Out beyond ideas
of wrongdoing and rightdoing,
there is a field.
I’ll meet you there.
Khaled Hosseini’s book, And the Mountains Echoed, opens with this poem by Jelaluddin Rumi. When I finish reading, I think I know what informed his choice. But what do we really know about each other?
Two sisters, Masooma and Parwana, are sitting on a branch high up an oak tree, their feet dangling. Parwana has always lived in the shadow of Masooma’s exceptional beauty. Life is like that, we are not gifted equally. Beauty is an enormous, unmerited gift given randomly, stupidly1. Parwana is in love with a boy who is in love with Masooma. Life is like that, the heart often wants what it cannot have. Love isn’t always requited in the measure it is given.
When Parwana discovers that, the boy she secretly loves plans to marry Masooma, she shakes the branch and Masooma slips off it. In those seconds of clarity we all have after we set an impulsive destructive course in motion, Parwana tries to save Masooma. Too late. Masooma loses the use of her legs and becomes an invalid. Parwana’s penance is to care dutifully for her sister in rural Afghanistan in the forties. It is gruelling work. Her devotion is one long unspoken apology.
Betrayals play out in different forms in the book. There are tsunamis of cause and effect sweeping through generations. Hosseini, in my view, shows us what is in the human heart. He shows us that . . . human behaviour is messy and unpredictable and unconcerned with convenient symmetries2. I find myself suspending judgment each time. When I read these words, something clicks.
I have lived a long time, . . . and one thing I have come to see is that one is well served by a degree of both humility and charity when judging the inner workings of another person’s heart3.
In each scenario, I ask myself what I would have done. Without the pressure of the moment and with the benefit of hindsight, I weigh my options and choose noble actions. This game I play, read and reflect; it is easy. My life has not been a journey of reasonable actions. I understand every character’s dilemma. I understand their choices even when I don’t approve of them.
Eventually Masooma decides to give Parwana a gift, freedom. She decides to die in the desolate endless expanse of sand and mountains, abandoned on the ground under the darkened sky, cold, and drugged out on a potent mixture from the hookah, with Parwana’s help.
I ponder the nature of Masooma’s gift—freedom, at what cost to Parwana’s conscience? Although she presents it as self-sacrifice, I wonder if it is not self-serving. But such is Parwana’s devotion that she leads Masooma to her death. Of course, the man who Parwana loves, who was in love with Masooma, (but married someone else), is now looking for a wife, having been recently widowed. Can unspoken wishes twist the hand of fate or are we master chess players?
After Parwana reluctantly leaves Masooma to die, trudging back home, she hears something, maybe the wind calling, “Don’t leave me, sister. Come back.”
I tell myself I would go back. Parwana does not. She reasons that nobody will know, just as no one knew about the branch of the oak tree. She has lived with secrets all her life.
For nearly 500 pages, Hosseini shows us the subtexts of our hearts, the subplots that drive our actions, like an onion, he peels layer after layer exposing, in my opinion, our capacity for self-deception. Even with a moral compass, anyone can make black white. The characters are achingly familiar to me.
And the Mountains Echoed, is not about Parwana and Masooma alone. If I have made it seem so, I have done a disservice to Hosseini’s masterful story telling. It is about Saboor, Abdullah, Pari, Nabi, Suleiman, Nila, Idris, Timur, Roshi, Markos, Thalia, and many others, including you and me, a collage of stories linked by strong and weak threads. They have had their time. We have ours now. When the mountains echo, I hope we heed its silent meaning.
Out beyond ideas
of wrongdoing and rightdoing,
there is a field.
I’ll meet you there.
Does such a place even exist?
©Timi Yeseibo 2015
- Hosseini, Khaled, And The Mountains Echoed, (London: Bloomsbury, 2013), 378.
- Ibid., 378.
- Ibid., 124.
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