WordPress 107: How I Write My Blog Posts

June 29, 2014June 29, 2014 ~ livelytwist ~ 48 Comments

I can scribble on the bus, at a party, or in the kitchen, but when it is time to pull my thoughts together, a chair and table lend seriousness to what I do. Although writing brings me satisfaction and can be fun, I do not write for fun. Familiar sound is unwelcome. I cannot let anything or anyone I know compete with the voices in my head. But the strangers at the café? Their conversation is a tunnel guiding me to the place where thoughts reside.

I don’t understand creativity, the neuroscience of it. To write my blog posts, I need an idea or two, or three. Don’t believe me? Just ask Neil Gaiman.

Happy now? So, here’s how ideas and words cross-pollinate and become blog posts on Livelytwist.

Inspiration

Words are the last thing I want to see for I have just spent four hours editing a manuscript. I drag myself to bed at 2 a.m. Ants crawl in the space above my eyes and Paracetamol has had little effect. I hear the words, “Six is just a number,” and understand the meaning, but I close my eyes and snuggle deeper under the covers. I hear the first line, the second, and then the third. I grab my laptop. The words are coming faster than I can type, a deluge. Like one possessed, I write until 2:30 a.m., 900 words of dialogue, and then I reread. I laugh, yawn, and sleep. Later, I email a friend.

“Naughty, naughty, naughty. This will get you in all kinds of trouble,” he replies.

I wish everything I wrote came to me by inspiration. I also wish I played the lottery yesterday and won a million Dollars. Instead, I get dressed, go to work, and collect my pay cheque at the end of the month.

Creativity is piercing the mundane to find the marvelous. – Bill Moyers¹

Blood, Sweat, and Tears

Saturday, one day before publication. Nothing, nothing at all. Experience tempers panic so its waves do not break on my shore and retreat, making everything wet. I pound away at my keyboard like a blacksmith hammering metal sheets into shape—delete, cut, copy, paste. I surf the internet. I read other blogs. I watch TV. I pray. I flip through my T.B.D.L. notebook. I leaf through my experiences and run through my imagination. I write, one sentence at a time, like a child learning to walk. I visit the thesaurus. I employ literary devices. I pull words from the well in me. I push until I reach 500 words. Eureka!

Sunday, I upload and publish. I hold my breath until I see the first like or comment. Then slowly, I exhale. The best writing advice I’ve ever received? Just start and inspiration will find you.

The trick to creativity, if there is a single useful thing to say about it, is to identify your own peculiar talent and then to settle down to work with it for a good long time. – Denise Shekerjian, Uncommon Genius: How Great Ideas Are Born²

The Force of Belief

Something I hear, see, read, or experience captures my attention and moves me deeply. It stews in my mind for days, weeks, months even, and I read what others have to say. I examine my life for inconsistencies as conviction takes root. I determine to do better because what I write will change me. When the thoughts crystallise, a title is not far off.

I write with what I hope is restraint, in a measured tone. I know it will stir readers for it is the force of conviction on paper. It alienates or binds. Only in my response to comments, do I try toe the middle ground, to be gracious. I wrote, I am not What I wear and Other Lies we Tell Ourselves, this way. In a world of muddled grey, black or white can bring pain or gain.

Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people. – Steve Jobs, I, Steve: Steve Jobs in His Own Words³

All this is theory as all three elements are at play when I write, sometimes, one is more dominant than the other two and vice-versa. Some days it is hard. Some days it comes easy. Always, it is rewarding, like chocolate cake after lean meat and vegetables.

So, how do you write, or draw, or make music, or do what you do?

©Timi Yeseibo 2014

Image credit: cartoon figures from Microsoft

The Creative Process, adapted from Julia Quinn’s photo: https://www.facebook.com/photo.php?fbid=10151963920732054&set=a.59952827053.71263.42811462053&type=1&theater

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Finding and Becoming You

June 22, 2014 ~ livelytwist ~ 62 Comments

You start to write this post and your fingers hesitate over the keyboard. One part of your brain wonders when you bought a franchise for Oprah’s Life Class. You wonder about sounding like a preacher, roll your eyes like a teacher, and resume typing with a sigh. Authenticity on a personal blog is sometimes writing what matters to you with your style and in your voice.

The first time you realised you had a distinct writing voice was when you rewrote the foreword of a friend’s manuscript because she asked you to. You’d found it stuffy like a chemistry class about atoms without pictures. You thought that an inspirational book should make readers feel as though they were drinking coffee with the author and talking about life. You transcribed this photo, infecting your words with warmth that spreads from intimate conversation.

Your approach couldn’t have been more wrong for your friend read it, shook her head, and demanded, “Why didn’t you write like you write at work? That’s why I came to you in the first place!”

You stammered, “But that is my job. This is my heart.”

To write from your heart, you must first know your heart. What made your heart go va-va-voom at eighteen is not the same thing that makes your heart race at forty. The heart is always circulating blood throughout the body. You are a constant work in progress. Neutrality is for the dead, the ideas you encounter daily, shift you one way or the other. Oxygen-depleted blood enters the right side of the heart and exits through the left full of oxygen. Yet, the heart sits fixed in the chest cavity between your two lungs. Who you are at your core and the ideas which circulate in your mind will seep from your pen, whether black, blue, red, or green.

To become you, you must find you. Remember when you isolated your baby’s cry in a room full of crying infants or picked out a friend’s laughter in a noisy coffee bar? This is the magic of bonding, of spending hours with someone you love, you! You hear your cry and understand your pain. Healthy self-preoccupation may mean that you are the last to hear office gossip because your internal dialogue is louder and juicier. You are an active participant in the internal narrative of your life, listening, taking notes, sharing feedback, and steering the conversation.

Experimenting within boundaries may cushion failure on the way to discovery. I wrote poetry and gave drama a stint, before I settled on prose. Second chances are about reinventing yourself. You can gift yourself one anytime. If self-acceptance comes before change perhaps change has a better chance of stamping itself on you because your need is raw like desire.

It takes courage to be yourself for when you finally meet yourself, you may not like who you are. When children unwrap gifts at Christmas, they look past their gift to ask others, “What did you get?” The value of the gift received grows or diminishes in comparison to what others received or how others perceive what they received. You also play this game. It is hard not to compare, after all, there is no tall without short. But you can learn to “uncompare,” that is, measure your good against your better, and aim for the best.

The high price of being you is the risk of being misunderstood or rejected. But even in that, there is value to be harnessed. The world isn’t tolerant of plastic bottles that don’t fit in the general assembly plant. Did you know it costs time and effort to create special assembly plants? You put in the time. You put in the effort. Give yourself the gift of you before you offer the world the gift of you. Then, whatever happens, the ground upon which you place your feet will hold you up.

©Timi Yeseibo 2014

Image credit: stick figures from Microsoft

A Few Good Men

June 15, 2014 ~ livelytwist ~ 50 Comments

Movie previews vie for prominence in IMAX theatres as summer calls. The themes are the same though special effects vary. Whether resetting the day to secure a better future in Edge of Tomorrow or fighting for the survival of the species in X-Men: Days of Future Past, the protagonists are ‘ordinary’ men and women juxtaposed in extraordinary circumstances. They earn their place on the wall of fame in our hearts by navigating tough choices and taking the ‘high road’.

They may fall on the way eliciting groans from us or run with injured limbs drawing encouragement from us, but in the end, we discard popcorn cartons and nod to the beat of the song that accompanies the credits. We are looking for heroes and don’t even realise it. Year after year, Hollywood sells us this basic story of redemption, and we say, “Oh yes!” with our Dollars.

The big screen that typifies courage, honour, and integrity is a macrocosm of what a woman’s heart longs for. Sometimes political correctness, feminism, gender equality, etc., educate me to the point that when I place my hands on my chest, I no longer feel my heartbeat. Nevertheless, when darkness causes me to trip, I see clearly.

At nineteen, I chose love that devalued me. Dark alleys and groping hands crumble truth and leave broken hearts. I love you, should be said in daylight so the heat of the sun can scrutinize the lips from which the words pour. Then I met a man who did not kiss the girl and make her cry, although I was ripe for the picking. He said, “You mustn’t fall in love with me, you must reach for your dreams.” A man’s heart can be a safe place for your dreams, because if he believes in you, he will walk beside you and invest in your future.

If women declare unequivocally, “I want a man who will fight for my honour, yes, a knight in shining armour and baby, I’m no pushover, I can certainly hold my own,” then perhaps men will rush to borrow Superman’s cape! Heroism isn’t always glamorous. Countless choices refine what it means to be a hero. Every choice is a ripple in the river of time. Enough ripples, and you can change the tide for the future is never truly set.

Some men look at the dizzy neon lights of the casinos of life and remember that although they once hit jackpot at the slot machines, the house advantage in a game of roulette sets them up for long-term disappointment. They walk past so they can arrive home at six to ruffle Peter’s hair and read Anna a bedtime story; to watch reruns snuggled next to Mary.

They shove their hands into deep pockets when voices rise and tempers boil and even wave a white flag when it is their right to hoist a red one. They let the door click in place because a slam reverberates through the house instilling fear that clings to the occupants in its wake.

Others nurse battle wounds and walk with a limp, a gait at once laudable and laughable, but pay child support like clockwork. They embrace the dawn to polish their dull swords knowing that sheen comes from consistent practice and that just because someone loses his way, it doesn’t mean he’s lost forever.

Fathers, grandfathers, husbands, brothers, friends, sons, nephews, uncles, and cousins, although we do not see you featured in 3D saving the world, we need you to hope again. The curtain is lifted and the spotlight is on you. Don’t be a dying breed.

©Timi Yeseibo 2014

p.s. Ayonfe okon mi, olowo o rimi, this one is especially for you.

The Battle of Testosterone

June 8, 2014July 24, 2016 ~ livelytwist ~ 48 Comments

At the Reunion, I see Emeka for the first time in twenty-five years. We jam shoulders and pat each other’s backs.

“Man, you’re not doing badly,” Emeka playfully jabs the flab on my belly.

“Emeka na you biko! Nna men, you wear forty-six well!”

His clean shave reminds me that my beard is speckled grey.

“I do my best. Lola and the girls nko?”

“They are well.”

You still don’t have a boy right?” His chair scrapes the floor as he moves it to sit.

I take a long sip of my Gulder.

“No boy?” He leans forward in his chair.

I take another long sip of my Gulder. “Not yet.”

Emeka whistles. “Are you guys still trying?”

We exchanged emails about twelve years ago. I’d expressed frustration about not having a male child to carry on my name. Twelve years ago! What gives him the right to poknose now?

Emeka fiddles with his BlackBerry. I stare at nothing as I tap my feet to the beat of Fresh by Kool and the Gang. We have both done well in our careers, why is a male child an additional index of success? Emeka shows me photos of his wife, two sons, and daughter.

“My last son is ten.” He says it as if he won gold at the Olympics.

I shrink in my seat and hum, conversation is going round people talking ‘bout the girl—

“So, how do you keep in shape? You look really good.”

I look at his muscles rippling beneath his fitted t-shirt. I signal to the waiter for another bottle of Gulder.

Emeka pats my arm, “Lola is really taking care of you. She’s goo—”

“I run seven kilometres every weekend.” I brush lint off my shirt as if that’s the reason I’m annoyed. What’s the difference between three and half and seven?

“Really? Why don’t we run together this weekend?”

Four bottles of Gulder makes me say yes and give him the route in Victoria Island where I run.

I arrive early on Saturday and start my warm-up exercises. Emeka parks his Range Rover Sport under an ebelebo tree and promises the boys washing cars some money to look after his car.

“Nna, ke kwanu? Good day for running,” he says looking at the sky.

I mumble and nod.

He looks like Usain Bolt and starts like him. I think this showmanship unnecessary but keep my thoughts to myself.

After about 700 metres, Emeka picks up speed. “Come on!”

I match his pace.

“I know someone.”

“What?”

“Someone who can help with your problem.”

“I beg your pardon?”

“No need for all this oyibo, na me Mekus, your man.”

“Gini?”

“There’s this guy in Oworo. He has a powder—”

“Emeka, what in god’s name are you talking about?”

“To increase the Y chromosome na.”

When I was younger, my mother told me to be careful when I got angry because my yellow skin became red around my ears. “Remaining small and they will catch fire,” she would warn.

The fire spreads from my ears to my chest, and then down to my legs. I pick up speed.

“Man, slow down! Na so?”

The fire burning my legs gets hotter, but Emeka sails past me like a gazelle while his laughter stays behind to mock me. I feel more heat on my feet. Grunting, I overtake Emeka and try to maintain my pace. We pass the three-kilometre mark.

Emeka draws level. “I’m only trying to help because I care.”

He gives me a slap on the back that makes me lose balance. I steady myself and look ahead. Emeka resembles Leonardo Dicaprio in Catch Me if You Can.

“Sh*t!” I spit and the wind blows my saliva back on my face. The fire in my chest is hotter than the one in my legs. My mouth feels dry. I tuck in my head and draw from my reserves. Emeka’s yellow singlet is the prize.

Each time I near my goal, Emeka antelopes away.

“Oga small small o!”

I ignore the meiguard carrying jerry cans in his wheelbarrow. My honour is at stake. My legs begin to give first. I stretch my hand to catch Emeka. I touch something soft.

“L . . . Lola?”

“Sssh . . .”

“How?”

“Ssssh . . .”

“I was only trying to help. There is no shame in this matter.” Emeka’s voice seems distant.

“He has always been stubborn,” Lola says shaking her head.

I struggle to sit up.

She laughs and places her hand on my head, “Lie down.”

She motions to someone. The meiguard looks down at me and smiles. Kola nut has stained his teeth like blood. I remember Dracula. He lifts his gourd. Someone tugs at the waistband of my tracksuit bottoms.

“Where am I?” my voice is weak.

“Oworo,” Lola whispers, “Stop fighting, let him apply the powder.”

“No o o o!”

“Wake up, wake up! Lower your voice. You’ll wake the children. You’re dreaming.”

The glow from Lola’s bedside lamp shows how rumpled our sheets are. I wipe my clammy forehead as I make out our beige curtains and mahogany chest of drawers in the corner. My heart pounds as I reach down to feel it. Her hand is there. I slap it away.

I sense her confusion as she reaches again and says, “What?”

“Traitor,” I mutter, grab my phone, and jump out of bed.

I check on the girls. The even rhythm of their breathing greets my ears. I go to my study and search for the reunion email. I type a few words and hit reply. I lean back on my chair; lift up my waistband, peek, and then pack. I close my eyes and vow never to attend a reunion until I die.

©Timi Yeseibo 2014

Mirror, Mirror On The Wall

June 4, 2014November 22, 2015 ~ livelytwist ~ 21 Comments

As a girl, I spent time in front of the mirror, preoccupied with what I saw; my hair, my face, my body. As a woman, I spend less time in front of the mirror. I’m mostly satisfied with what I see. Writing this paragraph for Holistic Wayfarer made me realise there are many mirrors in my life and the important ones are in my soul. I’d like to know, when you look at the mirror, what do you see?

A Holistic Journey

Race. The colour of my skin, the flare of my nostrils, the texture of my hair, the S of my backside. I am none of these; I am all of these. Race. My mother is caramel, my father pure chocolate, and I am hazelnut. They taught me that education and excellence would open any door. I believed it; still believe it. Race. Raised in Nigeria, I live in The Netherlands. I temper the directness of the Dutch with the verbosity I think Nigerians inherited from the British. Race. When I look in the mirror, I see a girl, a woman, a lover, a wife, a mother, a friend, a sister, a mentor, a coach, a writer, a warrior — all I have been, all I now am, all I will one day be. When I look in the mirror, I see me. What if my father were Australian and my…

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Race, Ethnicity, Prejudice, and Attitudes

June 1, 2014June 4, 2014 ~ livelytwist ~ 50 Comments

When the first strains of light filter through my curtains, my mind leaves my dreams to form coherent thought. I do not think of race, I rarely do.

I am aware of the colour of my skin. How could I not be? My foundation is a blend of mocha and caramel, my blush dark rose, my lipstick red, because I can pull it off. I am aware of the colour of my skin. How could I not be? I hug “white” people loosely and blow three kisses on either cheek, so I don’t stain them with my brown powder.

But when we get down to work and play and life, beyond enunciating my words with care and observing cultural nuances to accommodate the diversity in my world, I am Timi, a person with much to offer from the height of my intellect to the depth of my experience, and the width of my achievements.

Nigeria has at least 100 ethnic groups. In the state where I grew up, the evening news was broadcasted in four local languages, but I listened to the official English version because I didn’t understand any Nigerian language. My parents hail from two different minority ethnic groups and my friends from the unity school I attended reflect the federal character the federal government emphasized—Amina from the north, Ronke from the west, Chidinma from the east, Asabe from the middle belt, Onome from the mid-west, Ibinabo from the Niger Delta.

So, I did not wonder about race or racism when I moved to The Netherlands. Neither tribalism nor sexism in Nigeria, had clipped the wingspan of my dreams or that of my mother before me. We had defied the boundaries of other “isms” with who we are and what we believe, that excellence would eventually inspire people and remove barriers.

Since language, ethnicity, and race bonds people, and language in particular is like Super Glue, I sometimes find myself on the outside looking in. The English, Moroccans, Surinamese, Dutch, Africans, Turks, Americans, etc, live and socialise within their enclaves. Among the Africans, subdivisions exist for people from south, north, east, or west Africa. More subdivisions based on country, and even more subdivisions based on ethnicity within a country exist. People tend to gravitate to what is familiar and comfortable and inadvertently perhaps, exclude others.

On the other hand, many have moved beyond these confines and discovered that diversity makes for a rich tapestry and the threads of that tapestry are equal in value no matter their colour or ethnicity.

I suppose expat life abroad insulates one from common racism both in the way it is meted out and received. Once I was with a friend who drove a car with diplomatic licence plates when the police stopped us. I watched as she answered the police, with the slight arrogance of one who has options.

I am aware that underneath the bridge that connects me to my better life lie the souls of men and women who died constructing the bridge. I am grateful that although Twelve Years a Slave makes me uncomfortable, after the credits, I can shiver, shrug, and enter my normal life. Racism is real, but it is not my default setting. I choose not to see it in every slight.

Prejudice has lived in human hearts for so long it has become a gene. I remember when I drove my son and his playdate home after school. They stumbled into this conversation after falling in and out of several others.

“My mum says I can play with black people, but I can’t marry them.”

I spied her cute blonde bangs from my rear view mirror. The longer locks framed her oval face and cascaded down her shoulders. I gripped the steering wheel tighter.

“But I don’t want to get married now,” my son replied.

“Oh good,” her giggles light like feathers, carried no malice.

I relaxed my grip as I realised it had never crossed my mind to date a white man. It was the unspoken taboo. Everyone in the town where I grew up knew that only certain types of girls did.

Often when people speak of racial prejudice, they talk as if it is unidirectional, forgetting the prejudice, which also lies in the hearts of its victims so that if power changed hands, new victims would emerge. Is this the real fear that makes one race dominate another—get ‘em before they get us?

Knowledge and courage may be antidotes to prejudice. A desire to investigate the world beyond our nose and the guts to live in peace in it.

©Timi Yeseibo 2014

p.s. My blog sister Holistic Wayfarer, who has written several eye-opening posts on Race, inspired this post.

In Defense of Satire

May 25, 2014June 1, 2014 ~ livelytwist ~ 44 Comments

“[I]n whatever department of human expression, wherever there is objective truth there is satire.” Wyndham Lewis in Rude Assignment

To write this post, I read about the origin of satire, about Aristophanes (c. 446 BC – c. 386 BC ), a Greek comic playwright, and the Roman poet Horace (65 BC – 8 BC), whose works inspire and form the model for writing modern-day satire. But sha, na dem sabi, I know that I know that I know that satire originated in Nigerian culture. How do I know?

After I ran across a road without a zebra crossing or traffic lights or a pedestrian bridge, just missing that crazy driver who sped out of nowhere, a woman selling oranges by the roadside exclaimed, “You dey craze? You wan kill persin?” so I turned around to look at the yeye driver who’d almost cut my young life short, and then realised she was talking to me.

She could have blasted the government for not providing infrastructure. She could have cursed the driver for failing to observe common-sense speed limit. The irony was that she chose me as the subject of her satire. She exaggerated my role as a potential killer, exposed me to ridicule with her loud gesticulations, and criticized my lack of judgement. And the humour? Well, here I am writing this piece and laughing retroactively, twenty years too late.

You can describe the human condition with white chalk on a blackboard, spacing your letters evenly and clearly, but people may yawn and rub their eyes after a while. You can show how the problems of the world are at once “un”trivialized and brought into sharp focus by employing irony, exaggeration, and/or humour, and people may stay up late to watch the show. This is satire and provoking change, if only in a shift in thinking, is the endgame.

Satire’s overtness, sometimes camouflaged by its subtlety and silent sophistication, is blended into much of what we watch and read, but is often overlooked because we appreciate these works for their entertainment value only. Perhaps the authors want to make people laugh before they make them think.

The #BringBackOurGirls campaign focuses on the serious business of finding and freeing the over 200 girls kidnapped from a Nigerian secondary school in Chibok. While we are still lighting candles for them, questions surrounding the culpability of Goodluck Jonathan’s administration, the legality of the first lady’s “tribunal” and the state of security in Nigeria, especially in the light of recent bomb attacks, continue to make rounds on social media.

It is the cartoons and videos, not the essays, expressing the general mood of the country that have captured my attention the most. I see these works as satires. Some of the media that zoom in on the Nigerian first lady’s perceived gaffes, have come under attack, because satire can be misunderstood when we view these works for their ridicule value alone. Perhaps the authors want to shock people first and then make them think.

“Satire is a mirror where beholders generally discover everybody’s face but their own.” Jonathan Swift

Politics and satire live on the same street. However, I cannot imagine that President Obama, or any other president pouts and refuses breakfast because of a political cartoon splashed on the front page of a newspaper. This is not to say that satire cannot be a demeaning and horrifying personal attack, the pendulum can swing to any extreme, but I’m referring to satire, which has as its greater purpose constructive social criticism to further dialogue and/or action.

Uneasy the head that bears the crown

As a child, I had frequent bouts of malaria. At my mother’s insistence, not only did I have to wait until the smell of sheltox faded into the walls of my room, but I also had to sleep under a white mosquito net. Once every few months I would stand in front of her under the dim inquisition lights of our verandah, hands outstretched as she placed three tablets of Camoquin in my palm one after the other.

“Swallow it quickly with your Fanta,” she would goad.

I was never fast enough. After taking a sip of Fanta, the Camoquin would begin to melt in the fizzy oasis that was my mouth. I would shut my eyes tight as I swallowed the mixture. After I swallowed the third tablet, the half-empty bottle of Fanta was my reward. I rushed the orange liquid, willing it to eliminate every trace of the bitter Camoquin. After this ritual, my body would stave off malaria for a few months.

This in my view is satire at its best; mix the bitter with the sweet to move society to a better place. When this era is over and the dust settles, the videos, the cartoons, and slangs coined, will be reminders that truth was once too hard to swallow.

©Timi Yeseibo 2014

Cartoon credits:

Mike Asukwo

Mike Asukwo on Facebook: https://www.facebook.com/asukwo

Mike Asokwo on Twitter: @Asukwoeb

Khaki no be Leather http://t.co/MAWGvUpCeq

Business as Usual http://t.co/90N6BMfUqu

We, the Experts http://t.co/PeuA19Zsmg

The Eagle has landed https://www.facebook.com/photo.php?fbid=10203949665842578&set=pcb.10203949674762801&type=1&theater

JTF-Joint Task Family https://www.facebook.com/photo.php?fbid=10204006243536985&set=pcb.10204006243736990&type=1&theater

Broken Spell

May 18, 2014June 1, 2014 ~ livelytwist ~ 66 Comments

When my eyes first met you, my heart asked, “Is he taken?”¹ I followed your form as you picked a bottle, read the label, and then returned it to the shelf. You stood in the corner with the display lights softening your features; I knew you were the answer to my loneliness, the catharsis for my emptiness.

Before my head could formulate an answer from empirical data, we were walking along The Seine hands touching occasionally as we drew closer to insulate ourselves from other lovers meandering on the way.

Je t’aime. I love you in French. You say it first because you are not afraid. I repeat after you because now I am sure that one plus one equals one and that I have not dieted in vain. My wedding dress is an hourglass while your tuxedo is white and your groomsmen wear black. The tears on my face have only little to do with the pinch from my stilettos and more to do with my realization that heart, happiness, and home, begin with h.

Dark. Because on our wedding night, the stars do not shine. It does not matter as our love lights the way. The vanilla-scented candles I poached from Efe’s wedding gifts, which I was supposed to guard, make our shadows long and lean, as they became one. I sleep in your arms drowning in your scent and dream of vanilla ice cream. It is your breath, not fluttering butterflies, on my stomach that makes my eyes open as the sun rises to greet our love. Small wonder that we plan for maternity leave so soon after our honeymoon.

Four. The number of children we will have. Two boys and two girls. One of each gender on either arm, yours and mine. But in this economy, where purchasing power can be as uncertain as Russian roulette, two will have to do. His hands will be firm and kind, her hands will be dexterous and warm; our children will mirror the best of us.

A decade or two. We will wait before returning to The Seine. With the Eiffel Tower kissing the sky and glowing in the river below, you will whisper, “Je táime,” and water our love so thirsty branches will bud and grow anew.

When my eyes first met you, my heart asked, “Is he taken?” You cocked your head my way for one second. Blood rushed to different parts of my anatomy. I took my sit behind the counter and looked everywhere but at you. I asked the woman in blue if she would like my help.

I sensed your presence as you filled the space in front of me.

“Miss,” you looked at my chest, my face bubbled like tomatoes in stew as our eyes met and held, “Abe- yi- wa?” you looked down at my name tag again, “Abieyuwa?” Your eyes danced first and then your lips followed so I saw how perfect your teeth are.

I nodded like a yo-yo, my head bobbing up and down. Yes, yes, yes, take me as I am!

“My wife asked me to―”

“Oh shit! Damn!” How could I not have seen the wedding band?

“What? W-h- w-h-a-t?” You looked like a little boy who had lost his toy, stammering as his mother asked where.

“Ngozi, Ngozi! Ngozi!” I gave her the look, “please help this customer. It’s time for my break.”

I went outside and stood in the sun. I let the light breeze flush you from my mind.

©Timi Yeseibo 2014

***

This post is the consequence of reading too many Mills & Boon romance novels when I should have been solving algebra in secondary school. Seriously, I started thinking about relationships after laughing at Naijarookie’s depiction of the way men and women think. But when I read the opening verse of Jazilah Ali’s poem, Broken Spell, I knew I had to add my two cents.

Broken Spell – Verses About Walking Away From False Love by Jazilah Ali

http://www.lyricaltreasure.com/broken-spell-walking-away-love-poem/

All people illustrations and vectors by Microsoft

Design: ©Timi Yeseibo 2014

Mommie Dearest

May 11, 2014 ~ livelytwist ~ 50 Comments

Her eyes opened. Six o’ clock. Panic clouded her brain. She should have already started her round on Ajeleke Street where the drone of generators and echo of the muezzin’s call, did not compete with her megaphone. Into that serene place, Mommie’s voice had boomed nearly every morning for the past two years. She was not careful as she bounded from bed.

In the sitting room, Ejiro, Ufuoma, and Yoma sat with arms crossed over their chests. Their stare reminded Mommie that her head-tie sat on her head at a lop-sided angle threatening to fall. In the corner, Lucky stood like a wallflower not daring to meet her eyes. She smelt sabotage. No one offered her a chair to ease her discomfort. She steadied her head-tie with both hands.

“Miguo Daddy,” she addressed Ejiro, her husband.

“Miguo Mommie,” they all chorused.

“This has got to stop. It must stop today!” Ejiro spoke first.

“Mommie, we are tired of you embarrassing us with your microphone!” Ufuoma spoke second. She did not observe protocol; Yoma was older than she was.

“We are not saying you cannot preach,” Yoma relaxed his hands as he spoke, “but surely there must be a better way.”

“Hmmm, I see.” She folded her arms over her chest, spreading her legs.

The men knew when to retreat, but Ufuoma continued.

“Mommie, you are the wife of the honorable chief judge. We live in Effurun GRA. You drive a V-boot. You are supposed to be a society lady. Carrying a loudspeaker and preaching on the streets makes you a common, common—”

“Common what? Say it, I am waiting.”

Yoma looked at his mum who was now standing at akimbo and then at Ufuoma whose chest was rising and falling rapidly, “What she means is—”

“I know what she means! My ungrateful family! Ejiroghene when you wanted a promotion, you asked me to pray to the God that you are now ashamed of. Now that you have arrived, my serving God is an embarrassment enh?”

Ejiro pushed his glasses higher up on his nose. He regretted allowing the children persuade him to confront their mother.

Turning to face her only son, she spat out her venom. “Ogheneyoma who prayed and got you out of trouble time and time again? Who prayed until you finally got that Shell job?”

“You did.” Yoma sighed and stretched, he’d never liked waking early. He wished he had not come home for the holidays.

“Mommie, stop it. Stop it!” Ufuoma had had enough. “This isn’t about us!”

“Ufuoma, you, you? You of all people. Where do I even begin? Should I start with that useless boy Richard your—”

“Look, look, this is all getting out of hand. Mommie what we want to say is that we admire your fine Christian character, you are truly a virtuous woman; none would dare disagree. Your aggressive proselytizing with that thing,” Daddy gestured at the megaphone lying at Lucky’s feet, “only serves as a noise pollutant at a time when people are stealing the last vestiges of sleep. This militant evangelistic style coupled with your emotion-laden sales pitch is rather old. We are just saying that it’s time for new tactics.”

He stood and placed his hand on her shoulder, “Mommie, bikó.” Taking her right hand in his, he softened his voice, “You cannot browbeat people into accepting our faith since it is a work of grace, and grace is never more clearly demonstrated than in our actions. As Francis of Assisi said, ‘Preach the gospel all the time, and if necessary, use words.’”

“Ssssss! I thought you were going to say something constructive!” Mommie pulled her hand away and glared at him, “Ejiro, I don’t know which Bible you read that it has become our faith. The kingdom of heaven suffers violence, and the violent taketh it by force. The day that Muslims stop calling for prayer, Hare Krishnas stop dancing on the street, Jehovah’s Witnesses stop knocking on doors, and Cele start wearing shoes to church, that is the day I will stop preaching!”

She marched over to Lucky.

“Miguo Mommie,” he curtsied.

“Vre-ndo Lucky. Doh my pickin. Is everything set?”

“Yes Mommie.”

Let’s go!”

Lucky handed her the megaphone and followed behind.

“Repent for the kingdom of God is at hand!” Mommie’s voice rang out startling Lucky as he turned the lock and lifted the latch to open the gate. She looked at him with a half-smile, “Charity must always begin at home.”

Once outside the gate, Mommie began to lecture Lucky. “We must forgive our critics. The Bible says that a man’s enemies will come from his own household . . .”

Lucky turned and followed her eyes. Surprise registered in his. Richard was escorting a girl to the junction that led to the bus stop.

“Ufuoma! Ufu-oma o! Come see your boyfriend dey carry gonorrhea!” Aiming her megaphone in Richard’s direction, Mommie cried even louder, “Repent! If you die today, will you make heaven? Turn from your wicked ways!”

©Timi Yeseibo 2014

p.s. Happy Mother’s Day to you. After many false starts, I wrote this caricature, which isn’t about us, because the places I had to go to write the post I wanted seemed too far; the emotions, too raw, bleeding as they did only yesterday.

***

Image credit: curtain vector: zcool.com.cn

font: Christopher Hand by El Stinger: http://www.dafont.com/christopherhand.font

font: Acid Label by Billy Argel: http://www.dafont.com/acid-label.font

design: ©Timi Yeseibo 2014

Statistically Speaking

April 27, 2014 ~ livelytwist ~ 88 Comments

I am drawn to my WordPress stats page at least once every day although the stats do not tell me things I am curious about like how old my readers are. I know a twelve-year-old girl who reads my blog occasionally and a man of fifty-one, who claims to have read everything on my blog. Are the rest of my readers older or younger? My stats do not also tell me if I have crossed gender barriers with my pen. Who reads my post more, men or women?

I know no one in Brazil and Azerbaijan is a place I must locate on a map, yet my words have gone where my legs could not go. My words have travelled over Congo, a place I visited in Wilbur Smith’s The Dark of the Sun, and touched down in the United Arab Emirates. At least one person in every continent, in 105 countries, has viewed my blog.

I have heard it said that Nigerians don’t read, and that the average Nigerian’s appetite for literature lies in entertainment (Nollywood gossip), politics, and religion. I think I have done my part to debunk that claim. My highest blog views are from Nigeria, closely followed by the United Kingdom and the United States. Mind you, nearly 5,000 views in a country of 150 million people is a drop in the ocean, but I’ll take that drop, thank you!

What brings people who I have never met to my blog? I’d like to think that although I don’t know what gnaws on your mind at night, my words do. More likely, search engine robots pull you to my blog when you search for words like Akpos or Body Magic. If Akpos is unique to Nigeria, then majority of the seventy percent of viewers from Europe and The Americas are Nigerians. It makes sense as my Naija experiences colour my metaphors, making me feel proud that I’m also exporting Naija culture to non-Nigerians.

Was it my smiling Gravatar or a comment I left on another blog that brought you here? If so, I’m never changing that photo! If Facebook brought you here, I am not surprised for people share my posts on Facebook more than on any other social media platform.

I wonder if you stay after you land on my blog or if you leave, bookmark the page, and return later. If you stay, what do you like to read most? When I read a book, I try to find someone I know or myself in its pages. Is the protagonist’s failure like mine or is his success worth aspiring to? Does he walk with a limp so I can catch up with him?

I think the best stories are about the human condition, which would explain why stories about my or another’s insecurities served with wit, are the most viewed, most shared, most commented, and most liked posts on this blog. Posts like The Body Magic, I am not Looking for Love, I am going to Work, The Measure of a Man, Any Comments, and Six Degrees of Separation. Perhaps vulnerability exposes authenticity that makes you stay beyond the polished prose.

Now I know what drives traffic to my blog, do I write another Akpos post? Now I know which posts attract the most views, comments, likes, and shares, do I stop writing posts like, Grow Up Mikey and Our National Pastime, because they performed poorly at the box office?

I cannot confine myself to the prison of writing for stats; my mind is bigger than that. However, I realise that my stats are my friends and they are relevant to the degree that I can make right inferences, which affect my writing and ultimately enhance your reading pleasure. So please fill in the gaps and tell me what my stats page won’t: who are you, what brought you here, and what will keep you coming back?

©Timi Yeseibo 2014

Image credit: illustration from Microsoft

I Do

April 20, 2014 ~ livelytwist ~ 61 Comments

Some people believe that after they’ve met The One, they could never develop feelings for another. I think that if we are blindfolded we may be unable to distinguish touch from touch. This is not an argument against monogamy, but for focus.

In his book Outliers, The Story of Success, Malcolm Gladwell says that hard work is a prison sentence only if it does not have meaning¹. In making the point that excellence requires a critical minimum level of practice, he says ten thousand hours is the magic number that researchers have agreed on for true expertise². That’s an awful amount of focus.

Livelytwist and I have been married for a year and as much as she has pleasured me past our honeymoon weekend of 2,000 views, family, friends, work, hobbies, books, TV, social media, and a hundred other commitments compete for my attention. If I have achieved any kind of excellence in this marriage, it is because I rarely let anything come between Livelytwist and me.

Our marriage has not been without its challenges. Although I spend hours conjuring word pictures to process big ideas, promoting these ideas beyond my small circle tasks me. Learning how to ‘shout’ on Twitter and Facebook does not excite me. The aim of marketing is to know and understand the customer so well the product or service fits him and sells itself.³

I remember that at twelve or thirteen, my mum gave me the talk.

“You’ve started your period. From now on, if a boy touches you like this,” she tapped my arm, “you’ll get pregnant!”

I did not take her words to heart. But the next day, as I played tag with the kids on my street, the horror of how many times I could get pregnant weighed on my heart. At dinnertime, I watched the boys run to their homes while I trudged to mine, sure that my stomach had already started swelling. I stopped playing tag after that.

My mother had successfully sold me her abstinence formula, which I bought until I turned sixteen and the boys came to play tag in droves. Only then did she change her marketing strategy.

Where I come from, we call every carbonated drink Coke. Such is the brand dominance Coca-Cola enjoys, and yet the company still spends millions on advertising. I realise that I must first write posts that resonate with readers, before I figure out how to get them to read it, and then be ready to change when my methods age.

At the same time, I do not want to be that guy at the airport, who you ask, “What do you do?” and he answers, “I’m in sales, and you?” Then while your lips are opening, he tells you about his eBooks, his tenor rising, rising, dropping, rising, rising, as he shoves a Kindle in your face. You cannot get a word in edgeways, so you promise to buy at least one book and make a mental note to go for confession. When you throw the bookmark he gave you in the bin, all that remains from the encounter is the smell of musk.

The first indicator that someone outside my close circle was anticipating my blog post came a few months after I started blogging.

Lively, how far? It’s 2 p.m. here and we’ve been waiting all day for your blog post.

This email from a reader via my contact form proved that my walk was louder than any talk I could have given for he had noticed my Sunday-Sunday consistency. It changed the game for me. I shovelled out my doubts about blogging and said, “I do” to Livelytwist.

All of you who share my posts on Facebook, Twitter, LinkedIn, and by word-of-mouth, are my connectors to the rest of the world. Your referrals are fresh like 8 a.m. doughnuts and relevant like Google. You helped me stay faithful to Livelytwist. At every crossroad, you lifted the lamp of love, and I saw in your face, the road that I should take.

Thank you.

©Timi Yeseibo 2014

Six Degrees of Separation and Other Stories

April 13, 2014 ~ livelytwist ~ 92 Comments

On a scale of one to ten, I was born with a six in writing, just as you were born with a six, or seven, or eight in something. This means that even if I don’t develop myself as a writer, anything I write would be better than what most people write. But talent is not enough. It can be a beginning.

I believe in six degrees of separation, the version I have heard, that you are only five people away from any one you want to meet. I could meet Barrack Obama if I want to. My family knows somebody who knows somebody who knows somebody that knows Goodluck Jonathan. Goodluck Jonathan can lead me to Obama. In theory.

I put this man know man to good use when I tried to publish my manuscript traditionally in Nigeria. It helped. In theory. I got an audience with every publisher I wanted to meet. In those days, I wrote creative non-fiction and dreamt about a coffee-table-style book with rich photos, that readers could leisurely leaf through. Two things stood in my way: money and a photographer to team up with.

After I butted my head against the wall several times, I used six degrees of separation, again, to get the attention of glossies and weekend papers. I received some offers. Two conditions made me decline. The publications demanded exclusivity and wanted me to write free of charge.

“Are you crazy?” asked my cousin who was number four in this particular six degrees of separation.

“What exactly do I get from this arrangement?”

“This is Naija, shine ya eye well well! You’ll get a platform to build your reputation as a writer, and before long, they’ll be calling you for speaking engagements. Then you can charge like 100k per engagement,” her eyes shone as she giggled and clapped.

Should I have taken the offer? In 2008, Michael Birch sold Bebo to AOL for $850M. In 2010, AOL sold Bebo for less than $10M, as the story goes. Birch said, “Obviously, the timing was good for us and bad for AOL.”

Was the timing good for me? I only know two things. One, that although I had about two months’ worth of articles on my laptop, deep down, I feared that I could not write engaging articles week after week. Two, that if you don’t know who you are or what you’ve got, people will remould you until you cannot recognise your reflection.

Once, a mentor asked me to pay a token for advice. He said, “What is given too cheaply is often despised.” I have found that humility is not being the doormat others step on because you don’t know your value. It is knowing your value, but choosing to be a doormat anyway.

Some of my missed opportunities are like Halley’s Comet while others have prepared me better for this time. Some people ‘wait’ for opportunity as though opportunity is passive, like something that happens to you, as in the sentence, I was hit by a truck. At night, I look at the sky and believe there are spaces in the universe for us to fill. We cannot rule out what some call luck and others providence, but in a sense, we call opportunity by our preparedness.

As I tried to get a writing gig going, people would say, “Your articles read like a blog post. Why not start a blog?”

I chewed the idea and spat it out, for the same reason that I never wanted to start a business. I have no entrepreneurial bone in my body. I’m a nine to five girl jare. Share your vision and I will actualise it; but don’t ask me to come up with my own.

Four years later, many unpublished articles and short stories later, miffed that I found one grey eyelash while looking in the mirror, I wrote an article about getting older and posted it on my Facebook Timeline. The responses surprised me. Not just the likes or comments, but the call to start a blog.

I had come full circle. I wrestled with the thought that I was moving away from my dream of being traditionally published. In truth, I had buried that dream under a big box labelled life. My sister told me, “When you’re down, you have nothing to lose and everything to gain.”

I started this blog with grit, a little knowledge, some research, plenty goodwill, confidence, trepidation, and a two-month content calendar.

One year later, this gift that chose me, feels like a solemn trust, like a platform to do my life’s work. When you read something and say it inspires you to do life better, I let my tears fall where they will.

©Timi Yeseibo 2014

Any Comments? No, I think I’ll Pass.

April 6, 2014April 6, 2014 ~ livelytwist ~ 142 Comments

Dear Non-Commenter,

Today, the spotlight is on you! As I reflect on my blogging journey, I realise that engagement is a big part of the fun for me. Why have you decided to blow out my candles before the MC counts to three?

Following my informal survey, I’ve compiled a list of reasons why you don’t comment and given my tongue-in-cheek arguments against them. Find your excuse and tell me if your arguments are louder than mine are.

Reluctant Barry

You claim that you want to see what others are saying and where the conversation is going before you add your voice. In other words, you don’t want to be the first to comment. You surprise me. Are you incapable of independent thought? Monday to Friday, you make decisions like an entrepreneur without a board. Is it only when you come to Livelytwist that you cease being a pioneer?

Scared Molly

They told you the internet is a dangerous place and now you take everything you read with a pinch of salt. You worry that future employers are googling your name. You worry that when you become a presidential aspirant, a comment you left on Livelytwist can and will be used against you. Hmmm, what do we know for sure? Y2K didn’t happen and aliens are yet to take over our world. Unconvinced? Leave your comments with a grain of salt; call yourself Panteka Monleka, who cares?

Forgetful Harry

You were planning to, but you forgot. Committing things to your memory is like fetching water with a basket. No time like the present. Stop this minute and go to the comment box. Write about the sea or the prevalence of memory loss in Homo sapiens living in the Twitter Generation. You know what; don’t sweat it before you forget again. Just write, nice post, and know you have done your good deed for the week.

Ungrammatical Sally

My “grammar” intimidates you. You don’t want to sound like a fool. Really? Did I set an English exam for you? Do you not have spell check? Is it not true that since you began reading Livelytwist, your writing has improved? You’ve stolen a metaphor here and a paragraph there, basked in accolades, and didn’t mention my name. Meanwhile, you shared The Measure of a Man, with that boy who showed you pepper and when he didn’t say sorry, you read Happy New Love and rekindled hope. Yet, not a comment, not even one comment.

Invisible Cheerleader

Timi, you go girl! Oh yes, I can soar on the wings of your private messages and clinch the Nobel Prize for literature! You say although you do not comment, you’re supporting me from behind. Ah, I can manage my behind myself. Please move to the front. For your sake, I posed questions at the end of posts to foster engagement. You ignored the hint and sent me yet another BBM: Timi you go girl! Get ‘em tiger! Where did you find a smiley clothed in animal skin? Never mind that, just leave a comment please.

Livelytwist Unofficial Ambassador

“Lol, this was so funny, I’m in stitches. Y’all need to read this!!!” If you’d left this comment on my blog, this post would’ve been redundant. Instead, it was what you wrote as you shared my post on Facebook and Twitter, while counting the minutes until the end of the second service at your church. I am grateful that two people heeded your call. Did you know one of them left a comment? You’ve almost earned your badge. 140 characters or less gets a pass mark in my book. I’m waiting . . .

Tongue-tied Mary

You don’t know what to say. I get it, the post doesn’t move you. What of last week’s post and the week before that? Like seriously sixty-plus posts and you don’t have an opinion? In school, you must have been like that child who always whined when the teacher posed a question to him, “They’ve already said what I was going to say.” I allow that here. Simply reply someone’s comment and write, “True talk. You just took the words from my mouth!”

Naija Pally

You have promised to comment by God’s grace. Your one argument trumps my thousands. No network. Enough said. Scores, Livelytwist: zero, Naija Pally: one.

Non-commenter, I could go on, but hearing from you is more important.

Regards,

Livelytwist

P.s. faithful commenters are also invited to weigh in 🙂

©Timi Yeseibo 2014

Read about social media habits: men versus women

http://socialmediatoday.com/valerie-mellema/2231276/do-men-use-facebook-differently-women

http://newsfeed.time.com/2014/02/19/how-men-and-women-use-social-media-differently-in-one-graphic/

Photo credits:

Image credits: all people illustrations, animes, avatars, and vectors by Microsoft

Design & infographics: ©Timi Yeseibo 2014

Before I Die

March 23, 2014March 23, 2014 ~ livelytwist ~ 62 Comments

I log into Facebook and read about a friend’s death.

The post on my newsfeed is hesitant and the questions that follow cry for answers. The news is inconclusive. Why tag a dead person in a post I wonder as I go over to his timeline. More questions greet me.

What am I hearing?

Someone tell me it’s not true o?

Is he really dead?

I just saw him two weeks ago. What happened?

Is this a joke?

On and on, the first reaction to death pours in. If the dead could talk, what would he say?

I spend the evening watching grief on social media. Words multiply quickly with high-speed connection. Small details here, small details there. An illness. A brief illness. A girlfriend. A babe. A teaching hospital. A brother. A mother. Two sisters. An engagement ring. Suddenly. Last night.

Hours later, denial gives way to acceptance on his timeline.

RIP

Although RIP carries as much eloquence as HBD, I do not conclude that grief on social media is impersonal, but rather reflective of the times. We wail in brief because something else on our newsfeed catches our eye. Our grief bears the mark of post-modern efficiency. It is not today that we shortened okay to kk.

His family posts a eulogy with a photo of him much later. Comments follow. I let my cursor play over the comment box. I type, you will be missed, and then delete. It is not good to lie to the dead. I join others for whom silence is fitting. We like the photo like signatures in a condolence register.

I don’t cry because I had not known him well enough for his death to unlock the door behind which my tears hide. We had drifted apart over the years as old friends do. He’d found me on Linkedin and we’d shared a couple of brief conversations about where we were in life and where we hoped to be. I do not remember what he said. I do not remember what I said. I must have told him about my blog; it is what I always do.

That is not to say his death means nothing to me. It does, but in a general way that makes me look inwards. Nothing like another’s death to bring your life into sharp focus.

Around midnight, I fall asleep. When I fully awake, I drink tea and scan blogs. Death is everywhere, disguised as poetry, woven into prose. I stumble on Robin’s post, Motivational and Elevating, as I try to air my mind. All these things: watching grief on social media, thinking about my life, and reading Robin’s blog, are connected and I think there’s a lesson for me. Robin leads me to Candy Chang.

After losing someone she loved, artist Candy Chang painted the side of an abandoned house in her neighborhood in New Orleans with chalkboard paint and stenciled the sentence, “Before I die I want to _____.” Within a day of the wall’s completion, it was covered in colorful chalk dreams as neighbors stopped and reflected on their lives. Photographs of the wall spread online and since the original wall in 2011, more than four hundred Before I Die walls have been created in over 60 countries and over 25 languages by passionate people all over the world.

Thinking about mortality brings no fear. I feel confident about that place we must all go, but I don’t want to go just yet. Inspired by Candy Chang, I scribble and marvel that my long- and short-term goals colour my paper with broad strokes. Perhaps now I will live more intentionally. Perhaps now I will be who I am. I don’t want to settle for something less because I tired of waiting for something more.

Some of the things I want to do before I die belong in my diary. Some I can share here.

Before I die, I want to . . .

Travel just because; feel warm sand massage my feet, see mountains I dare not climb, and drink tea from antique Arabian teapots
Light as many candles as I can. I lose nothing by lighting other candles for together we brighten the room
Let the people I love know that I love them. I do not want them to waste even a day questioning my love
Make more money so I can buy a Bentley and give to causes dear to me
Read the books and watch the films, that I should have already cancelled from my to-do list

What about you?

Photo credits

A Long Way Gone: Introspection and Tears

March 16, 2014November 22, 2015 ~ livelytwist ~ 45 Comments

The photo on the cover—a boy on a dirt trail, hair uncombed, mortar cartridge behind his neck, and a gun with a bayonet hanging from his shoulders drew me to Ishmael Beah’s book. The green flip-flop on his right foot, useless and slanting in the wrong direction, a testament of happier times, sealed my fate. Reading the blurb was a formality as was thumbing Steve Job’s biography, which I had intended to buy in the first place.

I paid for the book and went home.

I read the book through one heart-wrenching weekend, stopping occasionally for the weight of sorrow to lift. It did not.

Beah tells his story, in my view, without an agenda or an axe to grind. It is as though he says, “This is my story. Jump to conclusions if you want. Ask questions if you care.” He narrates about his experience as a boy soldier in Sierra Leone, a boy flung into the throes of a war that consumes his family.

His memory is photographic, capturing detail in a way that helps you journey with him. The picture of him wandering in the forest haunts me still.

I walked for two days straight without sleeping. I stopped only at streams to drink water. I felt as if somebody was after me. Often, my shadow would scare me and cause me to run for miles. Everything felt awkwardly brutal. Even the air seemed to want to attack me and break my neck. I knew I was hungry, but I didn’t have the appetite to eat or the strength to find food. I had passed through burnt villages where dead bodies of men, women, and children of all ages were scattered like leaves on the ground after a storm. Their eyes still showed fear, as if death hadn’t freed them from the madness that continued to unfold. I had seen heads cut off by machetes, smashed by cement bricks, and rivers filled with so much blood that the water had ceased flowing. Each time my mind replayed these scenes, I increased my pace. Sometimes I closed my eyes hard to avoid thinking, but the eye of my mind refused to be closed and continued to plague me with images. My body twitched with fear, and I became dizzy. I could see the leaves on the trees swaying, but I couldn’t feel the wind.¹

Reading this book almost upended my theology. Why do bad things happen to innocent people? If God is real and good, why doesn’t he stop it? What about ethnic cleansing and genocide in the Bible?

I have not found intellectually satisfying answers. I do not need them to believe, I only need them for debate.

After I closed the book, it took many days for sadness to leave me.

Is war like the Terminator movie? Does the good guy leave the epic fighting scene—usually a dark warehouse with chainsaws, spikes, naked wires, and bottles—limping into the light with the beautiful woman he rescued clinging to his arm, while we cheer and wait for them to kiss?

No.

I recall a scene from Machine Gun Preacher, where an orphan boy tells his story to Sam Childers, which unlocks my tears afresh.

I remember my parents in my sleep. My father was big like you. They shot him. The rebels told me, “If I do not kill my mother, they would shoot my brother and me.” And so, I killed my mother. If we allow ourselves to be full of hate, then they’ve won. We must not let them take our hearts².

War leaves casualties as J.P. Clark describes in his poem, The Casualties³ (selected lines below).

The casualties are not only those who are dead;
They are well out of it.
The casualties are not only those who are wounded,
Though they await burial by instalment.

The casualties are not only those who started
A fire and now cannot put it out. Thousands
Are burning that had no say in the matter.

The casualties are many, and a good number well
Outside the scenes of ravage and wreck;
They are the wandering minstrels who, beating on
The drums of the human heart, draw the world
Into a dance with rites it does not know

We fall,
All casualties of the war
Because we cannot hear each other speak,
Because eyes have ceased to see the face from the crowd,
Because whether we know or
Do not know the extent of wrong on all sides
We are characters now other than before
The war began,

I have many questions, fewer answers, but I am at peace in the world as long as I do not let them take my heart.

1. Ishmael Beah, A Long way Gone, Memoirs of a Boy Soldier (New York: Sarah Crichton Books/Farrar, Straus and Giroux, 2007), 49.
http://www.alongwaygone.com

2. Machine Gun Preacher Movie.
http://www.machinegunpreacher.org/

3. J.P. Clark, The Casualties, Poems of Black Africa, ed. Soyinka Wole (London: Heinemann/AWS, 1975), 112.

Affirmation: My Journey

March 9, 2014 ~ livelytwist ~ 64 Comments

When I was little, school was easy and prizes came easily. My prizes brought me little joy, especially after my mother asked why I didn’t win them all, which was her way of spurring me on to greater heights. I lined my prizes and waited for my father’s praise. When he finally gave it, my life assumed colour and the monochrome of my existence ceased to be.

I think about it now, and wonder if it wasn’t crippling to let my enjoyment of life hang on someone’s approval. I was a child, I didn’t know better. You would think I’ve been cured, after all these years, but I’m not. I am not yet a black belt at life; I have only learnt to do life better.

Am I the only one with this disease?

Years ago, I met a young man at the behest of a mutual friend. He had written a story they both thought was good enough to submit for a competition. I was to look it over, you know, give some pointers.

From the start, sloppy errors that MS Word could have fixed littered his story. I read every line of the first six pages, displeasure turning the corners of my mouth down. In my review, I mentioned that he had a strong story to tell, but I couldn’t see the forest for the trees.

He responded with accusations that stung, as if my review had attacked his person, not his work.

I should have sensed his vulnerability in the conversation we had at our first and only meeting, underneath the Chicago Bulls baseball cap he wore and his bravado words. When he placed the manuscript in my hands, I should have seen his heart. I should not have dismissed the way his hand shook so that a few sheets went sailing in the wind, as superstition.

He was not unlike the men in my life; men, who like a 5,000-piece puzzle, take weeks to unravel. Men with broad shoulders that absorb the weight of my fears and the problems of our world, and yet . . .

Anyway, if he wanted validation as a writer, why did he say, “Be brutal in your feedback, I want to get better.” His girlfriend was supposed to hold his hand and whatever else needed holding not me!

Nevertheless, the need to prove my niceness to a stranger ate my sleep. I replied and gave him concrete examples of what he could have written better, including how and why. Although he baited me to read the entire manuscript, saying that, the errors were only in the pages I had read, I declined for I was not that hungry.

That experience cost me a friend and a potential one. Seldom have I received a request for feedback that was not encroached upon by the need for affirmation. I hear it often in the defence people give in response to feedback.

Wise men pause when a woman asks, “How do I look?” Bombarded by images of beauty in the media that thrive on the insecurity that the media put there in the first place, she is asking for validation, not the whole truth. Happy is the man who gives it. Even my son knows that his answer to this question can mean the difference between his favourite take-out pizza and frozen pizza popped in the oven.

I used to dream of meeting someone special who anticipated my needs so I would not need to be weak and speak them. I now know people do not spend all day gazing at crystal balls to decipher what you need. Growth means that I untangle my web of feelings and answer these questions honestly.

Timi what do you need?

Who can give it to you?

Where is it safe to get it from?

Last week, I had a shitty day and if I am honest, I had set myself up to fail. I went to the one with whom I feel safe and recounted the day. Then I said, “Just for tonight, tell me I’m beautiful, tell me I’m smart. In the morning, you can tell me I’m full of crap.”

I am further along on my journey than when I began.

Image: http://pixabay.com/en/people-boy-thinking-child-28792

In Transition

March 2, 2014 ~ livelytwist ~ 35 Comments

In transition.

The first time I read those words was when I was so little, time loomed so large, and my only care was how to fill stretches of time. Capitalised above a black and white photo of someone’s grandma, I understood the words meant she had died and gone to Heaven, which I simplified to mean, no one would see her again and finally, she could snuff that thing in the little tin she carried about in peace.

Of course, now that I’m grown, my ideas have changed. Life is a series of transitions and death is the final one or another in the series, depending on what you believe.

The quality of our transitions can make or break the next phase of our lives. If you tumbled into adolescence with pimples and a pitch that would not deepen even as each new year brought your peers’ baritone in sharper focus, if you could count the hair on your face and on your chest on four of your five fingers, then you’ve known the awkwardness of bad transitions.

And if at twenty-four, your scars from popping pimples lay hidden under a well-groomed beard, you could croon the words, smooth transition, and we would nod as though Sade were singing Smooth Operator.

In writing, transitions connect paragraphs and pull scattered thoughts together so they make sense. Transitional devices are words or phrases that writers use to cue readers in a certain direction. They are like warning signs: ahead, keep left. A word like nevertheless, prepares readers for a contradiction, while furthermore, warns readers that the writer isn’t done yet; and finally, lets readers know the end is “finally” in sight.

Nowhere is the value of good transitions more evident than when writing short stories, short blog posts, or short anything. Brevity constrains writers to bottle meaning in as few words as possible. Like archers, writers discard word after word, until they find the arrow that will hit the mark.

Transitioning between time periods, i.e. moving from the present to the past and then to the future, before relaxing in the present again, requires more than bow and arrow. A good writer must deploy the right tenses and should never leave home without his adverbs of time. When writing a short story, I think it is better to avoid skipping from present to past to future to past to present. I mean, haven’t we got only one life to live?

But, we don’t listen do we? We station the protagonist in the present, give him momentum, and teach him to fly. Just when our readers blame that small urinary incontinence on gripping stuff, the protagonist leaps back in time. Reaching for a flag, he falls in a rose bush instead, pricking our readers with needles of confusion.

Loyal readers crawl back through our written lines more than thrice to locate the protagonist. But when they pick up from where they left off, they are thrust into a futuristic time travel with no warning. Dizzy from the spatial challenge, they finally abandon plot. Those who cannot lie leave a comment behind: nice one, don’t keep it coming!

So, a long time ago, I tried to write poetry. I showed my masterpiece to a ~~great~~ ~~poet~~ teacher.

“You’ve done a half-decent job.”

“Half-decent?” My eyes widened at her audacity. She told me the truth when I asked for feedback. Who does that?

“Well, you could do better if . . .”

She rambled on about metres and stanzas, rhymes and verses. Her arms flailed like a musical conductor’s: a little alliteration, tenured cacophony, rising assonance, asinine onomatopoeia, and mindless personification. Spent, her arms dropped to her sides. Her eyes searched mine.

“Got it?”

“Uh huh,” I replied, “But, I want to write it like this,” I showed her my poem again.

“Timi?”

“Yes?”

“Do you want to write poetry?”

“Y – e – s . . .”

“You can break the rules after you’ve mastered them not before!”

If you read this to the end without losing me, kudos to me, I structured my transitions right. Now, go and work on yours, so I can read your story without crawling through the lines!

Images from Microsoft Corporation

Photo of Omari Hardwick courtesy: http://www.omarihardwick.com

Fire. Passion. Desire.

February 8, 2014July 19, 2015 ~ livelytwist ~ 48 Comments

“It’s midnight.”

“I know.”

“I thought you said you were tired.”

“I am.”

“Come to bed.”

“Not yet. I have to finish this.”

When I finally stagger into bed at 4 a.m., I have a new definition for passion: the thing that keeps you awake while others sleep.

Is this passion?

I used to go to bed at midnight and then wake up at 3 a.m., to watch The Australian Open, while everyone else slept. I love loved tennis. I kept abreast of rankings; I rearranged players’ bios in my head. I tracked live scores on my iPhone during sermons on Sundays.

I put my definition to the test. I ask friends, “Does this mean I was passionate about tennis?”

“Nah, you are were passionate about Rafa Nadal’s biceps!”

Never mind my friends they are goofy like that.

I attended a meeting, where the speaker’s call rang true: we should be passionate about life. He didn’t tell us where to find passion, but I have a thought or two, and maybe you do too.

Passion- Origin

Middle English: from Old French, from late Latin passio(n-) (chiefly a term in Christian theology), from Latin pati ‘suffer’¹.

Pati, to suffer. How true in the sense that we willingly suffer pain to gain the thing we love. But the word has evolved.

Is passion duty?

I think of the nights in secondary school, when I read a small book called Calculations in Modern Chemistry—the bane of my fourteen-year-old existence. I couldn’t tell an atom from a molecule, those minuscule things unseen by the naked eye. Forged on I did, cramming formulas, until I decided I’d make my parents proud some other way.

“You want to drop chemistry from your electives? You won’t be able to study aeronautical engineering?” my teacher queried.

“Mmmm,” I replied, grateful that I would never speak of covalent bonds again.

Can Passion die?

“What happened to you?”

“I gave birth to the most beautiful boy in the world.”

“But . . . I don’t understand. You were going to go to LSE, you wanted to work for the World Bank—”

“When I cradled him in my arms; I can’t explain the feeling . . .”

“And now that you don’t anymore?”

“I don’t know, I mean, I have no desire . . .”

“Your degree?”

“Yeah, so what?”

Where does passion come from? Is it innate?

I stumbled on my love for writing, drawing, and music before I was eight. I experimented, my parents indulged. Books, art lessons, cassettes, and karaoke, kept me indoors and out of trouble, but I learnt they were not the path to wealth and security. So I chose another path, an acceptable one.

I remember watching planes land and take-off at the airport and the exhilaration that filled my young heart. Giant birds, what makes them fly, I wondered. Watching planes gives me a rush to this day. I know a little about lift and the law of motion. I know also that this thrill is not passion to study engineering. It is desire to fly and be free.

Passion is not the romantic word I once imagined it was. For me, it is natural ability honed by attention, repetition, focus, discipline, excellence, tenacity, and commitment. It grows, it dies, it resurrects, and it changes, as I evolve.

The desire to be a good mother, a loyal friend, a mentor, coach, teacher, the desire to tell stories, to influence lives, and to blaze trails have stayed. The how changes and control of the when slips from my hands when I clench my fist, but these desires, they are like liquid fire in my bones.

P.S. Aha! You thought this was some witty post about sex romance, so you kept reading waiting for the twist—gotcha! Maybe I like Rafa Nadal’s biceps, but that is a part-time obsession passion. What keeps you awake when the world sleeps?

1. Definition of passion at Oxford Dictionaries.com. http://www.oxforddictionaries.com/definition/english/passion