Writers Resources

We carry stories with us. As a child, my nanny told me that if I looked at the mirror at night, I would see ghosts. Then she shared ghost stories, which cemented fear in my heart. I would spend the next several years sleep walking into the bathroom at night with my right hand averting my face, my eyes, from ghosts floating on the mirror. The myth shattered at eighteen. But, every night since then, I pause at the mirror before I sleep. Stories can intervene in myriad ways.

Storytelling has been enjoying a public renaissance; it’s a buzzword that makes me smile. Consultants are teaching CEOs how to embed business data and technical information in a good story to keep audiences from yawning. Ha, I know what my next job should be!

So what have we discovered about storytelling that my great great great great grandmother didn’t know? That when we read, listen to, or watch the right stories our brains light up with cortisol, which focuses our attention, and oxytocin, which causes us to care and connect. That the right stories follow Gustav Freytag’s analysis of dramatic structure, aka, the dramatic arc.¹

Speaking on UCF’s On the Issues, author Chris Abani said, “Everything we need to know about ourselves is already contained in literature. Most of us writers today, we’re sort of clever plagiarists. If you think about[sic] in many ways, all of the holy books from the Bhagavad Gita to the Bible, have covered all the stories that need to be told.”² It would seem there are no new plots just deviations from the originals.

Why then, since we know the science and art of storytelling, do we lean forward in our seats, with one hand frozen in the popcorn carton and lips parted in an O, the shape left by the straw we abandoned? Why do our hearts race as if Tom Cruise has ever died in a movie? Because a story is an unwritten promise by the storyteller that he’ll take you there and make you care, in the end.

If story mirrors life and life mirrors story, then our lives play out this way as well, scene after scene, chapter by chapter: a beginning, which comprises exposition and rising action, a middle where conflicts peak, and an ending with falling action and dénouement. Each story that captivates us leaves us wondering and longing and hoping that the end will be good, so we can interpret the omens of our lives favourably.

History is a compilation yesterday’s stories. The best stories from the past make me desire transcendence since my life is a search for my own story. If I find it, my storytelling becomes the vehicle to transport you into my world so you can experiment with the possibility that your world can shift to accommodate mine. Someone said that the test of a great story is what people remember about you when you stop talking. If you want me to learn something quickly, wrap it in a story.

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P.s. What do you remember? No, don’t reread, for crying aloud, this is not an exam just an experiment without compensation! Please comment on what you remember. Or never mind . . .

©Timi Yeseibo 2014

Zak, Paul J. How Stories Change the Brain. The Greater Good Science Center at the University of California, Berkeley. http://greatergood.berkeley.edu/article/item/how_stories_change_brain, (accessed October 5, 2014).

“On The Issue – Author Chris Abani,” YouTube video, 6:05, posted by “UCF,” January 27, 2009. http://www.youtube.com/watch?v=9Eg4XmK4k6A

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I write because I have something to say. I write with intention. I write to inform and to amuse. I write to inspire conviction that provokes movement, because words are not empty. I write because I can.

I do not write for fun. I watch romantic comedies for fun. I read a novel with a wicked plot for fun. I walk on the beach for fun. I cycle through the woody paths of the Veluwe for fun. I don’t write for fun, however writing can be so much fun.

I write because I like challenges, the challenge of taking something ordinary and giving it wings to fly like a kite in the wind. Watching it sail, I ooh and ah as its colours change. Then I ooh and ah again as I see through your eyes, the medley of colours in the comments you leave behind.

I write because I want you to read what I write. When people say that they write for themselves and not for others, and then publish the writing that they wrote for themselves on a blog for the world to see, the irony does not escape me. I write because it matters to me that you read what I write. If it did not matter to me, I would write in my diary.

I write because I enjoy reducing the tedious emails that nearly nobody reads and a few skim, to bullet points that everybody reads. I write because I love to k.i.s.s. (keep it so simple), and make up, that is, stretch a story to breaking point to test the limits of its elasticity. Snap! And start again.

I write to discover myself. As my thoughts change to words, I see who I have been, who I am becoming, and who I might be. I write because my interaction with the world makes sense when I draw it in word pictures. Blue means peace and green means fruit. If I could not write, I would paint. And if I could not paint, I would sing. I would croon ballads about the fact that I cannot write.

I write because I have time. I write because I make time. I write because I lose time when I write. Minutes tick and become hours and hours race into days. I write because it is easy for me to write. I write because I hear words and phrases in my mind. I write because I dream, lofty dreams about never-never land, perfect rag dolls, and vintage family portraits

I write because the gift chose me. I write because I discovered the gift when I wasn’t looking. I write because writing adds value to my life, turning my whispers into loud cries, enabling me to stand tall on crouched knees. I write because the gift continues to unfold with surprises in store.

Mostly, I write because I can. Why do you write?