fear

Licking Dry River Beds and Flying Trapeze

~ livelytwist ~ 51 Comments

“What are you afraid of?” He asked.

“Nothing,” I replied, shaking my head as if that would make it true.

I did not think I was afraid. I tried to explain the sense I had, which had nagged me for months, that I was on the threshold of something new. I bolstered my explanation by rambling about the diminishing passion I had for my blog; yes, yes, yes, disciplined focus had kept me going, bla, bla, bla, but . . .  Was it the move or the upheavals or the new responsibilities? What had sucked zest from me, as when the bath plug is lifted, soapsuds disappear suddenly, vooom, down the drain?

If you are like me, you ramble about events—a pause here, a recollection there, an unrelated trivia woven in the mix—walking through the maze that is your life, to make sense of your journey and to ensure you are not speeding away from the, as yet, unspecified destination.

My friends are patient listeners, facilitating my journey with subtle signals from the control tower, never attempting to pilot my plane. My conclusions can only be authentically mine, if I arrive at them by myself.

“Hmmm, so are you licking dry river beds then?”

We laughed at his allusion to the story of a prophet called Elijah. I had heard him tell it more than once.

Elijah was a prophet who once called down fire down from heaven. During a famine, ravens brought him food, and he drank water from a brook. Then one day, the brook dried up because it hadn’t rained in ages. The way my friend tells it, Elijah had a few choices. He could remain at the brook, licking up every last molecule of water from the riverbed because he had been divinely sent there. He could even attempt to command water to gush, geyser-style from the riverbed; after all, he wielded power. Or, he could open his heart to embrace something new.

My friend was asking me if I had become stuck in my comfort and safety zone.

“You know that when Elijah left the brook, he went on to provide food for not only himself but also a widow and her son. That’s greater relevance and impact,” he continued.

I nodded. “Yeah, yeah . . .”

“So what are you afraid of?”

“Em . . . Elijah knew exactly where to go next. I’m not so sure. I stop my blog, then what? Twiddle my thumbs?”

“You can never be idle, Timi.”

“True, but you see what I’m saying . . . right?”

“Have you ever watched trapeze artists?”

“Acrobats? At a circus? Sure. They’re graceful, beautiful to watch.”

“They have to leave one bar then swing in the air to catch another. So imagine this . . . a trapeze artist . . . he’s holding this bar,” my friend clenched his fist. “As long as he’s holding it, he can’t swing and catch the new one—”

“I see it!”

Now, it was his turn to nod.

I was like a trapeze artist holding one bar with one hand while reaching for another with the other hand. I looked ungainly. My balance was suspect. I was likely to fall. Trapeze artists have more faith that they will catch the new bar than faith that they will fall.

“Wait wait wait. But don’t they have a mattress or spring board underneath? Aren’t they legally required to have some security? Hmmm, let me google it . . .”

He smiled; perhaps at the way my mind works.

“But you have security Timi. You’ve always had security.”

If you fall, I’ll be there. – Floor  🙂

P.s. 1. This is what I googled instead:

P.s. 2. April marked four years of blogging at Livelytwist, a success story that has you, dear reader, by my side. Now it’s time for new adventures and to stop  blogging. I’ll be writing about this in the weeks to come.

©Timi Yeseibo 2017

Photo Credit: https://web.facebook.com/bizzarreart/photos/a.262015740857231.1073741828.262003347525137/439234606468676/?type=3&theater

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Loss is Present Continuous

~ livelytwist ~ 32 Comments

‘Pemi Aguda on Loss

My story of loss is a story of los–ing. It is a story of the futility of will, and the limitations of drugs against the stubbornness of genetics, of body.

I start to write this story in my head while staring at myself in the mirror, combing Cantu-covered fingers through wet hair. As yet more strands of hair with white bulbs at their roots, which confirm closed follicles, leave my scalp, I know that I want to write about losing hair, the continuous loss of it.

Balding is a word I’ve come to love. Okay, like. It is not a kind word. Like the cold probing instrument in the hands of my trichologist, it zooms in so my scalp resembles a desert on the monitor, and it leaves no place to hide. Balding lacks the soft landing of hair loss, which is gentle in its s-es. As the tongue leaves the upper palate on the second syllable in bal-ding, friends flinch, and you might find yourself recoiling from the widening patches of gleaming smooth scalp.

In losing hair, you will meet your insecurities on the street. You will come nose-to-nose with the monster of your vanity. Your fears will move into the apartment next door with ashy bald heads, ears pressed to the thinning wall, waiting for your next sigh. You might even find yourself shifting to the second-person point of view mid-paragraph. Anything to distance yourself.

I have met the indignities of fighting hair loss. Rubbing onion juice and foul-smelling concoctions on a situation that my mother’s head, my grandmother’s head, and the trichologist’s report tell me won’t change. And yet the irony is that I reacted to expensive Rogaine with a face full of hair so that for the first time in my life I was worried about too much of that furry substance—multiplying on my legs, darkening my arms, lowering my hairline . . .  it grew everywhere but where I wanted it.

I want to say that I’ve found freedom in this losing. Like the woman who empties her savings and travels the world on hearing she has a month left to live, it would be nice to say I’ve gained some irreverence in styling my hair. That I now dye it in a range of colours that would make my mother clutch her heart. But no. Within this stubborn body is still a wishful soul.

In a way, every story of loss is a story of losing; it never ends. Scalp where hair used to be; pillow where a head used to be. But in the roots of the stubbornness of body is also the resilience of body. You will maybe hurt less every day and my hand will rise less and less to my scalp, searching.

I’m losing, but I’m adapting. What I see is that despite the futility of will and the limitation of drugs, adapting is a way for my stubborn body, not yet thirty, to forgive itself for its own shortcomings.

  1. Cantu – Brand of hair care product; conditioner.
  2. Rogaine – Minoxidil; slows hair loss and promotes hair regrowth.

© ‘Pemi Aguda 2017

‘Pemi Aguda writes short stories and flash fiction that have been published here and there. Her short story Caterer, Caterer won the Writivism Short Story Prize 2015. She co-curates the website, Nik-Nak.co

 

©Timi Yeseibo 2017

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

A Portrait of Success

~ livelytwist ~ 47 Comments

 

abstract thought

Open, by Andre Agassi, has been lying on my makeshift mantelpiece bookshelf for over three years. Although I’d monitored the brouhaha that followed its release, the “convenient openness” of Agassi revealing that he’d lied to the Association of Tennis Professionals, ATP, about a failed drug test in which he tested positive for crystal meth, I bought the book because of the good reviews. Thereafter, life happened to me and it ended up in my to-be-read-one-day-I-hope pile.

After I stopped jogging because of a foot injury, I did not think that resuming and gaining momentum would test my resolve. Every day, my body lies to me, but experience tells me the truth—you’ve done this before, and you can do it again. Maybe that’s why the autobiography of a retired star tennis player calls my name.

I start reading in the evening and slip in my bookmark at midnight because my alarm is set for five. Later, I eat lunch with a fork in one hand and the book in the other. Someone asks what it’s about. “Passion, failure, triumph, love, identity,” and as an afterthought I add, “it’s about a former tennis player.” I find, as the New York Post’s praise for Open states, it is, “Much more than a drug confession—Agassi weaves a fascinating tale of professional tennis and personal adversity. . . . His tale shows that success is measured both on and off court.”

The book alerts me to the problems of young success and for one moment, I am wary of success, (the endless practice, to what end?), although I have been chasing it all my life. Neil Gaiman said, “The problems of failure are hard. The problems of success can be harder, because nobody warns you about them.1” Perhaps this is how Agassi felt after winning Wimbledon. He writes, “I feel, in fact, as if I’ve been let in on a dirty little secret: winning changes nothing.2”

I could roll my eyes at Agassi and say, “Oh yeah? Hand over all your Grand Slam cheques please!” However, I think about everything I’ve ever wanted, worked hard for, and received or everything I’ve ever wanted that came easy for that matter. How long did the euphoria last? Some say success, is not a destination, but a moving target.

And so, I keep turning pages. I am an umpire in Agassi’s undulating journey, urging him to find his way, as if to reassure me that I too can find my way. Some stories are not ours alone. It is the reason we should not stop telling.

Agassi meets a restaurant manager, Frankie, who makes an impression on him. He arranges a nest egg to help Frankie lighten the burden of educating his kids. Agassi writes, “Helping Frankie provides more satisfaction and makes me feel more connected and alive and myself than anything that happens in 1996. I tell myself: Remember this. Hold on to this. This is the only perfection there is, the perfection of helping others. This is the only thing we can do that has any lasting value or meaning. This is why we’re here. To make each other feel safe.”

Oprah Winfrey, Bill and Melinda Gates, and many others, have committed huge sums to their private foundations and other charities. Why? Tax planning benefits and positive branding? Maybe. Maybe not. But, Tutankhamun and other Pharaohs may have reached the afterlife, and looked around in surprise because their treasures still lay in the pyramids of ancient Egypt, waiting for thieves to loot. The moral of the story? Spend your money on earth!

A common thread weaves through the interviews I’ve read of successful people in their twilight years. While success has conferred many advantages and brought satisfaction, greater fulfilment has come from investing in others.

As I return Open to the bookshelf, I am convinced of what I already instinctively know—this kind of success is not to be feared, it is to be understood.

 

©Timi Yeseibo 2014

  1. Neil Gaiman: Keynote Address 2012, The University of the Arts in Philadelphia. http://www.uarts.edu/neil-gaiman-keynote-address-2012
  2. Agassi, Andre, Open, An Autobiography (New York: Vintage Books, 2009), 167.
  3. Ibid., 230.

Image Credit: Ty Carlson @CreationSwap: http://www.creationswap.com/media/1553

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.