The Conversation

July 5, 2015July 5, 2015 ~ livelytwist ~ 41 Comments

“Stop! Wait, wait. Na wa. Which conversation are we having? This one or the one we had a few days ago?”

“This one!”

“Are you sure?”

“What do you mean are you sure? Am I a child? I hate it when you patronize me!”

“Sorry o . . . that was not my intention—”

“As I was saying, so what did you mean when you said what you said about Jimi’s—”

“Ahn ahn, which conversation are we having now?”

“We’re having this one, the one we had a few days ago, and every single one we’ve ever had!”

“Wahala dey—”

“What did you say?”

“I’m listening . . .”

“So what did you mean?”

“I . . . I meant what I said . . .”

“Meaning?”

“Ha, what I said na?”

“Please humour me, elaborate . . .”

“Mehn, okay, I can’t remember what I said.”

“You said that what a woman brings to the table increases her value. That the assets Jimi’s wife brought to the table had diminished comparatively in the last several years. That for women, love and attractiveness were neither here nor there as they placed a higher premium on the combo—love and security but for men an inverse relationship holds—”

“Wow! I said all that?”

“Yes. I mean no . . . the magazine article put it that way, but yeah, in essence, it’s the same sentiment you shared, I guess . . .”

“Which magazine? I can’t remember saying—”

“How can you forget? That night we returned—”

“Okay, okay, if you say so.”

“So what did you mean?”

“Hmmm. Jimi loves his wife and he’s chosen to see other assets beyond what she first had to offer.”

“But she’s . . . she just . . . she doesn’t really take care. . .”

“She’s fat.”

“That’s not politically correct! She’s just on the big side!”

“Okay.”

“You were saying?”

“No, no. . . I’m done. Political correctness stifles conversation, don’t you think?”

“Just say what’s on your mind. It’s not as if you’re giving a TED Talk!”

“So, obviously, a man of his influence and means would be spoilt for options. Though people who’ve done business with him vouch for his integrity as well.”

“You didn’t say this part that day.”

“I’m not a parrot. These are just my thoughts—”

“But you said one of the things that put men off is unattractiveness. That after hooking the guy, some women just stop trying . . .”

“I did?”

“Yes! Remember? When we were dating?”

“That was like what? Years ago?”

“Three and two months to be precise.”

“Elephant mem— hey, where are you going? Why did you put on the light? Turn it off please!”

“I want you to see—”

“See what? Geez—”

“I knew it!”

“What?”

“You think my butt is too flabby!”

“But I didn’t say so!”

“You said geez!”

“Because of the light!”

“But when Patrick said that if he were married to Jimi’s wife, he would’ve taken off, you laughed.”

“Seriously? That’s just a guy thing. He didn’t mean it and we were joking.”

“A very mean joke about a woman who’s had kids. Do you know what having kids does to a woman’s body?”

“Em . . . em, which conversation are we having now?”

“What do you mean? We are just talking! Why do you keep saying, ‘which conversation are we having’?”

“Because—”

“Some women just manage to look great no matter what . . . like Angela. Four kids and she’s still tight. What do you think of Angela?”

“I haven’t thought of her. I have eyes for only you.”

“And Jimi’s wife obviously, since you noticed she’s fat! Are. . . are you listening?”

“Uhuh.”

“You’re sleeping?”

“No.”

“I think I’m pregnant.”

“That’s fantastic! We are pregnant! Come here!”

“Not sure . . . I’m late. I’ll buy a kit tomorrow . . .”

“We’ll do it together.”

“Okay, I’d like that.

“Good. Come to bed—”

“See? See? When I walk it just kinda wiggles all over the place!”

“Mmmm hmmm.”

“What?”

“Are you wearing anything under? Turn . . . walk again let me see . . .nice . . .very nice.”

“Gosh! Are you even looking?

“Oh yes! And even if your butt is as wide as Texas and lumpy like dough, I would still love you.”

“Lumpy like dough—”

“I didn’t mean it like that. Oya, please turn off the light and come back to bed.”

©Timi Yeseibo 2015

Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Timi Yeseibo and livelytwist.wordpress.com with appropriate and specific direction to the original content.

Forging Connections through the Internet

June 14, 2015June 14, 2015 ~ livelytwist ~ 64 Comments

A friend shares a story about a CSI-style drug bust sans gunfire in her apartment building. When the police question her about her neighbours who are involved in the crime, they are surprised that she knows so little about them. I am not. Once, I saw a man fitting a key into the lock of a front door two houses from mine. He waved as I walked past and I nodded in response. I hadn’t seen him before. Maybe he is a neighbour. Maybe he is a thief. This is city life.

It is against this backdrop that I wonder if the internet and social media and the technology behind them are responsible for the distance and disconnect among people living in the same physical space. Before cell phones, Facebook, and Twitter, we insulated ourselves from each other with newspapers and earplugs on the bus or train. Maybe technology is neutral; it just amplifies who we already are.

In his 2011 TEDx Talk, Simon Sinek argues that nothing replaces human contact. He says, “. . . technology is absolutely fantastic for the exchange of information and the exchange of ideas. Technology is absolutely wonderful for speeding transactions. It’s wonderful for resourcing and finding people, but it is terrible for creating human connections. You cannot form trust through the internet.”

Since that talk, human interaction via the internet has been steadily rising as evidenced by increase in social media use. When I emailed people whom I had only ‘met’ on the internet and asked them to each write a 300-word piece on some aspect of motherhood for my blog, I was asking them to trust me with their stories. How could they be sure I would treat their stories with integrity? How could I be sure that they would deliver the stories they said they would?

For me, transactional trust began by examining their digital footprint—Facebook, Twitter, LinkedIn, or blog profiles, and the writing on their blogs. I suspect the converse is true for them too and that having mutual digital friends played a part. Working together to polish stories necessitated questions about word choice and sentence structure, which fostered meaningful connection. It was humbling to hear their backstories.

In the end, you read the finished story, and all our worlds became smaller because story mirrors life and life mirrors story. Every story on your phone or tablet or laptop was an invitation to trust and an opportunity to forge connection.

Writing can create empathy and establish credibility. If trust is a function of the part of the brain that has no capacity for language, causing people to look at empirical evidence and still say, “Something doesn’t feel right,” then some kind of digital intuition is vital to navigate the future because we are using technology to form human connection after all.

I agree that nothing replaces human contact; nothing should. However, until I meet you in person, I hope technology continues to connect us through words.

I cannot thank you enough for knitting your heart with ours as we shared what motherhood has meant to us this past six weeks.

©Timi Yeseibo 2015

p.s. Thank you Ozoz, Afi, Eileen, Elaine, Taye, Yvonne, Joxy, Brina, Unathi, and Tamkara!

Photo Credit: Kaboompics/ http://pixabay.com/en/technology-laptop-keyboard-computer-791029/

Portraits of Motherhood [4]

May 24, 2015May 24, 2015 ~ livelytwist ~ 63 Comments

A Question From My Daughter

After a day that threatened to break my distress-tolerance scale, I could not refrain from disintegrating in front of my five-year-old daughter. We were sitting in our kitchen and I was looking at her through eyes red and swollen, from crying.

“Mama who is your mommy?” she asked while typing gibberish comprising emoticons, punctuation marks, and jumbled-up letters on my phone. “I want to tell her you are sad.”

I giggled as though she had just pounced on me with one of her random tickles. I was pleased that she was brave enough to ask things I never dared to ask when I was a child.

“Your grandmother . . . the one we visited recently . . . where we slept over, is my mother,” I stuttered.

“Oh,” she replied.

I expected more questions but she seemed satisfied with my answer. I, however, felt discontented. My answer contained only one half of the truth. How could I explain that I have two mothers or that it was possible to have two mothers?

Would she understand if I told her that I had been brought up as my grandmother’s sister’s child because my grandmother’s daughter, my mother, had given birth to me at a young age? And that the woman she called grandmother was really my mother’s maternal aunt?

In 1981, if you were twenty, schooling, and living with your parents or grandparents, as was the case in many black homes in South Africa, you were a child. Children did not raise children. They went to school. How could I tell her the truth—that sometimes mommies gave their babies away through a process called adoption? Would she not think that perhaps I too might give her to another mommy forever?

I decided to keep the answers in my things-to-tell-my-daughter-in-future file. I remembered that I was once a child who needed answers about the people who made up my family.

Unathi Kapa shares her thoughts on identity, culture, belonging, and purpose on unathikay

An Extra Mouth to Feed

In the shower, steam shrouds me but does not insulate me. I am thinking about money. I worry about my lack of it.

Once, when I manufactured a few minutes to play with him in the park, he threw the ball to me, an easy pass that I should not have missed.

“Mom you’re not looking!”

He was right, again. I am rarely present; I am in our future worrying.

“I’m sorry. Let’s play again.”

I threw the ball so it spun in an arc that began its descent farther away from where he stood. He was already moving back, calculating the trajectory of the ball. Before delight widened his eyes, weariness had narrowed them. How easily children forgive and forget.

Kalanne said that ever since she got a nanny, she was a better mother. By way of illustration, she said when Sowari spilled his milk, instead of screaming, “What’s wrong with you! Why are you so clumsy?” she now said, “Aw, darling be careful. Don’t worry Tari will clean up.”

I think that if I had money, I would be a better mother. I would not shout as I had done over the loss of his monthly bus pass, berating him with words from a tornado inside me.

I sigh and adjust the shower settings so hot water stings me like needles. When I leave my frugal pleasure-penance behind and open the door, he is there.

Steam rushes to embrace him, but it does not insulate him either.

“Mom, I’m sorry. Don’t send me to my dad. When I grow up I will buy you a car.”

Dangerous thoughts had been circling my mind. How wonderful to be free again. How much easier life without an extra mouth to feed.

I pull him close and wrap him in a fierce hug. My tears mingle with water droplets and disappear into his hair.

If the love of money is the main root of all evil, the lack of it is the secondary root.

Timi@ Livelytwist
© Timi Yeseibo 2015

The Empty Crib

We do not interrupt the drive home from the hospital with small talk. When we pull up in front of our house, the neighbours spring out from theirs. Their merriment uncoils in laughing smiles, waving arms, and dancing legs.

The confusion begins the moment I step out of the car. Their eyes travel from my empty arms to my ‘flat’ stomach and from my flat stomach to my empty arms, until someone blurts, “Where is the baby?”

We had not discussed how we would answer their questions. I go inside, while he stays behind to explain.

Death is a thief. It also stole my sleep. The sedatives they force me to drink, freeze in my digestive tract. I walk from room to room weeping for a daughter I never held. It is a long time before my legs give way and I lie on the carpet in the room with yellow walls and the empty white crib.

In the days following, they tell me I am lucky to be alive. I do not feel lucky; I feel empty. They tell me I am young; I can have other children. But, I wanted this one. Oh God, how I wanted this one.

In the beginning, I held a vigil for her every year, so she would know that even if everyone else forgot, I would not. Then one year I looked at the calendar and realized that while I was driving my son to football practice and watching my daughter pirouette in ballet class, her birthday had passed. I had not known that pain could fade into oblivion.

Now I understand what they told me many years ago: I will go to her, but she will not return to me.

Timi@ Livelytwist
© Timi Yeseibo 2015

Can a woman forget her baby?
Can she forget the child who came from her body?
Even if she can forget her children, I cannot forget you.
I drew a picture of you on my hand. You are always before my eyes.
Isaiah 49:15-16

The One-Night Stand Conversation

March 22, 2015March 22, 2015 ~ livelytwist ~ 70 Comments

Emma introduced us, but fate made us exchange phone numbers. Although I liked you and felt drawn to you—tenderness accompanied my memories of you—I did not expect to hear from you soon. When my phone rang at 10:33 p.m. and I saw your name, warmth tickled my face into a smile. To my “hello,” you responded with sobs and to “what is it?” with, “I’m leaving him.”

I knew who him was.

Two weeks prior to your call, you and I chatted that evening, as we stood near the balcony sliding doors. Bunched-up voile curtains escaped their brass holders, lilting whenever the breeze beckoned. Behind us, opinions on politics and football clamoured for superiority. If I had to pick a winner, it would have been the music, a persistent fusion of hip-hop and jazz. Fear of losing our voices propelled us outside.

It was as if we knew time was short. We dispensed with pleasantries and raced to your heart. The story you told had many holes and so I averted my eyes so you would not need to avoid mine. Did you know that I had once been fragile too?

When him came to check on you, you replaced your shadow with sunshine. You introduced us, listing my credentials first, and I saw what his approval meant to you. Him was impressed, just as you had hoped, and then he whisked you away to the music we feared.

I knew who him was.

That day, your sobs unleashed mine. But, I put ice in my voice and said sensible things like, are you alone? What about the kids? Don’t make decisions while emotions are high. Should I come over? I had my hair in huge rollers under a net and two white spots on my face marked my struggle with acne.

You did not want me to come over. Instead, we sampled the height, depth, and breadth of your anxieties until 1 a.m., when exhausted from reasoning, you let me go. But not before agreeing to check in later in the day.

I did not sleep. I turned your problems over in my mind. I prayed. All day long, I waited. I debated whether to reach out. I sent a couple of texts. I called. You didn’t respond. Later never came, not that day or the next or the next month.

I am watching you and him in the supermarket. He leans so you can whisper in his ear. His eyes light up and you both laugh at your secret. I choose this moment to bump into you and him, and I wear my surprise well. The three of us make small talk but you overcompensate for lull with details. Your voice is on display, bouncing off the shelves and rolling down the aisle. When him leaves us girls to catch up, awkwardness settles over us and silences you.

“How are you?” I ask.

“Everything is fine, very fine, and you?”

I believe you because you radiate sunshine. I wait for your explanation so I can stop editing your manuscript in my head, no in my heart. I have been reading it since that night. Question marks and ellipsis muddle its chapters.

Nothing.

Him bursts in and whisks you to even greater sunshine and I am left with the music I fear, strains of bewildered happiness.

Perhaps I was to escort you around your shadow and no further. Did I assume a role that wasn’t mine? Was shame the unintended consequence of our sudden intimacy? Or did you need to find your way yourself? No matter, every book deserves an ending, and you cheated me of my slice of the sun.

I should not have left things unsaid.

©Timi Yeseibo 2015

Photo credit: longleanna/ http://pixabay.com/en/talking-phone-mobile-telephone-560318/

The End of a Series

February 22, 2015February 24, 2015 ~ livelytwist ~ 35 Comments

I grew up in a close-knit family, a middle child, disciplined and socialized within the same context as my siblings. Our mannerisms were similar and we shared friends the way we shared hand-me-downs. However, if you had asked us, “What do you think about . . . ?” our views would have differed.

So after I approached nine guys to write this series, my fear that I would end up with a monologue—each writer parroting the other, was perfectionist-phobia. They were to distil their opinions (in 300 words or less without preaching), about a phrase, think like a man, end up without one. The phrase might be a tongue-in-cheek response to Steve Harvey’s book on what men really think about love, relationships, intimacy, and commitment.

When I told one writer that his submission was controversial and would draw ire, he said in essence, “What do you want readers to do—smile, turn over on their sides, and fall asleep or frown, stay awake, and ponder what they read?” He reminded me of something I had heard, that those who are least like us, have the most to teach us about ourselves.

Maria Popova says that a great story is not about providing information, though it can certainly inform—a great story invites an expansion of understanding, a self-transcendence. More than that, the story plants the seed and makes it impossible to do anything but grow a new understanding—of the world, of our place in it, of ourselves, of some subtle or monumental aspect of existence.

Because I read with an open mind, I embraced each writer’s invitation to stack his opinion against my experience and preference. My beliefs about why I’m here and what follows death as well as my present cultural reality shaped the points of consonance and dissonance I found. The comments showed me mathematics makes sense: 3+6 and 4+5 and 1+8 and 2+7 all equal nine, but not when it comes to the heart. Tomi captures it best: Perhaps love is our different similarity. We love differently, but we love all the same.

The first time I liked a boy whom I thought liked me back, I told a friend. She had acquired a worldly veneer from eavesdropping on the conversations of her many older siblings. Thus her advice, play hard to get, went unchallenged by me. I must have looked like a toy atop the Eiffel Tower because, with no ladder in sight, the boy’s hands hung limp and he left. I suppose the moral of the story is life is art, more fluid than formulaic, and a variable presents an opportunity or a looming threat. As Tola reminds us, embedded in every story are endless possibilities.

It seems everyone wants love and yet, in the words of C.S. Lewis, to love at all is to be vulnerable[;] love anything and your heart will be wrung and possibly broken. What to do then? Dela wants the predictability of drama. Ife sighs at the two hunters in the jungle. Samuel unveils a game of thieves; Ifeanyi makes it about egos. Tonwa advocates for less brain and more heart and Seun stresses, a human brain, please! Brian hints at the delicate balance of pursuit and protection: We want to be loved for who we are, but we fear the risk that comes with disrobing to be known.

Love slays what we have been that we may be what we were not. – St. Augustine

Relationships are oxygen. The post views, likes, comments, and shares, do not lie. If I had any sense I would start a series (written by women), dance like Cinderella, end up with the Prince!

What about you, what do you think?

©Timi Yeseibo 2015

p.s. Thank you Tomi, Ifeanyi, Ife, Dela, Tola, Samuel, Tonwa, Seun, and Brian!

Think Like a Man, End up Without One [2]

February 8, 2015February 24, 2015 ~ livelytwist ~ 65 Comments

The Guy’s Girl

When Yetunde asked me where to meet up the following day, I didn’t hesitate before suggesting Babs, a sports bar. Calling Babs a ‘sports bar’ was dignifying the seedy, open-air joint in a backstreet in Surulere that sold cheap beer but also screened live football matches. I knew Yetunde wouldn’t have any qualms about hanging out at a beer parlour, surrounded by a crowd of raucous, sweaty, beer-guzzling men. I’d started giving her directions, when she cut in. She knew the place. I wasn’t surprised.

Yetunde was the quintessential guy’s girl. She loved video games, argued about politics and football and drank Guinness Extra Stout. But it was more than that. She understood men in a way that was uncanny. Whenever my girlfriend and I had a bust-up, Yetunde was my go-to-person. Majority of the time, she sided with me. I don’t think it was because we were friends. She would subject me to a grilling; she only wanted to hear the facts but didn’t want any important detail omitted. She would analyze the issues—a painstaking process that usually ended with her concluding that my girlfriend, Funmi was at fault.

Then she would laugh and say, “But you better go and apologize to Funmi. Forget about my analysis o; all that is English. I’m sorry, that’s what women want to hear.”

It was easier to apologize to Funmi after my conversations with Yetunde; that Yetunde agreed with me was enough vindication.

We had to raise our voices to hear each other above the din at Babs, but there was no lull in our conversation over the ninety minutes of the game. I couldn’t remember the last time I laughed so hard. I asked her, half-teasingly, if she now had a boyfriend.

“How can?” she laughed. “If I had a boyfriend, would I be here with you?”

“Come on, be serious. How about that tall, skinny dude I saw you with a couple of times at the cinema?”

“It’s always the same,” Yetunde replied, her voice dropping a notch. “He didn’t want a relationship.” The expression on her face suddenly became serious. She went on, “It doesn’t look like it would ever happen, Akin. I’ve started preparing myself for a lifetime of singleness.”

I faltered, unable to come up with an appropriate remark.

“Why are you looking so concerned?” Yetunde quipped. “Are you my father?”

I doubled over with laughter.

As I drove back home that night, light-headed from the beer and the euphoria of Arsenal’s victory over Chelsea, Yetunde’s remark about bracing up for a lifetime of singleness came back to me. It made no sense why a girl who got along so well with guys, shared our interests, and reasoned the way we did, seemed incapable of being more than just friends with any guy. Would I date her myself, I wondered, as I turned into my street. I chuckled. The thought was ludicrous. It was a question I had never considered, not even fleetingly.

It wasn’t that Yetunde wasn’t attractive. Far from it; boy, she nearly caught me staring at her behind on our way out of Babs that evening! I was also certain it had nothing to do with being friend-zoned or any such nonsense. Then why did the idea of dating Yetunde seem so incongruous? This was a girl I loved to hang out with, a girl who always cracked me up. Why would I not want to be with her?

Then it struck me with sudden clarity that defied the wooziness in my head, as I arrived at the entrance to my house: was it because Yetunde was too much like men that successful romantic relationships with them continued to elude her?

I haven’t been able to answer that question; neither that night nor in the six years that have passed. I am now married and I have two daughters. Yetunde is still single.

Photo credit: SnapwireSnaps/ http://pixabay.com/en/couple-laughing-happy-people-598315/

The Promise of Spring

January 18, 2015January 18, 2015 ~ livelytwist ~ 66 Comments

The wind brushes my hair into a side part and I curl my fingers around my thumb. My hands dig deep in my pockets, pulling the fabric down, as far as they will go. My neck is warm, my feet are warm, the rest of me shivers. Every winter is the same; I ask myself, why am I still here.

A seven-minute walk separates the station from Chizanes. The harried strides of rush hour has given way to languid walks. I linger by the oldest statue in the city, the first mayor on a horse. Inscribed on the marble plaque is my answer: the promise of spring. The wind, kinder now, carries distant laughter past me. It is the sound of a man and woman in love. Even the stars twinkle in appreciation.

Inside Chizanes, after my eyes adjust to the dimmed lighting, he is easy to spot. He waves and rises to greet me, leaning forward. I hesitate then stretch my right hand to dissipate his confusion. He takes it.

“Thank you for meeting me. How are you?”

“Fine,” my falsetto is on, “how are you?”

“Good. Good to see you! You look good!”

“You too.”

We order drinks. I ask about his family. He asks about mine. We waste time on the menu, searching for our rhythm—this, no that; are you sure? I heard it’s good. What of the chef’s specialty? No, you decide.

He signals for the waiter.

He asks about my job. I tell him I left. He doesn’t pursue an explanation. We talk about the weather. I cannot believe that the passion we shared has fizzled to this: the temperature is expected to go below zero on Wednesday.

He clears his throat and begins. “The reason I left—”

“Fish?” The waiter looks at me, then at him. He places three more dishes on the table, naming them with flair. “Is everything okay?” He asks with a half nod.

We both nod.

“Enjoy your meal.”

We dish food on our plates. Raise bowls and pass them, careful not to touch. We eat like famished travellers.

“As I was saying I left because . . .”

He covers his eyes with his hands. I stop chewing.

“What can I say? I’m just a coward . . .”

“What?”

“I said, ‘I’m a coward.’ I . . . I—”

“Three years of my life and you tell me you’re a coward?”

“Sssh, sssh, lower your voice,” he whispers, reaching for my hand.

I snatch my hand and look around. More interested stares. Chizanes packs about thirty people in a circular arrangement. The walls are windows, which stretch and nearly kiss the high ceiling, an illusion of space. Our table is sandwiched in the centre.

“He left me three years ago,” my chair scrapes the ground protesting the sudden movement, “and now he says he’s a coward?” Standing, my voice booms and blankets all conversation. “Can you believe that?”

Quiet like the embarrassed silence after the president farts noisily.

I catch the man in a navy shirt before he averts his gaze like the others. “Sir, can you believe that? He’s a coward?” His girl whispers something to him and he examines his plate as if there’s gold in the soup.

“Ma’am, we’re gonna have to ask you to calm down and sit down.”

The man addressing me sounds important, like the manager.

“No, I won’t sit down with this coward!” I stand on my chair goaded by impulse.

“Ma’am . . .”

“Three years.” I try harder, “Three years people!”

“Ma’am we’re gonna have to ask you to leave.”

I get down slowly. Now they are watching. Cowards, all of them. Maybe someone is recording for YouTube.

“May I escort you? Sir . . .?”

“It’s okay, I’ll handle things from here,” my coward’s smile convinces the manager. He leaves us to organize our shame and repackage our dignity.

“Are you just going to let them walk me out?”

“Sssh, sssh. Let’s just go before they call security.”

Outside, he holds my bag while I don my gloves.

“Now that the world knows how you feel,” he gestures at the people watching from inside, “Have a nice life!”

He hands my bag over and walks away.

I run after him. “Don’t leave me!”

Out of view from Chizanes, he stops. “That used to be my line.” He lifts my chin and lets my tears wet his gloves. “Award-winning actress,” he whispers. “You were supposed to storm out. Wh . . . what if—”

“Coward. You need to get a job, we can’t keep doing this.”

“In the spring when the quarries reopen, things will be better. This is great practice until we can afford acting classes. Wasn’t the food good though?”

Three years of doubts dissolve in laughter. The wind is harsher now, unforgiving, breaking tiny branches off stoic trees, sending twigs sailing across the sidewalk and freezing my tears. I nestle my head on his chest. Nothing is sure. Last year only a few quarries reopened. When his arms circle my waist, I close my eyes and count, December, January, February; three months until spring.

“Do you want dessert?”

“Do you have any money?”

“No, but I know another place where we can act . . .”

©Timi Yeseibo 2015

Author’s Note

The Promise of Spring is about anything you fancy. Me? I wanted to depict some challenges immigrants face in a country unlike the one they left.

The frequent references to the wind portrays how immigrants experience climate change and how the weather now becomes an important aspect of life in their adopted country. The story opens with a question immigrants may ask when disillusionment (winter represents foreign culture and systems as much as it does weather) sets in. Hope (spring) sees them through from year to year.

The author delves into the ingenious ways immigrants survive (some illegal), and plays with the idea that although immigrants are in plain sight they live on the fringes of society (in the restaurant, although she stands on the chair, she is ignored by other diners).

Acting is the ‘job’ of choice in the story because immigrants live at least two lives—a ‘glamourous’ one for friends and family in their native country, and a ‘grim’ one for their hosts.

The story ends with the suggestion that there is another place where they can act. This is a reference to the immigrants’ mindset about moving from region to region or country to country when perhaps immigration policies tighten or economic realities no longer favour them. Returning to their native country is not an option.

Why add love and romance? Because love is oxygen. And because I have done some foolish things for love. Haven’t you?

And The Mountains Echoed

January 11, 2015January 11, 2015 ~ livelytwist ~ 41 Comments

Out beyond ideas
of wrongdoing and rightdoing,
there is a field.
I’ll meet you there.

Khaled Hosseini’s book, And the Mountains Echoed, opens with this poem by Jelaluddin Rumi. When I finish reading, I think I know what informed his choice. But what do we really know about each other?

Two sisters, Masooma and Parwana, are sitting on a branch high up an oak tree, their feet dangling. Parwana has always lived in the shadow of Masooma’s exceptional beauty. Life is like that, we are not gifted equally. Beauty is an enormous, unmerited gift given randomly, stupidly¹. Parwana is in love with a boy who is in love with Masooma. Life is like that, the heart often wants what it cannot have. Love isn’t always requited in the measure it is given.

When Parwana discovers that, the boy she secretly loves plans to marry Masooma, she shakes the branch and Masooma slips off it. In those seconds of clarity we all have after we set an impulsive destructive course in motion, Parwana tries to save Masooma. Too late. Masooma loses the use of her legs and becomes an invalid. Parwana’s penance is to care dutifully for her sister in rural Afghanistan in the forties. It is gruelling work. Her devotion is one long unspoken apology.

Betrayals play out in different forms in the book. There are tsunamis of cause and effect sweeping through generations. Hosseini, in my view, shows us what is in the human heart. He shows us that . . . human behaviour is messy and unpredictable and unconcerned with convenient symmetries². I find myself suspending judgment each time. When I read these words, something clicks.

I have lived a long time, . . . and one thing I have come to see is that one is well served by a degree of both humility and charity when judging the inner workings of another person’s heart³.

In each scenario, I ask myself what I would have done. Without the pressure of the moment and with the benefit of hindsight, I weigh my options and choose noble actions. This game I play, read and reflect; it is easy. My life has not been a journey of reasonable actions. I understand every character’s dilemma. I understand their choices even when I don’t approve of them.

Eventually Masooma decides to give Parwana a gift, freedom. She decides to die in the desolate endless expanse of sand and mountains, abandoned on the ground under the darkened sky, cold, and drugged out on a potent mixture from the hookah, with Parwana’s help.

I ponder the nature of Masooma’s gift—freedom, at what cost to Parwana’s conscience? Although she presents it as self-sacrifice, I wonder if it is not self-serving. But such is Parwana’s devotion that she leads Masooma to her death. Of course, the man who Parwana loves, who was in love with Masooma, (but married someone else), is now looking for a wife, having been recently widowed. Can unspoken wishes twist the hand of fate or are we master chess players?

After Parwana reluctantly leaves Masooma to die, trudging back home, she hears something, maybe the wind calling, “Don’t leave me, sister. Come back.”

I tell myself I would go back. Parwana does not. She reasons that nobody will know, just as no one knew about the branch of the oak tree. She has lived with secrets all her life.

For nearly 500 pages, Hosseini shows us the subtexts of our hearts, the subplots that drive our actions, like an onion, he peels layer after layer exposing, in my opinion, our capacity for self-deception. Even with a moral compass, anyone can make black white. The characters are achingly familiar to me.

And the Mountains Echoed, is not about Parwana and Masooma alone. If I have made it seem so, I have done a disservice to Hosseini’s masterful story telling. It is about Saboor, Abdullah, Pari, Nabi, Suleiman, Nila, Idris, Timur, Roshi, Markos, Thalia, and many others, including you and me, a collage of stories linked by strong and weak threads. They have had their time. We have ours now. When the mountains echo, I hope we heed its silent meaning.

Out beyond ideas
of wrongdoing and rightdoing,
there is a field.
I’ll meet you there.

Does such a place even exist?

©Timi Yeseibo 2015

Hosseini, Khaled, And The Mountains Echoed, (London: Bloomsbury, 2013), 378.
Ibid., 378.
Ibid., 124.

Did We Do Any Learning? [4]

December 10, 2014December 10, 2014 ~ livelytwist ~ 49 Comments

A Small Sacrifice to Make

I love December. Although I miss the sunlight of the longer summer days, I try to embrace the darkness of winter, because it forces me to re-focus; focus on me, my life, my house, my work, my family, and my friends. I see this month as an end and a beginning, a time to evaluate the past year and to think about the future.

This year has been very emotional with some considerable lows and some exhilarating highs. I fell for the wrong guy and was faced with the task of mending the pieces of my broken heart.

The most important thing I have learned this year is twofold. I saw a quote, I can’t remember where, but thankfully, it stuck in my head and in my heart: “Be strong enough to let go and be patient enough to wait for what you truly deserve.”

Repeating this mantra over and over gave me strength to make choices and say goodbyes that aided my wellbeing. It helped and is still helping me feel and truly believe I deserve the kind of stuff for which patience is a small sacrifice to make.

Gertie Janine Fransens makes her home in Amstelveen. When not working or enjoying books, movies, and music at home, she likes to go out, have a drink, get to know new people, and dance like nobody’s watching.

Table for One

The wind whipped my hair as I walked along the alleys of the Centrum. I smoothened my hair before I pushed the door open.

Poised, I said, “I have a reservation for two . . .”

“This way please.”

Twenty uncomfortable minutes followed.

The text came in after I sat: runin late b dere in 5.

When the third waiter asked if I wanted to order; if someone was joining me, I answered, “Yes, they’re coming!” and reminded myself to take the edge off my voice.

I refused to lose myself in Khalid Hosseini’s, And the Mountains Echoed. I refused to “smoke” my 21^st century “cigarette,” that is, play with my smart phone. I sat, elbows off the table, admiring the oriental décor in the cozy setting. I played the which-couples-are-dating-married-fighting-game; and then watched the long and short hands of the clock.

Because I didn’t fill the void, (to prove what exactly?), I felt as though every eye was on me, every conversation was about me; my aloneness fingered with naan bread, forked and knifed with lamb tikka masala, and spooned with kulfi.

I had heard about a restaurant in Amsterdam, EENMAAL, billed as the first one-person restaurant in the world, and an attractive place for temporary disconnection. I had scoffed at the idea. Wouldn’t people rather eat alone in a normal restaurant? As I sat by myself, trying to be brave, I ate my words.

I write alone.

I create alone.

I think alone.

I can shop alone.

I can travel alone.

I can go to the cinema alone.

It catches me by surprise; I cannot eat dinner alone in a restaurant.

I am not as self-assured and independent as I thought I was. And, it’s okay.

Timi @ livelytwist

Did We Do Any Learning? [2]

December 3, 2014December 3, 2014 ~ livelytwist ~ 28 Comments

Keep on Moving, Don’t Stop!

I’ve grown. If according to John Foster Dulles, the measure of success is not whether you have a tough problem to deal with, but whether it is the same problem you had last year, then I’ve grown and become successful. A few years ago, I created a problem for myself that cost me in currency that did not exist. That blow, that loss, that disappointment, that self-loathing, stole one year of my life. I hid under the bedcovers in January and did not emerge until December.

This year, I created a dissimilar problem. The blow, the loss, the disappointment, the self-loathing, was the same, but it did not steal one year of my life. I drew a circle of blame with one big dot in the centre, representing me, the first step in securing redemption and embracing grace. Then I forgave myself and doubled my productivity.

Since yellow is the colour of sunrays, Soul 2 Soul’s Keep on Moving, became my refrain. My mistakes helped me locate myself on the ladder of my development, several rungs below where I’d hoped to be. But wading through the putrid mess, I found as John Maxwell says, keys that I can use to unlock the next door of opportunity.

Fall, rise, keep rising, keep on moving, don’t stop!

©Timi Yeseibo 2014

Did We Do Any Learning? [1]

November 30, 2014November 30, 2014 ~ livelytwist ~ 74 Comments

Yiikes, I’m a Control Freak!

Accomplished is my word for 2014. But so is Control Freak, as I’ll learn later.

It was a fine morning in June 2013 when I sat, filling out forms in the anaesthesiologist’s office.

“Gosh, you have OCD,” he said, when I handed them back.

Puzzled, I turned to him, “Why do you say that, sir?”

“Well, you’ve filled out every detail on the form. Hmm, the people who work for you must be suffering.”

What? All that from filling out a form properly? No appreciation? Why ask for the information if it was unnecessary? I shrugged but paused, thought lingering.

Fast forward to November 2014. I’m reading, Eat, Pray, Love, by Elizabeth Gilbert. I’m awed that she, thousands of miles away, can write my heart so perfectly. In the book, ‘Liz is in conversation with her friend, Richard:

“Lemme tell you something, Groceries – you got some serious control issues.

“My rage at this statement consumes me like fire. Control Issues? ME?

“…Listen, you’re a powerful woman, and you’re used to getting what you want out of life,…Life didn’t go your way for once. And nothing pisses off a control freak more than life not goin’ her way.

“You gotta learn how to let go, Groceries. Otherwise, you’re gonna make yourself sick. Never gonna have a good night’s sleep again. You’ll just toss and turn forever, beatin’ on yourself for being such a fiasco in life…How come I screw up all my relationships? Why am I such a failure?”¹

I scream in my head. This is me. Has been me forever. And so I’ve decided that my phrase for 2015 is Letting Go. Because I can’t look forward and back at the same time.

Control Freak. Letting go.

Ozoz @ Kitchen Butterfly
Watch her Journey by Plate, at TEDx Port Harcourt, October 2014.

No Stopping Me

I refuse to listen to the cynical voice sending evil messages to my brain, “You have reached your limit, just give up and maintain what you have.”

It is not possible that I cannot lose any more weight. Short of sewing up my intestines, tongue, and teeth, I have tried everything humanly and spiritually possible to lose weight.

Last Friday, I decided to give my body a treat. Off I went to a nearby gym and spa center. I asked about their services.

“Pedicure, body polish and massage, facials, tummy blast—”

“Eh Tummy blast?” Light bulbs went off in my head. “What does it entail?”

“We have a machine that rolls over the stomach, as well as a kneading wood that helps to blast the fat.”

“Wow! Really?”

“Yes ma,” the lady responded. “But you need to come in for a minimum of six sessions to see tangible results.”

Treatment started in earnest. The machine began its work. Years of unleavened fat would not go down without a fight. The kneading wood was applied to further flatten the pouch. Next, they tied me with cellophane and a long strip of cloth. I made Herve Leger’s bandage dress look like child’s play. Na wa, so this is what it feels like to be an Egyptian mummy?

Fifteen minutes later, I had lost about an inch! They placed me on a three-day fruit diet with lots of water and gave me aloe vera gel drink as part of a detox plan.

Although the aloe vera drink tastes like shit and my husband laments that he and the kids are the real victims of my never-ending weight loss programmes (they cannot go to the toilet after me since air fresheners and diffusers are powerless against this form of domestic terrorism), I am trudging on. Ain’t no stopping me. One down, five to go.

Eriye Onagoruwa is a legal practitioner. She writes satirical pieces for The Guardian.

A Thin Line Between Yes and No

I tend to say yes to almost everything.

I tell myself that this is due to my good nature, after all what’s so bad about trying to avoid the landmine of hurt feelings? I sometimes suspect though, that it is because I hate being told no myself. My reluctance to use the word no usually results in my being burdened and stretched with over commitments and ever-increasing responsibilities. This was a constant thread than ran through the fabric of 2014—a constantly overflowing schedule. The slender margins took a toll and gave rise to frayed nerves and a quick temper.

A person who lives with the stress of an overwhelmed schedule will ache with the sadness of an underwhelmed soul.²

I wish I had known earlier, the freedom that comes with just saying no. Saying no does not close the door on opportunities; rather it creates the opportunity to say a resounding yes to the things that do matter. Saying no is just another way of saying, “Yes!” to the important things. Lysa Terkeurst calls this our Best Yes.³

I am not one for New Year resolutions, but as 2015 peeks from behind the folds of 2014, I hear, margin. I have learnt that I need margin in my life and to achieve this, sometimes, I need to say it loud and say it clear, with a dash of understanding and empathy of course, “No!”

Tamkara @ naijaexpatinholland
Tamkara rocks her clogs expat style in the book, Dutched Up! with 27 other expats who share their perspectives on life in The Netherlands.

Gilbert, Elizabeth, Eat Pray Love (Croydon: CPI Group (UK) Ltd. Books, 2007), 158 – 159.
Goins, Jeff. 025: Saying Yes to the Best Things: How Do You Balance It All? [Podcast]
TerKeurst Lysa, The Best Yes: Making Wise Decisions in the Midst of Endless Demand

Gods Were to Blame by Samuel Okopi

November 2, 2014January 17, 2016 ~ livelytwist ~ 27 Comments

All the lessons of history in four sentences: Whom the gods would destroy, they first make mad with power. The mills of God grind slowly, but they grind exceedingly small. The bee fertilizes the flower it robs. When it is dark enough, you can see the stars. – Charles A. Beard

“Who dares Oyo?”

Sango’s fingers quaked as he rose from his seat. A palace guard had come with news that frightened his household but angered him.

“Who dares my beloved Oyo?” Sango asked again with a louder voice, his face squeezed to a frown, his eyes eager to escape the prison that held them.

Everyone in the palace shifted back.

“I will destroy this oyinbo god!” said Sango, as he raced to the skies.

From the embrace of the lower clouds, Sango saw Poseidon, an oyinbo god so mighty that when he moved, the sea swirled around his body like wrapper shaking in the wind. Poseidon held a trident with which he guided the clouds above the sea into a thunderstorm easily uprooting palm trees outside the city walls. He advanced from the middle of the sea, lashing the waters with his massive frame.

Sango trembled. Where did such a god journey from? What does it desire?

Poseidon roared and the earth shook.

“Olorun did not mold Sango with fear!” Sango spat out the words through trembling lips.

The upper clouds swirled faster around Sango’s outstretched double-headed axe. As the master of thunder, the knowledge that another being sought the obedience of heaven’s light and sound enraged him. Fear shrunk into a still prisoner bound by the shackles of his rage.

“White god, listen! You shall burn! The waters shall do nothing to stop your white skin becoming like the terrible blackness of night. You shall disappear as ash to the skies!”

When Poseidon’s eyes caught Sango, he roared all the more in the foreign tongue and mounted the sea horses formed of the tidal waves. Soon, he was by the beach. Poseidon had not crossed the palm forests by a man’s twenty paces when Sango swung his axe and struck him with a stream of lightning.

All of Oyo Kingdom and beyond heard the terrible groan of the oyinbo god as he crashed into the sea. Warriors ran into their huts ahead of their wives. Children bumped into themselves as they pursued their mothers’ loosening wrappers. The scent of death had never been this pungent in Oyo.

In the palace, Sango’s three wives, Osun, Oya, and Oba, huddled in the inner chamber, quivering.

“Olorun, spare us and our Kabiyesi o!” said Osun, whose beauty and excellent cooking kept Sango’s deep love for her aflame through all seasons. Wraps of amala she had prepared for him lay on the floor of the main chamber, their roundness deformed to the jaggedness of mountain ranges. The hot ewedu soup she had placed beside the amala stained the floor like stubborn patches of grass.

Every member of the royal household crouched in hiding, counting their heartbeat and the painful seconds before the oyinbo god’s groan would resound. Instead, the faint sound of Sango chanting praises of his exploits in battle, streamed in from the skies.

The palace guards rose first, following the distant sound, shedding their fear with each footfall. They moved into the courtyard and sighted Sango in the clouds, and then they shouted, singing the great victory songs of old. The palace drummer struck the batá twice, swung around, and then moved his hands faster and faster over the batá. Osun, Oya, and Oba’s legs received strength and their hips swung left, right, left, as they chorused with the guards.

Who amongst beasts and men can stand the fire in Kabiyesi’s eyes?

Will a god beside Olorun do battle with Kabiyesi?

Ah, Kabiyesi, master of thunder!

The god that brightens the earth with his eyes.

The one that chews iron and bathes with fire.

Our lord with eight eyes guiding heaven, eight more ruling earth.

Our king who makes Oyo people snore in a thunderstorm!

Kabiyesi, master of thunder, Olorun made you perfect!

Sango smiled as tributes from the lips of hundreds of thousands dwelling in Oyo kingdom ascended to his ears. He descended towards his people, his brown loincloth swaying in the wind as he danced to the intoxicating beat of the batá.

Midway between earth and sky, the earth began to tremble. Poseidon’s roar arose from the sea and saturated the skies, sucking in the joyful noise of victory swimming in the air. When Sango turned to behold Poseidon, a mighty ball of water hit his frame and flung him towards Egbaland where he crashed on Olumo Rock, the great rock revered all over Egbaland. It shattered at once into boulders that flew out and crushed many houses and people.

From where his swift flight ended, Sango pushed aside the tree trunk straddled across his torso and jumped to his feet. His mouth was bitter from the memory of his humiliating crash. Seeing Poseidon advancing towards Oyo, even if with a burnt arm, turned Sango into a mad man. Wrath stole his words. Pain summoned his axe. When it came, he stuck it in the air and flashed his iron teeth at the sun.

Thunder knew its true master.

“Olorun! I am the greatest god after you!” Sango said, his eyes aflame as he channelled ten years of thunder towards Poseidon.

***

Poseidon’s ashes travelled as far as Timbuktu. The great walls of Oyo crumbled to dust. Not one living thing survived.

“Oloooooruuuuuuuuuun!” Sango cried to the heavens, the fire in his eyes humbled to tears streaking his cheeks.

“Oloooooruuuuuuuuuun! Olodumareeeeeeeh! Why did you not tame my anger!”

Sango sank to his knees. Osun’s enchanting smile flashed before him and with it came the memory of the sweet-smelling amala and ewedu she had prepared for him.

“Aaaah!”

Sango bowed his head and wept like a man. For two days his knees remained with the ground and his lips did not part. When he stood to his feet, he walked for seven days never stopping until he vanished into the sea.

No god ever saw Sango again.

samuelokopi.com

Oyinbo: Pidgin. Usually, a person of Caucasian descent.

Olorun: The supreme god of the Yoruba pantheon in its manifestation as the ruler of the heavens. http://en.wikipedia.org/wiki/Olorun

Kabiyesi: Majesty, Royal Highness. He whose words are beyond questioning. http://en.wikipedia.org/wiki/Highness

Batá: A double-headed drum shaped like an hourglass with one cone larger than the other. http://en.wikipedia.org/wiki/Batá_drum

Image Credit

Sango’s Rage by Tobi ‘Leftist’ Ajiboye

Twitter & Instagram: @leftistxx

Bus 281

October 19, 2014November 22, 2018 ~ livelytwist ~ 70 Comments

The bus driver did not look at me when I entered the bus. I spared him a glance as he sped away from the bus stop and grabbed a red pole to steady myself before I flopped into my seat.

“Sorry,” I apologized to the man on the window seat when I regained my balance and saw what my lipstick had done to his sleeve.

He shrugged and smiled.

Whenever we approached a bus stop, we lurched forward as the driver braked, and we fell backwards as he accelerated again. No one got on the bus.

At the intersection between Park and Jacob Street, a grey Toyota on the opposite lane anxious to beat the red light, navigated a left turn. But it was caught in the middle of the road, in the path of our angry bus. The bus driver brought the bus within scratching distance of the Toyota. The Toyota driver inched further left. The bus growled and heaved. I felt the faltering bravery of the Toyota driver. Chatter climbed a few decibels.

Vroom, vroom, vroom! The bus driver’s impatience bellowed from the engine.

“Go! Go! Go!” the passengers cheered and clapped, with necks extended.

The lights turned green, and the Toyota rolled into Jacob Street just as the bus charged forward. I fell back in my seat and began to breathe again.

Five hundred metres before my stop, I pressed the button. The buzz pierced the chatter and the display flashed, STOP, in the monitor overhead. Moments later, I stood and held a red pole to brace myself, but the driver rode past the bus stop.

The passenger sitting beside me called out, “Chauffeur!”

More passengers called, “Chauffeur!” and then chanted, “Chauffeur! Chauffeur! Chauffeur!” stamping their feet to match the two syllables in the word.

Eventually the driver swerved towards the kerb. Passengers rose and shambled to the door like zombies. The driver lowered the belly of the bus, and the door puffed before opening. Twilight had bowed to a moonless night, and we were in the middle of nowhere.

“The world is full of crazy people. Get out while you can,” called the driver.

My feet developed roots, and I watched all the passengers except the man I sat beside, file out of the bus. They wore pale blue tops and trousers. He nudged me, and we got off together.

The passengers in pale blue led the way. Their voices floated and filled the night. In the absence of buildings and street lamps, the tree branches were monsters looking on. Reprieve from the darkness came from a dim signpost where the passengers melted into the shadows. I read the sign, National Psychiatric Hospital, and we quickened our pace. His presence by my side, kept me from running. The next bus stop was still ahead.

The bus stop, a pole with a twisted metal sign, offered no protection from the night. I checked my phone. The battery was dead.

“Mine too,” he shrugged.

Darkness stretched time like fitted sheets that are too small. I stifled the urge to pee. The wind whistled through the leaves.

“Did you hear?”

“What?” I replied.

“I thought I heard my name,” he turned in a semi-circle.

“Me t . . . t . . . too.”

We huddled closer. Then he started singing, “Love is like two dreamers dreamin the exact same dream . . .”

“Nightmoves, Michael Franks,” I mumbled.

“Marry me,” he whispered.

The leaves answered the wind, “Whooosh!” and fell to the ground.

But the wind whistled back in hot pursuit gathering leaves in its arms and spinning them round and round. Some leaves broke free and circled our feet. Something in the pit of my stomach churned.

“The music begins and the titles fade in, starrin’ you and me. The hero is struggling to say that his lady is far away in her prison of wishes . . . ,” he continued singing.

Headlights appeared in the distance. I moved as far out to the edge of the road as I dared and waved.

“Marry me!” his voice was urgent.

The thing in my stomach grew. My chest rose and threatened to pop the buttons of my blouse. I darted to the middle of the road and waved my hands with all my might.

Two yellow eyes flashed twice, cutting through the darkness. The sound of the engine grew louder. I ran to the side just as the bus screeched to a stop, lowered her belly, and the doors swung open. I clambered in and willed the driver to read my eyes.

“Close the door!” I screamed.

“Aha, the world is full of crazy people, get in while you can,” he smiled and sped away.

I turned and watched the passenger singing and dancing as his pale blue form retreated into the darkness, then flopped into my seat. I closed my eyes and opened them when I started breathing through my nose again, grateful for street lamps. By now, the bus was ambling over the cobblestones of the deserted shopping district. I saw our reflection on the floor-to-ceiling windows and squinted to read the inscription on the side of the bus, Bus 281: Property of The National Psychiatric Hospital.

“Honey, just marry the idiot already. One of these days he’s gonna tire of the game and find someone else,” the bus driver caught my eye in the rearview mirror and winked.

I looked at his shirt, pale blue. I looked down at my blouse, pale blue. I fainted.

——–

Michael Franks, Nightmoves, from the album, The Art of Tea.

Image credit: illustrations from Microsoft

Picture Your Story

October 12, 2014 ~ livelytwist ~ 73 Comments

Ever noticed how newspapers use photographs of public figures? If Obama scores a big one, we get smiling Obama, maybe with a fist pump. When the roof caves in, we get tight-lipped, greying, worry lines Obama. All underneath screaming headlines. If the paper has integrity, we are not disappointed with the text that follows, our minds having been conditioned for it. They say we see with our eyes and we see with our minds.

And yet after I left primary school, my books, whether novels or textbooks, were devoid of images except for academic (boring), charts, graphs, drawings, and photos illustrating the concept being taught, as if to say, now that you’ve mastered comprehension, you don’t need visual aids or we want you to concentrate, no mucking around!

The web changed everything. Of course, it had to since everyone became a (potential) content provider. The downside of information overload is digital ADD. Mixing text with pictures and videos means we might win the scramble for eight seconds of surfing attention. However, beyond this, I integrate photos with text because it breaks monotony and can say what words cannot, helping to build emotional connections. Moreover, we decipher meaning from images, adding to the reading experience.

A picture may be worth a thousand words, but it might not tell the whole story. Perhaps that’s why on the web, text continues to dominate information exchange and videos, which combine visuals and words, are on the rise.

Visual art and writing don’t exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can’t do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating. – William S. Burroughs –

After writing an article, I hunt for images that complement it. During my search, I encounter photos that have nothing to do with the text, which haunt me and inspire me to manufacture a story, like this one.

The right story hasn’t come along for this image yet, but I can’t wait any longer. Let’s find the story together. You don’t need to be a writer, just human. Tell what the photo evokes in you. There is no right or wrong, because we see the sun at different times. Day for me may be night for you. You can write your headline (title) in sentence caps and/or a few lines of the story. Indulge me, please? I’ll start.

The Boy Who Stole Tomorrow

Truth did not have consequences when we were young, so we exchanged it freely as though playing Ping-Pong. Some days you won. Other days I won. We did not keep score but maintained equilibrium until she came. Then, you made me lose more than I should have.

————–

P.s. Like seriously? Of course there’s no prize, I’m not Oprah! Alright then, just comment on how multimedia content enhances online interaction. See? Told ya! The story option is easier 😉

http://pixabay.com/en/boy-walking-teddy-bear-child-walk-447701/

Once Upon a Time

October 5, 2014October 5, 2014 ~ livelytwist ~ 66 Comments

We carry stories with us. As a child, my nanny told me that if I looked at the mirror at night, I would see ghosts. Then she shared ghost stories, which cemented fear in my heart. I would spend the next several years sleep walking into the bathroom at night with my right hand averting my face, my eyes, from ghosts floating on the mirror. The myth shattered at eighteen. But, every night since then, I pause at the mirror before I sleep. Stories can intervene in myriad ways.

Storytelling has been enjoying a public renaissance; it’s a buzzword that makes me smile. Consultants are teaching CEOs how to embed business data and technical information in a good story to keep audiences from yawning. Ha, I know what my next job should be!

So what have we discovered about storytelling that my great great great great grandmother didn’t know? That when we read, listen to, or watch the right stories our brains light up with cortisol, which focuses our attention, and oxytocin, which causes us to care and connect. That the right stories follow Gustav Freytag’s analysis of dramatic structure, aka, the dramatic arc.¹

Speaking on UCF’s On the Issues, author Chris Abani said, “Everything we need to know about ourselves is already contained in literature. Most of us writers today, we’re sort of clever plagiarists. If you think about[sic] in many ways, all of the holy books from the Bhagavad Gita to the Bible, have covered all the stories that need to be told.”² It would seem there are no new plots just deviations from the originals.

Why then, since we know the science and art of storytelling, do we lean forward in our seats, with one hand frozen in the popcorn carton and lips parted in an O, the shape left by the straw we abandoned? Why do our hearts race as if Tom Cruise has ever died in a movie? Because a story is an unwritten promise by the storyteller that he’ll take you there and make you care, in the end.

If story mirrors life and life mirrors story, then our lives play out this way as well, scene after scene, chapter by chapter: a beginning, which comprises exposition and rising action, a middle where conflicts peak, and an ending with falling action and dénouement. Each story that captivates us leaves us wondering and longing and hoping that the end will be good, so we can interpret the omens of our lives favourably.

History is a compilation yesterday’s stories. The best stories from the past make me desire transcendence since my life is a search for my own story. If I find it, my storytelling becomes the vehicle to transport you into my world so you can experiment with the possibility that your world can shift to accommodate mine. Someone said that the test of a great story is what people remember about you when you stop talking. If you want me to learn something quickly, wrap it in a story.

——–

P.s. What do you remember? No, don’t reread, for crying aloud, this is not an exam just an experiment without compensation! Please comment on what you remember. Or never mind . . .

Zak, Paul J. How Stories Change the Brain. The Greater Good Science Center at the University of California, Berkeley. http://greatergood.berkeley.edu/article/item/how_stories_change_brain, (accessed October 5, 2014).

“On The Issue – Author Chris Abani,” YouTube video, 6:05, posted by “UCF,” January 27, 2009. http://www.youtube.com/watch?v=9Eg4XmK4k6A

Marinochka by Samuel Okopi

July 6, 2014November 22, 2015 ~ livelytwist ~ 7 Comments

Lace

Faded pink

Rose-embossed writing paper

The scent of Old Spice

Handwritten love-letters before email & Google

Postcards and postage stamps

That’s what Samuel Okopi’s story reminds me of. And he’s clever too with personification, making me wonder if “Shostakovich” is a chair or a person. From Russia with love, what say you?

I am sad these days, Luke. Shostakovich doesn’t smile anymore. His hands are always cold. On the harsh nights when I snuggle into his embrace, warmth does not find me. Only a matching cold. Maybe it is because the night winds blowing from Nicolayevskaya into my little apartment here in Krasnoyarsk have become colder. The large familiar shadows cast by our samovar set have now shrunk to that of the wooden figure of St. Stolobensky, standing on the dining table. Maybe I feel sad because he was Zoya’s favourite saint. But the orange flames that float on the candles at night are as bright as they have always been. Maybe they want Shostakovich and me to be happy? Like forget the memory of the weird laughter of Zoya that scared us and amused us at the same time? I am sorry Luke for the silence. Really sorry. Continue here . . .

Image Credits:

Antique Jewel Box Victorian Pearls Lace Old Silver by JamesDeMers

http://pixabay.com/en/antique-jewel-box-victorian-pearls-72414/

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