. I was devoted to my family and I wanted to prove to my parents and everyone else that I knew what I was doing.

By my final year, I was looking forward to moving out of my parent’s home. My dream came true when I landed a job in Lagos using my mum’s connections. Ben and the boys joined me shortly. After a while, I fell sick. To my dismay, I found out that I was pregnant for the third time. I was twenty-six.

I was depressed. We still faced financial pressures and I resented this intrusion to my dreams. I scheduled an abortion although it was against my values. On the day of my abortion, a doctor who is also a family friend disclosed my plan to my mum and she called to discourage me. I cancelled the procedure.

After my only daughter was born, my husband found his bearing. He got a job that enabled us move to our own house in Lagos. I also started a cleaning company that became very successful in no time. While we prospered in career and business, our marriage suffered.

From the beginning, Ben only wanted one child and he had not even wanted a child so early in our marriage. He came from a large family while my family was small and I had always looked forward to having many children. Four years after our daughter was born, we had another son. This put more pressure on our strained marriage. When we moved to South Africa, Ben eventually left me and the children.

It takes a village to raise a child. I could not have navigated my motherhood journey without support from family and friends. Looking back, I see that although I have always wanted to be a mother, I did not plan to be one. Children are precious gifts from God and deserve a home with parents who have lovingly considered the ramifications of their presence. Given another chance, I would choose motherhood in a heartbeat, but would wait until I finish school before starting a family.

My children are now 22, 20, 17, and 13. There is no time for regret only gratitude to God as I watch them mature into adulthood. I tell them that there is time for everything under the sun. We need to give ourselves time to grow and allow school to pass through us instead of just passing through school before settling down.

Motherhood cannot be distilled to a formula. It is a privilege to be embraced and it requires determination and wisdom. I grew up with my children, teaching them respect, compassion, responsibility, and love. They in turn gave me lessons in patience and hope. I am learning about fashion and music from them, practicing the latest dance steps and cool moves with them. We laugh together like siblings, when I go off beat.

 

Ada Obi-Okafor makes her home in South Africa. She’s a licensed radiographer who enjoys soccer, movies, a good book, and a clean house.

 

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Shifting Gears [7]

Making Good Art

eyelash
After I shared the picture above with a friend, she asked, “How much does your mascara cost?”

I replied, “17.50.”

Then she said, “In that case, you can cry as long as you want.”

We both laughed because I needed to laugh.

I cried this year, silent tears and loud tears, in the privacy of my bedroom.

And I nearly gave up, although I had begun the year high on momentum.

In his 2012 keynote address at Philadelphia’s University of the Arts, author, Neil Gaiman, dispensed advice on a career in the arts. His advice transcends art and spills into life.

 

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do.

Make good art.

I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art . . . Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

 

I cried in January, February, and March. My tears fell from April through September, like the rainy season in Nigeria, a deluge that began without warning. I determined to have an early dry season beginning in October. To ease my weariness, I planned to write short stories, flights of fantasy about love and technology. It worked. October looked promising until the mid-way point.

One Thursday, after a wailing session, I stopped deriving childlike pleasure from tasting the saltiness of tears and runny snot and reminded myself, I had a story to write. I shot an earnest plea to Heaven and brought out the notes I made as a friend recounted her experience on the train. Then I zoned out everything and entered the place where stories come to me.

Before I published Bluetooth Lottery, I gave it to a friend to read. I watched him chuckle while he read and stopped holding my breath. This story, I thought, might resonate with readers. My blog posts that create the most emotional resonance, going by likes and comments, are posts I wrote from places of desperate despair or posts about the tattoos in my soul.

 

The moment that you feel that, just possibly, you’re walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That’s the moment you may be starting to get it right.

 

Are Gaiman’s words about making your art to be taken literally?

I heard someone say that when you speak from your head, you talk to people’s heads, but when you speak from your heart, you talk to people’s hearts. After a writer shared a heartbreaking ordeal with me, I asked her if she was going to write about it.

“No,” she shrugged, “but you know how these things work, right? Our experiences seep into our writing and wet the page.”

I nodded.

Tears became my friend this year and I did not resent her intrusion into small spaces. I realized firstly that the demons that troubled me were not new. They were conquered foes, old fears in shiny wrapping paper. Secondly, to borrow from the title of Binyavanga Wainaina’s memoir, one day I will write about this place, this field of tears. I will gather my tears and then I will sit and make good art.

 

As they pass through the Valley of Baca, they make it a spring; the early rain also covers it with pools.
– Psalm 84:6

 

©Timi Yeseibo 2015
Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Shifting Gears [2]

Don't complicate your mind.

 

Eileen’s writings, laced with humour, candour, and common sense, inspired me to examine how what is important to me has changed over the years.

In Gifts of Age, she notes, “On the outside I’m a short, plump, white-haired old lady on a walker. But inside me still live all my younger selves. Dwindling energies and a sense of time passing at warp speed, force me to re-evaluate my priorities. Where do I want to focus my limited resources? On image? On possessions? On my aches and limits? On pleasure as a temporary distraction? On a past that I cannot change? On a future that may never come?

It seems more important now, to focus on recognizing the footprints of God in my daily life, on celebrating God’s presence in the small and ordinary, even in the heartbreak, and to share that awareness however I can.

No matter what our age is; today is the only day we actually have.  We can seize it, rejoice in it, and dance in our hearts.”

She invites us to laugh with her as she shares how growing older has caused her to shift gears. Hear her:

At night, as soon as you get your pillow nest arranged to support aching backs and knees and burrow gratefully into it, doubt enters the room.  Did I lock the doors?  Did I turn off the stove?  Did I switch the wet wash to the dryer? Did I take my pills? Yes, I think I did all that tonight. No, that was last night. Oh hell, I better go check.

Then, because your bladder is your only body part that’s more active with age, there are at least three trips to the john every night. And since your early warning system is now deceased, these are made at warp speed, even on a walker. Panic is a great motivator. There should be an Olympic competition for this. You wake up tired and wonder why.

The disconcerting end to what seemed like a reasonably nice day is realizing that you have gone all over town smiling today without your upper dentures.

When you express worry about some of the disasters being experienced by others your age, your children encourage you to be thankful that’s not you.  And you mentally add the word, yet.

When everyone’s talking about diets, you’re thinking, Sure. Like I’m going to give up my last pleasure in life, so I can look good in my casket.

Read More …

If you enjoyed what you read, please tell Eileen so on her blog.

 

 

©Timi Yeseibo 2015

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Sustaining Momentum

enthusiasm

It seems fitting that I write about enthusiasm at this mid-way-into-the-year point, because I have nearly lost mine on several occasions and maybe I’m not alone. I tell you, listlessness caught me by surprise. Me, who began the year wishing all Happy New Momentum, why would I not want to show up in my life?

I read interviews of smiling photoshopped people, who say because they are doing what they love and are paid for it, they bounce like springs and chuckle like old couples in love. Meaning that if a square peg found a square hole, he would have discovered the centre that defies gravity. Hmmm, I want to ask them, what happens on days when they wake up but do not want to get up? Or are they from Mars?

When I meet people who have arrived at the place where I am going, my question will not be, how did you get here?  It will be, now that you are here, how do you intend to stay here?

I’ve been digging in my childhood memories for a time when I did not feel like going to school or playing. Here is one—my mother would wake me up at an ungodly hour to get ready for school and I would pull my wrapa over my head, pretending to pray. But ten annoying minutes between sleep and wakefulness was just a blip on my bright day. Of course, memories lie. Nevertheless, they are proof that I can craft stories from sketches of the lacklustre days I have endured this year.

Still, I wish that three-year old who leaps out of bed and heads for his toys, putting one Lego brick on top another, could articulate the reason for his energy. Has he learnt to expect pleasures scheduled into his day by his parents? There was that awful year in which I looked backwards for so long I turned into a pillar of salt. To the degree that salt has value, I was a valuable monument but I did not think I had anything to look forward to, rooted as I was to one spot.

Was it not the other day that an eight-year old came up to me and declared, “I’m bored,” as if I am a boredom-reliever? My first instinct was to suggest things she could do. But I caught myself.

“What can you do about it?”

“I don’t know.”

I continued reading while she shuffled her feet and then kicked at nothing.

“I’m bored,” she said, tugging my sleeve.

“What can you do about it?” I asked, softening my voice.

She began to list the things she could do, like play with her brother. She calculated the constraints she faced; he didn’t want to play. Then she examined her other options. I thought, good girl! It’s never too early to learn to take responsibility for your own enthusiasm.

If you think starting is hard, try finishing. Vision leaks and passion wanes due to disappointments and even successes. I am responsible for my enthusiasm—finding it, understanding it, jumpstarting it, feeding it, and protecting it. It’s really up to me.

©Timi Yeseibo 2015

Has your enthusiasm taken a dip? How did you recover it?
Share a quote that fires you up if you have one. Here’s one that makes me laugh and then move…

If you aren’t fired with enthusiasm, you will be fired with enthusiasm.
– Vince Lombardi

 

 

Photo Credit:  Wokandapix/ https://pixabay.com/en/run-running-sport-fitness-healthy-750466/

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Happy New Momentum

Momentum

Momentum:

  • the strength or force that allows something to continue or to grow stronger or faster as time passes
  • The impetus gained by a moving object
  • The impetus and driving force gained by the development of a process or course of events

 

1.

About 300 metres to the junction, the traffic light changes to green so I do not need to stop. I cruise past the cars queued on the right lane, which are rousing from varied states of slumber. I do not remove my foot from the gas pedal on my way home, save once. My confidence grows at each succeeding intersection; red does not faze me. It is that kind of day; every light turns green as if anticipating my approach. “It’s a sign,” I say to myself, “So this is what momentum looks like?”

 

2.

Traffic on Tuesday is unexpected. That cars on the slow lane crawl faster than cars on the speed lane bemuses me. I am undecided as to where I should be. I fix my lipstick and smack my lips using my sun visor mirror. The man in the car on my right smiles at me. I smile back and ease my Toyota in front of his Nissan. Life can be as easy as changing lanes. At every crossroad in my life, someone on the ‘fast’ lane has allowed me cut in ahead of him. Riding on their momentum, I arrived at my destination faster than I otherwise would have. Later, I look at the rear-view mirror and my eyes collide with a strange pair. It is as if the man who made room for me was never there.

 

3.

When I receive a notification from WordPress that my stats are booming, I am surprised. On Saturday, even I rarely visit my blog because it is a distraction from the business of writing. Facebook is the culprit sending viewers my way. It happened that an acquaintance stumbled on a story on my blog and shared it with her friend who is a person of influence. He enjoyed the story and shared the link on his Timeline. Then his crowd came to see. In The Tipping Point, Malcolm Gladwell writes that we are actually powerfully influenced by our surroundings, our immediate context, and the personalities of those around us1. We rely on them [connectors] to give us access to opportunities and worlds to which we don’t belong2. Your friends, after all, occupy the same world that you do3. The number of views rise like the tide over the course of the evening. I reflect that the only thing I did was agonize over every single word of a short story for five nights before publishing it on a Sunday, weeks ago.

 

4.

In the mythology of various cultures, man supplicates assistance from deities who guarantee success or reverse fortunes, from Zeus to Thor to Sango. If one subscribes to the Biblical narrative, one encounters a prophet, Elijah, running behind a king riding on a chariot. The king should arrive long before Elijah does for man is no match for horses. However, Elijah receives a boost in momentum from his God. He runs faster than the king’s chariot, a sight that may have made it to YouTube and gone viral, if it were today. Technological advances make reliance on deity a primitive concept for some. Man and the machines he has made have created momentum that carries him beyond the moon and back. But what is momentum for you? Wherever you anchor your belief, I wish you what I wish myself: that you consolidate the gains from the previous year and ride a new wave. Happy new momentum.

 

©Timi Yeseibo 2014

 

  1. Gladwell, Malcom, The Tipping Point, How Little Things Can Make A Big Difference, (London: Abacus/Time Warner Books, 2001), 259.
  2. Ibid., 54.
  3. Ibid., 54.

 

Photo credit: Acatana/ http://pixabay.com/en/highway-night-traffic-spotlight-409126/

 

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Beyond Bob Geldof’s Ebola Christmas

charity

The debate and backlash that surrounded Bob Geldof’s resurrection of Band Aid’s 1984-charity single, Do They Know It’s Christmas, to raise funds for Ebola held my attention for many days. While some questioned the rich celebrities’ motives, others were appalled by the patronizing lyrics, which they claimed cast West Africans as people who cannot solve their problems and so were always in need of foreign aid. In between were a thousand other pros and cons. I capture selected sentiments (edited), below:

 

They need all the money they can get. What have the people complaining done?

My parents gave money when I was two. Now I’m thirty-two, I have to give money—hang on, my daughter is two. Is this a generational thing?

Well at least they’re changing the lyrics.

How about new lyrics: cure the world, yes they know it’s Christmas time, doesn’t quite have the same ring to it, does it?

It’s called Band Aid not Deep Surgery for crying out loud!

 

Liberia, Sierra Leone, and Guinea, the countries facing the wrath of Ebola, cannot afford to turn up their noses at financial assistance from Band Aid 30. I suppose it is left to the rest of us to speak up for them. And we did.

By now Bob Geldof knows:

  • Rhetorical questions like, do they know it’s Christmas time at all? will be answered on Twitter and Facebook, with viral effect, as long as he keeps asking.
  • Hyperbole, that literary device sometimes used to coax emotive response, has been withdrawn from his poetic license—where the only water flowing is the bitter sting of tears; where nothing ever grows; and now, where a kiss of love can kill you and there’s death in every tear.
  • Irony, well tonight thank God it’s them instead of you, has never been more tongue in cheek.
  • Synecdoche, a figure of speech in which a part is made to represent the whole or vice versa, is the preserve of Africans for Africa.
  • White savior complex means that in the absence of a black Jesus, Africans might accept a mixed race one, the scion of a black father and a white mother or vice versa.
  • The danger of a single story will haunt him, although thirty years later, Africans are yet to acquire their own Cable News Network, African Broadcasting Corporation, or Al j’Africa to tell their multiple stories.

 

But I suspect Bob Geldof also knows:

  • Visibility creates heightened awareness. Celebrities generate greater visibility for causes than the United Nations does1.
  • When it comes to charitable giving, people act from the heart not from the head. Facts and charts are boring.
  • Emotion is the language of donation, images of children and women, the defenseless, make viewers emotionally invested2. Images of a prosperous Africa will zip purses close.
  • Words can evoke powerful empathetic responses because they transport us into other people’s world. Hence, no peace and joy this Christmas in West Africa – the only hope they’ll have is being alive.
  • He is a musician who knows how to compose popular songs that will sell.
  • He wants to help on his terms not yours.
  • Generosity is most potent at Christmas.

 

So, can we take a pause from shouting ourselves hoarse on social media and dismount our righteous soapboxes please? Give us your aid on our terms, sounds chivalrous, carries the ring of revolution even, but isn’t it as naïve now as it was then? Does he who pays the piper not dictate the tune?

Band Aid 30’s charity single, Do They Know It’s Christmas? in aid of the Ebola crisis, has become the fastest-selling single of 2014, selling over 200,000 copies since its release about a week ago3.  Who is buying the ‘demeaning’ song that Fuse ODG, British-Ghanaian rapper, refused to be a part of because he is, “sick of the whole concept of Africa – a resource-rich continent with unbridled potential – always being seen as diseased, infested and poverty-stricken.”4?

It would seem no amount of revising would have made the ‘new’ song acceptable to those condemning it. Only a song by Africans for Africans stands a chance of not being condescending. The Africa Stop Ebola, single, an African initiative that includes well-known musicians such as Tiken Jah Fakoly, Amadou & Mariam, Salif Keita, and Oumou Sangare, was recorded before the release of Band Aid 30’s charity single. It is currently at number seventy-eight on the iTunes download charts. Band Aid 30 is at number one5. Telling isn’t it?

Perhaps frustration arises from fighting something intangible—Geldof still raises millions with his ‘questionable’ lyrics and the African countries in question readily collect financial aid from the sale of lyrics that ‘demean’ them. Remember when the local radio stations in Nigeria played Band Aid’s song over and over and we sang, danced, and clapped (omg, omg! horror of horrors!) to the catchy chorus, feed the world . . . ? Right, that was thirty years ago. But, will the stations play the new version?

The long-term solution for underdeveloped African countries is not charity. There should be more to aid than handing over millions of Pounds6. Okay. But is that Geldof’s job? Really? Should only Bob Geldof be put on trial? Or maybe he should be hung for exploiting human nature.

A man can’t ride your back unless it is bent7. There are many ways to straighten our backs. Using Bob Geldof as target practice is one of them. I get it. Can we now concentrate on other ways of straightening our backs so that Geldof wouldn’t dare resurrect Band Aid 40 in ten years’ time, because not only would our outcry have sensitized public opinion, we would also have perfected African solutions to ‘Afro-global’ problems.

A new generation of Africans wants to tell new African stories. They know that media isn’t 100% objective. It exists to serve the interest of the owners, which include profit and propaganda. Maybe we don’t have to be so defensive about the old stories; they are part of our stories too, no? Those stories will evolve as those societies truly do and the burden of change lies with us.

 

©Timi Yeseibo 2014

 

  1. Geldof decided to remake the single after the United Nations contacted him, saying help was urgently needed to prevent the disease from spreading beyond West Africa. http://www.reuters.com/article/2014/11/17/us-health-ebola-geldof-idUSKCN0IZ0GY20141117 
  1. Oxfam, the international aid agency, reports in 2012, that three out of five people polled said they were or had become desensitised to images depicting issues such as hunger, drought and disease. http://www.oxfam.org.uk/media-centre/press-releases/2012/12/show-africas-potential-not-just-its-problems-says-oxfam
  1. http://www.theguardian.com/music/2014/nov/18/band-aid-30-becomes-fastest-selling-single-of-2014 
  1. Anyone who has experienced Africa in a positive way is a citizen of the New Africa and needs to play their part in challenging perceptions– and if I can make chart-topping music that celebrates Africa then surely Band Aid and its extensive network can do the same. – Fuse ODG  http://www.theguardian.com/commentisfree/2014/nov/19/turn-down-band-aid-bob-geldof-africa-fuse-odg  
  1. http://www.theguardian.com/world/2014/nov/20/-sp-africa-stop-ebola-band-aid-alternative 
  1. My quote. For further reading: I don’t know of any country in the world where a bunch of foreigners came and developed the country. I know about countries that developed on trade and innovation and business. – Herman Chinery-Hesse. http://www.povertycure.org/issues/foreign-aid/
  1. Quote by Martin Luther King Jr., “Whenever men and women straighten their backs up, they are going somewhere, because a man can’t ride your back unless it is bent.”

 

Image Credit:

Map of Africa:  http://all-free-download.com/free-vector/vector-clip-art/africa_clip_art_19737.html

 

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A Portrait of Success

 

abstract thought

Open, by Andre Agassi, has been lying on my makeshift mantelpiece bookshelf for over three years. Although I’d monitored the brouhaha that followed its release, the “convenient openness” of Agassi revealing that he’d lied to the Association of Tennis Professionals, ATP, about a failed drug test in which he tested positive for crystal meth, I bought the book because of the good reviews. Thereafter, life happened to me and it ended up in my to-be-read-one-day-I-hope pile.

After I stopped jogging because of a foot injury, I did not think that resuming and gaining momentum would test my resolve. Every day, my body lies to me, but experience tells me the truth—you’ve done this before, and you can do it again. Maybe that’s why the autobiography of a retired star tennis player calls my name.

I start reading in the evening and slip in my bookmark at midnight because my alarm is set for five. Later, I eat lunch with a fork in one hand and the book in the other. Someone asks what it’s about. “Passion, failure, triumph, love, identity,” and as an afterthought I add, “it’s about a former tennis player.” I find, as the New York Post’s praise for Open states, it is, “Much more than a drug confession—Agassi weaves a fascinating tale of professional tennis and personal adversity. . . . His tale shows that success is measured both on and off court.”

The book alerts me to the problems of young success and for one moment, I am wary of success, (the endless practice, to what end?), although I have been chasing it all my life. Neil Gaiman said, “The problems of failure are hard. The problems of success can be harder, because nobody warns you about them.1” Perhaps this is how Agassi felt after winning Wimbledon. He writes, “I feel, in fact, as if I’ve been let in on a dirty little secret: winning changes nothing.2

I could roll my eyes at Agassi and say, “Oh yeah? Hand over all your Grand Slam cheques please!” However, I think about everything I’ve ever wanted, worked hard for, and received or everything I’ve ever wanted that came easy for that matter. How long did the euphoria last? Some say success, is not a destination, but a moving target.

And so, I keep turning pages. I am an umpire in Agassi’s undulating journey, urging him to find his way, as if to reassure me that I too can find my way. Some stories are not ours alone. It is the reason we should not stop telling.

Agassi meets a restaurant manager, Frankie, who makes an impression on him. He arranges a nest egg to help Frankie lighten the burden of educating his kids. Agassi writes, “Helping Frankie provides more satisfaction and makes me feel more connected and alive and myself than anything that happens in 1996. I tell myself: Remember this. Hold on to this. This is the only perfection there is, the perfection of helping others. This is the only thing we can do that has any lasting value or meaning. This is why we’re here. To make each other feel safe.”

Oprah Winfrey, Bill and Melinda Gates, and many others, have committed huge sums to their private foundations and other charities. Why? Tax planning benefits and positive branding? Maybe. Maybe not. But, Tutankhamun and other Pharaohs may have reached the afterlife, and looked around in surprise because their treasures still lay in the pyramids of ancient Egypt, waiting for thieves to loot. The moral of the story? Spend your money on earth!

A common thread weaves through the interviews I’ve read of successful people in their twilight years. While success has conferred many advantages and brought satisfaction, greater fulfilment has come from investing in others.

As I return Open to the bookshelf, I am convinced of what I already instinctively know—this kind of success is not to be feared, it is to be understood.

 

©Timi Yeseibo 2014

  1. Neil Gaiman: Keynote Address 2012, The University of the Arts in Philadelphia. http://www.uarts.edu/neil-gaiman-keynote-address-2012
  2. Agassi, Andre, Open, An Autobiography (New York: Vintage Books, 2009), 167.
  3. Ibid., 230.

Image Credit: Ty Carlson @CreationSwap: http://www.creationswap.com/media/1553

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Love for Country and Other Drugs

Love 4 Country & Other Drugs

Because of Nigeria, I’ve been accused of false optimism, “How can you hope for change when we keep doing the same things?” I’ve also been accused of Elitist Patriotic Syndrome, a type of patriotism that conveniently lives abroad and so doesn’t wash its hands in the muddy river of change. But how do you bury love for country? Where are its roots that I may pluck it?

Looking ahead to Nigeria’s Independence Day, three writers and I wonder if hope can be reinvented.

Education is Training the Mind to Think

Desmond Tutu, in one of his stories said, “When the missionaries came to Africa they had the Bible and we had the land. They said, ‘Let us pray.’ We closed our eyes. When we opened them we had the Bible and they had the land.” I wonder why we prayed with both eyes closed. And who helped the white man steal the slaves that crouched in the belly of the whale on the way to the plantations in America? Tell me who? The white man has gone and Africans stagger, drunk from the rich red of millions that flowed in Rwanda, Sierra Leone, Liberia, and Nigeria.

I am glad the white man came to Nigeria and brought education with him1. One day, a friend visited a motherless baby’s home to inform the administrators that he was committed to educating two kids as far as they wanted to go. Starved of funds, they greeted the news with glee and asked him to pick the two kids. As he looked at the kids, his heart ached because choosing one meant rejecting another, but his pocket was simply not wide enough. The administrators chose for him, they chose their brightest two. Two plus two equals eight. Four plus four equals thirty-two.

I have dreamt of the past. Show me the future that I may live the present.

Education can teach us to read and write, appraise and solve, question and answer, and chew and spit. It is why I want to write prose with the eloquence of Chimamanda Adichie and the humanity of Chimeka Garricks, that another generation can read stories of hope and redemption, and pray with both eyes open.

The secret of freedom lies in educating people, whereas the secret of tyranny is in keeping them ignorant. – Maximilien Robespierre –

Timi Yeseibo @ Livelytwist

  1. “History rediscovered – Emeka Keazor at TEDxEuston” YouTube video, posted by “TEDx Talks,” on February 21, 2014. https://www.youtube.com/watch?v=ZN3hCjbA_dw 

 

Humans of Nigeria

It was Christmas Eve, and we expected the roads to be free. We drove past Iyana Ipaja roundabout and entered one of those traffic jams that force you to turn off the AC, roll down the windows, and watch pedestrians cover distances you won’t in hours.

Suddenly the traffic began to melt as engines sprung to life. A tall man in combat trousers was swinging his arms and giving directions to relieved drivers. Sweat glued his muscles to his khaki t-shirt and outlined them. He had a broad smile on his face—an antithesis of Nigerian work culture.

On our roads, police officers pounce on naïve drivers who miss one-way road signs or waylay bus drivers for fifty Naira notes. The police are not alone. The prevailing mindset is that no matter how hard we try, we have nothing to gain from our jobs. We work without a sense of ownership, purpose, or dignity. Oga ta, oga o ta, owo alaaru o pe1. Na lie! Our work is a reflection of who we are, and the only place success comes before work is in the dictionary.

The exceptions are the Humans of Nigeria, like the soldier who volunteered as an impromptu traffic warden and the doctor whose diligence prevented a national Ebola tragedy. They worked with verve and took charge. Like pebbles thrown in water, the ripple effect transcended their original goals. The government may never give them national awards, but they are the reason Nigeria is not a complete hell.

IfeOluwa Nihinlola @ ifenihinlola.wordpress.com

  1. Oga ta, oga o ta, owo alaaru o pe: (Yoruba) whether the boss makes profit or not, the labourer’s wage will be intact.

 

A History of Industry

After World War II devastated Japan, the island country underwent a rapid industrialization that surprised the world. The Japanese Miracle happened because strong leadership inspired a diligent citizenry, the threat of scant natural resources notwithstanding.

Did something else influence this phenomenal comeback?

I discovered that the world’s oldest company is a Japanese construction company founded over 1400 years ago. Japan rules the list of world’s oldest companies, a sustainable culture of industry perpetuated in the soul of a nation for centuries.

A careful consumption of Nigerian history reveals a similar culture of industry. Gigantic groundnut pyramids once drew tourists and business tycoons from all over the world to northern Nigeria. These pyramids were the brainchild of Alhassan Dantata who became West Africa’s richest man. Generations later, his great-grandchild is one of the richest black men on the planet.

Stretching further back in time, beginning from around 800 A.D., powerful rulers of Benin Kingdom in southern Nigeria, successively oversaw the construction of what became the world’s longest earthworks; city walls that reached an astonishing 16,000 kilometres.

Nigeria can bring about her own miracle if we unify the legacies of industry spawned by our various cultures under strong and visionary leadership at all levels.  Moreover, we cannot forget that unlike Japan, we have an unbelievable wealth of resources waiting anxiously for a call to service. Will you give the call?

Samuel Okopi @  samuelokopi.com

 

The List

Four years ago, I moved back to Nigeria with many preconceptions that prevented me from being as happy as I could have been. I know now that I know nothing about Nigeria, but I also know that I know more than I did before and I will know more tomorrow. Everything I’ve learned is in this list, which I will patent as, Simple Rules for Visiting or Returning Nigerians, and Maybe Locals too.

1) No one wants to hear you complain

If you have a sob story after a month’s stay, how many sad stories do you think people who live here have? Twenty, fifty, uncountable?

2) You don’t have the magic solution

People who begin their sentences with, “You know what the problem with this country is . . . ,” make me roll my eyes. No I don’t know, eminent genius, tell me what the problem is!

3) You can’t be tired of this country

Nigeria has problems. You proved that by leaving. Don’t throw your hands up at every challenge you face. Remember when your mother embarrassed you in public and you thought, oh God, I need new parents? How did that work out for you?

Here like elsewhere in the world, your task is not complicated: be a decent person and be decent to other people, whether in molue or presidential motorcade. Good leaders come from caring people, and I now know I belong at the starting line.

If you find the list above disagreeable, you can opt for the Babalawo1 Price List (medicine man’s potions):

BUSINESSMAN  PACKAGE                              ₦60,000

Super Business boom

No double cross*

Success job contract

No more promise and fail

*Stops people from double-crossing you. Does not prevent you from double-crossing.

 

LANDLORD PACKAGE                                    ₦50,000

Command tone / Do as I say (tablet, grind into water or dissolve in mouth)

Win court case

Reveal enemy+

Silent Rich

+Only reveals enemy, does not destroy them. For complete, also buy Destroy enemy from A LA Carte menu. Can combine.

 

ROMANCE PACKAGE                                    ₦35,000

Love only me (potion)

Go all night

Easy to satisfy**

Avoid divorce***

**Do not combine with No more promise and fail.

List continues here

Tolu Talabi @ naijarookie.wordpress.com

  1. Babalawo: (Yourba) an Ifa priest, who ascertains the future of his clients via divination. Loosely used to refer to native doctors.

 

 

 

 

©Timi Yeseibo 2014

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

The Lightness of Being 55 by Jean Chong and Cycle Write Blog

Jean and I hit it off when we bantered in the comment section of my post, On Getting Older. Responding to my reluctance to tell my age, she said, “Well, one day you’ll feel great to reveal your age. Seriously, it is earning life experience that no one can take away from you.” I dunno, I’m still a Naija girl and we hide our age in a room locked with steel chains.

Mark Twain said, “Age is an issue of mind over matter. If you don’t mind, it doesn’t matter.” To me, Jean echoes this sentiment in her post. While I’m not racing into my fifties, I’m not dragging my feet either. I want to enter my later years having established healthy and sustainable lifestyle choices as Jean has done. I hope she’ll inspire you to be “light” at fifty-five and beyond. Hear her:

The Lightness of Becoming 55

It’s a special age of symmetry for anyone:  it’s 2 open hands that are smacking double high “fives” with hands of other birthday well-wishers.

55 means I’ll just hopefully go for a bike ride  around my birthday. No, it won’t be a 55 km. ride since my birthday falls on a winter work day this month.  Our evenings are still dark early and there may be icy pavements. We’ve had several winter days that have plunged below -31 degrees C. with a howling snowstorm.

Still, it’s a strange feeling …55. Continue here

Six Degrees of Separation and Other Stories

secret of change

On a scale of one to ten, I was born with a six in writing, just as you were born with a six, or seven, or eight in something. This means that even if I don’t develop myself as a writer, anything I write would be better than what most people write. But talent is not enough. It can be a beginning.

I believe in six degrees of separation, the version I have heard, that you are only five people away from any one you want to meet. I could meet Barrack Obama if I want to. My family knows somebody who knows somebody who knows somebody that knows Goodluck Jonathan. Goodluck Jonathan can lead me to Obama. In theory.

I put this man know man to good use when I tried to publish my manuscript traditionally in Nigeria. It helped. In theory. I got an audience with every publisher I wanted to meet. In those days, I wrote creative non-fiction and dreamt about a coffee-table-style book with rich photos, that readers could leisurely leaf through. Two things stood in my way: money and a photographer to team up with.

After I butted my head against the wall several times, I used six degrees of separation, again, to get the attention of glossies and weekend papers. I received some offers. Two conditions made me decline. The publications demanded exclusivity and wanted me to write free of charge.

“Are you crazy?” asked my cousin who was number four in this particular six degrees of separation.

“What exactly do I get from this arrangement?”

“This is Naija, shine ya eye well well! You’ll get a platform to build your reputation as a writer, and before long, they’ll be calling you for speaking engagements. Then you can charge like 100k per engagement,” her eyes shone as she giggled and clapped.

Should I have taken the offer? In 2008, Michael Birch sold Bebo to AOL for $850M. In 2010, AOL sold Bebo for less than $10M, as the story goes. Birch said, “Obviously, the timing was good for us and bad for AOL.”

Was the timing good for me? I only know two things. One, that although I had about two months’ worth of articles on my laptop, deep down, I feared that I could not write engaging articles week after week. Two, that if you don’t know who you are or what you’ve got, people will remould you until you cannot recognise your reflection.

Once, a mentor asked me to pay a token for advice. He said, “What is given too cheaply is often despised.” I have found that humility is not being the doormat others step on because you don’t know your value. It is knowing your value, but choosing to be a doormat anyway.

Some of my missed opportunities are like Halley’s Comet while others have prepared me better for this time. Some people ‘wait’ for opportunity as though opportunity is passive, like something that happens to you, as in the sentence, I was hit by a truck. At night, I look at the sky and believe there are spaces in the universe for us to fill. We cannot rule out what some call luck and others providence, but in a sense, we call opportunity by our preparedness.

As I tried to get a writing gig going, people would say, “Your articles read like a blog post. Why not start a blog?”

I chewed the idea and spat it out, for the same reason that I never wanted to start a business. I have no entrepreneurial bone in my body. I’m a nine to five girl jare. Share your vision and I will actualise it; but don’t ask me to come up with my own.

Four years later, many unpublished articles and short stories later, miffed that I found one grey eyelash while looking in the mirror, I wrote an article about getting older and posted it on my Facebook Timeline. The responses surprised me. Not just the likes or comments, but the call to start a blog.

I had come full circle. I wrestled with the thought that I was moving away from my dream of being traditionally published. In truth, I had buried that dream under a big box labelled life. My sister told me, “When you’re down, you have nothing to lose and everything to gain.”

I started this blog with grit, a little knowledge, some research, plenty goodwill, confidence, trepidation, and a two-month content calendar.

One year later, this gift that chose me, feels like a solemn trust, like a platform to do my life’s work. When you read something and say it inspires you to do life better, I let my tears fall where they will.

 

path to your dream

 

©Timi Yeseibo 2014

 

Related posts from Livelytwist:

https://livelytwist.wordpress.com/2013/04/18/wordpress-101/

https://livelytwist.wordpress.com/2013/04/18/wordpress-102-no-pressure/  

 

Photo credit: Pensiero / Foter.com / CC BY-NC-ND

Title: Reading

Original image URL: http://www.flickr.com/photos/pensiero/70530914/

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Before I Die

life is not too short

I log into Facebook and read about a friend’s death.

The post on my newsfeed is hesitant and the questions that follow cry for answers. The news is inconclusive. Why tag a dead person in a post I wonder as I go over to his timeline. More questions greet me.

What am I hearing?

Someone tell me it’s not true o?

Is he really dead?

I just saw him two weeks ago. What happened?

Is this a joke?

On and on, the first reaction to death pours in. If the dead could talk, what would he say?

I spend the evening watching grief on social media. Words multiply quickly with high-speed connection. Small details here, small details there. An illness. A brief illness. A girlfriend. A babe. A teaching hospital. A brother. A mother. Two sisters. An engagement ring. Suddenly. Last night.

Hours later, denial gives way to acceptance on his timeline.

RIP

RIP

RIP

RIP

Although RIP carries as much eloquence as HBD, I do not conclude that grief on social media is impersonal, but rather reflective of the times. We wail in brief because something else on our newsfeed catches our eye. Our grief bears the mark of post-modern efficiency. It is not today that we shortened okay to kk.

His family posts a eulogy with a photo of him much later. Comments follow. I let my cursor play over the comment box. I type, you will be missed, and then delete. It is not good to lie to the dead. I join others for whom silence is fitting. We like the photo like signatures in a condolence register.

I don’t cry because I had not known him well enough for his death to unlock the door behind which my tears hide. We had drifted apart over the years as old friends do. He’d found me on Linkedin and we’d shared a couple of brief conversations about where we were in life and where we hoped to be. I do not remember what he said. I do not remember what I said. I must have told him about my blog; it is what I always do.

That is not to say his death means nothing to me. It does, but in a general way that makes me look inwards. Nothing like another’s death to bring your life into sharp focus.

Around midnight, I fall asleep. When I fully awake, I drink tea and scan blogs. Death is everywhere, disguised as poetry, woven into prose. I stumble on Robin’s post, Motivational and Elevating, as I try to air my mind. All these things: watching grief on social media, thinking about my life, and reading Robin’s blog, are connected and I think there’s a lesson for me. Robin leads me to Candy Chang.

 After losing someone she loved, artist Candy Chang painted the side of an abandoned house in her neighborhood in New Orleans with chalkboard paint and stenciled the sentence, “Before I die I want to _____.” Within a day of the wall’s completion, it was covered in colorful chalk dreams as neighbors stopped and reflected on their lives. Photographs of the wall spread online and since the original wall in 2011, more than four hundred Before I Die walls have been created in over 60 countries and over 25 languages by passionate people all over the world.  

before i die Candy Chang 1

before i die Candy Chang

before i die Candy Chang3

Thinking about mortality brings no fear. I feel confident about that place we must all go, but I don’t want to go just yet. Inspired by Candy Chang, I scribble and marvel that my long- and short-term goals colour my paper with broad strokes. Perhaps now I will live more intentionally. Perhaps now I will be who I am.  I don’t want to settle for something less because I tired of waiting for something more.

Some of the things I want to do before I die belong in my diary. Some I can share here.

Before I die, I want to . . .

  • Travel just because; feel warm sand massage my feet, see mountains I dare not climb, and drink tea from antique Arabian teapots
  • Light as many candles as I can. I lose nothing by lighting other candles for together we brighten the room
  • Let the people I love know that I love them. I do not want them to waste even a day questioning my love
  • Make more money so I can buy a Bentley and give to causes dear to me
  • Read the books and watch the films, that I should have already cancelled from my to-do list

before i die

What about you?

©Timi Yeseibo 2014

Photo credits

  1. http://pixabay.com/en/sit-grandstand-theater-139664/
  2. http://beforeidie.cc/site/press/before-i-die-savannah-by-trevor-coe/
  3. http://candychang.com/before-i-die-the-book/
  4. http://beforeidie.cc/site/press/07-chang_before_i_die/

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.