Much Ado About Something

lagos-airport-night

The man seating across the aisle from me is what Nigerians call Kora, which loosely means that he hails from somewhere in the Middle East—Lebanon, Syria, Israel.

“Excuse me, excuse me,” he calls to the flight attendant. “Can I use the toilet over there?”

He gestures to the business class section, which will be cordoned off with curtains after the airplane takes off and reaches cruising altitude.

The flight attendant says, “There is a toilet over there,” and points down the aisle.

The man and I are seating on adjacent sides of row 11, immediately behind the curtains that define our class; those seats with a little more leg room and no trays.

“But that means I have to go to the back.”

He speaks with a Nigerian Pidgin accent. I place him as Lebanese. Many Lebanese families have been in Nigeria for generations.

The flight attendant is quiet, his expression stoic like a doctor.

“What’s the difference? Is it not the same toilet?” the Lebanese man turns his hands so his palms facing upward, are asking the questions too.

“It’s for the business class passengers sir.”

My view is limited, but the business class section looks empty and passengers have stopped entering the airplane.

“Yes, but what’s the difference? Is it not the same toilet?”

“Sir, you can use the toilet at the back.”

“That means I have to walk all the way to the back. This one is closer.”

The Lebanese man places emphasis on the word all, in a way that reminds me of how petulant teenagers roll their eyes. I peg him at between 47 and 52 years old. His stomach strains against the buttons of his white shirt and his hair is mostly grey with silver highlights.

He looks at me, maybe because I have been following the conversation, but I look away. Although I am fully Nigerian, I have no desire to moderate the debate.

The flight attendant adjusts a bag in the overhead luggage compartment. It seems like a passive way to deal with a belligerent child.

“The toilets in the back are cleaner than those in business class, sef,” the man tacks this sentence to the conversation, like an insult.

It should provoke a reaction, but it does not. The overhead luggage compartments demand so much of the flight attendant’s attention.

He continues, “I have been waiting since 9 in the morning for my flight. You people are just useless.”

My 13:30 flight was also grounded. All Lagos-bound passengers finally boarded this 18:30 flight. I commiserate with him.

Communication is like dance and grouse takes many forms. If a man asks a woman, what’s wrong, and she answers, “Nothing,” he knows that something is wrong. The toilet, business class or economy, is not the problem here.

“I’m very sorry about that sir.” The flight attendant’s voice has a professional inflection, sympathetic but detached.

“Sorry, sorry. Take your sorry. I don’t need it!”

Minutes later the flight attendant demonstrates the safety instructions coming from the airplane’s public address system. Twenty minutes into the flight, the man ambles down the aisle, all the way to the back, to the toilet. The flight attendant serves refreshments. The man gists with his travelling companions in Lebanese.

I am still rolling their conversation over in my mind, intrigued by it because of something I once read: two monologues do not make a dialogue.

What if the man had started out by stating his displeasure over the delayed flight and the inconvenience it caused, explaining his tiredness because of waiting all day in the airport, before requesting to breach protocol, would the outcome have been different? 

But in Nigeria, to be polite is to be weak and to be aggressive is to be right.

 

©Timi Yeseibo 2017

 

Photo credit: Photo credit: artforeye via Foter.com / CC BY-SA

 

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Hands That Bind

hands-that-bind

1.
The girls in my dorm sang Shakira’s Whenever Wherever, as someone drummed on a wooden surface. I stood in the middle of the room twisting my waist, when from the window, we heard, “Will you keep kwayet!” We paused but did not keep quiet. We whispered, “Will you keep kwayet,” to each other, mimicking the voice of the matron on night patrol, and stifling laughs. After she walked away, we resumed business. It was still my turn to dance. In that moment, I overcame my self-consciousness and danced with all eyes on me. I rarely dance in public because I still feel self-conscious. But when I do, I remember that night in secondary school and I feel light and free.

 

2.
In this photograph, we rest our heads against each other’s, you in a blue swimsuit; me in black, at Tarkwa Bay Beach, where the waves roll and froth like white foam. We roomed in the same dorm in junior secondary school; bunk beds joined so we lay side by side, the ceiling nearer us from our top bunks. While others slept, we traded stories, gossip, and laughter. You are in my earliest memories of holding hands. Sometimes, while others went to the dining hall for dinner, we took long walks, hands laced together at fingers and talked the way teenagers do: in earnest and in jest. You are the reason holding hands has become a lifelong habit. I peer at the picture once more. Even in the water, my right hand is on your elbow.

 

3.
One night in our first year in the university, we dressed up and headed to a room full of teenage bodies pumping hormones and loud music coaxing hands into the air. I was dancing with a guy when another guy stood behind me. In seconds, I was sandwiched between two sweaty, gyrating bodies. My eyes searched for her across the room. There. Also sandwiched between two guys. Our eyes met. We slipped away from the crowd. Side by side, we sat outside, silence wedged between us. Cool breeze brushed against our skin as trees swooshed around us, and above us, the big moon watched.

 

4.
I used to tell my friends, “If you’re going to sleep on my bed, your legs have to be clean,” and they could not understand why dirty feet irritated me so much. One night, in my room off campus, three of us sprawled out on my small bed and talked about the future, how our hard work would translate to wealth and travel. We promised to make time to hang out no matter how busy our lives became. Someone was supposed to sleep on the other bed across the room, but when I woke up, it remained neatly laid. Perhaps our tangled limbs heralded the future we had planned hours before, the connections we would always share. For once, I didn’t mind seeing dirty feet on my bed. Maybe I even smiled.

 

5.
Back then, physics and chemistry tried to make school frustrating for her. I didn’t know what it felt like to pour effort into something and not get the desired result. When she cried, I held her, wishing I could share my good grades with her. After secondary school, we proceeded to different universities. When we met again, she asked me about school.
“I haven’t been doing very well,” I replied.
She looked at me for an infinitely revolving second, “What happened?”
I shrugged, “I don’t know.”
She held my hand, “Kemi, you have to do well.”
I didn’t know what to say, but I knew she understood this kind of struggle and heard my unvoiced frustration.

 

6.
For weeks after we broke up, I didn’t tell my friends. All I wanted was to heal from this thing I mistook for love. Then I told them.

What? Is he out of his mind?
How could he have done that?
Kemi, you have to let go, that guy never even deserved you in the first place
.

Two years later, she still says, “He’s such an asshole.” I want to reply, “Babe, relax. I’m long over it,” but I smile instead.

 

7.
On one of our evening walks in senior secondary school, I asked you about your biggest fear. “Old age,” you said, “wrinkles, shaky knees, and dementia, that’s scary.” I imagined myself, grey and waddling to my favourite chair in the living room, but I was not afraid. My biggest fear is getting old and looking back at empty years of tedious inaction, never having achieved what I was created to do, and wondering if memories of Shakira’s Whenever Wherever, are phantasms sent to tease me.

© Kemi Falodun 2016

Kemi Falodun loves words and fine sentences. She writes short stories, essays, and occasionally, book reviews. She blogs at KemiFalodun.

 

Photo Credit: AdinaVoicu/ https://pixabay.com/en/hands-friendship-unit-together-1445244/

 

©Timi Yeseibo 2016

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.