Any Seven Stories From My Life: The End

the-end

 

1.
Reading What You Are by Katelyn Hemmeke inspired me to start the series, Any 7 Stories From My Life. The brevity of her stories, the economy of language used to tell a long long tale, impressed me. In justifying his 2500-word story, which he published on his blog, a friend told me he needed that many words to tell his story, to build tempo and descend to a satisfying finish. Maybe he is right. I saw as I read that he could have used fewer words to tell his story. But what do I know? I have a bias for the short short story.

 

2.
I do not say other people’s no for them. This means I am bold, unapologetic, and convincing when inviting others to contribute to a series on my blog. However, I kept talking myself out of approaching a particular writer because I thought the writer would decline. An anticipated no was bruising my ego and plummeting my confidence. Finally, I contacted the writer, who as it turned out, was delighted to contribute to the series. Two letters could have kept me small. When you don’t ask, the answer is always no.

 

3.
The task before the writers for the series was deceptively simple. Fashion a beginning, a middle, and an ending using about hundred words per story.  Regardless of whether all seven stories have a theme or are sequential, each one must be able to stand alone as a complete story. For all of us, it required practice. Good writing isn’t a science. It’s an art, and the horizon is infinite. You can always get better.

 

4.
Aspiring writers should know this: I am not in and of myself interesting to readers. If I want to seem interesting, work must be done to make myself interesting. I agree. It means I must dig deeper within my experiences to find that kernel of truth that transcends race, sex, religion, and geography. Writing one hundred words about my life may be easy. But do readers want to read it?

 

5.
My friend tells stories that everyone wants to hear. Although the stories are interesting and often times meaningful, they are not extraordinary. The way he tells them is beyond ordinary, a meaningful inflection, a pause, a suspense-filled crescendo, a slow denouement peppered with reflections. Writing is more than a good story. Like theatre, writers should keep the audience glued to their seat until the final curtain call.

 

6.
While the series lasted, I received several unsolicited contributions. I could not honour them all. Although external validation has its limits, it spoke volumes to me that others beyond my circle wanted to participate in what I was doing, that seven short stories could have meaning and impact.

 

7.
To write about your life in a way that touches others is to be vulnerable. The edits and rewrites were not merely about grammar and sentence structure. I pushed every writer to take off their mask so we could see the fear, angst, joy, love, written there. Brene Brown says that what makes you vulnerable, makes you beautiful. I believe that in good writing, this is true.

Thank you Ife, Pemi, Tomi, Samuel, Adaeze, Kemi for sharing seven stories from your lives with us.

 

©Timi Yeseibo 2016

 

Photo Credit: https://pixabay.com/en/tee-cup-drink-tableware-hot-663095/

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

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Naija Tinz

naija-tinz

1.
It is her loud voice—the confident obnoxiousness of her request and her reference to the economic recession, under which the store attendants cower—that makes me look up from watching the cashier at checkout work the POS machine. Sure enough, she is the one. I call out.
“Timi, is that you; I didn’t know you were in Lagos?” Her open arms stretch her boubou like patterned bed sheets.
I reply, “Yes, I just got back,” and embrace her.
Guilt snakes around in my stomach. I have been in Nigeria for several months. When does, I just got back, become old?

 

2.
The story is told of a returnee riding his power bike in Victoria Island, years ago, before Lagos state government imposed limits on the routes commercial motorcycles can ply. Approaching a red light, he stops causing the eight okadas trailing him to crash into him and one another in a classic pile on. The motorcycle drivers recover quickly. Helmets gleaming in the sun, one grabs his trousers at the waist; another seizes his shirt at the neck. A slap prefaces the interrogation.
Why you stop?” the leader of the pack charges.
“Because of the traffic light.”
Another slap. “You don see okada stop here before?” Another slap. “You nor know say dis ting,” the okada driver wags his hand in the direction of the traffic light, “na for motor?”
He is confused as returnees often are about unofficial codes of conduct and he knows it is futile to argue he is right.

 

3.
“Are you here for good?” is I suppose the logical question that follows the surprise at bumping into me in Lagos. Some people are not in a hurry, so they ask instead, “When did you get back?” before segueing into the question of the permanence or not of my residency. My answer varies depending on the level of interest in the inquisitor’s eyes or the kind of relationship we share. Always, my eyes travel in distance and space, as I narrate a version of the story titled, I don’t know.

 

4.
Hyperbole is a literary device, which refers to exaggerated claims that are not to be taken literally. It manifests in a curious form in Nigerian street speak, where words are doubled for emphasis also.
De house big?
E big well well, well well!
An oxymoron on the other hand is a figure of speech in which apparently contradictory terms appear in conjunction. Like this sign on the road:
Buy original Tokunboh laptops
That second-hand laptops aka tokunboh laptops, can be original is beyond oxymoron. It shows how language bends to accommodate the prevalent malaise of refurbished parts sold as (brand) new.

 

 

5.
Nigerians who move back home after living abroad are subject to a subtle game of numbers, which begins with the question, “How long were you away for?” Your answer validates or invalidates your expatriation. Ten years and longer, garner approval like Instagram Likes so that your cluelessness and discomfiture regarding Nigerian culture is overlooked, explained away by your long absence. Those who were away for a shorter time, do well to prefix their answer with just, as in, I was away for just two years and to not speak with a foreign accent like people who go for a two-week holiday in London and return with an American accent. The problem of colonialization is this: long after Lord Lugard and co. left, we are still using their yardstick to measure ourselves by.

 

6.
My dentist is situated on the third floor of an edifice that once showed promise because of the elegance of the architecture, but the building is aging and in need of fresh leadership. I wait in the reception where magazines make the clock tick faster.
“Mrs Timi? The dentist is ready for you.”
In the examining room, the dentist’s assistant makes small talk.
“It’s not Mrs Timi,” I begin, it’s Miss Timi.”
She beams, “You will soon get married, in Jesus name!”
Because her underlying assumption concerning my desires bothers me, I lecture her mildly on the broad aspirations of women beyond Cinderella dreams. “You don’t even know me. Why did you not say, you will soon get a better job?”
“But don’t you want to get married?”
“I do, but—”
Ehen! You will soon get married, in Jesus name!” she ends her prophecy on a high note, smiling as she lowers and reclines the chair for me to sit.
“Amen,” I reply. I know it is futile to explain my point any further.

 

7.
The walls are white as are the rattan chairs arranged in a loose formation for intimacy. My girlfriends and I were sipping our drinks and trying to gist despite the music booming from the speakers. I am convinced that Nigerians are loud because our eardrums are traumatized by music that drowns out our voices. Suddenly a photographer appears.
“No o! I don’t want my photo on Facebook or Instagram,” I protest.
He convinced us that he would email the photos to us and they would not be shared on social media. We posed and posed again. Our photos now grace the Facebook page of the bar. In Nigeria, we say, awoof dey run belle, which loosely means, freebies can kill you.

©Timi Yeseibo 2016

Boubou: a kaftan worn by women.
Okada: commercial motorbike used for transportation.
You don see okada stop here before?: Have you ever seen a commercial bike stop here?
You nor know say dis ting na for motor?: Don’t you know that this thing is for cars?
De house big?: Is the house big?
E big well well, well well: It is humungous.
Tokunboh: A second-hand or fairly used item.

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hands That Bind

hands-that-bind

1.
The girls in my dorm sang Shakira’s Whenever Wherever, as someone drummed on a wooden surface. I stood in the middle of the room twisting my waist, when from the window, we heard, “Will you keep kwayet!” We paused but did not keep quiet. We whispered, “Will you keep kwayet,” to each other, mimicking the voice of the matron on night patrol, and stifling laughs. After she walked away, we resumed business. It was still my turn to dance. In that moment, I overcame my self-consciousness and danced with all eyes on me. I rarely dance in public because I still feel self-conscious. But when I do, I remember that night in secondary school and I feel light and free.

 

2.
In this photograph, we rest our heads against each other’s, you in a blue swimsuit; me in black, at Tarkwa Bay Beach, where the waves roll and froth like white foam. We roomed in the same dorm in junior secondary school; bunk beds joined so we lay side by side, the ceiling nearer us from our top bunks. While others slept, we traded stories, gossip, and laughter. You are in my earliest memories of holding hands. Sometimes, while others went to the dining hall for dinner, we took long walks, hands laced together at fingers and talked the way teenagers do: in earnest and in jest. You are the reason holding hands has become a lifelong habit. I peer at the picture once more. Even in the water, my right hand is on your elbow.

 

3.
One night in our first year in the university, we dressed up and headed to a room full of teenage bodies pumping hormones and loud music coaxing hands into the air. I was dancing with a guy when another guy stood behind me. In seconds, I was sandwiched between two sweaty, gyrating bodies. My eyes searched for her across the room. There. Also sandwiched between two guys. Our eyes met. We slipped away from the crowd. Side by side, we sat outside, silence wedged between us. Cool breeze brushed against our skin as trees swooshed around us, and above us, the big moon watched.

 

4.
I used to tell my friends, “If you’re going to sleep on my bed, your legs have to be clean,” and they could not understand why dirty feet irritated me so much. One night, in my room off campus, three of us sprawled out on my small bed and talked about the future, how our hard work would translate to wealth and travel. We promised to make time to hang out no matter how busy our lives became. Someone was supposed to sleep on the other bed across the room, but when I woke up, it remained neatly laid. Perhaps our tangled limbs heralded the future we had planned hours before, the connections we would always share. For once, I didn’t mind seeing dirty feet on my bed. Maybe I even smiled.

 

5.
Back then, physics and chemistry tried to make school frustrating for her. I didn’t know what it felt like to pour effort into something and not get the desired result. When she cried, I held her, wishing I could share my good grades with her. After secondary school, we proceeded to different universities. When we met again, she asked me about school.
“I haven’t been doing very well,” I replied.
She looked at me for an infinitely revolving second, “What happened?”
I shrugged, “I don’t know.”
She held my hand, “Kemi, you have to do well.”
I didn’t know what to say, but I knew she understood this kind of struggle and heard my unvoiced frustration.

 

6.
For weeks after we broke up, I didn’t tell my friends. All I wanted was to heal from this thing I mistook for love. Then I told them.

What? Is he out of his mind?
How could he have done that?
Kemi, you have to let go, that guy never even deserved you in the first place
.

Two years later, she still says, “He’s such an asshole.” I want to reply, “Babe, relax. I’m long over it,” but I smile instead.

 

7.
On one of our evening walks in senior secondary school, I asked you about your biggest fear. “Old age,” you said, “wrinkles, shaky knees, and dementia, that’s scary.” I imagined myself, grey and waddling to my favourite chair in the living room, but I was not afraid. My biggest fear is getting old and looking back at empty years of tedious inaction, never having achieved what I was created to do, and wondering if memories of Shakira’s Whenever Wherever, are phantasms sent to tease me.

© Kemi Falodun 2016

Kemi Falodun loves words and fine sentences. She writes short stories, essays, and occasionally, book reviews. She blogs at KemiFalodun.

 

Photo Credit: AdinaVoicu/ https://pixabay.com/en/hands-friendship-unit-together-1445244/

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Out on These Limbs

limbs

1.
I came to like football as a careful choice unlike many of my friends for whom the sport was a natural favorite. Growing up, the sport that came to me naturally was basketball. Of course, there was wrestling from TV that I tried out with my younger sibling, which earned me a chipped tooth and sprained wrist, but B-Ball was the sport I played in my sleep. I bought illustrated books on basketball and stayed up late during NBA Nights on TV. I watched movies like Blubber, Love and Basketball, and Like Mike endlessly. I became friends with Akin, the tall but otherwise uninteresting guy and later, Babs, the lanky Hausa boy who opened his mouth to reveal brown teeth and bad English, because of B-Ball.

 

2.
Akin brought the first basketball to school and made those interested practice in the school hall during mid-day breaks. In three weeks, our number dwindled to five. B-Ball proved difficult, particularly avoiding traveling, the game rule violation everyone but Akin and Babs committed repeatedly. Still, I stayed after school to practice throws, which I was good at, especially throwing from the left side of the hoop.

 

3.
“Maybe we should play with Loyola College sometime,” Akin said one day after break-time. He talked in an offhanded manner, leaving a listener to decide what was serious, and what wasn’t. I stopped coming to practice after that day. Babs cornered me to find out why.
“I don’t like how I have been sweating and having to wash my uniform all the time,” I told him, stealing glances at his legs.
He had spindly legs like mine, only fairer and straighter. I didn’t want to tell him the thought of stepping into another school in shorts—my legs exposed and defenseless—was enough to give me a migraine. It was not going to happen.

 

4.
I found I could play football with a pair of jogging pants if I wanted to. Then, I found I couldn’t play real matches with jogging pants, except as a goalkeeper. So, I became a goalkeeper.

 

5.
When I was called up to stand in front of my secondary school assembly and announced as the male senior prefect, I imagined that the sea of eyes staring at my bony legs, sticking out underneath my blue shorts, zoomed in on every hair follicle. The next week, I had two pairs of shorts made. The new pairs were a couple of inches longer than my former knee-length pairs. Everyone called me three-quarters head boy. Standing in front of a mirror, my legs, sticking out from mid-calf to ankle, did not look so thin.

 

6.
At NYSC camp, I always looked forward to evenings and weekends when I could wear my long, oversized, khaki pants. On weekdays, I pulled down my small shorts until they grazed the edge of decency. I sat in the middle row during boring lectures from NGOs and prospective employers and stayed away from crowded places like the mammy market, where a drunk corps member could spew remarks about my broomsticks legs.

 

7.
Earlier this year, a female friend saw my lower legs because I was reclining and stretching my feet.
“You should wear shorts, Akintunde, you have really fine legs,” she remarked.
That day, I ordered a wine pair of combat shorts in size 30. I drove to work wearing a gray T-shirt over the combat shorts and a pair of brown ankle boots the day after the shorts arrived. I strutted into every office and later in the afternoon, strolled down the busy road in front of the office, saying hello to a couple of people. I stared back at the faces whose eyes lingered on my form, their approval or disapproval notwithstanding, and smiled consciously. I couldn’t drive after work so I took a total of four cabs en route home, transiting at busy terminals. The fascinating glances I received from homebound commuters made me wonder if I hadn’t been saved by my car in the morning, if my comfortable denim pants wouldn’t have been the better choice. That evening, my youngest brother came home from school and threw me a mock salute when he saw my outfit. When he was leaving three days later, I gave the combat shorts to him, packed in the plastic bag in which it had come.

 

© Akintunde Aiki 2016

Akintunde Aiki is an engineering apostate who currently finds joy in beautiful writings. He thinks Friday is the best day and November the best month. He loves all shades of the color blue. If he can get off the internet more, he’ll probably write a book. He blogs at Koroba.

 

Photo credit: Unsplash/ https://pixabay.com/en/feet-boots-filling-cabinet-legs-1246673/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Music, Love, and the Occasional Heartbreak

music-headphones

1.
This is how I know I have fallen in love; I listen to Toxic over and over without grimacing, I croon …with the taste of your lips, I’m on a ride…, with feeling and his picture on my mind, then I flip my imaginary blonde locks the way Britney Spears does in the video. Sometimes, Rihanna reflects the true state of my jumbled emotions—those surges of oxytocin we call falling in love. I find myself hunting for, the only girl in the world, and singing along with the gusto of a drunken man. I know then that it is futile to deny that my feet are wet while the waves carry me from shore to pulsing sea.

 

2.
I was born to two Lionel Richie fans, although one was more passionate than the other was. My earliest memories are of my younger brother and me boogying on the sofa and table to Dancing On The Ceiling and of longing to be grown-up and independent as I listened to Easy. Now I wish I’d stayed a child for longer. Adulthood is not the easy ride it seemed to be in the days when I longed to do everything by myself, to be free to make decisions that affect my life, and to marry Lionel Richie or Daniel Wilson if I could not land Lionel. Daniel Wilson’s Raggamuffin made me think of swashbuckling adventures. I do not know why I thought that as a five-year old, I am just glad I did not develop a thing for bad boys.

 

3.
The first time I fell in love, I was eleven years old. It was at a Cowbell Maths Competition Gala and he was singing Careless Whisper. I could have followed him to Jupiter if he’d asked, however my father and his stern look would have frozen my legs and stopped me from following the summons of my achy-breaky heart. I have never forgotten him. Today when I listen to jazz, I wonder who he was and where the tides of life have tossed him. When I listen to either version of Careless Whisper (George Michael’s or Dave Koz’s), I can’t help wondering if his voice was as good as I remember.

 

4.
I broke up with my first boyfriend in a mostly deserted lecture hall at 4 a.m. after listening to James Blunt’s, Goodbye My Lover. I knew as I listened to the song for the first time that what we had was no longer viable. I do not for a minute regret ending that relationship and when I hear the song, I smile and think of him. I fell in love with my next boyfriend two years after we’d started dating. Bob Marley’s Is this love, blared from the speakers of the bus taking us to the park where I’d board a Lagos-bound bus. He sang along, his husky voice breaking and his eyes closed. He wasn’t singing to me but my foolish heart somersaulted as he sang and when my love meter clanged in warning, it was too late.

 

5.
Cher and Gloria Gaynor held me close and wiped my tears when he shattered my heart with spectacular precision. Believe and I will survive saved my sanity and even my life. When people say a song is just a mixture of words and rhythm, I want to punch them so bad. Music is spirit and pain and life and joy and all the things in between.

 

6.
Neither Josh Groban nor Aloe Blacc thought of me when they wrote Brave and Wake Me Up respectively. However, I wouldn’t have started a blog if I hadn’t listened to those songs as though they were water in the barren desert that was my soul. The lyrics inspired me to take this writing thing seriously and to trust the voices in my head and heart to lead me right across computer or phone screens and through life.

 

7.
I am the woman who goes to work with Phyno on both sides of my ears. His song, Oringo, transports me to a party for one, the rhythms from the east of the Niger River—my ancestral tom-toms—call the wild spirit I have restrained for too long. This is how I know I am free; I am on stage and the crowd is humming a cover of Bruce Springsteen’s Born To Be Wild. No, I am dancing to work and inviting interested stares although I have no blond locks to flick. My headphones trap the sound that come from Phyno’s heart. Maybe today, you will finally tap my shoulder and say, “Hello, it’s me.”

© Adaeze Ezenwa 2016

Adaeze Ezenwa lives in Lagos where she dodges traffic and fantasizes about becoming a billionaire before turning 35 and eating dodo daily without gaining weight. She rents a patch from WordPress at Emporium of Words, and her door is always open for conversation.

 

Photo credit: Spinheike/ https://pixabay.com/en/london-oxford-street-headphones-116018/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Seven Colours from My Life

colours

1.
Amber is the colour of HB pencils. One morning, in the year I was five, I returned from our neighbour’s house where we grind beans for akara and moi moi and sketched the grinding machine I saw there. My dad’s sister raved about the drawing and adjudged it an excellent reproduction. She rewarded me with two HB pencils and one eraser. These were not the last accolades I received for my art.

 

2.
Baby blue is the colour of my mom’s cooler. On a Visiting Day in junior secondary school, I took some of the jollof rice my mom brought for me to the hostel. My five friends flocked around and in-between jollification and smacking of lips, intoxicating praise for the jollof streamed into my ears. Three of these friends lived in Lagos. Zaria was too far-off from Lagos so their parents never honoured Visiting Day. The next term, my mom journeyed from Kaduna by bus with her big cooler of jollof rice for me and my crew. The image of my mom walking with the cooler on her head, and a Bagco Super sack of provisions clutched in her hand, stays with me.

 

3.
Brown is the small scar on my mom’s palm. Books, television, and the sound of music made me a wandering kid who always yearned to recreate something wonderful. Many evenings bloomed and withered as I combed garbage dumps for milk cans and precise colours of slippers, from which I fashioned wheels, Ludo seeds, and hockey balls. I ended my quests, each time, looking scruffy, and spankings by my mom’s palms remained the consistent punctuation to homecomings. In my mid-twenties, my mom revealed the real reason behind her anger. It wasn’t her supreme aversion to uncleanliness. Each time I strolled home looking like a pig, I reminded her of her days as a little village girl.

 

4.
Copper is the skin tone of my girlfriend. We were whatsapping one day and then:
*Ping* Why do you like me?
You pinch me. Sometimes. And it hurts until I laugh.
 I typed the last of nine answers to her question.
She replied with thirty reasons why she likes me. I have emailed them to myself for safekeeping.

 

5.
Yellow is the colour of egusi. The day we overcame our reservations and ate at Mama Favour’s spot, we sat in the open air, on an unstable bench, battling impolite flies and smoke from smoldering firewood. Her pounded yam and egusi was delicious. Incredibly cheap too. So cheap that we did the math three times to make sure we weren’t short-changing her. Two years on and Mama Favour has two roofed bukkas now. My best friend and I, and the other friends we have shared the gospel with, are still her customers.

 

6.
Porcelain white was the colour of Aunty Ramatu’s teeth. To the delight of my parents and we kids, her visits to our house were seldom without a jerrycan of kunu and sticks of sugarcane stuffed in a Bagco Super sack. In September, I visited Aunty Ramatu at the hospital. Her only surviving child laughed at a joke I cracked, revealing white teeth. I marveled, turned to her mother and discovered, as she too laughed, weakly, that her teeth were also white. Aunty Ramatu was discharged from the hospital two days later. In October, after contending with a terminal illness for more than fifteen years, she ascended from our realm. Your kindness and laughter will always be remembered, dear aunt. Rest in perfect peace.

 

7.
Red is TED. “Did you read Chimamanda’s 9K words essay?” read Mimi’s IM on WhatsApp. I hadn’t. She whatsapped the link. I read and found it articulate, inspiring, and instructional even if I didn’t agree with a number of Chimamanda’s admonitions. The waves of my doubts crashing against the shore of my convictions steered me towards Google. There, I discovered Chimamanda’s TED talk We Should All be Feminists. These days, I wonder if the women in my life will not live richer, fuller lives if we all became feminists. Maybe I am slowly becoming a feminist. Maybe not. Only when I marry, beget and rear a daughter will I really be certain.

© Samuel Okopi 2016

Samuel Okopi loves to sing, design, and fantasize about the future. He believes there is no end to learning and so, for him, every tommorrow is pregnant with new opportunities to inch closer to perfection.

 

Photo credit: nbostanova/ https://pixabay.com/en/pencils-coulored-red-blue-yellow-1654051/

© Timi Yeseibo, 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Named For Love

name

1.
Dad idolised his grandfather, Olutade. He was going to name me after him but his mother thought against it. Dad then opted for the longest rendition of the name: Oluwatomilade. He also named me after himself: Adebayo. Grandmother did not object. And thus, I was called Junior till I turned seven and began to—in retrospect—cringe-worthily inform the adults in my life that I was a senior.

 

2.
Oluwatomilade translates to, God is my crown, or God is enough for me as a crown. As far as spiritual connotations go, it is a compelling name. To wear God or his identity on one’s head should be a marvellous thing and I suppose it is. But I am more enthralled that Dad named me Oluwatomilade because he loved his grandfather, that perhaps he saw him in me.

 

3.
The answer to the question, what does your name mean to you, is it means more to my father than it does to me. That my name means more to him is what my name means to me. That I was named in and for the sake of love.

 

4.
I inherited my great-grandfather and father’s names, mum’s temperament, and grandfather’s head. In my younger years, I was also called Ori as a not-so-subtle ode to the size of my head. My uncle, Sammy, used to sing a song, Ori nla, nla nla, Ori. Big head, big big, big head. At home, at school, at church, three names accompanied me—Tomi, Junior, Ori.

 

5.
My friend, Arike, is obsessed with names. We have spent many minutes of many conversations pondering about the beauty of names, their language forms, meanings, how they roll off the tongue, and so on. She has a substantial list of names locked in memory, to be withdrawn when she brings forth children to this mad world. I think about names too. I like long names. Studying in a foreign land, long names like mine tend to punish the tongues of lecturers. I usually interject with, “Tomi!” to put them out of their misery. They always apologise. I am never offended. In fact, I secretly look forward to it.

 

6.
My brothers call me Tomi but sometimes, Lade. The story of Lade is this. In my senior year at boarding school, one of my roommates farted (I swear it wasn’t me), and as usual, accusations diffused around the room with the rancid sulphur. Ever the introvert, I remained silent, causing a friend to say, “It was Lade.” Lade has stuck since. I like Lade. It reminds me of boarding school, of the times I loathed school and how I grew to love it in the end.

 

7.
When she was still here, mum called me Tomi. But when she wanted to hail me, like Yoruba mothers tend to do, she called me by one of my other names: Bolu, from Moboluwaji. It means I wake up with God. To wake up with God means that God is there in my sleep, shielding me from the terror of night. It means that God is always there when I open my eyes—bad breath, crusty eyes, and all. This is magnificent but Bolu carries the weight of mum’s love. And it is heavy. And yet, ever so light.

© Tomi Olugbemi 2016

Tomi Olugbemi is a poet and student of International Politics. He spends his free time fretting about words and recovering from pessimism. He blogs at tomiolugbemi.com.

 

Photo credit: condesign/ https://pixabay.com/en/board-slate-blackboard-chalk-1614646/

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.