A Landscape of Friendship

friends-landscape

 

Sotonye and I were friends first. I forget now, how we met, that memory superseded by memories of our friendship: the innocence of it. We walked around town and hopped on buses to places too far to walk like the old amphitheatre at the university. One afternoon, we sat together on a leather beanbag, shoulders rubbing, while we fiddled with the controls of my parent’s Panasonic sound system. We took turns to put our cassettes into the tape deck and listen to each other’s mix tape.

“Sit apart!” my mother’s voice startled us. Before I could understand the implication of her words, Sotonye had sprung to the chair farthest from the beanbag, and from me, in the living room. That day heralded the beginning of the end of our friendship, I think.

After I met his best friends, Charles and Karibi, I saw Sotonye less and less. He caved under my persistent interrogation and admitted that he had kept a distance because Charles had warned him that girls like me could derail a guy’s destiny.

I should have told him that I was hurt, but I did not. I could have pointed out that in his stead, Charles was now spending more time with me, the destiny-stealer, and Karibi was a close second, borrowing books from the library to feed my love for books, but I did not. Universities were on strike and Sotonye was convinced that his future lay in the United Kingdom. His plans to relocate consumed his focus.

Ten years have passed since the alliance—three boys, then two boys and one girl— we formed crumbled because we grew up and went to discover ourselves on the map.

Presently, Charles and I are having lunch after a chance encounter earlier in the week, and I am reminding him of how we met. He is laughing so hard, he begins to cough.

“That’s not how it happened, didn’t I meet you first?”

“You wish,” I say, rolling my eyes.

“I can’t believe I did my guy like that!” He slaps his thigh, still amused.

“Better believe it; do you know where Sotonye is now?”

“Last I heard he’s still in the UK, directing theatre productions or something weird like that. That’s what Karibi said when I bumped into him, last year.”

“Karibi . . .” I say wistfully.

“You always liked him. That traitor who swooped in when I left for school—”

“No, it wasn’t like that at all. He was like a big brother to me.”

“Yeah, right!”

“Go away joor. He was the sweetest boy I’ve ever known.”

“That’s because he didn’t shave your head. Abeg, leave that thing!”

“We all were great friends . . .”

“Yes,” he agrees, “but you did not understand boys.”

We distill years past by exchanging phones and swiping photos, who’s this and where’s that, make our puzzle pieces fit faster. But photographs cannot capture all. Suddenly, Charles looks down at his drink and admits to being a closet alcoholic.

“It’s not so bad,” he says, looking up at me.

I nod. In the movement of my head and the steady gaze of my eyes, there is no judgement.

“Why don’t you tell someone who can hold you accountable on the road to recovery—”

“What! You haven’t changed! You’re still naïve . . . like back then . . .”

I trace the rim of my glass with my finger, uneasy and unsure of what he means.

“You still think everyone is like you, and everything is black and white,” he answers my unspoken question.

“No not really—”

“You trust easily. Haven’t people hurt you . . . enough?”

I sigh. Maybe I should not have let him look at all my photos.

“I am no longer afraid of getting hurt. But this isn’t about me. Isn’t your secret too heavy to bear alone?”

“I’ll survive. I haven’t told anyone . . . I don’t even know why I told you.”

I know why he told me. In just two hours, we have travelled back to the road leading to my parent’s house, where, unable to stop his voice trembling, he confided in me about his parent’s impending divorce.

The moment passes and we reminisce about happier times, about the place near the overhead bridge where we met in the evenings after Sotonye left. Charles would arrive with a packet of cigarettes and after he dragged on a cigarette a bit, he passed it round. I took tentative puffs while Karibi backed away as if it were a snake, reminding Charles of his asthma and me of the dangers of lung cancer.

“I gave up smoking,” Charles says. “Best thing I ever did.”

I nod again.

“You were the glue . . .” he begins.

“Nah,” I say, “Sotonye—”

“It’s true, everything was centred around you.”

He signals to the waiter for another drink. I shake my head, no.

“Do you think . . . answer me honestly, Charles . . . that boys and girls can just be friends?”

His answer is slow to come.

“I don’t know,” he says at last. “Even back then, Sotonye, Karibi, and I, wanted more.”

 

© Timi Yeseibo 2017

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

More Than the Sum of All That

compass

My aunt is wearing a striped tube dress with spaghetti straps. When she sits, love handles circle her tummy like three rubber tires. “Timi, where have you been?” she asks, but does not expect an answer. I am there and it is enough. She sucks me in a tight embrace, her warmth spreading over me, her smile wide. 

The years apart are too many to fit into an evening. We make small talk highlighting the events that count. Did I hear what happened to her son? Only God could have saved him. And what about me and my hopes for tomorrow? I do not burden her with sad news; there is no need to slow down the tempo of the music we are making. Soon we are silent, each of us locked in our world, making sense of words.

When my sister says, “Aunty you look as young as ever,” she returns to the present.

“No o. I am old.”

My sister counters, “You’re looking young. No one would believe if you tell them your age.”

“Please don’t deceive me, don’t give me false hope,” she says like a woman who has been lied to and preyed upon. She pats her Halle Berry wig and looks at me with a small smile.

She is seeking corroboration from me. I cannot just give it, mouthing empty words. I do not know how old she is. I have no compass with which to navigate true north, therefore I cannot tell if she is indeed looking young. Having not seen her for years, in which I harboured memories of her younger fashionable self, she is in fact looking old to me.

My sister and my aunt continue the cycle of compliments and weak rebuttals. I fight within myself. Where is true north?

“Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place,” Cormac McCarthy wrote. 

My aunt’s husband is long gone; one son is far away, the other closer by, and her only daughter died too early. She has forged a whole life for herself apart from them. Her carefully made up face—thin black-pencilled brows, two large dots of muted raspberry rouge, and red lips that complement her hazel skin—is like a photo from another era. She has weathered storms and raised many children that are not hers, including me. I sense her hunger to be seen and admired as I too have on occasion hungered to be seen and admired.

I stop fighting because I have conquered myself.

“Aunty,” I say, “You look young and beautiful.”

It is not false hope; it is true. I remember learning that a (magnetic) compass almost never shows true north. True north is different from magnetic north, which changes depending on local magnetic variation. About a million years ago, the position of magnetic north even wandered closer to the geographic South Pole.

I had planned to ask my sister how old my aunt is. But when we leave, I let the question die in my throat. What does it matter? I am in charge of my compass. Moreover, she is more than the sum of all that.

 

©Timi Yeseibo 2017

 

Photo Credit: https://pixabay.com/en/compass-magnetic-orientation-801763/

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Seven Colours from My Life

colours

1.
Amber is the colour of HB pencils. One morning, in the year I was five, I returned from our neighbour’s house where we grind beans for akara and moi moi and sketched the grinding machine I saw there. My dad’s sister raved about the drawing and adjudged it an excellent reproduction. She rewarded me with two HB pencils and one eraser. These were not the last accolades I received for my art.

 

2.
Baby blue is the colour of my mom’s cooler. On a Visiting Day in junior secondary school, I took some of the jollof rice my mom brought for me to the hostel. My five friends flocked around and in-between jollification and smacking of lips, intoxicating praise for the jollof streamed into my ears. Three of these friends lived in Lagos. Zaria was too far-off from Lagos so their parents never honoured Visiting Day. The next term, my mom journeyed from Kaduna by bus with her big cooler of jollof rice for me and my crew. The image of my mom walking with the cooler on her head, and a Bagco Super sack of provisions clutched in her hand, stays with me.

 

3.
Brown is the small scar on my mom’s palm. Books, television, and the sound of music made me a wandering kid who always yearned to recreate something wonderful. Many evenings bloomed and withered as I combed garbage dumps for milk cans and precise colours of slippers, from which I fashioned wheels, Ludo seeds, and hockey balls. I ended my quests, each time, looking scruffy, and spankings by my mom’s palms remained the consistent punctuation to homecomings. In my mid-twenties, my mom revealed the real reason behind her anger. It wasn’t her supreme aversion to uncleanliness. Each time I strolled home looking like a pig, I reminded her of her days as a little village girl.

 

4.
Copper is the skin tone of my girlfriend. We were whatsapping one day and then:
*Ping* Why do you like me?
You pinch me. Sometimes. And it hurts until I laugh.
 I typed the last of nine answers to her question.
She replied with thirty reasons why she likes me. I have emailed them to myself for safekeeping.

 

5.
Yellow is the colour of egusi. The day we overcame our reservations and ate at Mama Favour’s spot, we sat in the open air, on an unstable bench, battling impolite flies and smoke from smoldering firewood. Her pounded yam and egusi was delicious. Incredibly cheap too. So cheap that we did the math three times to make sure we weren’t short-changing her. Two years on and Mama Favour has two roofed bukkas now. My best friend and I, and the other friends we have shared the gospel with, are still her customers.

 

6.
Porcelain white was the colour of Aunty Ramatu’s teeth. To the delight of my parents and we kids, her visits to our house were seldom without a jerrycan of kunu and sticks of sugarcane stuffed in a Bagco Super sack. In September, I visited Aunty Ramatu at the hospital. Her only surviving child laughed at a joke I cracked, revealing white teeth. I marveled, turned to her mother and discovered, as she too laughed, weakly, that her teeth were also white. Aunty Ramatu was discharged from the hospital two days later. In October, after contending with a terminal illness for more than fifteen years, she ascended from our realm. Your kindness and laughter will always be remembered, dear aunt. Rest in perfect peace.

 

7.
Red is TED. “Did you read Chimamanda’s 9K words essay?” read Mimi’s IM on WhatsApp. I hadn’t. She whatsapped the link. I read and found it articulate, inspiring, and instructional even if I didn’t agree with a number of Chimamanda’s admonitions. The waves of my doubts crashing against the shore of my convictions steered me towards Google. There, I discovered Chimamanda’s TED talk We Should All be Feminists. These days, I wonder if the women in my life will not live richer, fuller lives if we all became feminists. Maybe I am slowly becoming a feminist. Maybe not. Only when I marry, beget and rear a daughter will I really be certain.

© Samuel Okopi 2016

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

 

Photo credit: nbostanova/ https://pixabay.com/en/pencils-coulored-red-blue-yellow-1654051/

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Drawing the Line

relationships

I once had a client, a man with lofty ideas and limited resources, whose business was pertinent to the success of mine.

In those days, a Lagos bus conductor who did not have adequate change for his customers, would ‘join’ two or three passengers together by giving one of them the total value of their change.

At their stop, he would explain to them, in between soliciting new passengers and calling out the names of the bus stops ahead, that he did not have enough change. Then he would give one passenger a single Naira note, which represented all of their change, as the bus driver rode away. We understood that as far as change went, our fate was sealed with that passenger and we had to find a way to split the change.

I have walked away from this arrangement—the huddling, the debate, the shadowing the ‘lead’ passenger as he perambulates in search of change, so we would not be duped twice—without my change because time was more important to me than it was to the others.

I felt as though my client was the passenger with our change but this time, the stakes were too high for me to up and leave.

I shared my worries with a friend.

“Get close to his wife. She will make things easier for you,” Ronke said.

I knew what she meant and I recoiled at her words. My client’s wife was a woman with a smile for everyone. Petite and pretty, she remained mum if she happened to be around as her husband and I discussed business, but I was aware that her intelligent eyes took in everything. It seemed cavalier, predatory even, to befriend this angel for the sole purpose of using her to influence her husband as we did not seem to have anything in common.

I endured my client’s belligerence and failed promises, promises he made after I made presentations and shared proposals. At my wit’s end, one night I sat in Ronke’s car for hours and itemized the problems I faced. She suggested, yet again that I make friends with his wife.

Soon after, a chance meeting with my client’s wife occurred. After pleasantries, she lowered her voice although we were alone and told me about a similar project they were undertaking with another publisher. In her words, the wahala nor get end. Sensing an opening, I took the ball she’d passed to me, but I did not run to the goal post. I dribbled until all obstacles were cleared and then passed her the ball to take a clean shot to goal.

“Ah ah men!” she exclaimed, “They don’t understand. Leave it to me. Here,” she handed me her business card, “if you have any issues, give me a call.”

I collected her card without looking at it.

“I’m serious,” she said, stopping me with her intelligent eyes. “Timi, if you have any problems, call me.”

I never had to call her. My client gave me my change and then some.

I’ve wondered about this incident and what I call my moral high horse. I guess because I have been used as a stepping stone in business, I did not want to bathe someone else with gifts and attention and then slam the door not minding if her fingers were trapped in the hinges or not.

But isn’t that what we all do? When we were younger, my siblings and I chose the favourite child, the one whose requests were hardly turned down, as an emissary to our parents. I sometimes attend social events with colleagues, when I’d much rather stay at home in my pajamas, to influence outcomes in the office. Relationships grease the wheels of business and human interaction is fueled more by trust than logic. We trust referrals from those we know.

My client’s wife and I never became chummy. We didn’t share enough common ground and we could not commit the time needed to explore what little commonalities we might have had. I see her once a long while and respond to her smile, the one she has for everyone, without guilt, but with warmth. And I sleep easy at night.

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

Shifting Gears [1]

shifting gears

 

Human clay finds its moisture in relationships and will evaporate into dust without them  – Beth Moore

 

When I arrive at Tamali’s house, she holds my arm and turns me from side to side, and then she sighs.

“How do you do it?”

She knows how I do it. Her eyes sunken, her voice nasal, her walk without bounce; she coughs as she leads the way. The aroma of sautéed bell peppers and tomatoes hits me. On the gas hob sits a stainless steel pot. Underneath the glass lid, I spy something white; rice, pasta?

“Food?” she gestures towards the pot.

“No thanks, I’m good.”

She opens the fridge and brings out Amaris’ cake. I recognize it from the photo she sent me on WhatsApp. The Barbie doll, which sat atop is gone as is half of Barbie’s pink-layered flowing gown. She gets busy with her knife.

“Too much,” I protest.

She eyes me, “You don’t have to eat it all at once.”

Her neck is lean and last week was tough for her. So, I take the knife from her and halve the portion she set aside.

Back in the living room, she offers me the stubby bananas that Kwame brought from Uganda.

“Very sweet. Not like the ones from Costa Rica in Albert Heijn.”

“I’m full.” I bend and hug my stomach.

“You never eat! I can’t count how many of them I’ve had,” she spreads her arms and looks at her torso; “I’m always eating!”

She is not always eating. It is her frustration speaking.

“How did I get from there to here?” She points at a framed photo by the TV and then digs out more photos from the shelf next to the TV stand.

This is what you do for a friend with flu. You stop by her house after work with a packet of Day & Night Nurse and explain how to take the capsules. You eat cake when you’d rather not. You pull your chair closer to hers and hunch over hundreds of photos. You listen as she reminisces about her days at Makerere University and her time in London, the jauntiness of her late teens and early twenties—that period before we tell ourselves, I’ve got to get serious and settle down. You see a girl you did not know, who helps you understand the woman you now know. 

She appraises each picture by size, interrupting my flow.

“Oh, look at this one, I was slim here.”
“You think I look good there? No way, I resembled an elephant.”
“This one was taken earlier in the year. See me in the same dress later that year; the dress is bursting at the seams! What did I eat?”

And you mourn with her, the loss of youth. Because flu makes you delirious. It makes you want your mother who is 6000km away; although you left home at twenty and you are now in your early thirties. It chains your legs so you miss the gym, stay at home and raid the fridge, and feel fatter than you are.

A pathological nostalgia has seized her and you cure it with kindly indulgence, not once looking at the clock. 

I recently read an article about why female friendships are fraught with infighting. Sitting here with Tamali, I cannot relate. Have my friendships always been this supportive?

There was that time Ada stayed over and borrowed my jewelry while I was at work, leaving me a note to dispel panic in case I looked for it when I returned. I stayed mad for months and ignored her overtures and peace emissaries. My anger was toxic, contaminating anyone who would listen. One day she braved my rage and showed up at my doorstep.

“Yes?” I filled the door space, arms folded across my chest.

“I’m sorry. It broke. I couldn’t return it until I fixed it.”

I blocked her advance, spreading myself wider.

“For crying out loud Timi, it isn’t even 24-karat gold. It’s costume; that’s why nobody could fix it!”

“Beside the point! You shouldn’t have taken it without asking!”

She edged passed me, pushing me against the doorframe. She dropped the broken piece of jewelry on the dining table on her way to the kitchen.

“Do you have any food?” she asked one hand on the door of the fridge.

I sighed and smiled. You cannot poison food if you are going to eat and share it. That was twenty years ago. Ada and I are still smiling.

My girlfriends and I congregate around food. We eat; we do not eat. Thighs and hips feature in our extended conversations. Size is important and relative. Beneath this shallowness is affection, deep and strong, binding us as tomatoes cleave to meat in stew.

When I was younger, I made war. Now I’m older, I make peace. 

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Hardwired For Sorry [conclusion]

One

The Power of One

I shook my head as I reviewed Ope’s first draft for the series. Her prose though beautiful did not resonate with me. This piece lacks heart I thought. It did not. The problem was me. I could not conceive that a girl would have insecurities about her height. That others brought them on was beside the point. How could she not see how lucky she is? Someone said that privilege is invisible to those who have it. I am the petite girl with graces, how could I know?

Aware of my bias, I reread Ope’s piece, processing her ideas and connecting them to my experiences.

Tall girls seem to be the norm where I live. I have watched little girls grow up to be gorgeous tall women and none has expressed any reservations about her height. But once when I asked one why she enjoys watching the TV series, Suits, she replied, “Because I look like Gina Torres, and she’s badass!” Was she looking for a role model to validate her six-foot frame? By questioning the premise of her heightend apologies, I see how Ope has become a lighthouse for tall girls and short boys too.

Stories are a way to share our humanity and reading stories is both a conscious and unconscious search for validation.

When Abi submitted her article, she mentioned that every sentence of her rant was factual and she had exceeded the set word count. In fact, every contributor to the series burst through the imposed word count to set their stories free and I, wielding the editor’s scissors, could find little to trim.

Abi’s article stemmed in part from people’s inability to see the pervasive misogyny in her society. Just as I could not connect with Ope’s story at first, they could find no basis for the Chimamanda Ngozi Adichie’s quotes, which Abi shared, tagging them mischievous.

Adichie says that gender is a difficult conversation to have and as Sheryl Sandberg notes, the subject itself presents a paradox, forcing us to acknowledge differences while trying to achieve the goal of being treated same. It seems Abi wanted to make gender visible to men and women.

Some dismissively brand articles like Abi’s feminist. Have you ever been in conversation where a word popped up that made you stop listening and start churning points in your mind to deconstruct what the other person is saying? Anything that reeks of feminism arouses this impulse in some. So, when Abi signed off as a feminist in her bio, I was tempted to remove it.

There are two jars of honey in my cupboard. One label says the honey is from wild flowers and the label on the second jar says the honey is from honeydew. Humans are too complex to categorize into neat labels like honey. This explains why feminism has many definitions and connotations as well as branches—socialist feminism, African feminism, free-the-nipple feminism, and so on.

Those who take this as a sign of confusion should remember all the other philosophies that are similarly ‘confused’: democrat, conservative democrat, republican, liberal republican, catholic, catholic charismatic, Christian, evangelical Christian—are you laughing yet? Wherever human agency exists, there will be divisions, sub-divisions, and further divisions of the sub-divisions. The challenge then is not to merely dismiss ideologies because of labels but to listen in spite of them.

When a woman shares her story, it should cause us to remember our own challenges. At the very least, it should broaden our understanding of our world and our place in it.

After I pitched the idea of the series to Ekpos, she replied, “My own issue is different; people are always saying sorry to me!” Other challenges like physical disability eclipse gender, but only partially. Ekpos relates an incident at the airport where a porter looked at her and exclaimed, “Kai, fine girl like you; wetin happen to ya leg?”

She notes that wit is often the bridge through awkward situations. We need to laugh at ourselves more and get the world to laugh and then see with us. Amy Schumer uses comedy to good effect in her I’m Sorry sketch. According to Schumer, her show has been likened to putting shaved carrots into brownies. Emancipation is a journey, smile you’re on camera!

Ekpos makes the distinction between things she could and could not control. Disability and gender were thrust upon her. The will to overcome these perceived limitations was hers to invoke. The external factors, which make women hardwired for sorry, will not change overnight. But women can take charge of themselves by rejecting the messages they have internalized.

Bel takes this approach in her article. Although she was invited to the table, as were the women in Schumer’s sketch, she tottered at the edge, self-doubt hampering her stride. Many women are echoing songs their parents and grandparents taught them, songs that romanticized a woman’s lowly place in society. They are unconsciously complicit in their disempowerment. Bel noticed that the same self-doubt that tortured her was also present in the minds of some very fine, intelligent women in her company.

By looking inwards with a view to understanding herself, she finally gave herself permission to stand. In her words, “Fortified with this knowledge, I set out to change my story . . . I have begun to tell myself, first, that I am bigger on the inside than I am on the outside.”

Amy Schumer’s sketch isn’t about semantics, in my view. Sorry is still a useful word. However, the characters in the sketch were really using sorry to: diminish their accomplishments so they could be likable, temper their requests for their entitlements with ‘humility’, register their opinion as though it isn’t worth hearing, take nurturing to the nth degree by assuming responsibility for things beyond their scope, and mask impostor’s syndrome. 

If you, man or woman, are concerned about the external and internal factors that predispose women to shrinking themselves, then you need to answer this question: what change or sacrifice do I make to ensure women are unapologetic about taking up space in the world? One thing. Then follow through. Ripples will occur. This is the power of one.

I can’t thank you enough for writing, reading, liking, sharing, and joining the conversation.

timi

 

 

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hardwired For Sorry [5]

apology

My Height-ened Apology

My uncles, aunts, the traders at Iwaya market, and the sales person at Wranglers boutique conspired to spit accusations at me. I burrowed the ground with my eyes and hid my lanky arms behind my back. They made me regard my elongating form with shame.

Ahan Ope, do you want to grow as tall as iroko?” People questioned me without expecting answers.

I wanted to die and on the days that I did not want to die, I wished God would shrink my height—who would marry me? They said I was tall for a girl and at the rate at which I was growing, it would be impossible to find a man taller than I was. Even when I pretended not to care, fury spread its wings on my face and at night, I buried my face in my pillow while crying away the pain.

And so, I learned to apologize. I apologized to the inconvenienced sales person who searched and searched for the right size of shoes for me. I apologized to the world, boys in particular, by slouching a little so that the measure of my stature did not intimidate. I apologized to petite girls, who would never have a problem when it came to marriage, by silencing my brewing envy and playing nice. I apologized to my older siblings by giving up my right to speak in their presence because I was told that I had stolen their right to be taller than me.

Like the women in Amy Schumer’s sketch, I say sorry when I do not need to. After I hit my head on the roof of a campus shuttle bus as I got off, my auto-response to the driver’s remark, “All these tall people eh,” was sorry. It was my defense for distracting the other passengers, by making them concerned about me. It was embarrassment for being five feet ten inches tall. It was martyrdom without the halo.

In the last scene of Schumer’s sketch, the male moderator inadvertently pours hot coffee on the third panelist’s legs. She falls down in pain, screaming, “Sorry!” Exaggerated for comic effect, her legs melt off and in agony, she moves with her splintered legs to the chorus of sorry from sympathizers. Her dramatic exit ends with these words, “I’m sorry, I’m dying, I’ve ruined everything. It’s all my fault.”

The moderator never says sorry. He says, “Oops!”

 

Until recently, I believed apologizing for my height was the polite thing to do. I have not unlearned this, but I have become more conscious of it and begun to question the premise of my apology.

Why should anyone have to apologize for the genes they received? Do I apologize for my father and mother too? Why should I be ‘conditioned’ for marriage as if it is the highest purpose I could aspire to? And is a woman who is taller than her husband an anomaly really? Really? Does my height mean I am likely to be more domineering than petite women with graces are? Can flat shoes and a small car truly alter my outcomes in life?

The message from my society is subtly clear: make yourself smaller so men can feel bigger, taller, and more powerful. My height is but a metaphor, which affronts obstinate traditional ideas about gender.

stand out where I come from. Perhaps I’m not supposed to fit in; I am to own and celebrate my uniqueness and be a lighthouse for tall girls and ‘short’ boys too.

This hardwiring for sorry cuts across cultures. My apology revolves around my height; what does yours spin around?

 

Ope Adedeji is a fourth year law student at the University of Lagos. She dreams about bridging the gender equality gap and working with the United Nations. Ope writes occasionally at artsandafrica.com and talesbycecile.wordpress.com.

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hardwired For Sorry [4]

sorry scream

If I Hear Another Sorry, I Will Scream!

I was confused after listening to the high-achieving female innovators in Amy Schumer’s video string a melody with the word sorry. What did their sorry mean? In my part of the world, sorry is usually used to convey pity and sympathy. It is a word I am intimately familiar with.

I remember being a rambunctious kid, playful and energetic. Then my world flipped and went in a direction my young mind could never have imagined. At age seven, I contracted polio and had to learn to walk again, albeit with a limp. Then, just before my sixteenth birthday, I had a freak accident and sustained a fracture to my left femur.  After a couple of surgeries, I was confined to a pair of crutches. I have used them for twenty-eight years. People say sorry to me all the time even though I’m not in any kind of pain.

Because my physical disability attracted pitiful stares and sorrys, I became obsessed with trying to prove that I wasn’t as helpless and disabled as I looked. I focused my energies on education and worked hard to find a footing where the brilliant students stood. Intellectual development became my foremost life goal: if you can’t walk or run, by all means think.

My worldview changed after I read about Helen Keller’s achievements despite contracting an illness in childhood, which left her blind and mute. I also read about Franklin Roosevelt, who contracted polio at thirty-nine, but went on to become president of the United States and was re-elected three times. I believed America was the only place for my dream of a normal life. I dreamed about studying and possibly living in The States. When I finally had the opportunity to pursue an MBA in America, I was refused a study visa twice.

I was crushed by disappointment but by this time, had become a possibility thinker. I ended up in England, where I received my MBA and DBA degrees. Seven years in England, and I never heard the kind of sorry or endured the stares that made me want to hide back home.

I returned to my country after my studies hoping that because I now had Dr. before my name, sympathy would morph to admiration and sorry would drown in the applause of praise. Not so. People still stared with pitiful eyes and they still tell me sorry.

However, pity that makes me feel inadequate isn’t the only narrative. Once as I stood at Port Harcourt International Airport waiting for my luggage, a porter walked up to assist me. As we made our way out of the airport, he looked at me again and exclaimed, “Kai, fine girl like you; wetin happen to ya leg?” I was speechless for a second. Then I asked him if bad things were the preserve of ugly girls. He laughed out loud, and I joined him. Often wit is the bridge through an awkward situation.

In addition to the old mind-sets I contend with daily, I try not to sound too intelligent on purpose. I even overthink the act of posting my thoughts on social networks. I used to be disability conscious, now I am overly conscious about my intellectual achievements. After striving to be extraordinary and do extraordinarily well in my endeavours, I find myself trying to be ordinary to make everyone around me comfortable.

I have spent a good chunk of my life trying to prove a point and trying to change perceptions. So, maybe a part of me understands why the four leading female innovators in Schumer’s video are chorusing sorry. They seem to be apologising for being women at the top of their game.

We have no control over our gender. I had no control over my physical challenges. I controlled what I could. I overcame the limitations of my disability and developed myself in the ways that mattered most.

I am a woman. I have a physical disability. But then, I also have a doctorate degree. There is nothing to be sorry about. If I hear another sorry, I will scream!

 

Ekpos Waritimi is a management consultant, researcher, and speaker. She currently lives in Port Harcourt.

 

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

The Conversation

 

The Conversation

“Stop! Wait, wait. Na wa. Which conversation are we having? This one or the one we had a few days ago?”

“This one!”

“Are you sure?”

“What do you mean are you sure? Am I a child? I hate it when you patronize me!”

“Sorry o . . . that was not my intention—”

“As I was saying, so what did you mean when you said what you said about Jimi’s—”

Ahn ahn, which conversation are we having now?”

“We’re having this one, the one we had a few days ago, and every single one we’ve ever had!”

Wahala dey—”

“What did you say?”

“I’m listening . . .”

“So what did you mean?”

“I . . . I meant what I said . . .”

“Meaning?”

“Ha, what I said na?”

“Please humour me, elaborate . . .”

Mehn, okay, I can’t remember what I said.”

“You said that what a woman brings to the table increases her value. That the assets Jimi’s wife brought to the table had diminished comparatively in the last several years. That for women, love and attractiveness were neither here nor there as they placed a higher premium on the combo—love and security but for men an inverse relationship holds—”

“Wow! I said all that?”

“Yes. I mean no . . . the magazine article put it that way, but yeah, in essence, it’s the same sentiment you shared, I guess . . .”

“Which magazine? I can’t remember saying—”

“How can you forget? That night we returned—”

“Okay, okay, if you say so.”

“So what did you mean?”

“Hmmm. Jimi loves his wife and he’s chosen to see other assets beyond what she first had to offer.”

“But she’s . . . she just . . . she doesn’t really take care. . .”

“She’s fat.”

“That’s not politically correct! She’s just on the big side!”

“Okay.”

“You were saying?”

“No, no. . . I’m done. Political correctness stifles conversation, don’t you think?”

“Just say what’s on your mind. It’s not as if you’re giving a TED Talk!”

“So, obviously, a man of his influence and means would be spoilt for options. Though people who’ve done business with him vouch for his integrity as well.”

“You didn’t say this part that day.”

“I’m not a parrot. These are just my thoughts—”

“But you said one of the things that put men off is unattractiveness. That after hooking the guy, some women just stop trying . . .”

“I did?”

“Yes! Remember? When we were dating?”

“That was like what? Years ago?”

“Three and two months to be precise.”

“Elephant mem— hey, where are you going? Why did you put on the light? Turn it off please!”

“I want you to see—”

“See what? Geez—”

“I knew it!”

“What?”

“You think my butt is too flabby!”

“But I didn’t say so!”

“You said geez!”

“Because of the light!”

“But when Patrick said that if he were married to Jimi’s wife, he would’ve taken off, you laughed.”

“Seriously? That’s just a guy thing. He didn’t mean it and we were joking.”

“A very mean joke about a woman who’s had kids. Do you know what having kids does to a woman’s body?”

“Em . . . em, which conversation are we having now?”

“What do you mean? We are just talking! Why do you keep saying, ‘which conversation are we having’?”

“Because—”

“Some women just manage to look great no matter what . . . like Angela. Four kids and she’s still tight. What do you think of Angela?”

“I haven’t thought of her. I have eyes for only you.”

“And Jimi’s wife obviously, since you noticed she’s fat! Are. . . are you listening?”

“Uhuh.”

“You’re sleeping?”

“No.”

“I think I’m pregnant.”

“That’s fantastic! We are pregnant! Come here!”

“Not sure . . . I’m late. I’ll buy a kit tomorrow . . .”

“We’ll do it together.”

“Okay, I’d like that.

“Good. Come to bed—”

“See? See? When I walk it just kinda wiggles all over the place!”

“Mmmm hmmm.”

“What?”

“Are you wearing anything under? Turn . . . walk again let me see . . .nice . . .very nice.”

“Gosh! Are you even looking?

“Oh yes! And even if your butt is as wide as Texas and lumpy like dough, I would still love you.”

“Lumpy like dough—”

“I didn’t mean it like that. Oya, please turn off the light and come back to bed.”

 

©Timi Yeseibo 2015

 

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Rethinking Motherhood

Rethinking Motherhood

I

She volunteered at an orphanage in Lagos, driven by her need for a baby. It was symbiotic; the babies also needed a mother. She changed diapers, fed, and held them. She sang quietly to them, tears welling up in her eyes as it receded from theirs. The way they hungered for her touch and cocked their heads to make eye contact with her legitimized her hunger for a child. Her time with them pacified but did not satisfy her hunger. She wanted her own child.

As a single woman in her thirties, legal adoption isn’t an option for her. According to the Family Law code in Lagos State, women below forty-five years don’t meet the criteria for adoption. The law is not her only constraint: culture frowns on single motherhood and her religion is negatively silent about it.

She gave up volunteering after a few visits because a couple adopted the child of her heart.  Although she knew they would do well by the girl, she was heartbroken and reported ill at work the next Monday. She spent the day wetting her pillows, stung by the loneliness that comes with being single and the childlessness that compounds it.

She is not alone. There is a growing demography of single women in their forties and fifties who may never marry or may be past their reproductive years before they get a chance at motherhood.  Should marriage or a steady male presence always be the precursor to motherhood without exception?

The absence of marriage does not take away the longing for motherhood. Ask the forty-five-year-old woman who never married and woke up to the onset of menopause or the thirty-eight year old who found out she has endometriosis.  Ask your friend who was married for fifteen years and lost her husband three weeks to their IVF procedure. Ask your grand-aunt who is divorced from a childless marriage and never remarried.

While adoption laws tend to restrict eligibility for single women, assisted reproductive options are more open towards them. For instance, a woman in her thirties can elect to have a child through ICSI or IVF. But often she won’t. Culture and religion make this taboo for her. Should they?

If we dare think beyond what we have always known, even within the confines of religion and culture, we may find space in our hearts for the unconventional mother.

Ideally, children need a mother and father figure to strengthen their socialization, but our world is far from ideal. We wouldn’t think of taking away a widow’s children because they would grow up without a father figure. We applaud the man who raises his child alone because his wife left him. We recognize that their children brighten their worlds.

Why then do we think less of a mature single woman who chooses to be a mother on her terms? Will motherhood through assisted reproductive options make single women lesser mothers or does it challenge our thinking about motherhood and families?

Step back and look a little closer.

Perhaps if these women were to choose between marriage and motherhood, motherhood would trump.

Abiodun Baiyewu is a lawyer and a human rights activist with a strong interest in medical jurisprudence and reproductive health. She is married and the mother of rambunctious toddler.

 

II

From childhood, many girls are programmed for nurture and they role-play motherhood with their dolls and toys. Their maternal instinct heightens as they grow older and wish to have families. Having children is a dream realized which brings them happiness. Anguished longing therefore afflicts the woman whose dream hasn’t come true as the end of her best reproductive years come into view.

But, is the purpose of having children to quiet the legitimate cry of a woman’s womb? Is it to assuage the loneliness that accompanies being a single woman? Then married or single women who have children would have ceased to grapple with loneliness and be living in contentment utopia by now.

In ‘rethinking motherhood’, two words raise concerns: longing and choice. Longing as a precursor to choice can be a shaky foundation. Longing is usually sustained by focus. If focus changes, what then? If we exercise our choice to satiate every longing, where would that leave us? Which yardstick do we validate or invalidate longing by?

Longing ebbs and flows. Longing that gathers momentum and threatens to overflow its banks one day, is the calm river that grants many boats safe passage the next. Like you, I have longed for something or someone until I thought my heart would burst. And like you, I have learnt to live and thrive with longing unmet.

Some have called ours, the ME generation. My life; my choice, are four words, which can be reduced to one: selfie, because the underlying assumption is that I am the only one in the picture. But choice reverberates like ripples. Our decisions have consequences we may not perceive because the time differential between choice and outcome prevents us from connecting the dots.

For example, can we rethink motherhood without rethinking fatherhood? What about the forty-year-old man who wants to adopt a twelve-year-old girl because he could not find a woman to marry and build a family with? Or the older man who wants a surrogate womb to carry his own child? Does maternal instinct trump paternal instinct? Society is evolving and choice experiments, driven by longing are giving birth to what was once considered unconventional families around the world.

Law, culture, and religion have been put forward as impediments to being a single mother by choice in the Nigerian context. Nigerian culture, steeped in patriarchy and communal living, seems to be antithetical to what at first glance appears like an independent and individualistic lifestyle for a woman.

Religion may pose the question: what is the optimal order for family regardless of the conditions that exist in an imperfect world like sickness, spousal death, or abandoned children? It may argue that it is one thing to accommodate a less than ideal situation; it is another to create one deliberately through choice.

In democratic societies, the law of the land is the will of the majority. In a sense, democratic institutions are custodians of choice. Democracy necessitates an educated citizenry for informed choice. This means asking even more questions and researching answers.

Should we rethink motherhood?

Timi@ Livelytwist
© Timi Yeseibo 2015

 

Photo Credit: gilprata/ http://pixabay.com/en/baby-shoe-maternity-girl-child-666355/

 

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The One-Night Stand Conversation

conversations

 

Emma introduced us, but fate made us exchange phone numbers. Although I liked you and felt drawn to you—tenderness accompanied my memories of you—I did not expect to hear from you soon. When my phone rang at 10:33 p.m. and I saw your name, warmth tickled my face into a smile. To my “hello,” you responded with sobs and to “what is it?” with, “I’m leaving him.”

I knew who him was.

Two weeks prior to your call, you and I chatted that evening, as we stood near the balcony sliding doors. Bunched-up voile curtains escaped their brass holders, lilting whenever the breeze beckoned. Behind us, opinions on politics and football clamoured for superiority. If I had to pick a winner, it would have been the music, a persistent fusion of hip-hop and jazz. Fear of losing our voices propelled us outside.

It was as if we knew time was short. We dispensed with pleasantries and raced to your heart. The story you told had many holes and so I averted my eyes so you would not need to avoid mine. Did you know that I had once been fragile too?

When him came to check on you, you replaced your shadow with sunshine. You introduced us, listing my credentials first, and I saw what his approval meant to you. Him was impressed, just as you had hoped, and then he whisked you away to the music we feared.

I knew who him was.

That day, your sobs unleashed mine. But, I put ice in my voice and said sensible things like, are you alone? What about the kids? Don’t make decisions while emotions are high. Should I come over? I had my hair in huge rollers under a net and two white spots on my face marked my struggle with acne.

You did not want me to come over. Instead, we sampled the height, depth, and breadth of your anxieties until 1 a.m., when exhausted from reasoning, you let me go. But not before agreeing to check in later in the day.

I did not sleep. I turned your problems over in my mind. I prayed. All day long, I waited. I debated whether to reach out. I sent a couple of texts. I called. You didn’t respond. Later never came, not that day or the next or the next month.

 

I am watching you and him in the supermarket. He leans so you can whisper in his ear. His eyes light up and you both laugh at your secret. I choose this moment to bump into you and him, and I wear my surprise well. The three of us make small talk but you overcompensate for lull with details. Your voice is on display, bouncing off the shelves and rolling down the aisle. When him leaves us girls to catch up, awkwardness settles over us and silences you.

“How are you?” I ask.

“Everything is fine, very fine, and you?”

I believe you because you radiate sunshine. I wait for your explanation so I can stop editing your manuscript in my head, no in my heart. I have been reading it since that night. Question marks and ellipsis muddle its chapters.

Nothing.

Him bursts in and whisks you to even greater sunshine and I am left with the music I fear, strains of bewildered happiness.

Perhaps I was to escort you around your shadow and no further. Did I assume a role that wasn’t mine? Was shame the unintended consequence of our sudden intimacy? Or did you need to find your way yourself? No matter, every book deserves an ending, and you cheated me of my slice of the sun.

I should not have left things unsaid.

 

 

©Timi Yeseibo 2015

 

Photo credit: longleanna/ http://pixabay.com/en/talking-phone-mobile-telephone-560318/

 

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Beauty, A First-Class Ticket

beauty

I knew I was intelligent before I knew I was beautiful, for I won academic prizes throughout my primary school years from the time I was five up ‘til ten. This external validation, reinforced by the circle of people who shaped me, became my inner truth.

My mother was the first yardstick I used to measure beauty by. When people called me little Gina, alluding to our resemblance, I realized I was beautiful. But what did that mean?

At my girls-only boarding school, we giggled and bit our nails when boys from the nearby school attended our social events. Being beautiful meant that I was asked to dance and not forgotten on the bench. It meant my classmates said I looked like Yinka, a girl two years older, whom everyone called Black Beauty. Much later, it meant that I tweezed my eyebrows and applied mascara like the models in Vogue.

My mother told me hard work and a good education would secure success. She did not tell me beauty could be a first-class ticket. You see, once when I tried to register a business campaign, my efforts stalled under the weight of bureaucracy. Then a friend scolded me, “How can? A beautiful woman like you? Don’t you know what to do?” Appalled, I went back and talked my way through.

But her seed grew. I studied how people, men, responded to me; after all, they saw me before they heard me. I remember being singled out from a long line of tired and impatient passengers at an airport. As I crossed the gate having passed Security, the officer said, “You’re very pretty.”
I would be naïve to assume that any preferential treatment I receive is because of beauty alone. It would be naïve of you to assume that I don’t receive unwanted attention or worse still, endure suspicion or dismissal on account of my looks.

Recently, I watched a YouTube video about the changing face of beauty, with a friend. “I wish I were born in a different century,” she said touching her generous hips and rubbing her round belly. I just happen to live in an era where my features coincide with what some consider attractive. I’ve come to know that beauty is leverage and the temptation to abuse it, real.

To me, my looks are secondary. But here’s what I know. A beautiful woman on a man’s arm makes him feel taller. In a world of selfies, people soon forget how you look because they are consumed with how you make them look.

We don’t see things as they are, we see them as we are. ~ Anais Nin

 

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

The End of a Series

vintage envelope

 

I grew up in a close-knit family, a middle child, disciplined and socialized within the same context as my siblings. Our mannerisms were similar and we shared friends the way we shared hand-me-downs. However, if you had asked us, “What do you think about . . . ?” our views would have differed.

So after I approached nine guys to write this series,  my fear that I would end up with a monologue—each writer parroting the other, was perfectionist-phobia. They were to distil their opinions (in 300 words or less without preaching), about a phrase, think like a man, end up without one. The phrase might be a tongue-in-cheek response to Steve Harvey’s book on what men really think about love, relationships, intimacy, and commitment.

When I told one writer that his submission was controversial and would draw ire, he said in essence, “What do you want readers to do—smile, turn over on their sides, and fall asleep or frown, stay awake, and ponder what they read?” He reminded me of something I had heard, that those who are least like us, have the most to teach us about ourselves.

Maria Popova says that a great story is not about providing information, though it can certainly inform—a great story invites an expansion of understanding, a self-transcendence. More than that, the story plants the seed and makes it impossible to do anything but grow a new understanding—of the world, of our place in it, of ourselves, of some subtle or monumental aspect of existence.

Because I read with an open mind, I embraced each writer’s invitation to stack his opinion against my experience and preference. My beliefs about why I’m here and what follows death as well as my present cultural reality shaped the points of consonance and dissonance I found. The comments showed me mathematics makes sense:  3+6 and 4+5 and 1+8 and 2+7 all equal nine, but not when it comes to the heart. Tomi captures it best: Perhaps love is our different similarity. We love differently, but we love all the same.

The first time I liked a boy whom I thought liked me back, I told a friend. She had acquired a worldly veneer from eavesdropping on the conversations of her many older siblings. Thus her advice, play hard to get, went unchallenged by me. I must have looked like a toy atop the Eiffel Tower because, with no ladder in sight, the boy’s hands hung limp and he left. I suppose the moral of the story is life is art, more fluid than formulaic, and a variable presents an opportunity or a looming threat. As Tola reminds us, embedded in every story are endless possibilities.

It seems everyone wants love and yet, in the words of C.S. Lewis, to love at all is to be vulnerable[;] love anything and your heart will be wrung and possibly broken. What to do then? Dela wants the predictability of drama. Ife sighs at the two hunters in the jungle. Samuel unveils a game of thieves; Ifeanyi makes it about egos. Tonwa advocates for less brain and more heart and Seun stresses, a human brain, please! Brian hints at the delicate balance of pursuit and protection: We want to be loved for who we are, but we fear the risk that comes with disrobing to be known.

 

Love slays what we have been that we may be what we were not. – St. Augustine

 

Relationships are oxygen. The post views, likes, comments, and shares, do not lie. If I had any sense I would start a series (written by women), dance like Cinderella, end up with the Prince!

What about you, what do you think?

 

 

©Timi Yeseibo 2015

 

p.s. Thank you Tomi, Ifeanyi, Ife, Dela, Tola, Samuel, Tonwa, Seun, and Brian!

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

Think Like a Man, End up Without One [3]

gender

Game of Thieves

In the matter of love, men are thieves and women, treasure chests to be discovered. The thief braves thickets and thistles, his sharp eyes searching for the chest his heart desires. His ears, tuned to pick the jingle of gold coins, help decide which chests are true measures of the treasures within.

As the hunt begins, many chests rely on their bejeweled covering to attract the most skillful and dogged thief. So they stand immobile, waiting to be saved from true loneliness. These ones stick to the ancient wisdom that thieves judge a treasure chest by its cover.

But the woman who thinks like a thief waits not for the bandit of her dreams to steal her heart. She discovers his desires and then entices him, in small steps, to the place of her heart. When the thief’s eyes hit her trail of gold coins, the fires of his desire will burn bright keeping him in blind sight of the trail.

Time soon unwraps the thief in front of an open chest. Not a heap of gold he finds but a flight of gentle steps littered with more coins and precious stones. His curiosity will burn as forest fires. He will plunge in and the chest—hitherto open as a crocodile’s mouth awaiting prey—will then shut tight. The thief will keep descending unaware that his freedom and maybe loyalty to another has been stolen.

Perhaps he will find an abundance of gold, perhaps a nest of scorpions. No matter the find, the woman-thief finally would have caged the man’s heart in her chest as she had planned from the beginning.

© Samuel Okopi @ SamuelOkopi

If a woman doesn’t chase a man a little, she doesn’t love him.  ― E. W. Howe

 

Men think. Women think too much!

Let’s just get right down to the critical issue here, thinking. Men think. Women think too much, quote me on that. It’s not a bad thing until a man has had a single thought and moved on, and a woman is still having several thoughts about his single thought, long after.

Take for instance the following scenario. A young man and his girlfriend are enjoying a hearty meal and each other’s company at a fast food restaurant, when a stunning woman walks past. The man may think one of two things: what she’ll look like naked or what she’ll be like in bed. His girlfriend on the other hand may think many things including several variations of what her man was thinking about some seconds ago.

Paranoia could follow her dangerous thought process. His eyes lingered a little too long. He must like her. He said he likes women with assets and hers are bigger. Meanwhile the man has resumed munching his burger. His girlfriend on the other hand, has moved from paranoia to “casual” interrogation—“She’s very attractive isn’t she?” Wise men know this is a trap and the correct answer for peace to reign is, “I only have eyes for you, dear.” But if he loves you, why worry?

When it comes to love, less brain, more heart, or else a woman may just chase that man away. Men dislike wahala jo!

© Tonwa Anthony @ thecrazynigerian

Don’t be afraid to lose him, because if a man truly loves you, he’s not going anywhere.  ― Steve Harvey

 

A Bad Thing?

Think like a man, end up without one. The question that comes to me is: how do men think? I’m sure we all agree that pop culture doesn’t acknowledge that men even think at all. I mean, you have sayings like, all men are dogs, and memes like, in American football, the helmet was invented almost fifty years after the jock strap. So, why would a woman want to think like a man?

To expect a human being to think in terms of gender or sex is quite limiting. Once, at a friend’s place, I overheard his father telling his six sisters, “Don’t think like women. Think like human beings!” That pretty much sums my opinion on the matter.

I’m a bit uncomfortable with Steve Harvey’s book, Act Like A Lady, Think Like A Man, or at least the title, because it’s misleading. Moreover, the movie didn’t portray women “thinking like men” but women pushing the bar by going the extra mile to understand their men. And I think this is what makes relationships work—understanding the person you’re with.

It’s also better to establish clearly, roles and who-does-what since gender equality is quite the hot button these days. While I have my thoughts on the matter, I strongly believe two captains cannot drive a ship. There has to be one leader. Who says it has to be the man?

So, the quote says, “Think like a man, end up without one.” And I ask, “In today’s world, how is that a bad thing?”

© Seun Odukoya @ SeunOdukoya
Seun is the award-winning author of Saving Dapo

 

Live as though life was created for you. ― Maya Angelou

 

A Thin Line

Sometimes we struggle to find the thin line between being vulnerable and gullible.  We want to be loved for who we are, but we fear the risk that comes with disrobing to be known.  This is the board upon which the proverbial game of love is played.

Because women are more emotionally open than men are (generally speaking), they tend to see inwardly, and then project onto their surroundings. The opposite is true for us. Men are simple. We connect with our surroundings visually, and then project inwardly to process it all. This disconnect causes problems when women seek to understand how men think. We may like at first sight, but we love when we see ourselves in you.

Understanding what initially attracts a man is one thing; but knowing what makes a man fall in love is totally different.  For many women, this is where the need for strategy becomes apparent.  As with any effective strategy, one must think like their opponent. But should hearts be used as pawns? I believe that the game of love should always culminate in both players being free to be themselves without fear of rejection. Herein lies the delicate balance of pursuit and protection.

Secure women who possess values epitomize sexiness and class. There is nothing wrong with “thinking” like a man, as long as you properly defend who you are as a woman.

©Brian Evans @ Wisdom’s Quill

Between what is said and not meant and what is meant and not said, most of love is lost. ― Khalil Gibran

 

 

 

 

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Think Like a Man, End up Without One [1]

Think

In The Beginning

The story: Eve ate the forbidden fruit and seduced Adam into a bite, na so yawa gas. The origin of male-female dynamics is rooted in the creation of sin and chaos. If Adam had not eaten the fruit, if Eve had not convinced him to, the world would not be a revolving globe of horrors. The blame game has ensued since, with both sides keeping score like umpires at a game.

The joke: God created the world in seven days and rested. He then formed woman and has not rested since. The difficulties in male-female romantic relations are caused by gender complexities, sensitivities or the lack thereof, and hormonal activities. Mr Lagbaja will probably never cry while watching The Titanic. Ms Jane Doe will probably narrate an epistle of random events if you ask how her day went.

The Conclusion: Paralleling the thought patterns of the opposite sex probably has its advantages, but men exhibit varying levels of machismo and women varying levels of femininity.  Perhaps Love is our different similarity. We love differently, but we love all the same.

Think like man; end up with none, or with one, or two, if you’re into that kind of thing. Think like a woman? Well, you really can’t if you’re a man; you’re not that clever.

© Tomi Olugbemi @ Poetry is Peace

 

Although the man and his wife were both naked, they were not ashamed. – Genesis 1:25

 

Think like a Man? Think Again! 

Ladies are different, but most men are the same. When a lady starts thinking like a man, she begins to have a big ego and two (big) egos can be bad for relationships. I have seen many independent, smart, and successful ladies, who want to get married, end up single.

Generally speaking, the ladies who end up with men exude care and use the power of submissiveness to full effect—the ability to massage the ego, while making the mind see reason. They create the impression of vulnerability thereby increasing the protective instincts of a man.

The way a lady makes a man feel, more than anything else, determines if she’ll end up with him. If she respects him and makes him feel comfortable in her presence, he will want to spend the rest of his life with her

If a lady thinks like a man and then acts like him, she may end up without him. Men are designed to seek conquest and when two people seek to conquer, one will be devoured. A lady who lets a man lead the chase without making herself 100% available, will either inspire his consistency, strength of character, and responsible side, bringing him nearer commitment or inspire him to walk away.

© Ifeanyi Ukoha @ Moments with my Mind

 

 Male egos require constant stroking. Every task is an achievement, every success epic. That is why women cook, but men are chefs: we make cheese on toast, they produce pain de fromage. ― Belle de Jour

 

My Move, Your Move, Checkmate!

Do we even think when we fall in love? Can we solve the mathematics of our hearts with formulas in our brains? Or is the man supposed to be thinking because he’s expected to make the first move?

Ah! Make the move, here lies the problem: game-play language used to define the parameters of emotions and attraction aka love.

If the man is expected to make the first move, but he’s more interested in winding down the timer, the lady has to force his hand. Then he has to lie and deceive while keeping his eye on the prize—sex, exclusivity, friendship with benefits sans responsibility, etc. Then she has to counter his moves to checkmate him, that is, to get his money, his ring, his commitment, etc. Two hunters in the jungle.

Why don’t we ditch the games, no scheming and no faking? Forget about whether the other person is playing fair. Forget all you’ve been told: men are evil, women are gold-diggers, if you don’t manipulate him, he’ll dump you, yada yada yada.

Focus on being the best version of yourself. Have genuine affection for another and risk trusting them with your emotions. Will you get hurt? Probably. Letting go to love another and trusting them to return your love is not being naïve, it is learning to be human.

The thing about manipulating love like a game is this: nobody wins.

© IfeOluwa Nihinlola @ ifeOluwa’s rambles

 

We all think that this relationship thing is a game out here. All I’m saying to women is, ‘Okay. If it’s a game, here are the rules that we play by.’ – Steve Harvey

 

Dramatically Predictable 

There are many men. I have seen enough to know that when women state their preferences, a good number of short, fairly ugly, and poor men are left languishing on the wait list. Very little is said about the thinking of The Chosen and there is good reason. Every next man thinks differently.

Men don’t know how men think. We just shake hands, grunt, and pat our backs. But when men deal with women, usually we expect a game, a chase, a lot more drama. It’s rewarding when the curtains close and you’re both backstage. And even though men wish the drama did not persist sometimes, we like the certainty that we will get drama. I suppose many men want their women to stay dramatically predictable. It is what makes women interesting and keeps men interested.

For the sake of ourselves, let women not think like us, whatever that means, please. Women who try to think like the men in their world are adventurously boring and they will certainly find boring men for themselves.

The thought that a woman who thinks like a man will end up without one is condescending to women and a joke to be fair. No woman needs to think like the next woman, much more a man. What are you doing thinking like a man? Think like you! There is nothing more desirous in a woman than independent thought. Men crave it and nothing will change that. Because in truth, even we don’t know how we think.

© Delalorm Semabia @ African Soulja

 

A man’s face is his autobiography. A woman’s face is her work of fiction. ― Oscar Wilde

 

 

Photo credit: Hans/ http://pixabay.com/en/bottles-imprint-glass-think-yellow-60336/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

 

 

 

Martians and Earthlings

That the book, Act Like a Lady, Think Like a Man, sold over two million copies1 lends credence to something I read: women spend more time thinking about what men think than men spend thinking. If you’re rolling your eyes, I’ll rephrase. That the book, Act Like a Lady, Think Like a Man, sold over two million copies lends credence to something we already know: men are from Mars, women are from Earth.

When a friend brought the poster2 that inspired the one below to my attention, “Hilarious!” was my response. But, I wondered what motivated the author to coin the words? Was it true? Was it a joke? Was it a barb aimed at Steve Harvey enthusiasts?

 

think like a man

 

I asked several brave men who saw the poster to let their thoughts roam and pen flow. I hope you’ll join the conversation beginning Sunday. Perhaps, if you keep an open mind, you might learn or disagree with a thing or two. Or you’ll share your laughter with a friend or three.

If you missed The Hunter Games, now might be a good time to catch up.

 

Take lemons, make life, & jump for joy!

timi

 

 

 

 

 

  1. Steve Harvey’s book rose to number one on The New York Times Bestseller list after its release in 2009. A feature movie, a sequel to the movie, and an expanded version of the book has since been released.
  2. The original poster: https://www.facebook.com/photo.php?fbid=10154257033455431&set=a.10151940356485431.878240.602760430&type=1&theater

 

 

 

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

For Coloured Girls Only? No, I think not . . .

 

Hair hair

I refused to get into the natural hair “debate” because, because, hmmm . . . , because, the fear of backlash for unnatural hair is the beginning of wisdom! Moreover, Chimamanda Ngozi Adichie’s Americanah, is still lying on my bookshelf unread. What can I add to the conversation biko?

My friend wears her hair natural. I wear weaves and extensions on top my relaxed bone-straight hair, but you figured that out already. When we meet,  she oohs over my hair-do and calls me, hot mama. I look at her kinky-do, and say, “You’re gonna kill someone today!” Then we share what we’re doing in our respective spheres to change the world, buying and selling in serious currency—ideas. We talk about the kids, our men, and all the things that went wrong in Grey’s Anatomy. In other words, we revel in our friendship.

I wish this were true with all my natural-hair friendships. With some of them, after “the sermon,” I want to say, “I am not less of an African woman for choosing Brazilian, Indian, Peruvian, or synthetic hair, and I have nothing to prove or disprove. Touch my hair and I’ll touch yours. Oya, let’s be friends who agree to disagree.” But I keep mum. If age has conferred any wisdom on me, it is this: choose your battles wisely; hair may fall or may grow, turn brown or turn grey, but relationships transcend it all.

Nkem Ivara captures some of my sentiments. I won’t reinvent the wheel, I will just hide behind her natural hair . . .

I read a post on one of the natural hair forums on Facebook yesterday. The lady posted some photos of her hair and claimed she had been natural for 36 months. Turns out she started transitioning in September 2012.

Now I realise Maths is not my strong suit but even I noticed the numbers didn’t add up. My first thought was to point out that she has actually been natural for just 24 not 36 months and I was going to say as much when I stopped myself. I stopped because I had visions of all the comments that would follow. Comments that would accuse of me of not being supportive of a fellow natural. Continue here . . .  

So, while I’m at it, I might as well share this: I am tired of this hair, hair, everywhere.

 

Take lemons, make life & jump for joy!

timi

 

 

 

The Hunter Games

Huntress

Once upon a time in faraway Heindenlily, Princess Amera decided that she would go to the Wise One to help her find love.

She pulled the reins so her horse could gallop faster as she left the palace gates behind. Sandwiched between her bodyguards, she felt as if palace life had shielded her. And from what? Foolish princes like Prince Olmeri of Findolgun who’d stuttered when he came for her hand until he all but swallowed his tongue, and the king’s physician had to revive him. Still blue in the face, he’d tried to stutter an apology, but she shushed him by putting her index finger to his lips. What utter nonsense! She would find love on her terms.

When her guards dismounted to cut low-lying branches, paving a way in the forest, she saw how long their shadows were. She had not noticed the sun receding behind the hills of Allaymin. She shivered and drew her cape tighter. In front, the oak trunks leaned in as if to touch them and then, as if to squash them. Meeting her bodyguards’ stares, she masked her fear with her smile. She marvelled that women had lain passive as though waiting for pollen from bumblebees, for years and years. The wind was variable too. Nectar had lost its edge, and the driver’s seat was vacant.

“Fair princess!”

Her bodyguards bumped into one another and struggled to quieten their horses. Princess Amera gasped as the trail widened to reveal a moss-covered hut. The Wise One beckoned to her from the entrance. The rumours were true. His white beard swept the ground like the dust brushes her chamber maidens used to attack cobwebs.

Inside the hut, babies’ skulls lined the walls. He pulled one, dropped something inside it, and offered it to her. Her hands trembled as she collected the skull. The thing inside smelt like cow dung and tasted like honey, so she did not chew.

“So you are tired of waiting for him?”

He did not wait for her answer.

“Choice is a rudder without hindsight. A thing to be desired and yet a thing to be feared,” his voice boomed, and the walls became mirrors.

She smiled when she saw perfection.

“That one,” she pointed.

“The moon will cross Orynimmel Kingdom tonight and tomorrow. You will have one chance.”

He leaned forward, and his beard nicked a bit of the flame from the huge candle on the centre of the table. A quick glow and then fading embers, as the light died in his shaggy bush. He pulled a bow and arrow from under the table and handed it to her.

“Shoot with all your might, and he will be yours.”

“B . . . but . . . what if he doesn’t want me?”

“Isn’t that why you are going after him? To show him what he wants? Sssh, sleep now, in the morning it will all make sense.”

The next morning, she washed her face with the washcloth Wise One gave her. She looked in the stream. He was right. She was even more beautiful. When she turned to hand over the washcloth, the hut had disappeared. Her bodyguards stood at attention as they waited for her.

“Yee haw!” she cried and mounted her horse.

As they journeyed, the oak trunks leaned backwards, making space, so they could ride in an A-formation. Daylight pushed through the mist shrouding the hills of Allaymin. She saw him first as they rounded a bend. The sun’s rays filtering through the long necks of oak trees, circled him like a spotlight. Her horse neighed testing her indecision. Why was he alone?

“Fair princess,” he bowed.

“Prince Zonaltera of Luxamdola.”

She dismounted, clutching her bow and arrow in her right hand.

“Going hunting?”

He smiled at her and then turned to his horses, grooming their manes.

She sat on the grass. Dewy anemones and bluebells teased her ankles. She waited and waited until the sun rose to the middle of the sky.

You will have one chance . . .

“Do you like me?”

“Yes,” turning to face her, he said, “what’s not to like?”

“Then,” she cocked her head, “why have you not asked for my hand?”

“I don’t know. I . . . I have been distracted.”

“I see . . . grooming your horses . . .”

She stood, raised her bow and arrow, and aimed at his heart. He ducked and then ran deeper into the forest. Her hair danced in the wind as she pursued. Darting and ducking, brown trunks and green leaves embraced them in a fuzzy camouflage. The ground sucked their footfalls as squirrels and weasels skipped away.

“Stop!”

She spun around and around ears on alert. A creeping vine curled around his left sleeve, pinning him to the spot. He placed his free hand on his knee as he sucked in air, turning red. Overhead, jackdaws abandoned their nest holes and flew away, unamused by the lovers’ game.

“Please,” he said, twisting this way and that, “if you chase me, you will catch me.”

A thrill she had not known before made her skin tingle and her pupils dilate; she tasted power.

“I’m tired of hunting. The prey you want gets away too many times.”

He pulled his hand free, ripping his sleeve and sending tiny leaves in the air.

“Perhaps you lack skill.”

“Sometimes the prey runs too fast and then too slow, confusing your aim. Hunting can be exhausting!”

He sunk to the ground, massaging his arm.

“Wimp!” she scoffed. “I know what I want.”

She raised her bow.

“Wait, wait! How will you know I really want you, if you trap me?”

“Do you want me?”

“Yes . . . but give me a chance to—”

She raised her bow and released the arrow into his heart. Then she left him there for the magic to do its work. One month later, they were married. Her happiness was a rainbow that all came to behold and point at. Ten months after, he began to shrink. Smaller and smaller, smaller than a stump in the ground.

“What is happening?”

Her tears could no longer hide behind her eyes, which were twin mirrors through which he saw not only himself but also how she saw him. He longed to lick her tears, but she no longer ached for him, letting his name escape from her lips, softly, softly, softly. He began to cry too.

“Evolution?”

“I tried to warn you.”

“If we were born a thousand years from today, it would no longer matter who hunted and who got caught. If we could time travel . . .  I mean, what kind of woman loses a slipper at midnight and doesn’t go back to find it before one idiot consigns it to the lost-and-found dump?”

She carried her frog and placed him on the golden pouch on her nightstand. She missed the strength of his arms.

In the distance, the stars twinkled over the hills of Allaymin. The moon would cross Orynimmel Kingdom tomorrow night and next. She still had the bow and arrow.

You will have one chance.

Time had snatched her rainbow, but nirvana was still within reach.

“Good night my love.”

“Croak, croak, croak,” he replied.

 

©Timi Yeseibo 2014

 

Image credits: http://www.disney.co.uk/brave/downloads/?d=downloads-merida

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.